Books
20th edition of Emily Post’s ‘Etiquette’ offers updated advice on pronouns and much more
A guide for daily life ‘with all its successes and mishaps’
Some families manage bakeries, nurseries, or vineyards.
For Daniel Post Senning, great-great grandson of Emily Post and an Emily Post Institute co-president, and Lizzie Post, great-great granddaughter of Emily Post and an Emily Post Institute co-president, etiquette is the family business.
The Emily Post Institute, based in Waterbury, Vt., conducts seminars and trainings. It partners with businesses and nonprofit groups to “bring etiquette and manners to a wide audience,” according to its website.
When you think of etiquette, you’re likely to be transported to Downton Abbey. Butlers, finger bowls, the dancing school lessons you hated as a kid – stuffy, rich (usually white, hetero) people at formal dinners managing a zillion salad forks – come to mind.
But, for Post and Senning, who co-host the popular, entertaining podcast “Awesome Etiquette,” etiquette is as far from being an ossified, exclusionary code of manners as we are from being the Dowager having tea at Downton.
Emily Post, the acclaimed etiquette maven, published her first book on etiquette, “Etiquette in Society, in Business, in Politics and at Home,” in 1922.
Post’s seminal book, considered by many to be the “holy writ” of etiquette (and stolen from libraries almost as frequently as the Bible), has been revised by Post herself and her descendants during the past century to evolve with changing times.
“Emily Post’s Etiquette, The Centennial Edition” by Lizzie Post and Daniel Post Senning, the 20th edition of Emily Post’s “Etiquette,” is just out. (For info on “Emily Post’s Etiquette, the Centennial Edition,” the Awesome Etiquette podcast and the Emily Post Institute, visit emilypost.com.)
The “Centennial Edition” has lively, up-to-date advice and discussion on everything in life in the early 2020s from the use of “mx” as a title to grief to respecting people’s pronouns to how to get company to stop making bigoted “jokes” to how to handle an inebriated guest.
From the get-go, Emily Post, who was born in Baltimore in 1872 during the Gilded Age and died in 1960, didn’t view etiquette as restrictive or exclusionary. “As Emily explained,’” Post and Senning write, “etiquette is not some rigid code of manners; it’s simply how persons’ lives touch one another.”
If you browse some editions of Emily Post’s books (as this reporter has), you won’t find schoolmarmish directives or ethereal descriptions of the etiquette gods’ mannered lives on Mount Olympus.
You’ll find daily life “with all its successes and mishaps,” Post and Senning write, “With tales like ‘How a Dinner Can Be Bungled’ and characters such as Mrs. Worldly, Constance Style, Mrs. Kindhart and the Onceweres.”
Emily Post painted relatable pictures of what to do and not to do, Post and Senning write.
Though Emily Post wouldn’t have known what a smartphone or social media were, her etiquette “still aims to equip you,” write Post and Senning, “with a sense of confidence and preparedness for some of the situations you’ll encounter at home, at work, in your social life, and when you’re out and about.”
Despite claims that etiquette is dead, it is very much alive, say Post and Senning.
Steven Petrow, an award-winning journalist and expert on civility and manners, agrees. “I’m always surprised by how timely Emily Post’s advice continues to be,” Petrow, who is gay, said in an email to the Blade. “Recently, I wrote about ‘monkeypox manners,’ and cited Mrs. Post’s timeless advice about respect, consideration and honesty in our social interactions, which includes those in the bedroom.”
Post and Senning graciously took time out from their busy schedules (the launch of the “Centennial Edition,” hosting their podcast – along with their other work with the Emily Post Institute) to talk with the Blade over the phone in separate interviews.
“Emily Post’s Etiquette, The Centennial Edition” was a Herculean labor of writing and editing for Post and Senning. It took a year to write the book, Post said. And, then there was all of the time spent to ensure that the book was carefully edited.
“I would write,” said Post, 40, who manages the Institute’s publishing efforts, “Dan would come in and help me edit the book.”
It was intense, “day-to-day” labor for her and Senning (along with their other work), Post said. “I’m grateful to all the people who were willing to have their lives disrupted while we worked on it,” she added.
Etiquette has been used for less than gracious purposes, Post said. “It can easily be exclusive.”
The Post family believes that etiquette is based on the principles of consideration, respect and honesty. This may sound abstract. But these principles aren’t empty words. They have a profound impact in the real world.
Before joining the Emily Post Institute in 2008 when he was 30, Senning worked in the performing arts, touring with the Laurie Cameron Company in Los Angeles.
Today, Senning, who lives in Duxbury, Vt., with his wife, Puja and their three children Anisha, Arya, and William, manages the Institute’s training programs. He has co-authored several books on etiquette covering topics from business to digital manners and regularly speaks with media outlets about business, technology, and dining etiquette.
In 2009, same-sex marriage became legal in Vermont. “Then, before the Supreme Court same-sex marriage ruling,” he said, “we were in the vanguard. We got questions about how to respond to same-sex weddings,” Senning added.
The Institute’s response was to note how normal civil unions were, Senning said, and that same-sex weddings weren’t different from hetero weddings.
“If you’re invited to a civil union, reply,” Senning recalled the Institute advising, “let people know if you can or can’t attend.”
Senning loved the “normalization” of the response. “It was really affirming to me,” he said.
Etiquette isn’t only for happy times. It’s called on when things get rough.
“Etiquette has a role in hard times,” Post, who’s been an American Express spokesperson and written columns for publications ranging from “Broccoli Magazine” to “Women’s Running,” said.
Many go through hard times from losing a job to being ill to grieving, she added. Emily Post may have written on etiquette a century ago, but her thoughts on grief ring as true on an iPad screen as they did then in a hardback book.
“At no time does solemnity so possess our souls as when we stand deserted at the brink of darkness into which our loved one has gone,” Emily Post wrote in 1922, “And the last place in the world where we would look for comfort at such a time is in the seeming artificiality of etiquette; yet it is in the moment of deepest sorrow that etiquette performs its most vital and real service.”
“All set rules for social observance have for their object the smoothing of personal contracts,” Emily Post added, “and in nothing is smoothness so necessary as in observing the solemn rites accorded our dead.”
Etiquette can help people grieve together in community through writing a condolence note, attending a funeral or another act of common grief, Lizzie Post said.
If you’ve suffered a loss, it can be incredible to realize the impact a loved one has had when you receive condolence notes or see so many people at a memorial service.
There’s a new trend where you can take part in the grief without going to a funeral, Post, who lives in her native state of Vermont, said. “When someone dies, for example, you raise a glass at five o’clock to honor them.”
Sometimes you have to use etiquette to stand against prejudice. If someone’s telling a racist or anti-queer joke at your dinner table, you’ll need to say, “‘I’m sorry. This is not a joke for this table,’” Post said.
While etiquette counsels against rudeness, safety trumps etiquette, Post and Senning have said on the Awesome Etiquette podcast and in the “Centennial Edition.”
Tolerance doesn’t mean tolerating an unwanted hug, an inappropriate touch or being “othered,” said Post, who has co-authored and authored etiquette books on topics ranging from weddings to legalized cannabis use.
Take hugging. “We talk about how to ask for a hug and how to block a hug,” Post said.
Etiquette experts, like the rest of us, take time off. On vacation, Post, co-author and narrator with Kelly Williams Brown of the Audible Original “Mistakes were Made” (think etiquette meets “Broad City”), doesn’t want to be rude to people. “But, sometimes, I don’t want to analyze behavior,” she said, “I just want to act.”
For info on the fascinating life of Emily Post, go to “Emily Post: Daughter of the Gilded Age, Mistress of American Manners” by Laura Claridge.
Books
Something’s off about Dad. When is it time to step in?
‘When Memory Fades’ can help when families face dementia
‘When Memory Fades’
By Nathaniel Chin, MD
c.2026, St. Martin’s Essentials
$30/422 pages
Mom called you in a panic the other day.
She’d lost her keys and by the time you arrived to help, she’d found them. In the refrigerator.
These kinds of things keep happening, not often but often enough, and you don’t know quite what to worry about. But in the new book “When Memory Fades” by Nathaniel Chin, MD, you’ll learn about the journey ahead, for both of you.
You can’t remember why you walked into a room. You got lost last week, going to the bank. Popular wisdom says that things like that are normal as we age, but Chin says that’s not true – although the answer may not be a worst-case scenario, either. Yes, memory problems could just be signs of stress, dehydration, or lack of sleep – or is it time to see a doctor?
Chin says maybe, yes.
He was working his way through medical residency when his father, a geriatrician in Madison, Wisc., was diagnosed with Alzheimer’s. Chin, now a geriatrician, was blindsided, but that diagnosis also changed his life.
Here, he writes about the brain, and how Alzheimer’s and dementia are diagnosed, explaining that dementia has many faces and, depending on a doctor’s evaluation, memory problems might be slowed or improved. He shares his father’s illness with readers, but he also writes about his mother, a steadfast, steady caretaker.
Her story reminds reader-guardians to care for themselves, too.
Know how to talk the talk, so that you can have “a more productive” conversation with your doctor. Understand that there’s nothing “normal” about dementia or Alzheimer’s. Know the statistics – African Americans are affected with dementia twice as much as whites – and know how to lower your risks. Learn here what questions to ask, how to break the news to everyone, and any legal matters that will be important soon. And know how to tend to you.
Says Chin, “The best action you can take is to educate yourself… The more you understand, the better equipped you are to make sound judgments.”
Something’s off about Dad, just a lot of little things that don’t add up. When is it time to step in? “When Memory Fades” can help you decide.
Wise, wide-spread, comprehensive, and compassionately helpful, this is a book you can read and then take it to the doctor with your loved one. It’s a book that makes sense when nothing else does, and its biggest feature is that it smoothly transitions from easy-to-grasp science and charts, to gentle coaching for caregivers. Author Nathaniel Chin, MD writes with storytelling, humility, grace, and experience from both sides of the Alzheimer’s/dementia issue, and his words are reassuring but also urgent. Learn, but don’t wait, he says. Know how to safeguard yourself. See your doctor, and don’t fear testing. Watch for signs of depression. And never, ever stop asking for help.
Read those last seven words, and find “When Memory Fades” now. It’s a book to have on your shelf, whether you’re 45 or 95 because, as you’ll see, dementia happens and knowledge is key.
Books
New book chronicles gay man’s life in hippie commune
Vietnam War-era tale a serious, sexy, joyous memoir
‘Qtopia: A Memoir of Love, Land and Liberation’
2026, University of Wisconsin Press
By Juda Bennett
Duffel packed, the new high school graduate could not fall asleep. “On the night before my departure, I stared at the duffel bag as if it were a body bag. We lived close to Dover, where the dead from Vietnam were shipped.”
It is 1971, and Charles was leaving home to join a hippie commune in rural Virginia. “I kept imagining bodies fitting into the bag and popping out in the middle of the night,” Juda Bennett writes in his memoir, “Qtopia: A Memoir of Love, Land and Liberation.” During Bennett’s high school years from 1968-1971 some 35,000 U.S. soldiers were killed in the Vietnam War, the vast majority processed at Dover Air Force Base.
Young Bennett was clueless about what lay ahead but he had a commune’s brochure in his pocket, certain his destiny was not in the military. “My father was a walking recruitment center, and my mother could have worked for the USO. Uncle Sam and the Andrews Sisters had nothing on them.” Inspired to find his way out of suburban Wilmington, Del., he boarded a Greyhound bus to Lexington, Va., and communes yet unknown. “Qtopia” is a serious, sexy and joyous memoir about a young man who knows he’s different in search of chosen family and, over coming decades, his own queer Utopia.
“We are leaving; you don’t need us,” was the popular refrain in the day from the Crosby, Stills & Nash song “Wooden Ships.” Communards like young Charles (going by the moniker C.B. with a full beard covering his handsome, androgynous features) were living it. How far this is from urban queer stories of the ‘70s. For this reason alone, it is marvelous reading about hot naked hippies farming together in the country, living and loving in secluded teepees when everything seemed possible. Novels like “Drop City” by T.C. Boyle (2003) and “Arcadia” (2012) by Lauren Groff set in hippie communes had no gay characters, only free-love for straights. When C.B.’s parents arrive to visit his back-to-the-land commune North Mountain bearing gifts like the orange powder Tang and Frosted Flakes, he “maintained” as the saying went. “It was a great time for visitors to see how hard we had worked—fields of sorghum swaying in the breeze, acres of vegetables in neat rows with beans, tomatoes and peppers hanging down….I was still thin as a matchstick, but I was a strong and muscular matchstick,” he tells the story of his development. By contrast, he had considered suicide before leaving home; this memoir fills in the pain, too.
There are times when C.B.’s voice as a teen communard with a secret is so authentic and rich, it is like reading fictional stories of American innocents on journeys of their own like J.D. Salinger’s character Holden Caulfield or Demon Copperhead from rural Virginia by Barbara Kingsolver. He tells us there was this guy Mark at North Mountain who had been pressuring him to sleep on the mattress next to his. C.B. was known as the only gay at North Mountain. One of the hippie women warned him Mark is “a square, the biggest downer.” Stepping out of the memoir, C.B. directly addresses the reader about the Mark issue, “I don’t want to write about Mark anymore because he’s not important to my story, and I didn’t even like him.” Got it. Hitchhiking with C.B. is like that, too.
“I got my best ride of the whole hike from a truck driver named TJ….If an eighteen wheeler…is willing to stop for you, it is because the driver wants something from you…I will forever remember this trucker as the most beautiful man I could have had sex with if I weren’t so innocent.”
North Mountain required the hippies work one week a month in Richmond to earn cash for the commune. For C.B., this translated into seven communards living in one small apartment on this cultish mission. It was in a Richmond park where he meets a stranger who would sexually abuse him over a month until C.B. ends it. Furious, the man threatens to shut down the commune if he does not obey. In a state of panic, C.B. attempts suicide by overdosing on every pill he can get his hands on. The memoir takes the reader through the author’s horror by deepening the shadows. What was the specific nature of the abuse? How did this stranger have credible power to threaten the commune? Entitled “What It’s Like to Die,” the chapter is a skillfully told, expressionistic turning point from an innocent’s hell to salvation at the intentional queer Lavender Hill commune in Central New York. C.B. desperately needed to “find my people.”
He’s a resilient young man after living in three communes by the time he hit San Francisco. His two gay neighbors on Ashbury Street—Crow and Moonsnake—pressure him to get a new “hippie name.” Walking home from Golden Gate Park he zeroes in on a passing streetcar, “North Judah.” Goodbye “Charles,” Judah will be his new hippie name. Crow and Moonsnake, approve: “If that’s what the Universe called out to you.” If you remember the Sixties…
“Too often,” Bennett writes, “we think of dropouts as withdrawing from life, but in truth, I think they are in a heightened state of seeking their rightful path and purpose. Nothing stays the same.” Juda Bennett remains a believer to this day, “Always putting my faith in my journey to Utopia”.
(Charles Francis is president of the Mattachine Society of Washington, D.C., and author of “Archive Activism: Memoir of a ‘Uniquely Nasty’ Journey.”)
Books
Liza’s book a tale that’s better than most celebrity memoirs
‘Kids, Wait Till You Hear This!’ dishes on marriages, heartbreak
‘Kids, Wait Till You Hear This! My Memoir’
By Liza Minnelli, as told to Michael Feinstein
c.2026, Grand Central
$36/ 421 pages
Twenty feet In front of you, and you can’t see a thing.
Even the closest faces are in shadow – lit, but not quite enough for you to see for sure what the people there are thinking. Still, you can hear them, their gasps, their laughter, and applause. Such is life, on-stage. Now read “Kids, Wait Till You Hear This! My Memoir” by Liza Minnelli, as told to Michael Feinstein, and read about it beyond the spotlight.

Almost from the moment she was born, Liza Minnelli was famous.
It was inevitable: her mother was Judy Garland. Her father was director Vincente Minnelli. Her godparents were Hollywood glitterati, her neighbors were famous, her playmates would be famous someday, too.
But her life wasn’t all starlight and happiness.
She made her stage debut as a toddler. She became her “mother’s caretaker” at age 13.
At 16, she had a growing career of her own – one that her mother tried to stop. But, she says, “In her own way, Mama was wonderful to me. Try understanding – she was my mother, not a movie star…. I knew her as the person who loved me and always would.”
At 19, Minnelli was working, happy, and madly in love with the man who’d become her first husband, and life was wonderful – until she came home one day to find him in their bed with another man. Before they were divorced, she lost her beloved mother, and became “engaged” to two other men simultaneously, neither of which made it to the altar with her.
She married her second husband, the son of one of her mother’s former co-stars, in 1974 but her love affairs and addictions led to a second divorce.
Her third husband was a stage manager.
She doesn’t have much good to say about her fourth, and last, husband.
Overall, she says, “You gotta play the comedy for all it’s worth and leave ‘em laughing. Even when your heart is breaking.”
Are you expecting bluntness, sass, or attitude here? Good, because that’s what you get inside “Kids, Wait Till You Hear This!” It’s strong on honesty and don’t-give-a-flip. It’s wonderfully edited, so it moves fast. It’s eye-opening and funny and a pleasant surprise for a first, and only (so far), memoir.
Even better, author Liza Minnelli (with best friend, Michael Feinstein) is really quite candid and nicely gossipy, starting from the beginning. There are some Hollywood folks, in fact, who are feeling edgy because of what’s inside this book and the secrets spilled. Minnelli and Feinstein seemed to have fun telling her story, and they comfortably lure readers in.
That’s not to say that it’s all a cabaret. Minnelli tells about her addictions and recoveries, her marriages and why she wed two gay men, and the losses she endured, including miscarriages, deaths, and broken relationships. The bad balances well with the good for a tale that’s several notches above most celebrity memoirs. “Kids, Wait Till You Hear This!” is, in fact, a real joy to read, a genuine bright spot.
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