Books

20th edition of Emily Post’s ‘Etiquette’ offers updated advice on pronouns and much more

A guide for daily life ‘with all its successes and mishaps’

Published

4 years ago

October 13, 2022

Some families manage bakeries, nurseries, or vineyards.

For Daniel Post Senning, great-great grandson of Emily Post and an Emily Post Institute co-president, and Lizzie Post, great-great granddaughter of Emily Post and an Emily Post Institute co-president, etiquette is the family business.

The Emily Post Institute, based in Waterbury, Vt., conducts seminars and trainings. It partners with businesses and nonprofit groups to “bring etiquette and manners to a wide audience,” according to its website.

When you think of etiquette, you’re likely to be transported to Downton Abbey. Butlers, finger bowls, the dancing school lessons you hated as a kid – stuffy, rich (usually white, hetero) people at formal dinners managing a zillion salad forks – come to mind.

But, for Post and Senning, who co-host the popular, entertaining podcast “Awesome Etiquette,” etiquette is as far from being an ossified, exclusionary code of manners as we are from being the Dowager having tea at Downton.

Emily Post, the acclaimed etiquette maven, published her first book on etiquette, “Etiquette in Society, in Business, in Politics and at Home,” in 1922.

Post’s seminal book, considered by many to be the “holy writ” of etiquette (and stolen from libraries almost as frequently as the Bible), has been revised by Post herself and her descendants during the past century to evolve with changing times.

“Emily Post’s Etiquette, The Centennial Edition” by Lizzie Post and Daniel Post Senning, the 20th edition of Emily Post’s “Etiquette,” is just out. (For info on “Emily Post’s Etiquette, the Centennial Edition,” the Awesome Etiquette podcast and the Emily Post Institute, visit emilypost.com.)

The “Centennial Edition” has lively, up-to-date advice and discussion on everything in life in the early 2020s from the use of “mx” as a title to grief to respecting people’s pronouns to how to get company to stop making bigoted “jokes” to how to handle an inebriated guest.

From the get-go, Emily Post, who was born in Baltimore in 1872 during the Gilded Age and died in 1960, didn’t view etiquette as restrictive or exclusionary. “As Emily explained,’” Post and Senning write, “etiquette is not some rigid code of manners; it’s simply how persons’ lives touch one another.”

If you browse some editions of Emily Post’s books (as this reporter has), you won’t find schoolmarmish directives or ethereal descriptions of the etiquette gods’ mannered lives on Mount Olympus.

You’ll find daily life “with all its successes and mishaps,” Post and Senning write, “With tales like ‘How a Dinner Can Be Bungled’ and characters such as Mrs. Worldly, Constance Style, Mrs. Kindhart and the Onceweres.”

Emily Post painted relatable pictures of what to do and not to do, Post and Senning write.

Though Emily Post wouldn’t have known what a smartphone or social media were, her etiquette “still aims to equip you,” write Post and Senning, “with a sense of confidence and preparedness for some of the situations you’ll encounter at home, at work, in your social life, and when you’re out and about.”

Despite claims that etiquette is dead, it is very much alive, say Post and Senning.

Steven Petrow, an award-winning journalist and expert on civility and manners, agrees. “I’m always surprised by how timely Emily Post’s advice continues to be,” Petrow, who is gay, said in an email to the Blade. “Recently, I wrote about ‘monkeypox manners,’ and cited Mrs. Post’s timeless advice about respect, consideration and honesty in our social interactions, which includes those in the bedroom.”

Post and Senning graciously took time out from their busy schedules (the launch of the “Centennial Edition,” hosting their podcast – along with their other work with the Emily Post Institute) to talk with the Blade over the phone in separate interviews.

“Emily Post’s Etiquette, The Centennial Edition” was a Herculean labor of writing and editing for Post and Senning. It took a year to write the book, Post said. And, then there was all of the time spent to ensure that the book was carefully edited.

“I would write,” said Post, 40, who manages the Institute’s publishing efforts, “Dan would come in and help me edit the book.”

It was intense, “day-to-day” labor for her and Senning (along with their other work), Post said. “I’m grateful to all the people who were willing to have their lives disrupted while we worked on it,” she added.

Etiquette has been used for less than gracious purposes, Post said. “It can easily be exclusive.”

The Post family believes that etiquette is based on the principles of consideration, respect and honesty. This may sound abstract. But these principles aren’t empty words. They have a profound impact in the real world.

Before joining the Emily Post Institute in 2008 when he was 30, Senning worked in the performing arts, touring with the Laurie Cameron Company in Los Angeles.

Today, Senning, who lives in Duxbury, Vt., with his wife, Puja and their three children Anisha, Arya, and William, manages the Institute’s training programs. He has co-authored several books on etiquette covering topics from business to digital manners and regularly speaks with media outlets about business, technology, and dining etiquette.

In 2009, same-sex marriage became legal in Vermont. “Then, before the Supreme Court same-sex marriage ruling,” he said, “we were in the vanguard. We got questions about how to respond to same-sex weddings,” Senning added.

The Institute’s response was to note how normal civil unions were, Senning said, and that same-sex weddings weren’t different from hetero weddings.

“If you’re invited to a civil union, reply,” Senning recalled the Institute advising, “let people know if you can or can’t attend.”

Senning loved the “normalization” of the response. “It was really affirming to me,” he said.

Etiquette isn’t only for happy times. It’s called on when things get rough.

“Etiquette has a role in hard times,” Post, who’s been an American Express spokesperson and written columns for publications ranging from “Broccoli Magazine” to “Women’s Running,” said.

Many go through hard times from losing a job to being ill to grieving, she added. Emily Post may have written on etiquette a century ago, but her thoughts on grief ring as true on an iPad screen as they did then in a hardback book.

“At no time does solemnity so possess our souls as when we stand deserted at the brink of darkness into which our loved one has gone,” Emily Post wrote in 1922, “And the last place in the world where we would look for comfort at such a time is in the seeming artificiality of etiquette; yet it is in the moment of deepest sorrow that etiquette performs its most vital and real service.”

“All set rules for social observance have for their object the smoothing of personal contracts,” Emily Post added, “and in nothing is smoothness so necessary as in observing the solemn rites accorded our dead.”

Etiquette can help people grieve together in community through writing a condolence note, attending a funeral or another act of common grief, Lizzie Post said.

If you’ve suffered a loss, it can be incredible to realize the impact a loved one has had when you receive condolence notes or see so many people at a memorial service.

There’s a new trend where you can take part in the grief without going to a funeral, Post, who lives in her native state of Vermont, said. “When someone dies, for example, you raise a glass at five o’clock to honor them.”

Sometimes you have to use etiquette to stand against prejudice. If someone’s telling a racist or anti-queer joke at your dinner table, you’ll need to say, “‘I’m sorry. This is not a joke for this table,’” Post said.

While etiquette counsels against rudeness, safety trumps etiquette, Post and Senning have said on the Awesome Etiquette podcast and in the “Centennial Edition.”

Tolerance doesn’t mean tolerating an unwanted hug, an inappropriate touch or being “othered,” said Post, who has co-authored and authored etiquette books on topics ranging from weddings to legalized cannabis use.

Take hugging. “We talk about how to ask for a hug and how to block a hug,” Post said.

Etiquette experts, like the rest of us, take time off. On vacation, Post, co-author and narrator with Kelly Williams Brown of the Audible Original “Mistakes were Made” (think etiquette meets “Broad City”), doesn’t want to be rude to people. “But, sometimes, I don’t want to analyze behavior,” she said, “I just want to act.”

For info on the fascinating life of Emily Post, go to “Emily Post: Daughter of the Gilded Age, Mistress of American Manners” by Laura Claridge.

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Books

Eliot Glazer’s new book an engaging collection of essays

From growing up gay to turning down ‘Queer Eye’

Published

7 days ago

October 4, 2026

Terri Schlichenmeyer

(Book cover image courtesy of Gallery Books)

“The Terrible, Horrible, No Good, Very Bad Gay: Essays”
By Eliot Glazer
c.2026, Gallery Books
$28.99/240 pages

You try and you try.

Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in “The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer, and it’s all good.

Throughout his life, Eliot Glazer has made mistakes. And it’s OK, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book.

He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people.

Even with all those jobs, he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones.

Glazer says that he had just recently come out when gayness exploded on TV with “Will & Grace” and “Queer Eye for the Straight Guy,” with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it.

The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun.

As for finding love, well, that’s a long, boy-meets-boy-meets-boy story…

So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t have to read everything.

Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right.

Readers who want a quick, mostly light book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try.

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Books

Curl up with a good book this fall

New releases include mysteries, biographies, religion, and more

Published

3 weeks ago

September 20, 2026

Terri Schlichenmeyer

(Book cover image courtesy Amazon)

The fall books season offers lots of options so curl up and get ready to read.

FICTION

For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?

If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.

Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.

So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.

NONFICTION

So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.

If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.

For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.

Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.

And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.

Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!

Books

Dolly Parton biography puts her hardships into context

‘Ain’t Nobody’s Fool’ a highly researched tome not to be missed

Published

4 weeks ago

September 14, 2026

Terri Schlichenmeyer

(Book cover image courtesy of St. Martin's Press)

‘Ain’t Nobody’s Fool: The Life and Times of Dolly Parton’
By Martha Ackmann
c.2026, St. Martin’s Press
$30/304 pages

Not too bright.

That’s what people once thought about you. Your language didn’t conform, you had your own sense of style, and you were ignorant about modern things and places and foods. But you were no dummy. You were different, and you had a secret: as in the new biography, “Ain’t Nobody’s Fool: The Life and Times of Dolly Parton” by Martha Ackmann, you knew exactly where you were going.

When Avie Lee Owens and Lee Parton first married, they had the very basics: “two knives, two forks, two spoons, a skillet, a butcher knife, and an old iron kettle.” He was 17; she was 15. Babies came quick. The fourth one was named Dolly, after two great-aunts.

Almost from the time she could walk, Dolly sang. Before she was old enough to attend school, she wrote poetry, and she’d begun to notice rhythms and beats she could make with her fingers. As a schoolchild, she created her own musical instruments out of scraps, and she was eager to perform whenever anyone asked her – and they asked often, because Dolly Parton was a nice girl, and her sense of humor conveyed a warmth that drew people in.

Growing up in the Tennessee mountains, Parton was independent, shunning marriage and child-raising, instead focusing on a dream of being a star. By the time she was in high school, she’d had a regular gig on local television but she recognized that there were few opportunities for fame in the mountains, so she left for Nashville the day after high school graduation, with the snickers of naysayers ringing in her ears.

She stayed with an aunt and uncle there, and she beat the streets, dined on grocery store samples to get by, and missed her family and friends. And they worried about her, but they knew nothing would derail her plans. They knew Dolly would be fine.

As a friend said, “’She had her head on pretty good.’”

Chances are that if you’ve listened to music any time in the last 60 years, you’ve heard Dolly Parton through her words or her music or both. Now you need to learn more about her, and “Ain’t Nobody’s Fool” is where to do it.

Here’s a biography that grabs you on the first page with the tiniest bit of family tree, but not so much that you get bored with it. Author Martha Ackmann writes about Dolly Parton’s early life, putting hardships and experiences in context, both personally and historically. There are name-drops, but not overly so, as Ackmann takes you through Parton’s career, her heartbreaks, her marriage, and her years with Porter Wagoner, in detail but not dramatically embellished or outrageously told. It’s a biography that’s just right, sourced well and written with a fresh take that, like its subject, tells a good story.

Fans, of course, will want this highly researched book but music lovers of any age or type will eat it up. That means you, so use up that Christmas gift certificate. “Ain’t Nobody’s Fool” just shines.

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