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Drag Isn’t Dangerous Telethon raises over $523,000

Final amount raised from the live broadcast was over $523,000. Recording of it will stay online for 48 hours after its conclusion

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'Drag Isn't Dangerous: Live Telethon' (Screenshot/YouTube)

Into the third hour of Drag Isn’t Dangerous, a brief film makes the point that there have been article after article about children molested by church clergy and counselors, yet not a single bill has been proposed tackling that real issue. Then there are drag queens. Drag queens have never harmed a child, and there are no articles implying that they have.  Yet … yet … state after state, bill after bill are going after drag queens.

With this telethon event, drag queens and all that they have inspired, have sent the message: They are not going to take this shit anymore. Clips of rightwing pundits and commentators were presented and  the ignorant hatred expressed in each clip is both at once chilling, and pathetic.

The message of hate is juxtaposed with segments like one featuring “RuPaul Drag Race” alum Nina West. West told the story about her adventures doing storybook hours at Columbus, Ohio, libraries for children. It should be pointed out that the Nina West brand is one of classiness and kindness. She moved her popular book readings onto Instagram. The first hour where she did so was wonderful. 

The second hour was not. 

The audience turned “dark, terrifying and threatening.” Then it all got very personal. People showed up at his house where he was broadcasting and  blew eardrum breaking airhorns outside his windows. They then started a campaign of harassment and doxing, targeting him, his parents and his sister. Signs appeared in his yard accusing him of being a groomer. 

Last December he embarked on a Drag Christmas tour. The tour encountered protesters, bomb threats and required police escorts.

Drag Isn’t Dangerous: Live Telethon (Screenshot)

Hosted by Justin Martindale and Peppermint with a co-location hosted by Alaska and Adam Shankman, the telethon team declared a goal target of $250,000 for the evening.  The evening was filled with performances from some of the Drag community’s best. Kicking off the evening were songs by Trixie Mattel and Alaska. The online crowd was gobsmacked with exclamations like “legends!” , “fierce!” “That voice!”. 

The telethon was a recreation of the traditional telethon style with a phonebank of drag celebrities womaning the phones. Instead of the phone banks of years gone by the receptionists were not the first point of entry to make donations. In this modern version, donors first register their donation on the gofundme application and then are connected to the celebrity to receive thanks and conversation. Phone bank stars included Candis Cayne, Jinx Monsson, Ginger Minge, Laganja Estranja Trinity the Tuck, Monet Exchange and Queer Eye OG Jai Rodriguez.

As of 4:30 p.m., $55,000 had been raised.

Celebrity cameos and interviews were generously sprinkled through the broadcast. Many of them expressed gratitude and awe for the talents and artistic contributions of drag. Still others were downright angry. “I will f*ck anyone who messes with you,” Charlize Theron declared.

“Drag isn’t dangerous, but Leslie Jones IS!” Leslie Jones fumed.

Sarah Silverman also did not mince words. “It is an invented ‘problem’. It creates a REAL problem for  the marginalized. I would trust RuPaul before any of you (Republican) hate mongers.” To the drag community, she declared, “If they come for you, they will have to come through me first.”

“Lawmakers are terrified of how bright we are shining,” Adam Lambert stated affirmingly.

As of 4:50 p.m. $100,000 had been raised.

Donors were interviewed through the phonebank. Jai Rodriguez had an impromptu conversation with a young woman who had come out as queer that day. Even though her experience has been “tough”, she wanted to celebrate her landmark day by donating.

Michele Visage gave RuPaul visibility and spoke from her heart. “I wish I could say that I am glad to be here,” she started. “I am appalled I have to be at something called ‘Drag Isn’t Dangerous.’ Imagine a world where dancers are told they can’t dance; imagine a world where artists are told they cannot take paint to canvas…because it is ‘bad for children.’ That is what is happening to drag right now.”

As of 5:40 p.m., $205,000 had been raised.  Jinx Monsson whipped out her own checkbook and wrote a check for $10,000.

Other celebrities added perspective to the issue. Ocean Kelly stated, “They want us to stay quiet. Watching a drag queen won’t make a child queer. If a child is queer, it is because they are … queer.”

Billy Eichner discussed the historical use of scapegoats as distractions. “It is not new, but it is urgent and dangerous,” he warned. “We need to be relentless and loud,” he instructed.

Oscar winner Marcia Gay Harden demonstrated her queer chops by publicly outing her entire family. “All my children are queer,” she declared. “One is nonbinary, one is gay. My first boyfriend was gay and my conservative Naval Officer dad loved him. “ Of the drag controversy she said, “Why are we having to advocate for creativity and imagination? It is so fear-based. We know what love is.”

As of 7:38 p.m., half a million dollars had been raised.

The movement has started and this first outing is not yet over. Recording of it will stay online for 48 hours after it concludes. 

Go here for tickets and then receive you email with the telethon link: https://www.moment.co/dangerous/dragisntdangerous-drag-isnt-dangerous-live

Donate here.

As for the end of the Telethon, Ginger Minge show stopped with the classic “I Am What I Am” from La Cage.

 
I don’t want praise I don’t want pity
I bang my own drum
Some think it’s noise I think it’s pretty
And so what if I love each sparkle and each bangle
Why not try to see things from a different angle
Your life is a sham til you can shout out
I am what I amI am what I am
And what I am needs no excuses
I deal my own deck
Sometimes the ace sometimes the deuces
It’s my life that I want to have a little pride in
My life and it’s not a place I have to hide in
Life’s not worth a danm til you can shout out
I am what I am

********************************************************************

Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.

He is an established LGBTQ columnist and blogger having written for many top online publications including The Los Angeles Blade, The Washington Blade, Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.

He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.

He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .

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Books

Tragedy and comedy intertwined in witty ‘Quietly Hostile’

Irby’s fourth essay collection addresses pandemic, TV writing career, more

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(Book cover image courtesy of Vintage)

‘Quietly Hostile: Essays’
By Samantha Irby
c.2023, Vintage
$17/304 pages

You know from the get-go that “Quietly Hostile,” essayist, television writer and humorist Samantha Irby’s fourth essay collection, is filled to the brim with the author’s mordant wit, cynicism and empathy. Who else but Irby, 43, who has struggled with depression, would write: “This book is dedicated to Zoloft”?

There are zillions of essay collections. But few are as memorable, poignant, funny (sometimes grossly, in a good way) and heart-filled (a term Irby might hate) as “Quietly Hostile”

This long-awaited collection is filled with what Irby would call “good shit”: from hilarious descriptions of her bad dog in doggie day care to bits about, literally, shit, (that will gross you out, but reduce your shame about pooping).

Irby, who is Black and bisexual, grew up in poverty in Evanston, Ill. Her parents died when she was 18 (her mother from multiple sclerosis; her father, who gambled, likely, suffered from post traumatic stress disorder).

At the age of nine, Irby’s mother’s MS went out of remission. While still a child, she was called upon to care for her Mom.

“When I was an actual kid growing up on welfare with a sick mom and expired Tuna Helper from the dollar store, the future and its infinite possibilities stretched before me like a sumptuous buffet I couldn’t afford to go to,” Irby writes.

There is a backdrop of pain, sadness and, sometimes, anger to much of Irby’s humor. But  self-pity and rage don’t consume the book.

Irby, the author of “Meaty,” “We Are Never Meeting in Real Life” and “Wow, No Thank You,” knows that the cliche is true: tragedy and comedy often are often intertwined. 

It’s fun to learn in “Quietly Hostile” that Irby, who was a writer for the popular TV shows “Shrill” and “Tuca & Bertie,” is as much a fan as the rest of us of the TV shows she loves.

In 1998, Irby couldn’t afford cable or HBO. She had to wait to watch the “City” until it came out on VHS. “The show reflected nothing of my life,” she writes, “but provided something of a road map for my future…” she writes.

In a future, she wouldn’t have dreamed of then, she grew up to become a writer on “And Just Like That,” the “Sex and the City” reboot. (She’s a writer on season two of “And Just Like That” which premieres on June 22 on Max.)

Irby was stunned when Michael Patrick King of “And Just Like That” asked her to write for the show. “I was like … Are you allowed to work on a show like this if you only wear nine-dollar T-shirts,” she writes, “and have no idea how many Brooklyns there are.”

 “During my interview,” Irby jokes, “I said, ‘Can I give Carrie diarrhea?’ and I was hired immediately.”

Even ardent “Sex and the City” aficionados may find too much of SATC in “Quietly Hostile.”

No worries: Irby who speaks of herself as being “fat” and “sick” (she has arthritis and Crohn’s disease), riffs on many things in “Quietly Hostile.” Irby turns her sharp wit on everything from what it’s like to run for a public toilet when you have diarrhea to why she’s a David Matthew’s fan girl to her love for (approaching addiction to) Diet Coke to the “last normal day” before the pandemic to the “food fights” that are a part of the most loving marriages.

Grab a Diet Coke (or libation of your choice), tell your bad dog to quit barking and enjoy “Quietly Hostile.”

The Blade may receive commissions from qualifying purchases made via this post.

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Theater

Arena’s ‘Exclusion’ is a piece of art about art

Majority Asian production features intelligent performance by Karoline

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Karoline brings intelligence and energy to every role they tackle.

‘Exclusion’
Through June 25 
Arena Stage
1101 Sixth St., S.W.
$56-95
Arenastage.org

When Asian-American historian Katie’s best-selling book about the racist Chinese Exclusion Act of 1882 is optioned for a mini-series by a Hollywood mogul, she couldn’t happier. However, artistic and commercial visions clash and things go awry. This is the premise of Ken Lin’s new comedy “Exclusion” now at Arena Stage. 

Katie is played by Karoline, the mononymously named New York-based actor who brings intelligence and energy to every role they tackle. 

“I’m similar to Katie — honest to a fault, optimistic, both strong and naïve,” says Karoline, 28. “For me, the challenge is watching Katie choose yes or no at every turn. Should she address what’s coming at her with truth or not? Or hide what she’s thinking? My struggle in life has been similar. How do I stay true and at the same time get what I want in a corrupt world.”

When asked to be part of “Exclusion’s” early development, Karoline was unsure: Doing a piece of art about art can be tricky. But they soon changed their mind. 

“The workshop changed my life. I got into the room and it was majority Asian. Seeing Ken [Lin] talk about coming back to theater and about being able to write about Asian people with a play that’s ostensibly a comedy and obviously super personal, drawing from his life and what he’s learned from colleagues.” 

Karoline describes their experience with anti-Asian racism as more microaggressions. “I don’t have people point at me saying ‘you’re a chink.’ It’s been subtler versions of that.”

As a stage actor, they’ve had an activist history, taking complaints of racism to a company’s board, a move that can be contentious. Typically, it’s preferred actors “be grateful, listen and interpret, and not speak up.” 

When a respected mentor later asked Karoline whether they wanted to be an actor or an activist, they didn’t understand why it had to be mutually exclusive. “I was too young to say it could be both. Now it depends on the situation. Maybe both in theater because I have more of a career there. But in TV, I don’t know.”

Karoline was born in Shanghai and grew up in South Texas where they had little exposure to the arts. After graduation from a pre-med magnet high school (with no intention of a career in medicine), they headed off to Harvard on full scholarship: “I showed my family that I can be smart, but I was going to do my own thing.” 

They took a gap year from Harvard to train at Atlantic Acting School, then went to apprentice at Actors Theatre of Louisville. Weeks after moving to New York they were cast as closeted lesbian Bo in Tom Stoppard’s “The Hard Problem” at Lincoln Center Theater.

“I’ve played more than one lesbian in my career,” says Karoline with a chuckle.  In the fall, they can be seen in the entire first season of “Death and Other Details” (Hulu) as a very rich lesbian heiress, a darkly funny role. 

“It seems when you’re Asian, you’re expected to talk about your parents’ accents or dumplings,” they add. “The narrative is vivid and bright. I wanted to do classical theater so my work could speak about everything else. From the start, I was ready to do the work, and hoped to have a long career that included many different things.”

Not long ago, Karoline shed their surname owing to a difficult childhood and a feeling of estrangement from their family. “It’s unusual, especially for Asian Americans, but after some self-healing and thinking, I decided I didn’t need it. Now I feel a lot freer.” 

And there have been other changes in addition to their last name including coming out as queer and sharing their gender identity. This is the first year they’ve only used “they” pronouns. 

“When you’re queer, I believe you’re always queer even if you’re not in a queer relationship. I think of my character like that. In this space and time, Katie’s with a man but that doesn’t mean that’s the whole conversation about this person. 

“For me, playing Katie in ‘Exclusion’ has been a huge vote of confidence. Sometimes it takes someone writing something wonderful and casting you for you to know where you need to be.”

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Out & About

Mayor’s office to host Pride tie-dye party

Guests to make colorful shirts for ‘PEACE. LOVE. REVOLUTION’ theme

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(Photo by Prime Look/Bigstock)

The Mayor’s Office for LGBTQ Affairs will host “Love Out Loud: Tie Dye Party for Pride” on Wednesday, June 7 at 5 p.m. at the Frank D. Reeves Center of Municipal Affairs.

The event, hosted along with the DC Center for the LGBT Community and Capital Pride Alliance, will be an afternoon for community and artistry. Guests are encouraged to bring their creativity to make some colorful tie-dye shirts in line with this year’s Pride theme, “PEACE. LOVE. REVOLUTION.”

This event is free to attend and more details are available on Eventbrite

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