Arts & Entertainment
A melodic farewell
Locals lament closure of Dupont Circle record shop
Suzy and Jack Menase, owners of Melody Record Shop. (Blade photo by Michael Key)
With the rising popularity of downloading music from places like iTunes and online stores like Amazon, more and more record stores are closing, surrendering to the convenience of not having to leave the house to get both new and old albums.
Melody Records, an institution in Dupont Circle since the late ‘70s, is just another casualty in that unfortunate trend. Local gays are lamenting its impending closure. It was always popular with Blade readers — it won several “Best of Gay D.C.” awards in the early ‘00s, which still hang in the store above the new releases.
“Melody Records was one of my first discoveries when I moved to D.C. more than 11 years ago,” Michael Collins, a gay D.C. resident, says. “I stopped there about once a week, sometimes more often than that, and I seldom left empty handed.”
The owners, Suzy and Jack Menase, opened the store in 1977 before moving to Dupont two years later after having to vacate their previous location on E Street when developers wanted to redevelop the area.
“We just found Dupont Circle to be a busy area and thought it would be a good location for us,” Suzy Menase says.
They’ve been in the business so long, they’ve always tried to stay on top of things, and seen all the trends come and go, then come again.
“It’s been like a full circle. We started with vinyl and now we’re ending with vinyl,” Suzy says. “It’s neat to see young kids coming in … they’re not excited about CDs but they’re excited about vinyl.”
“I think the sound quality that they heard made it very attractive,” Jack Menase says.
The store has always held a wide selection of genres, including large sections of seemingly less popular genres such as opera, new age and more.
“The opera queens would squeal while the uber cool disco boys looked for the German imports of what would later be called ‘industrial’ in the specialty bins,” says Stephen Yasko, general manager of WTMD 89.7 in Baltimore.
The Menases have always worked to make sure they have a full selection with a little bit of something for everyone.
“If we don’t have it in stock, we order it for them,” Jack Menase says.
“With CDs, if you can’t sell something, you can return it,” Suzy says. “It’s not one person deciding what we carry.”
The Menases announced they were closing through a letter on their website, saying, “technology, the internet and the economy has taken its toll.”
“In the past two or three years, sales have been declining … we saw it coming, but we were just trying to hold on,” Suzy says. “We have such a strong, loyal customer base, we wanted to stay as long as possible.”
They both remember a time when there was an abundance of record stores in the D.C. area that all survived until the early 90s.
“One by one, everybody closed down,” Jack says.
Being in Dupont, the store automatically became a favorite spot for gay customers.
“Where else could you run across a copy of Ethel Merman’s disco album from the ’70s?” Collins says.
Also, Lambda Rising — a gay bookstore and staple of Dupont Circle — used to be next door.
“We were very sorry to see them go,” Jack says.
“Whoever came to them, whoever came to us went to them,” Suzy says. “They were great neighbors to have.”
Some music lovers continued to purchase CDs — at least in some genres — even into the digital music era.
“I loved Melody,” says Kevin Lees, a gay Washington resident. “I still typically buy classical and sometimes jazz in physical CD format for the copious liner notes and anytime I was looking for something in particular, I would always look at Melody first as my contribution to local stores in the face of Amazon. I’m surprised it lasted so long and that it outlasted Lambda Rising but sadly, the record store is clearly destined to be a thing of the past.”
There are a few members of the staff who have been working at the store for years, including a few who have been around for more than 10 years.
There are a lot of people who have been going to the store for years and some are even on a first-name basis with the Menases.
“They know my whole family and I know theirs,” Suzy says. “It’s not customers, they’re family.”
“I was heartbroken when I saw the going-out-of-business sign on the window,” Collins says. “What a regrettable loss for Dupont Circle and for all Washington music lovers.”
The shop is at 1623 Connecticut Ave., N.W. No firm closing date has been set. For now, it’s open seven days a week from 11 a.m. to 8 p.m.
Theater
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
42nd annual celebration of excellence in local theater set for May 18
Helen Hayes Awards 2026
May 18, 2026
For tickets go to theatrewashington.org
Last year, when out director Tom Story took on the daunting task of directing Round House Theatre’s production of “The Inheritance, Parts One and Two,” he knew that casting would be important, maybe even paramount, to the endeavor’s success. So, Story didn’t mess around.
Penned by queer playwright Matthew López, “The Inheritance” (inspired by E.M. Forster’s 1910 novel “Howards End”) is based on gay culture in the wake of the AIDS crisis.
Story looked at actors he knew, and some he didn’t. He wanted low drama and maybe players who could relate to the LGBTQ experience. In the end, the production’s 13-person cast was entirely queer except for brilliant local favorite Nancy Robinette as Margaret, the wise housekeeper.
Clearly, Story’s vision resonated with audiences. Round House’s production of “The Inheritance” is the most-nominated work of this year’s Helen Hayes Awards, earning 14 nominations. It’s also one of Round House’s highest grossing popular successes ever.
The queer cast members whose ages ranged from about 22 to 60, worked hard and enjoyed the process, and along the way garnered an Outstanding Ensemble in a Play (Hayes) nomination for their efforts.
The ensemble included Jamar Jones as Tristan, a brilliant doctor who leaves New York for Canada after deciding there’s no place for a gay, HIV-positive Black man in America. For the experienced actor, being part of “The Inheritance” was profound: “I think it was a divinely orchestrated production.”
He adds “I really feel that it’s so rare that you get to work on a show of that magnitude…size, time, where virtual strangers genuinely fell into rhythm. We became a cohort. I never felt a sense of unease, or reluctance to try things. I could be as big or bold as I wanted to be; or I could be small. Fail, mess up, try again. I didn’t feel judged.”
Jones considers Richmond his home, but says “I’m based where the work is.” Currently, he’s back at Round House rehearsing “Sally & Tom” (May 27-June28), a play within a play/meta exploration of the relationship between Thomas Jefferson and Sally Hemings by Suzan-Lori Parks.
Jones plays both a contemporary violinist and an enslaved fiddler, parts that have required him to learn to “air fiddle.” He’s all over it: “I want to represent the art and to be as precise as possible. Taught by an instructor, I’ve made strides with movement of the bow; next up is finger placement.”
Will he leave the play a violinist? “I’ll report back on closing night. Maybe I will have added something to the special skills list on my resume.”
For about a decade, Jones worked in living history, interpreting, performing, and writing pieces about the enslaved people of Colonial Virginia. Among the many historical characters he portrayed was Jupiter (Thomas Jefferson’s longtime enslaved manservant), an experience that’s proved a connection and preparation for his current role.
The 42nd Helen Hayes Awards celebration recognizing excellence in professional theater in the DMV will be held on Monday, May 18, 2026 at The Anthem on the District Wharf in Washington, D.C. Named for Helen Hayes, the legendary first lady of Broadway, the program consists of the awards presentation hosted by Felicia Curry, Awa Sal Secka, and Derrick Truby, followed by an after-party at nearby Whitlow’s.
With works selected from 149 eligible productions presented in the 2025 calendar year, nominations were made in 41 categories and grouped as either “Helen” (non-Equity/small Equity presence) or “Hayes” (Equity-heavy).
The many nominations are the result of 49 vetted judges considering 1,997 pieces of work, such as design, direction, choreography, performances, and more. The productions under consideration included 42 musicals, 107 plays, and 33 world premieres.
The following are more of this year’s queer nominees.
A past Helen Hayes Award recipient and nominee, Fran Tapia is competing against herself this year in the Outstanding Lead Performer in a Musical (Helen) category. Nominated for her memorable turn as the diva barkeep in GALA Theatre’s “Columbia Heights Bolero Bar,” an immersive musical centered on songs of longing and immigration set in a diverse neighborhood on the eve of a divisive presidential election
“It was a challenging time, because a lot of what was happening in the show was happening in the neighborhood,” says Tapia who lives in Columbia Heights just eight minutes from GALA.
Based in D.C. since 2019, Tapia says “Being recognized in a country that is not my homeland but where I’m building my artistic home, is deeply meaningful. And the variety of roles I have been able to play speaks to the richness of DC theater and the collaborators who trusted me with these roles.”
Her other individual nomination is for the title role in Spooky Action Theater’s “Professor Woland’s Black Magic Rock Show,” a passionately comedic political satire. She approached the mysterious central character as nonbinary.
Tapia (“Chilean, Latina, queer and proud immigrant”) says while very different, both performances involved particularly strong characters. She’s grateful audiences responded positively to her work.
Stanley Bahorek, who moved to D.C. with his husband four years ago, is best known as an accomplished actor with a long list of Broadway and regional credits (including playing Carl, the gay son in Studio Theatre’s recent production of “The Mother Play”). Now, he is nominated for Outstanding Music Direction (Helen) for his work on “A Strange Loop,” a production of D.C.’s Visionaries of the Creative Arts (VOCA) in collaboration with Deaf Austin Theatre. He shares this nomination with Walter “Bobby” McCoy.
Michael R. Jackson’s Tony and Pulitzer wining play “A Strange Loop,” is the story of Usher, a Black, queer theater usher trying to write a musical. VOCA’s take on the work is seen through a deaf BIPOC lens with a deaf Usher played by a deaf actor (out actor Gabriel Silva). Invited by director and longtime friend Alexandria Wailes (who is deaf), Bahorek (who is hearing) joined the creative team as a sort of hybrid associate director/ music supervisor.
“I’m fluent in conversational American Sign Language (ASL),” he says. “I sort of functioned as a sherpa between the hearing and deaf and hard-of-hearing creatives. It’s been a great thrill to be a part of VOCA’s biggest production to date.”
If he and McCoy take home the prize, who makes the acceptance speech? Bahorek takes a beat before replying “That’s something we still need to talk about. And soon.”
A full list of award recipients will be available at theatrewashington.org on Tuesday, May 19, 2026.
Anthony Oakes will host “DC Black Pride Comedy Show” on Thursday, May 21 at 7 p.m.
Oakes will workshop his new hour about addiction, incarceration, recovery, and redemption with special guests.
This event will be hosted by the hilarious Apple Brown Betty with TJ So Silly, Howl Cooper, and featuring Patrice Deveaux. DJ Art.is will be spinning on the 1’s & 2’s. Libations will be provided by Drink Alchy. Images by RGF ENT. Tickets are $28.52 and can be purchased on Eventbrite.
Out & About
United Night Out set for Saturday
Team DC hosts evening of soccer, Pride, music, drag and community
On Saturday, May 16, Team DC is taking over Audi Field for United Night OUT as D.C. United faces St. Louis SC.
Come out for an evening of soccer, Pride, music, drag, and community. The night kicks off with pre-game fun featuring DC Different Drummers, DJ Heat, and a Pride Night OUT Party at the Heineken Rooftop. Then get ready for a 7:30 p.m. match, including the National Anthem sung by Dana Nearing and a halftime drag performance.
After the match, the celebration continues at the Post-Game Rooftop Party with DJ Heat and the After Party at Dacha Navy Yard. Game tickets and after party tickets are available now through Zeffy. After party tickets are $20 and include one drink.
‘The Inheritance’ is most-nominated at this year’s Helen Hayes Awards
HIV Vaccine Awareness Day set for May 18
DC Black Pride is around the corner
United Night Out set for Saturday
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