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Laughs a la ‘La Cage’

Dated but endearing musical charms with gay parenting tale

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‘La Cage aux Folles’
Through Feb. 12
The Kennedy Center
$65 and up
202-467-4600
kennedy-center.org

George Hamilton and Christopher Sieber, center, in ‘La Cage Aux Folles’ playing now at the Kennedy Center. (Photo by Paul Kolnik; courtesy Kennedy Center)

Sometimes smaller is better. Case in point: Terry Johnson’s Tony Award-winning revival of “La Cage aux Folles” now at the Kennedy Center. The Broadway director’s scaled-down take on the feel-good musical is a charmer. Far more enjoyable than previous, more lavishly produced versions.

Before the show begins, a sassy drag queen wearing a pastel suit and pillbox hat (a salute to first ladies of yesteryear) takes a seat on the edge of the stage and warms up the crowd. She jokes with those filing in, asking about birthdays and anniversaries. She advises the buttoned-up folks in the crowd to relax, then inquires if there are any Indian, black, or Jewish lesbians in the house. After her, the audience is ready for anything.

With a hummable score by Jerry Herman (gay) and big-hearted book by Harvey Fierstein (also gay),” La Cage” is an old fashioned musical about family. Georges (George Hamilton) owns a drag club on the Riviera where his longtime partner Albin (Christopher Sieber) performs as Zaza. Together they’ve raised Jean-Michel (Billy Harrigan Tighe), Georges’ son from a long ago night of experimentation with a less-than-maternal playmate. The action kicks off when their son unexpectedly returns home for a visit, followed soon after by his new fiancée and her right-wing politician father and cowed mother. Needless to say, much zaniness, hurt feelings, anger and sentiment ensues.

Sieber’s Zaza is a big-boned, glittery diva (looks like Tyne Daly rolled in sequins) who works the room (in this case the Eisenhower Theater) like a pro. Her old school act references Marilyn and Marlene. But Lynne Page’s incredible, acrobatic choreography is left to Zaza’s back-ups, the lovely Cagelles (Matt Anctil, Logan Keslar, Donald C. Shorter Jr., Mark Roland, Terry Lavell and Trevor Downey). However, make no mistake, despite the sexy showgirl getups (compliments of costume designer Matthew Wright) not one of these muscular chorus boys could be mistaken for a real lady. But that’s part of the fun. Johnson’s reimagined dancers are vastly more entertaining than the much longer, mixed kick line of biologically female chorines and passable lovelies seen in past productions.

Set designer Tim Shortall cleverly sets the scene with a palm-decorated, scallop-topped proscenium. His stage within a stage quickly transforms into Georges and Albin’s over-decorated flat above the club in which the backstage story plays out.

Buzz surrounding the national tour suggested that 72-year-old movie actor and jetsetter George Hamilton was a big disappointment as Georges. In fact, he’s quite endearing in the role of the indulgent father and loving spouse. With his fabled suntan and signature insouciance, he certainly fits the part of a San Tropez club owner. And while he isn’t much of a dancer, his singing isn’t bad.

As high maintenance-but-lovable Albin, Broadway musical veteran Siebert s is simply terrific. He’s a powerhouse performer who plumbs the part for big laughs but can also dial down his performance when needed. But Sieber is at his best when Albin’s personal life spills into alter ego Zaza’s drag act and he belts Herman’s gay anthem “I Am What I am” with heartfelt power.

Adapted from the same-titled French play, “La Cage Aux Folles” was a little racy when it premiered on Broadway in 1983. Whatever shock value the show once had is gone. Same-sex parents are a nightly news and sitcom staple. Still, the creaky plot cranks out laughs and its messages of self- acceptance and the importance of family whatever its composition still resound strongly.

 

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Celebrity News

John Waters released from hospital after car accident

Crash took place in Baltimore County

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John Waters (Washington Blade photo by Michael Key)

BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.

The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.

The rest of this article can be found on the Baltimore Banner’s website.

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Arts & Entertainment

Washington Blade’s Pride on the Pier and fireworks show returning June 8

The annual Pride on the Pier Fireworks Show presented by the Leonard-Litz Foundation will take place on Saturday, June 8 at 9 p.m.

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Pride on the Pier (Photo Courtesy The Wharf)

The Washington Blade, in partnership with LURe DC and The Wharf, is excited to announce the 5th annual Pride on the Pier and fireworks show during D.C. Pride weekend on Saturday, June 8, 2024, from 2-10 p.m.

The event will include the annual Pride on the Pier Fireworks Show presented by the Leonard-Litz Foundation at 9 p.m. 

Pride on the Pier (Photo Courtesy The Wharf)

Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Southwest waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older. Local DJ’s Heat, Eletrox and Honey will perform throughout the event.

3 p.m. – Capital Pride Parade on the Big Screen

3:30 p.m. – Drag Show hosted by Cake Pop!

9 p.m. – Fireworks Show Presented by Leonard-Litz Foundation

Pride on the Pier (Photo Courtesy of The Wharf)

The event is free and open to the public. The Dockmasters Building will be home to a VIP experience. To learn more and to purchase tickets go to www.prideonthepier.com/vip. VIP tickets are limited.

Event sponsors include Absolut, Buying Time, Capital Pride, DC Brau, DC Fray, Burney Wealth ManagementInfinate Legacy, Leonard-Litz FoundationMayor’s Office of LGBTQ Affairs, MISTR, NBC4, The Wharf. More information regarding activities will be released at www.PrideOnThePier.com

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‘RuPaul’s Drag Race: All Stars’ cast visits D.C.

8 queens vie for $200,000 prize for charity in new season, premiering May 17

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The cast of the latest ‘RuPaul’s Drag Race All Stars’ season sashayed on the National Mall to promote the reality show's ninth season on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)

Donning sparkling and star-studded red, white, and blue attire on a gloomy, humid D.C. Monday, the cast of the latest “RuPaul’s Drag Race All Stars” season sashayed on the National Mall to promote the reality show’s ninth season.  

This upcoming season is different than those in the past — eight queens are competing for a donation of $200,000 for the charity of their choosing, rather than a personal cash prize. 

Several cast members noted how it felt important to visit the nation’s capital, being authentically themselves and wearing drag. Nina West, who competed in season 11, likened drag to armor. 

“We’re here during a really specific time in history, that’s, I would say, markedly dark,” she told the Blade at the steps of the Lincoln Memorial. “And there’s an opportunity, as drag has always done, which is for our community as specifically LGBTQI+ people, to stand in our truth and be wonderful — like guardians and fighters for our community.” 

She’s competing for the Trevor Project, which is focused on suicide prevention and crisis intervention for young LGBTQ people. This season’s pivot to compete for charity made Nina West want to come back on the show for the All Stars season. She’s been offered the spot two times before this, she said, and this twist aligned with what she wanted to do. 

Several of the other queens mentioned that it’s an honor to be featured in this season, including season 5’s Roxxxy Andrews. She also competed in two subsequent All-Stars seasons. 

She chose the organization Miracle of Love, which provides HIV/AIDS prevention programming and assistance in central Florida. It’s a smaller, more local organization, which is why Roxxxy Andrews chose it. She wants to make its work more nationally known. Also, vying to win during a charity season makes the competition feel more rewarding, she said. 

Plastique Tiara of season 11 also noted it’s different competing for charity. She’s competing for the Asian American Foundation, which launched in 2021 in response to the rise in anti-Asian hate and aims to curb discrimination and violence through education and investments in nonprofits. 

“It’s more competitive because then you’re fighting not just only for yourself, but your ideas and the things that you love,” she said. 

Vanessa Vanjie of seasons 10 and 11 agreed that competing for charity adds a bit more pressure — she chose the ASPCA. And as onlookers near the Lincoln Memorial took pictures of and with the queens, she said she was relieved. 

“I was a little bit worried somebody would yell some slurs at us,” Vanessa Vanjie said. “Nothing happened. Everybody came to take pictures like Santa Claus in the middle of the mall.”

There’s a range of contestants from different seasons for this round of All Stars. Some queens hail from recent seasons, but Shannel competed on the show’s first season. To be a part of this new season is surreal, she said. 

She’s competing for the Anxiety and Depression Association of America, which she has a close tie to. She’s dealt with anxiety her entire life. The association is focused on increasing awareness and improving diagnosis and treatment. 

“I always felt like I just wasn’t normal, sadly,” she said. “And so now being able to be able to do this season and to get back to that organization is like amazing to me.”

Gottmik, from season 13, is competing for Trans Lifeline — a nonprofit providing advocacy, a hotline and grants created by trans people, for trans people. Being able to do drag and give back is the “perfect scenario,” Gottmik said. 

Gottmik was the first openly trans man on Drag Race, which was overwhelming when first on the show. Gottmik felt pressure to be the “perfect example,” but later realized that they didn’t have to worry so much. 

“I just want to show people that trans people are real people. We can express ourselves however we want to express ourselves, through drag, through whatever it may be,” Gottmik said. 

The new season will be available to stream on Paramount+ on May 17. 

The cast of RuPaul’s Drag Race pose with White House Press Secretary Karine Jean-Pierre at The Little Gay Pub on Monday. (Photo by Tasos Katopodis/Getty Images for MTV; used with permission)
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