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National Cannabis Festival returns for 4/20 weekend

Annual concert/summit offers LGBT-inclusive education, music and more

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National Cannabis Festival, gay news, Washington Blade

Last year’s National Cannabis Festival in Washington. (Photo courtesy NCF)

National Cannabis Festival

 

Saturday, April 21

 

Noon-8 p.m.

 

RFK Stadium

 

2400 E Capitol St., S.E.

 

$42-90

 

nationalcannabisfestival.com

The National Cannabis Festival plans to bring music, education and good vibes to RFK Stadium with plenty of LGBT support.

The festival was the brainchild of Caroline Phillips who envisioned a cannabis event that was more affordable than the typical cannabis trade show. Phillips also wanted a space for people to learn about advocacy groups that have worked toward the legalization of cannabis nationwide for decades. In 2015, the inaugural National Cannabis Festival, founded and executive produced by Phillips, welcomed an estimated 5,000 attendees for its all-day event that included a concert from De La Soul.

This year marks the festival’s third annual event, which is expected to bring in an estimated 10,000 attendees for music, games, contests, food and education sessions.

Legendary hip hop group Cypress Hill will headline the all-day concert, which will include performances from reggae artist See-I and newcomer Beau Young Prince. Local artists will also take the stage including go-go band Backyard Band, DJ Ayes Cold, indie-soul band Oh He Dead, Names and Marlee. Samy K and Reesa Renee will host the concert.

For attendees more interested in policy, the festival also hosts the National Cannabis Policy Summit on Friday, April 20 at the Newseum (555 Pennsylvania Ave., N.W.). There will be speakers and panels such as “All the Buzz: How Does Media Portrayal Impact the Future of Cannabis?,” “The Exit Drug: Can Medical Cannabis End the Narcotics Epidemic?” and more. Registration is free.

Laila Makled was running the D.C. chapter of Women Grow, a women’s business cannabis networking organization, when she was introduced to Phillips. Interested in further pursuing a career in cannabis advocacy, Makled came on board as co-chair of the National Cannabis Festival Advocacy Committee. Makled says that throughout the festival there will be speeches from activists and leaders including Congresswoman Eleanor Holmes Norton (D-District of Columbia), D.C. Council member At-Large Robert C. White Jr., Maryland Del. David Moon and Congresswoman Tulsi Gabbard (D-Hawaii).

For Makled, mixing education throughout the concert is an ideal way to let attendees have fun but still learn cannabis policy.

“We want those people who are just coming to chill, smoke and listen to music to come in and see that we have an education pavilion where we’re having policy talks all day. We have an advocacy pavilion where they can go talk to the advocacy groups, sign up for email lists and get involved on a local level,” Makled says. “With all of those things they really have no choice but to walk out with a little extra knowledge than they had before. It’s ingrained into the festival.”

The Weedmaps Educational Pavilion will give some of that knowledge with lessons on cannabis legalization and the cannabis industry. Guests can also peruse the Bulb Wellness Pavilion where they can speak with medical professionals, holistic medicine practitioners, yoga instructors, dispensary owners and more.

When attendees aren’t learning about cannabis health, policy or listening to music, they can wander through the Exhibitor Fair, which features more than 70 exhibitors from around the United states. The D.C. Glass Gallery General Admission Lounge will have high-end pipes, accessories and activities throughout the day.

Guests can stop by the Hempworx Munchine Zone for snacks, beverages and free water. Other on-site activities will include lawn games, a photo booth and game zone.

The LGBT community will be well represented at the festival with LGBT-identifying speakers and LGBT-friendly vendors.

Statistically, the LGBT community has been more accepting of cannabis usage than heterosexuals. According to a 2014 study conducted by the Colorado Department of Public Health and Environment, 30 percent of LGBT Coloradans had consumed cannabis in the past month compared to 12.9 percent of heterosexuals. And 64.4 percent of LGBT respondents surveyed also said that they had consumed cannabis in their lifetime compared to 48.7 percent of straight respondents.

A study conducted by the General Social Survey also reports that in 2016, 80 percent of LGBT Americans supported the legalization of cannabis compared to 58 percent of heterosexuals.

Makled, who identifies as queer, says that for her the LGBT community and the cannabis community share a common stigma by society.

“I think there’s a natural connection between the cannabis movement and the LGBTQ movement. I had come out at a very young age,” Makled says. “I was 16. I realized I wanted to pursue a career in advocacy and business within cannabis. It was a whole other coming-out process. Because both the cultures have been living on the fringe of society and have been forced to celebrate behind closed doors. Not only are you having to come out saying, ‘I’m gay’ but also coming out saying, ‘I support consuming and legalizing cannabis and criminal justice reform.’”

LGBT participants this year include D.C. Vote’s Barbara Hemlick; Get Hemp Butter’s Kyla Hill; Marijuana Policy Project’s Kate Bell; Hemp Kettle Tea Company, a queer-owned indy tea company; Jenn Michelle Pedini from Virginia NORML; and Drug Policy Alliance’s Queen Adesuyi.

Makled hopes that more widespread cannabis legalization and criminal reform will lead to people becoming more open about cannabis usage.

“I think like any group of people or culture there’s a need and desire to celebrate that culture. That’s exactly what the National Cannabis Festival is. It’s the perfect intersection of culture, advocacy, arts and music. More people would come out of the green closet, which people compare coming out of the LGBTQ closest, to coming out of the cannabis closest. The more people are comfortable, the more people realize the medicinal and social benefits of cannabis, the more people will start to come out,” Makled says.

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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