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Broadway at the beach

Clear Space provides theater fix for Rehoboth visitors all summer

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Rehoboth Clear Space Theatre
20 Baltimore Ave.
Rehoboth Beach, Del.
Show times depend on the week

A scene from one of last year’s plays at Rehoboth Clear Space Theatre. (Photos courtesy the theater)

General admission is $30, senior citizens are $25 and students are $15

For many theaters, summer is the slowest time of year as families escape the city heat for the cooler shore. But for Clear Space Theatre in Rehoboth Beach, the influx of tourists keeps the theater teeming with people finding alternative ways to spend a summer night at the beach.

The theater gets so busy that this year its management is running three different shows at once in rotation. This year’s shows, which each cost between $8,000 and $25,000 to produce, include, “Cabaret,” “Broadway at the Beach” and “Annie.”

“Our seasons tend to appeal to a variety of tastes,” says Doug Yetter, founder and musical director. “For the summer season, we offer a family musical (“Annie”), a more adult-themed show (“Cabaret”) and a revue show that bridges the gap.”

“Annie,” opened June 30 and is the famous musical about a little orphan girl who goes on adventures in her orphanage and eventually around New York City, ingratiating herself with the president and finding a home in the Warbucks’ mansion.

“Cabaret” opened June 28 and is the more mature show being performed at Clear Space. Taking place in the Kit Kat Klub in Nazi Germany, American writer Cliff falls for a Klub performer named Sally Bowles. The play observes how they try to make their love survive in a changing world.

“Broadway at the Beach” opened this week and brings several Broadway hit songs to the shores of Delaware.

All shows run until September with “Broadway at the Beach” closing the season on Sept. 2.

Despite the schedule — each show is performed at least once a week — changing sets hasn’t been a problem.

“When my former partner and I were thinking to move down here, we thought we need to clear some space,” Yetter says. “We don’t need great sets for this; we let the audience bring their imagination.”

Yetter and his former partner co-founded Clear Space Theatre when they moved to Rehoboth Beach from New York City in 2004. Yetter says they thought the community would “benefit both culturally and economically from having a year-round theater.”

Yetter had about 40 years of musical theater experience, putting on productions all over the country. At Clear Space he works largely as artistic and musical director, overseeing all productions.

Since there’s not a strong emphasis on the sets for these shows, the costumes and characters have to carry the productions. Bill Clark, the full-time costume designer, immerses himself in the various stories to dress the cast appropriately.

“When we choose the shows we’re going to do three months out from our first creative meeting, I read the scripts three times,” he says. “Then I create a costume plot, detailed scenes that serve as a map, and from there I sketch individual costumes.”

For Clark’s favorite costumes in “Cabaret,” he began studying the culture in Berlin from 1925 onward. He also studied the works by Christopher Isherwood, a gay novelist from the 1930s, who wrote the original story upon which “Cabaret” is based, trying to reflect its dark tones in the clothes the Kit Kat Klub girls don.

“I’ve put the girls in some vintage lingerie from that era with a corset pattern,” he says.

Compared to other renditions of “Cabaret,” director Dorothy Neuman says her version may appear darker.

“It’s very topical,” she says. “A force in the government, the Nazis who are coming to power, have certain prejudices in society. They consider that they have the right answer. I feel this is a very parallel situation in America, a very strong conservative right in which they think they know what is morally right and if you don’t agree with them then you are not American.”

Neuman, who identifies as a “woman who happens to be gay,” has been directing theater since 1978, starting in various places in Arlington, Va., and Washington.

Michael Matthias, who is acting in all three productions, says that he’s looking forward to “Cabaret” mostly because of its darker overtones. He also says staging three shows is made easier because they are working with mostly the same company all year round.

“We are considered a professional theater because we have a year-round theater company,” he says. “The theater holds auditions for roles not filled by the company.”

As part of the company, he’s expected to continue his growth as an actor by attending classes. This season, he plays Rooster Hannigan in “Annie,” he’s part of the ensemble in “Broadway at the Beach” and also Cliff in “Cabaret.”

Chris Poeschl, an actor brought in for the summer, says Clear Space Theatre is different from most venues where he’s performed.

“It’s such an intimate experience, when we are out on the stage we are in the audience,” he says.

Poeschl is in the ensemble for “Broadway at the Beach,” but is excited for all three productions. None of the plays are LGBT-specific, though “Cabaret,” of course, has long been a gay favorite.

“‘Cabaret’ in our theater is handled very maturely, very real,” he says. “It’s a reliable description.”

Because of the large LGBT population in Rehoboth, Yetter says he makes it a point to include shows with gay appeal.

“We really serve the community,” he says. “It’s important that we have pieces that are inclusive.”

Bob Hoffer and Max Dick, who have been attending performances at Clear Space for the past five years, say the small, tight-knit community of the theater draws in many Rehoboth gay residents and visitors.

“There are a lot of gay and lesbian people involved in the theater,” Hoffer says. “Often you will run into a lot of cast members in the restaurants and bars around the theater. Going to the theater gives you a kind of perk in your day.”

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PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

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The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

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Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more

Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’

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From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.

Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”

The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.

“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”

Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.

Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.

As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.

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The year in photos

Top LGBTQ news photos of 2025

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(Washington Blade photos by Michael Key)

(Washington Blade photos by Michael Key)

The 40th annual Mr. Mid-Atlantic Leather competition is held on Jan. 12 at the Hyatt Regency Washington.
A drag dance protest is held outside the Kennedy Center on Jan. 13.
Activists gather for The People’s March on the Reflecting Pool near the Lincoln Memorial on Jan. 18.
The Transgender Unity Rally and March is held on March 1. Activists march from the U.S. Capitol to the White House.
President Donald Trump addresses the Joint Session of Congress on March 4.
The Gay Men’s Chorus of Washington performs “Passports” at Lincoln Theatre on March 14.
The American Civil Liberties Union displays a ‘Freedom to Be’ trans flag on the Mall on May 17.
Actress Ts Madison speaks at the Black Pride Opening Reception on May 23.
The WorldPride Parade moves through the streets of Washington, D.C. on June 7.
Doechii performs at the main stage of the WorldPride Festival on June 8.
Activist/performer Tara Hoot speaks at the D.C. Drag Awards at Trade on July 20.
Cast members from ‘Queer Eye’ speak at a CAA event at Crush Dance Bar on Aug. 4.
The National Guard is controversially deployed by President Trump into Washington, D.C. Military-style vehicles are parked in front of Union Station on Aug.14.
Activists march in a ‘Trump Must Go’ protest ending at the White House on Aug. 16.
Supporters of trans students attend a meeting of the Arlington School Board on Aug. 21 to counter a speech by anti-trans Virginia gubernatorial candidate, Lt. Gov. Winsome Sears.
Local governmental officials as well as volunteers and staff of MoCo Pride Center attend a ribbon cutting ceremony for the new LGBTQ community center in Bethesda, Md. on Aug. 30.
Activists protest cuts to PEPFAR funding outside of the Eisenhower Executive Office Building on Sept. 2.
Ivanna Rights is crowned Miss Gay Maryland America 2025 at The Lodge in Boonsboro, Md. on Sept. 6.
Thousands join the We Are All D.C. March on Sept. 6.
A scene from the We Are All D.C. March on Sept. 6.
Earvin ‘Magic’ Johnson speaks at the U.S. Conference on HIV/AIDS on Sept. 7.
Cake Pop! performs at the Washington Blade’s Best of LGBTQ D.C. party at Crush Dance Bar on Oct. 16.
A participant poses for the camera at the High Heel Race on 17th Street, N.W. on Oct. 28.
President Joe Biden speaks at the International LGBTQ Leaders Conference at the JW Marriott on Dec. 5.
The Gay Men’s Chorus of Washington perform ‘The Holiday Show’ at the Lincoln Theatre on Dec. 12.
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