a&e features
Years & Years’ frontman Olly Alexander talks life, love, anger and ‘Palo Santo’
Elaborate concept album/film project revealed unexpected inner emotions

Years & Years lead singer Olly Alexander says he decided early on to be open with fans and the press, a decision he doesn’t regret. (Photo courtesy High Rise PR)
Years & Years
‘Palo Santo Tour’
With Cyn, Tunde Olaniran
Thursday, Oct. 11
8 p.m.
The Lincoln Theatre
1215 U St., N.W.
SOLD OUT
Olly Alexander is slightly out of breath when he gets on the phone. The out frontman of the British synth-pop group Years & Years has had a busy few months promoting the group’s latest album “Palo Santo.” The band isn’t stopping anytime soon as they embark on a North American tour, which already has sold-out dates including the Lincoln Theatre on Oct. 11.
Years & Years, which rounds out its trio with group members Mikey Goldsworthy and Emre Türkmen, first hit the music scene with its 2015 breakout hit “King.” Since then, Years & Years has continued to pump out danceable hits including “Sanctify” and “If You’re Over Me” (which hit the top 10 in the U.K.) from “Palo Santo,” which hit No. 3 in the U.K. and No. 1 on the U.S. Top Dance/Electronic Albums Billboard chart. A short film, narrated by Judi Dench, about a dystopian world controlled by robots, also accompanied the group’s sophomore effort.
Alexander has also been busy as an advocate for mental health and LGBT issues. The 28 year old opened up about his struggles with mental health problems, which he began to experience as a teenager, to the public. He’s also been candid about being an unapologetically gay pop star. Always on the move, Alexander caught up with the Washington Blade and talked about the new wave of LGBT pop artists, his love for Rihanna and his thoughts on masculinity — all while hailing a taxi in London.
WASHINGTON BLADE: Years & Years’ sophomore album is called “Palo Santo.” The first album is called “Communion.” What is it about that spiritual/religious imagery that connects with you?
OLLY ALEXANDER: I guess it’s always been something that fascinated me my whole life. When I was a kid my family moved around a lot. We moved to a house that was right next to a church and I used to play in the church yard. I think it was a way in to spiritual imagery which I think is so powerful. From my own life, I’m not religious. I also worked in this shop when I was 14 that sold spell books and candles and gem stones. So I’ve kind of always been fascinated by it.
BLADE: “Palo Santo” has the same upbeat pop beat that was on “Communion” but the lyrics are darker. Did you intend for the album to be an emotional release or did you only see that when you finished the album and looked back?
ALEXANDER: Making music is always an emotional release for me. Throughout the songwriting process I don’t really have much of a gauge on the overall themes. It wasn’t until the album was done that I realized looking back it had this more confessional and angrier tone to it than the previous stuff I’ve written. That happened naturally, I think. When I think about it I was 19, 20, 21 when I was writing the songs on the first album. Everyone changes over the course of however many years. The music on the second record was from 26, 27 and you’re always growing as a songwriter.
BLADE: The album seems very personal to you, specifically. Did you have to convince your bandmates to let you take the lead on this?
ALEXANDER: I’ve always been the lyricist and I’ve always written songs from my perspective. So we’re used to working that way. Although, I’ve definitely had a few conversations with Mikey and Emre where I’m like, “Look this is the way I want to do it. This is how I think we should make the song.” We have a few arguments but then they usually back me up.
BLADE: What’s one thing you learned about yourself after completing the album?
ALEXANDER: One thing I learned is I had all this pent-up anger. I would never describe myself as an angry person. I avoid confrontations at all costs. I always practice peace and kindness. I realized I had crushed all this anger inside of me and it was kind of like clawing to get out. That was mainly towards ex-boyfriends, my dad. All the big ones. I learned I’m not quite as good at letting go of my anger as I thought I was.
BLADE: The video component of “Palo Santo” looked like it could have been an episode of “Black Mirror.” On the flip side, what would your utopia look like?
ALEXANDER: Full of trees and nature. We’d all live in harmony with animals. We’d have equality and world peace. I don’t know if you’ve ever seen “Zeitgeist” but in one of the “Zeitgeist” movies they have templates for Utopian cities. There’s no money and everyone has their own role in society. They grow their own food and it’s like local and sustainable. Oh, and dolphins. We could swim with dolphins and they’d talk to us.
BLADE: One of your last tweets said that “It’s been 107 days since I met Rihanna.” Is that how you measure your life now?
ALEXANDER: Yeah, exactly. I have B.R. which is Before Rihanna and then A.R. which is After Rihanna.
BLADE: Is there anyone else that you haven’t met yet that you’d freak out over?
ALEXANDER: Plenty of people. Mariah Carey. Definitely Beyoncé. I would be a nervous wreck. Also Janet Jackson for sure. Joni Mitchell as well. And Stevie Wonder. Those are all my heroes.
BLADE: You’ve mentioned that you’re a book worm. Any recent reads that have inspired you?
ALEXANDER: One of the books I found super inspiring recently is “Aliens & Anorexia” by Chris Kraus who wrote “I Love Dick.” I was like “Wow, this woman’s voice is incredible.” I just wanted to read more and more. That kind of inspired me lately. And “The Vegetarian” by Han Kang is amazing.
BLADE: You’ve been very open about mental health and your sexuality. When you first started Years & Years did you want to be an advocate for LGBT and mental health issues or did it just happen?
ALEXANDER: I really had no idea that would be something I would end up doing. It did just kind of happen. Luckily, I’d already been through an intense mental health journey before I was in the public eye. I learned some tools to cope with my emotions and things I was going through. One of those tools was to be very honest about almost everything. So I just applied that to being in interviews and being with fans. Then I saw the response that me being open about my mental health had and it had such an intense reaction. I realized that people were so desperate to speak out and once that started happening I realized that this started feeling really meaningful. I want to be able to help in some way and make some change. I was like, “This could be a way that I could do this and help some people” so it just kind of snowballed from there.
BLADE: Is it ever strange to know so many people know such intimate things about you? You’ve mentioned issues with your father and coming out.
ALEXANDER: It is quite strange but I think it’s worth it. I’ve felt like I’ve built this foundation at super speed to withstand the attention especially around my personal life. But I feel much more like I can withstand that sort of attention now. And seeing firsthand how being open about stuff encourages honesty in other people, I feel like it’s worth it in the end. Sometimes it’s a bit weird but then life is weird for everyone isn’t it?
BLADE: I attended your concert at 9:30 club in D.C. a few years back. I remember people in the crowd kept saying they loved your dancing which you do on stage and in your videos. What is it about dancing that’s so integral to your performances?
ALEXANDER: I’ve always loved being that boy at the school discos who is dancing when no one else is. When I was in my early 20s going out the club I lived for going out and the weekends. I would meet so many new people and see my friends out. It was like a gay initiation in lots of ways. It was a real scene and I knew everybody. I think that kind of gave me a love for dance music. Also, just as a performer I start to respect actual dances. I’m wishing in another life that’s what I would have pursued. It’s such a pure form of expression.
BLADE: At the British GQ Awards you made a powerful speech about masculinity and gender stereotypes. For you, what’s your definition of a “man”?
ALEXANDER: I guess I’m trying as much as possible not to define what it means to be a man. I know that sounds like a cop-out. I think we have to be so careful around language because words are all we’ve got. It’s kind of essentialist to think there’s one definition because there’s just so many. I would encourage people to figure it out for themselves.
BLADE: There was a time a few years ago when LGBT artists weren’t as prominent as they are now. There was maybe Tegan and Sara and that’s it. But now there’s you, Troye Sivan, Kim Petras, Hayley Kiyoko. Did you ever think this would happen or did it shock you?
ALEXANDER: Well, I think it’s a bit of both. I could never have imagined a pop landscape that included queer options. I never could have imagined that would exist when I was a teenager because I had no reference for it, really. Now, it does feel like a new wave of queer artists coming through. We’re seeing so many talented artists. I’m excited to see what happens next and how all these artists are going to continue to grow and inspire other people. I think we’re still in the early stages of the queer influx of artists. Ones who are able to be out in the beginning of their career. So I’m excited to see how it continues.

Olly Alexander says dancing comes naturally to him both in clubs and on tour. (Photo courtesy High Rise PR)
a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
a&e features
Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
-
Congress5 days agoHouse blocks effort to codify transgender servicemember ban into law
-
District of Columbia5 days agoD.C. Council approves increased funding for Mayor’s Office of LGBTQ Affairs
-
a&e features4 days agoSummer in D.C. brings sports, Restaurant Week, festivals, and more
-
Opinions4 days agoNo Pride without Disability Pride
