Arts & Entertainment
Ellen DeGeneres under fire for supporting Kevin Hart
The talk show host says the comedian has ‘grown’ and ‘apologized’
Ellen DeGeneres is facing backlash for supporting Kevin Hart and actively campaigning to have Hart host the Oscars.
Hart was tapped to host this year’s Oscars but stepped down after old homophobic jokes and tweets resurfaced. DeGeneres invited Hart on “The Ellen DeGeneres Show” to talk about the fall out with the episode scheduled to air on Monday. However, DeGeneres and her producers were apparently so impressed by the interview that the episode aired on Friday instead.
In the interview, Hart explains that he has repeatedly apologized for the jokes, which were made 10 years ago, and viewed the situation as an attack on his character and an attempt to ruin his career. DeGeneres let Hart know that she fully supports him and even called the Academy on his behalf.
“I called them, I said, ‘Kevin’s on, I have no idea if he wants to come back and host, but what are your thoughts?’ And they were like, ‘Oh my God, we want him to host! We feel like that maybe he misunderstood or it was handled wrong. Maybe we said the wrong thing but we want him to host. Whatever we can do we would be thrilled. And he should host the Oscars,'” DeGeneres says.
She continued to explain that she thinks Hart has learned from his mistakes and deserves to come back as host.
“As a gay person, I am sensitive to all of that. You’ve already expressed that it’s not being educated on the subject, not realizing how dangerous those words are, not realizing how many kids are killed for being gay or beaten up every day,” DeGeneres says. “You have grown, you have apologized, you are apologizing again right now. You’ve done it. Don’t let those people win — host the Oscars.”
I believe in forgiveness. I believe in second chances. And I believe in @KevinHart4real. pic.twitter.com/oJxfGXhU4P
— Ellen DeGeneres (@TheEllenShow) January 4, 2019
Some people criticized DeGeneres for labeling people who took issue with the jokes “haters” and “trolls.” There were also people who didn’t believe Hart was being genuine with his apology.
(1) First, the people who brought up Kevin Hart’s past tweets — like me — were not, as Ellen characterized, “haters.” The host of the Oscars had made anti-gay jokes, and LGBT people who love the Oscars were legitimately startled to see just how harsh his words were. It wasn’t a…
— Adam B. Vary (@adambvary) January 4, 2019
The only thing @KevinHart4real proved by going on Ellen was that he is a terrible actor with zero genuine remorse who didn’t have the decency to address his ignorance. No, they weren’t “haters” who came after you. It was the LGBTQI+ community because we’re sick to shit of it.
— Harry Cook (@HarryCook) January 4, 2019
I also believe in forgiveness. But I also believe that forgiveness requires an actual apology. Not “I’m sorry people are so sensitive.” Just “I am sorry.” All he had to do. And he indignantly refused because he felt his moment was being tainted. That he was the aggrieved.
— Eamon Paton-Usry (@Eamon2Please) January 4, 2019
this whole ellen/kevin hart thing is a perfect example of how privilege and constant praise distorts a person’s reality so much that they perceive any criticism, however valid, to be an attack on their entire livelihood
— ellie (@eleanorbate) January 4, 2019
I feel like if you’re not homophobic anymore, you shouldn’t mind apologizing for your past homophobia again and again and again. I don’t want to hear a hostile retelling of how we didn’t hear your meager apology the first time.
— Louis Virtel (@louisvirtel) January 4, 2019
DeGeneres appeared to notice the backlash as she tweeted, “However you feel about this, the only positive way through it is to talk about it. Thank you for being here, @KevinHart4real. “
Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.
(Washington Blade photos by Michael Key)
The 2024 National Cannabis Festival was held at the Fields at RFK Stadium on April 19-20.
(Washington Blade photos by Michael Key)
Covering the @NatlCannaFest at RFK Stadium for @WashBlade . Stop by the LGBTQ+ booth and pick up a paper if you are here. pic.twitter.com/is7hnsaPns
— Michael Patrick Key (@MichaelKeyWB) April 20, 2024
Theater
‘Amm(i)gone’ explores family, queerness, and faith
A ‘fully autobiographical’ work from out artist Adil Mansoor
‘Amm(i)gone’
Thorough May 12
Woolly Mammoth Theatre
641 D St., N.W.
$60-$70
Woollymammoth.net
“Fully and utterly autobiographical.” That’s how Adil Mansoor describes “Amm(i)gone,” his one-man work currently playing at Woolly Mammoth Theatre.
Both created and performed by out artist Mansoor, it’s his story about inviting his Pakistani mother to translate Sophocles’s Greek tragedy “Antigone” into Urdu. Throughout the journey, there’s an exploration of family, queerness, and faith,as well as references to teachings from the Quran, and audio conversations with his Muslim mother.
Mansoor, 38, grew up in the suburbs of Chicago and is now based in Pittsburgh where he’s a busy theater maker. He’s also the founding member of Pittsburgh’s Hatch Arts Collective and the former artistic director of Dreams of Hope, an LGBTQ youth arts organization.
WASHINGTON BLADE: What spurred you to create “Amm(i)gone”?
ADIL MANSOOR: I was reading a translation of “Antigone” a few years back and found myself emotionally overwhelmed. A Theban princess buries her brother knowing it will cost her, her own life. It’s about a person for whom all aspirations are in the afterlife. And what does that do to the living when all of your hopes and dreams have to be reserved for the afterlife?
I found grant funding to pay my mom to do the translation. I wanted to engage in learning. I wanted to share theater but especially this ancient tragedy. My mother appreciated the characters were struggling between loving one another and their beliefs.
BLADE: Are you more director than actor?
MANSOOR: I’m primarily a director with an MFA in directing from Carnegie Mellon. I wrote, directed, and performed in this show, and had been working on it for four years. I’ve done different versions including Zoom. Woolly’s is a new production with the same team who’ve been involved since the beginning.
I love solo performance. I’ve produced and now teach solo performance and believe in its power. And I definitely lean toward “performance” and I haven’t “acted” since I was in college. I feel good on stage. I was a tour guide and do a lot of public speaking. I enjoy the attention.
BLADE: Describe your mom.
MANSOOR: My mom is a wonderfully devout Muslim, single mother, social worker who discovered my queerness on Google. And she prays for me.
She and I are similar, the way we look at things, the way we laugh. But different too. And those are among the questions I ask in this show. Our relationship is both beautiful and complicated.
BLADE: So, you weren’t exactly hiding your sexuality?
MANSOOR: In my mid-20s, I took time to talk with friends about our being queer with relation to our careers. My sexuality is essential to the work. As the artistic director at Dreams of Hope, part of the work was to model what it means to be public. If I’m in a room with queer and trans teenagers, part of what I’m doing is modeling queer adulthood. The way they see me in the world is part of what I’m putting out there. And I want that to be expansive and full.
So much of my work involves fundraising and being a face in schools. Being out is about making safe space for queer young folks.
BLADE: Have you encountered much Islamophobia?
MANSOOR: When 9/11 happened, I was a sophomore in high school, so yes. I faced a lot then and now. I’ve been egged on the street in the last four months. I see it in the classroom. It shows up in all sorts of ways.
BLADE: What prompted you to lead your creative life in Pittsburgh?
MANSOOR: I’ve been here for 14 years. I breathe with ease in Pittsburgh. The hills and the valleys and the rust of the city do something to me. It’s beautiful, it’ affordable, and there is support for local artists. There’s a lot of opportunity.
Still, the plan was to move to New York in September of 2020 but that was cancelled. Then the pandemic showed me that I could live in Pittsburgh and still have a nationally viable career.
BLADE: What are you trying to achieve with “Amm(i)gone”?
MANSOOR: What I’m sharing in the show is so very specific but I hear people from other backgrounds say I totally see my mom in that. My partner is Catholic and we share so much in relation to this.
I hope the work is embracing the fullness of queerness and how means so many things. And I hope the show makes audiences want to call their parents or squeeze their partners.
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‘Amm(i)gone’ explores family, queerness, and faith
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