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From Gaga hit maker to drag star

Gay producer left the pop world behind to discover his inner woman in Cary NoKey

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Rob Fusari, Cary NoKey, RuPaul's Drag Race, Gaga, gay news, Washington Blade
Rob Fusari, Cary NoKey, RuPaul's Drag Race, Gaga, gay news, Washington Blade

Cary NoKey’s act is ‘a little ‘Rock of Ages’ to ‘Cabaret’ to ‘42nd Street’ says visionary Rob Fusari. (Photo courtesy Project Publicity)

RuPaul’s Drag Race

Battle of the Seasons

2015 Condragulations Tour

with special guest Cary NoKey

 

March 8

 

9:30 Club

 

815 V St., N.W.

 

$35-65 (VIP)

 

8 p.m.

 

It’s almost a show business cliché that often what looks like the best of times in a career from the outside can be some of the darkest times for the entertainer.

That was the case with Rob Fusari, the New Jersey native who found himself one of the most sought-after R&B/pop producers around the turn of the century. His credits are impressive — “No No No” and “Bootylicious” for Destiny’s Child, “Wild Wild West” for Will Smith as well as co-writer and producer for five cuts on Lady Gaga’s smash debut “The Fame” album from 2008, which he co-executive produced.

Yet oddly it took the 37-year-old turning within and discovering his drag alter ego Cary NoKey to find artistic satisfaction. He’ll be in Washington next week to open the “RuPaul’s Drag Race: Battle of the Seasons” tour and filled us in by phone from Cincinnati — where the tour happened to be at the time — on how it all unfolded. His comments have been slightly edited for length.

WASHINGTON BLADE: How did Cary NoKey emerge?

ROB FUSARI: It was about two years ago this month, actually, and it basically came out of a dark time creatively and emotionally after the Gaga record, “The Fame.” I felt I kind of peaked my career as a producer and had this pinnacle moment so in the years following, I was searching for what my next chapter would be, where I was supposed to be creatively and as a person. I thought the move was to try and find and develop another artist but I was finding it really difficult to identify who that person might be despite the thousands of artists I was looking at. It started to become very, very frustrating. … I just couldn’t seem to get that magic going with anyone. … I eventually recorded a vocal of my own one night in the studio on my birthday. I left early and went out for a few hours and when I got back, a group of friends were listening to it and … that’s kind of when Cary NoKey started. It was just one of those moments where it felt like everything I was searching for was right there in front of me somehow but I didn’t see it because I didn’t think of myself as a performer. It started unfolding and progressing in a very natural way.

BLADE: Had you always been interested in drag?

FUSARI: I grew up raised by a mom with very feminine qualities who kind of always treated me as the daughter she never had. Eventually I started to embrace that side of myself and it became almost like a car I could jump into and I just became OK with expressing my fashion sense and some other things I’d been suppressing and some things I was a little fearful of. It became this vehicle in which I found I could express myself in other ways.

BLADE: You said it was frustrating that you couldn’t find another great artist to work with but didn’t you realize a Gaga-caliber success story was maybe one in a million? How realistic was it to try to catch that kind of lightening in a bottle again?

FUSARI: No, because I’d spent a good 10 years in the business by that point and I had hundreds and hundreds of unsigned artists reaching out to me every day, so I had my pick of the litter so to speak. I said if I can’t find the next thing, nobody can. … I met some really strong ones, some really good artists but there’s something else a superstar has that nobody else has that you can’t explain it. This lightening bolt that goes through you that I just couldn’t find.

BLADE: You’ve produced A-list artists and now you’re performing yourself. What the public sees is much different, I’m sure, from what you see. What’s the biggest misconception?

FUSARI: The whole overnight sensation concept is so misleading because it’s an overnight sensation that takes years and years to get to. … I always say to artists, if you’re not willing to give up your life for this, it’s not gonna happen. There’s no in between. I don’t think people really understand the sacrifice, and it’s massive, that people make … The dingy clubs you have to play and having to be on all the time. People watch the Grammys and see the award and the parties and it’s like watching a movie. I’m here to tell you, it’s the opposite. Sure, there are those moments, of course, but what you have to give up and what you have to do to get there is everything.

BLADE: Your single is called “American Dream,” which is a rather serious song. Did you need Cary to tell that story or did she unlock some kind of artistic freedom in you?

FUSARI: Freedom comes in different ways. The freedom you get from your country comes at a very hefty price and I think we all know that, be it taxes, be it culture — it comes with a price. The freedom that drag queens and transgender people have is totally different. … They have a certain peace, a freedom and they’re living their dream that has nothing to do with what our country told us the dream was. It’s almost like we got fooled a bit with the white picket fence … which has really become the exception today. I’m not bashing the country, I love this country, but it’s built on some fallacies and weak ground that needs to be dealt with. … I felt I wasn’t living my own dream and who I am as Cary NoKey until I was able to let Rob Fusari and even Gaga go. I still get asked questions about it and that’s fine, but that chapter of my life has ended and thank God, because it wasn’t the best chapter to be honest. It might have been one of the worst.

BLADE: Where was the dissatisfaction coming from?

FUSARI: I’m not trying to bash Gaga, but sometimes the shit you have to eat to get to a certain place is not worth it. I can’t change history but I wonder now, was it worth it? It’s not about the money. I’d give the money back in a heartbeat. It’s about integrity, about character about feeling good about yourself and being part of something. The people who work with Cary NoKey, they’re going to stay on board because when the time comes and there’s success, they’ll have a reason to stay on board. You gotta treat people fairly. You gotta look to everyone who helped you along the way. I’m not going to just kick people off the roof.

BLADE: You felt Gaga did that?

FUSARI: Absolutely

BLADE: Was there any talk of working with her on her follow-up?

FUSARI: Absolutely not. I could never have done that anyway. I could never put my creative art and soul into somebody who kicks people off the roof.

BLADE: What would you say to her if you were with her in an elevator today?

FUSARI: Get off.

BLADE: You did a track with Whitney Houston. Did you work it up then send it to her people or were you in the studio together with her?

FUSARI: No, we cut the vocal together in the studio for “Love That Man.” (from the 2002 “Just Whitney” album)

BLADE: What was she like to work with?

FUSARI: To be honest, it wasn’t the best. She wasn’t sober so it was difficult at times. She was battling addiction and she was with Bobby, who was just a nightmare.

BLADE: How did it come about that you are on the “Drag Race” tour?

FUSARI: We were playing out in (New York) a lot and it ended up that we had landed the spot opening for Adore Delano at the Gramercy Theatre. We were thrilled. I love the Gramercy and Adore and we were just thrilled. It was a great fit. All the “Drag Race” folks were there and the executives and creative folks and they asked if we were interested in joining the tour next year, so we said yes. A lot of times things like this are said and it doesn’t come to fruition, it’s just part of the business, but we just finished the Macy Gray tour and right after that, we were ready and it just worked out.

BLADE: What are the queens like on tour?

FUSARI: It’s a blast, I’m so happy. They’re so nice and so classy. They’re pros. You’d think it would be a lot of backstage mayhem and chaos and drama on the bus and so on, but it’s actually really the opposite. Everybody’s really on their game and really pro. I’m really impressed.

BLADE: Do you feel like an outsider since they’re all vets of the show?

FUSARI: It’s weird, I don’t. They’ve accepted me and we definitely hit it off.

BLADE: Are you a gay man who does drag? How do you identify?

FUSARI: It goes so many different ways. It goes sideways, it goes inside out, it changes from day to day and I explore all different sides of it. That’s really the only way I can explain it. Do I want to go full drag tomorrow? Of course, I would do it. Do I want to have a sex change? No, it’s not something I’m looking to do. If somebody wanted to call me a cross dresser, I don’t think I am but you could probably say that about me and I don’t have a problem with it. … The wires just all cross for me in so many different directions.

BLADE: What do you actually do in the show?

FUSARI: It’s basically a way to open the show with something different. It’s more serious, though it can be playful at times. … We keep it simple. I do about a 20-minute set and sing about seven songs and I have a dancer with me. We do some covers but in a very Cary NoKey kind of way. … I do (Gaga hit) “Paparazzi” because it’s a song I wrote and I’m proud of but people get to hear it in more of its original version. Some of it’s very aggressive, almost like Kurt Cobain, but then it’s also kind of Joel Grey-“Cabaret” too. It spans a lot. … I know it’s hard to sit through 20 minutes of new music you don’t know, so we mix it up.

Rob Fusari, Cary NoKey, RuPaul's Drag Race, Gaga, gay news, Washington Blade

Rob Fusari says discovering his drag alter ego was his own kind of ‘American Dream.’ (Photo courtesy Project Publicity)

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Pride season has begun

LGBTQ parades, festivals to be held throughout region in coming months

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A scene from last Sunday’s Pride festival in Roanoke, Va. (Blade photo by Michael Key)

LGBTQ Pride festivals, parades and other events have been scheduled in large cities and small towns throughout the region. Pride events around the world culminate in June, but organizers in some municipalities have elected to hold celebrations in other months.

Pride in the region has already begun with last weekend’s Mr., Miss, and Mx. Capital Pride Pageant held at Penn Social as well as Roanoke Pride Festival held in Elmwood Park in Roanoke, Va.

Below is a list of Pride events coming to the region.

MAY

Capital Trans Pride is scheduled for 9:30 a.m.-5 p.m. on Saturday, May 18 at the Martin Luther King, Jr. Memorial Library (901 G St., N.W.). The website for the event advertises workshops, panel discussions, a keynote address, a resource fair and more.  transpridewashingtondc.org

Equality Prince William Pride is scheduled for 12-4 p.m. on May 18 at the Harris Pavilion (9201 Center St.) in historic downtown Manassas, Va. equalityprincewilliam.org

D.C. Black Pride holds events throughout the city May 24-27. Highlights include an opening reception, dance parties and a community festival at Fort Dupont Park. The Westin Washington, DC Downtown (999 9th St., N.W.) is the host hotel, with several events scheduled there. dcblackpride.org

NOVA Pride and Safe Space NOVA will hold NOVA Pride Prom from 7-11 p.m. on May 31 at Torpedo Factory Art Center in Alexandria, Va. The event is open to all high school students throughout the region, regardless of identity, from rising ninth grade students to graduating seniors. novapride.org

Capital Pride Honors will be held on May 31. The Capital Pride Alliance has announced on its website that nominations are open for awardees. The Honors celebrates excellence in the LGBTQ community and its allies. capitalpride.org

JUNE

Downtown Sykesville Connection is sponsoring Sykesville Pride Day in downtown Sykesville, Md. on June 1 from 12-4 p.m. downtownsykesville.com

Reston Pride will be held at Lake Anne Plaza in Reston, Va. on June 1 from 12-6 p.m. restonpride.org

Fairfax Pride, hosted by the City of Fairfax and George Mason University, will be held at Old Town Hall (3999 University Drive, Fairfax, Va.) on June 1 from 5-7 p.m. The event will include children’s activities and more. fairfaxva.gov

OEC Pride celebrates Pride with “art, dance, education, and fun” in Old Ellicott City.  The OEC Pride Festival is held along Main Street in Ellicott City, Md. on June 1 from 10 a.m.-10 p.m. visitoldellicottcity.com

Annapolis Pride has consistently drawn a giant crowd for a parade and festival in the quaint downtown of the Maryland capital. “The Voice” star L. Rodgers has been announced to headline the 2024 festival. The parade and festival will be held on June 1. annapolispride.org

The Alexandria LGBTQ+ Task Force Alexandria Pride is scheduled to be held at Alexandria City Hall from 3 – 6 p.m. on June 1 in Alexandria, Va. alexandriava.gov

The Portsmouth Pride Fest will be held at Festival Park adjacent to the Atlantic-Union Bank Pavilion in Portsmouth, Va. on June 1 from 11 a.m.-5 p.m. portsmouthprideva.com

The Delaware Pride Festival is a free event scheduled for June 1 at Legislative Hall in Dover, Del. from 10 a.m.-5 p.m.The event is billed as family friendly and open to people of all ages and sexual orientations. delawarepride.org

The City of Rockville is hosting Rockville Pride at Rockville Town Square (131 Gibbs St., Rockville, Md.) from 2-5 p.m. on June 2. The free event features live performances, information booths, and children’s activities. rockvillemd.gov

Equality Loudoun is hosting the ticketed Loudoun Pride Festival from 1-7 p.m. on June 2 at Claude Moore Park in Sterling, Va. The event features three stages, a “#Dragstravaganza,” a kid’s zone, an alcohol pavilion, a food hall and more. Tickets $5. eqloco.com

Culpepper Pride is slated to be held at Mountain Run Winery in Culpepper, Va. from 12-6 p.m. on June 2. The theme this year is “True Colors.” culpeperpride.org

The Southwest Virginia Pride Cookout Community Social is planned for 2 p.m. at the Charles R. Hill Senior Center in Vinton, Va. on June 2. For more information, visit the Facebook event page.

Capital Pride kicks off with the RIOT! Opening Party at Echostage starting at 9 p.m. on June 7. Tickets run from $27-$50 and can be purchased on the Capital Pride website. The event is set to feature Sapphire Cristál. capitalpride.org

Pride events continue over the weekend of June 8-9 in the nation’s capital with the Capital Pride Block Party featuring performers and a beverage garden, the massive Capital Pride Parade, Flashback: A totally Radical Tea Dance to be held at the end of the parade route, and the Capital Pride Festival and Concert. Visit capitalpride.org for more information. Other Pride events planned for the weekend in D.C. include a number of parties and the unforgettable (and free) Pride on the Pier & Fireworks Show at the Wharf sponsored by the Washington Blade from 2-10 p.m. prideonthepierdc.com

Pride in the ‘Peake will be held at Summit Pointe (580 Belaire Ave.) in Chesapeake, Va. on June 9 from 12-5 p.m. The family-focused Pride event does not serve alcohol, but will feature community organizations, food trucks and more in a street festival. For more information, visit the Facebook event page.

Celebrate with a drag show, dancing and a lot of wine at Two Twisted Posts Winery in Purcellville, Va. for a Pride Party from 2-5 p.m. on June 15. twotwistedposts.com

Baltimore Pride holds one of the largest Pride parades in the region on June 15 in Baltimore. (2418 Saint Paul St.). The parade concludes with a block party and festival. Pride events are scheduled from June 14-16. baltimorepride.org

The fourth annual Catonsville Pride Fest will be held at the Catonsville Presbyterian Church (1400 Frederick Rd.) in Catonsville, Md. on June 15 from 3-6 p.m. The event features a High Heel Race, pony rides, face painting, local cuisine and more. For more information, visit the Facebook event page.

The Ghent Business District Palace Shops have announced a Ghent Pride event from 5:30-9:30 p.m. on June 17 at the Palace Shops and Station (301 W 21st Street) in Norfolk, Va. ghentnorfolk.org

An event dedicated to celebrating the elders in the LGBTQ community, Silver Pride is scheduled for June 20 at 5:30-8:30 p.m. Location and more information to be announced soon. capitalpride.org

Visit the Hampton Roads PrideFest and Boat Parade for a truly unique Pride experience along the Elizabeth River. The full day of entertainment, education and celebration will be held on June 22 from 12-7 p.m. at Town Point Park (113 Waterside Dr.) in Norfolk, Va. hamptonroadspride.org

Frederick, Md. will hold its annual Frederick Pride Festival at Carroll Creek Linear Park on June 22 from 11 a.m.-6 p.m. Entertainers include CoCo Montrese of “RuPaul’s Drag Race.” frederickpride.org

The fourth annual Pride at the Beach is scheduled for 2-10 p.m. on June 23 at Neptune’s Park (3001 Atlantic Ave.) in Virginia Beach, Va. The event features entertainment, community vendors, beachside DJ sets, food trucks and offers a “perfect conclusion to an unforgettable Pride weekend.” hamptonroadspride.org

Winchester Pride will hold its Mx. Winchester Pride Pageant at 15 N. Loudoun St. in Winchester, Va. on June 23 at 6 p.m. Tickets are $20 in advance/$25 at the door. winchesterpride.com

The organizers of last year’s inaugural Ocean City Pride with a “parade” along the boardwalk in Ocean City, Md. have announced that they will be organizing a return this year with events from June 28-30. instagram.com

The third annual Arlington Pride Festival will be held at Long Bridge Park at National Landing (475 Long Bridge Dr.) in Arlington, Va. on June 29 from 11 a.m.-3 p.m. arlvapride.com

FXBG Pride is holding its annual community Fredericksburg Pride March on June 29 from 10-11 a.m. at Riverfront Park (705 Sophia St.) in Fredericksburg, Va. Speeches begin at 10 a.m. and the procession starts at 10:30 a.m. For more information, visit the Facebook event page.

Salisbury Pride “90’s Edition” is scheduled for 3 – 7 p.m. on June 29 in Downtown Salisbury, Md. Magnolia Applebottom is listed as the headliner and grand marshal. salisburyprideparade.com

The 2024 Suffolk Pride Festival is scheduled for Bennett’s Creek Park in Suffolk, Va. on June 30 from 12-7 p.m. Visit the Facebook event page for more information.

Expect music, entertainment and drag performances in the picturesque mountain town of Cumberland, Md. at the Cumberland Pride Festival on June 30 from 12-4 p.m. at Canal Place. cumberlandpride.org

Montgomery County’s annual Pride in the Plaza will be held on June 30 from 12-8 p.m. at Veterans Plaza (1 Veterans Place, Silver Spring, Md. liveinyourtruth.org

JULY

The sixth annual Westminster Pride Festival is scheduled for downtown Westminster, Md. on July 13 from 12-6 p.m. westminsterpride.org

Hagerstown Hopes is holding its annual Hagerstown Pride Festival in Doubs Woods Park (1307 Maryland Ave.) in Hagerstown, Md. on July 13 at 11 a.m. Visit the Facebook event page for more information.

The Rehoboth Beach Pride Festival will be held on July 20 from 10 a.m.-2 p.m., with other Sussex Pride events scheduled throughout the weekend of July 18-21. sussexpride.org

Us Giving Us Richmond hosts Black Pride RVA in Richmond, Va. with events on July 19-21. ugrcrva.org

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Eastern Shore chef named James Beard Finalist

Harley Peet creates inventive food in an inclusive space

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Chef Harley Peet works to support the LGBTQ community inside and outside of the kitchen.

In a small Eastern Shore town filled with boutiques, galleries, and the occasional cry of waterfowl from the Chesapeake, Chef Harley Peet is most at home. In his Viennese-inflected, Maryland-sourced fine-dining destination Bas Rouge, Peet draws from his Northern Michigan upbringing, Culinary Institute of America education, and identity as a gay man, for inspiration.

And recently, Peet was named a James Beard Finalist for Best Chef: Mid-Atlantic – the first “Best Chef: Mid-Atlantic” finalist representing the Eastern Shore.

Peet, after graduation from the Culinary Institute of America, took a position as sous chef at Tilghman Island Inn, not far from Bas Rouge. Falling in love with the Eastern Shore, he continued his passion for racing sailboats, boating, gardening, and fishing, and living his somewhat pastoral life as he opened Bas Rouge in 2016 as head chef, a restaurant part of the Bluepoint Hospitality group, which runs more than a dozen concepts in and around Easton, Md.  

Coming from a rural area and being gay, Peet knew he had his work cut out for him. He was always aware that the service and hospitality industry “can be down and dirty and rough.”

 Now as a leader in the kitchen, he aims to “set a good example, and treat people how I want to be treated. I also want to make sure if you’re at our establishment, I’m the first to stand up and say something.” 

The Bas Rouge cuisine, he says, is Contemporary European. “I’m inspired by old-world techniques of countries like Austria, Germany, and France, but I love putting a new spin on classic dishes and finding innovative ways to incorporate the bounty of local Chesapeake ingredients.”

His proudest dish: the humble-yet-elevated Wiener Schnitzel. “It is authentic to what one would expect to find in Vienna, down to the Lingonberries.” From his in-house bakery, Peet dries and grinds the housemade Kaiser-Semmel bread to use as the breadcrumbs.

Peet works to support the LGBTQ community inside and outside of the kitchen. “I love that our Bluepoint Hospitality team has created welcoming spaces where our patrons feel comfortable dining at each of our establishments. Our staff have a genuine respect for one another and work together free of judgment.” 

Representing Bluepoint, Peet has participated in events like Chefs for Equality with the Human Rights Campaign, advocating for LGBTQ rights.

At Bas Rouge, Peet brings together his passion for inclusion steeped in a sustainability ethic. He sees environmental stewardship as a way of life. Peet and his husband have lived and worked on their own organic farm for several years. Through research in Europe, he learned about international marine sourcing. Witnessing the impacts of overfishing, Peet considers his own role in promoting eco-friendly practices at Bas Rouge. To that end, he ensures responsible sourcing commitments through his purveyors, relationships that have helped create significant change in how people dine in Easton.

“I have built great relationships in the community and there’s nothing better than one of our long-standing purveyors stopping in with a cooler of fresh fish from the Chesapeake Bay. This goes especially for catching and plating the invasive blue catfish species, which helps control the species’ threat to the local ecosystem.

Through his kitchen exploits, Peet expressed a unique connection to another gay icon in a rural fine-dining restaurant: Patrick O’Connell, of three Michelin starred Inn at Little Washington. In fact, Peet’s husband helped design some of O’Connell’s kitchen spaces. They’ve both been able to navigate treacherous restaurant-industry waters, and have come out triumphant and celebrated. Of O’Connell, Peet says that he “sees [his restaurants] as canvas, all artistry, he sees this as every night is a show.” But at the same time, his “judgment-free space makes him a role model.”

Being in Easton itself is not without challenges. Sourcing is a challenge, having to either fly or ship in ingredients, whereas urban restaurants have the benefit of trucking, he says. The small town “is romantic and charming,” but logistics are difficult – one of the reasons that Peet ensures his team is diverse, building in different viewpoints, and also “making things a hell of a lot more fun.”

Reflecting on challenges and finding (and creating) space on the Eastern Shore, Peet confirmed how important it was to surround himself with people who set a good example, and “if you don’t like the way something is going … move on.”

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What to expect at the 2024 National Cannabis Festival

Wu-Tang Clan to perform; policy discussions also planned

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Juicy J performs at the 2023 National Cannabis Festival (Photo credit: Alive Coverage)

(Editor’s note: Tickets are still available for the National Cannabis Festival, with prices starting at $55 for one-day general admission on Friday through $190 for a two-day pass with early-entry access. The Washington Blade, one of the event’s sponsors, will host a LGBTQIA+ Lounge and moderate a panel discussion on Saturday with the Mayor’s Office of LGBTQ Affairs.)


With two full days of events and programs along with performances by Wu-Tang Clan, Redman, and Thundercat, the 2024 National Cannabis Festival will be bigger than ever this year.

Leading up to the festivities on Friday and Saturday at Washington, D.C.’s RFK Stadium are plenty of can’t-miss experiences planned for 420 Week, including the National Cannabis Policy Summit and an LGBTQ happy hour hosted by the District’s Black-owned queer bar, Thurst Lounge (both happening on Wednesday).

On Tuesday, the Blade caught up with NCF Founder and Executive Producer Caroline Phillips, principal at The High Street PR & Events, for a discussion about the event’s history and the pivotal political moment for cannabis legalization and drug policy reform both locally and nationally. Phillips also shared her thoughts about the role of LGBTQ activists in these movements and the through-line connecting issues of freedom and bodily autonomy.

After D.C. residents voted to approve Initiative 71 in the fall of 2014, she said, adults were permitted to share cannabis and grow the plant at home, while possession was decriminalized with the hope and expectation that fewer people would be incarcerated.

“When that happened, there was also an influx of really high-priced conferences that promised to connect people to big business opportunities so they could make millions in what they were calling the ‘green rush,'” Phillips said.

“At the time, I was working for Human Rights First,” a nonprofit that was, and is, engaged in “a lot of issues to do with world refugees and immigration in the United States” — so, “it was really interesting to me to see the overlap between drug policy reform and some of these other issues that I was working on,” Phillips said.

“And then it rubbed me a little bit the wrong way to hear about the ‘green rush’ before we’d heard about criminal justice reform around cannabis and before we’d heard about people being let out of jail for cannabis offenses.”

“As my interests grew, I realized that there was really a need for this conversation to happen in a larger way that allowed the larger community, the broader community, to learn about not just cannabis legalization, but to understand how it connects to our criminal justice system, to understand how it can really stimulate and benefit our economy, and to understand how it can become a wellness tool for so many people,” Phillips said.

“On top of all of that, as a minority in the cannabis space, it was important to me that this event and my work in the cannabis industry really amplified how we could create space for Black and Brown people to be stakeholders in this economy in a meaningful way.”

Caroline Phillips (Photo by Greg Powers)

“Since I was already working in event production, I decided to use those skills and apply them to creating a cannabis event,” she said. “And in order to create an event that I thought could really give back to our community with ticket prices low enough for people to actually be able to attend, I thought a large-scale event would be good — and thus was born the cannabis festival.”

D.C. to see more regulated cannabis businesses ‘very soon’

Phillips said she believes decriminalization in D.C. has decreased the number of cannabis-related arrests in the city, but she noted arrests have, nevertheless, continued to disproportionately impact Black and Brown people.

“We’re at a really interesting crossroads for our city and for our cannabis community,” she said. In the eight years since Initiative 71 was passed, “We’ve had our licensed regulated cannabis dispensaries and cultivators who’ve been existing in a very red tape-heavy environment, a very tax heavy environment, and then we have the unregulated cannabis cultivators and cannabis dispensaries in the city” who operate via a “loophole” in the law “that allows the sharing of cannabis between adults who are over the age of 21.”

Many of the purveyors in the latter group, Phillips said, “are looking at trying to get into the legal space; so they’re trying to become regulated businesses in Washington, D.C.”

She noted the city will be “releasing 30 or so licenses in the next couple of weeks, and those stores should be coming online very soon” which will mean “you’ll be seeing a lot more of the regulated stores popping up in neighborhoods and hopefully a lot more opportunity for folks that are interested in leaving the unregulated space to be able to join the regulated marketplace.”

National push for de-scheduling cannabis

Signaling the political momentum for reforming cannabis and criminal justice laws, Wednesday’s Policy Summit will feature U.S. Sens. Raphael Warnock (D-Ga.), Jeff Merkley (D-Ore.), Elizabeth Warren (D-Mass.), and Chuck Schumer (D-N.Y.), the Senate majority leader.

Also representing Capitol Hill at the Summit will be U.S. Congresswoman Eleanor Holmes Norton (D-D.C.) and U.S. Reps. Earl Blumenauer (D-Ore.) and Barbara Lee (D-Calif.) — who will be receiving the Supernova Women Cannabis Champion Lifetime Achievement Award — along with an aide to U.S. Rep. David Joyce (R-Ohio).

Nationally, Phillips said much of the conversation around cannabis concerns de-scheduling. Even though 40 states and D.C. have legalized the drug for recreational and/or medical use, marijuana has been classified as a Schedule I substance since the Controlled Substances Act was passed in 1971, which means it carries the heftiest restrictions on, and penalties for, its possession, sale, distribution, and cultivation.

The U.S. Department of Health and Human Services formally requested the drug be reclassified as a Schedule III substance in August, which inaugurated an ongoing review, and in January a group of 12 Senate Democrats sent a letter to the Biden-Harris administration’s Drug Enforcement Administration urging the agency to de-schedule cannabis altogether.

Along with the Summit, Phillips noted that “a large contingent of advocates will be coming to Washington, D.C. this week to host a vigil at the White House and to be at the festival educating people” about these issues. She said NCF is working with the 420 Unity Coalition to push Congress and the Biden-Harris administration to “move straight to de-scheduling cannabis.”

“This would allow folks who have been locked up for cannabis offenses the chance to be released,” she said. “It would also allow medical patients greater access. It would also allow business owners the chance to exist without the specter of the federal government coming in and telling them what they’re doing is wrong and that they’re criminals.”

Phillips added, however, that de-scheduling cannabis will not “suddenly erase” the “generations and generations of systemic racism” in America’s financial institutions, business marketplace, and criminal justice system, nor the consequences that has wrought on Black and Brown communities.

An example of the work that remains, she said, is making sure “that all people are treated fairly by financial institutions so that they can get the funding for their businesses” to, hopefully, create not just another industry, but “really a better industry” that from the outset is focused on “equity” and “access.”

Policy wonks should be sure to visit the festival, too. “We have a really terrific lineup in our policy pavilion,” Phillips said. “A lot of our heavy hitters from our advocacy committee will be presenting programming.”

“On Saturday there is a really strong federal marijuana reform panel that is being led by Maritza Perez Medina from the Drug Policy Alliance,” she said. “So that’s going to be a terrific discussion” that will also feature “representation from the Veterans Cannabis Coalition.”

“We also have a really interesting talk being led by the Law Enforcement Action Partnership about conservatives, cops, and cannabis,” Phillips added.

Cannabis and the LGBTQ community

“I think what’s so interesting about LGBTQIA+ culture and the cannabis community are the parallels that we’ve seen in the movements towards legalization,” Phillips said.

The fight for LGBTQ rights over the years has often involved centering personal stories and personal experiences, she said. “And that really, I think, began to resonate, the more that we talked about it openly in society; the more it was something that we started to see on television; the more it became a topic in youth development and making sure that we’re raising healthy children.”

Likewise, Phillips said, “we’ve seen cannabis become more of a conversation in mainstream culture. We’ve heard the stories of people who’ve had veterans in their families that have used cannabis instead of pharmaceuticals, the friends or family members who’ve had cancer that have turned to CBD or THC so they could sleep, so they could eat so they could get some level of relief.”

Stories about cannabis have also included accounts of folks who were “arrested when they were young” or “the family member who’s still locked up,” she said, just as stories about LGBTQ people have often involved unjust and unnecessary suffering.

Not only are there similarities in the socio-political struggles, Phillips said, but LGBTQ people have played a central role pushing for cannabis legalization and, in fact, in ushering in the movement by “advocating for HIV patients in California to be able to access cannabis’s medicine.”

As a result of the queer community’s involvement, she said, “the foundation of cannabis legalization is truly patient access and criminal justice reform.”

“LGBTQIA+ advocates and cannabis advocates have managed to rein in support of the majority of Americans for the issues that they find important,” Phillips said, even if, unfortunately, other movements for bodily autonomy like those concerning issues of reproductive justice “don’t see that same support.”

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