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‘Dark Knight’ of the soul

Trilogy finale of Batman reboot conflicted, intensely satisfying

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The cast of ‘The Dark Knight Rises,’ helmed by Christian Bale. (Photo courtesy Warner Bros.)

Director Christopher Nolan’s “The Dark Knight Rises” leaves you emotionally drained, exhausted and in a daze when the film ends. Nolan, who co-wrote with his brother Jonathan, expertly toys with current widespread fears of a pending apocalypse and squeamishness over talk of waning American hegemony in this spectacular finale to his Batman trilogy.

“The Dark Knight Rises” has a brooding, moody beginning set eight years after “The Dark Knight.” Bruce Wayne (Christian Bale) is out of the public eye and withdrawn from society and Batman is a faded memory. Gotham still mourns the loss of District Attorney Harvey Dent when Bane (Tom Hardy) interrupts any reflection on the past by reintroducing newfound terror to the city.

Hardy delivers an exceptional performance as Bane, especially considering he’s the follow-up villain to Heath Ledger’s brilliantly disturbing (and Oscar winning) interpretation of the Joker in “The Dark Knight.” Bane is a hulking mass of muscle with a militaristic breathing device surgically attached to his face, which mechanically provides his voice a diabolical intonation while alleviating the agony of a past facial disfigurement.

Bane at first appears like another greedy aggressor after the Wayne Enterprises empire, with the help of a corrupt board member of the company and a master thief in cat ears, Selina Kyle (Anne Hathaway). The extent of his desire to destroy is revealed by his master plan involving the nuclear reactor of Wayne’s clean energy initiative.

Bruce ditches his unkempt hermit look and squeezes back into the bat suit, but in doing so, is forced to confront the personal struggles that have been with him since the trilogy’s start in “Batman Begins.” Although butler Alfred (Michael Caine) refuses to watch Batman meet his death in another mission to save Gotham, Bruce finds help from faithful weapons expert Lucius Fox (Morgan Freeman), policeman and fellow orphan John Blake (Joseph Gordon-Levitt) and the new CEO of Wayne Enterprises, Miranda Tate (Marion Cotillard).

Even the cunning and calculating Catwoman comes around. From her first appearance in disguise as an obedient maid who steals Bruce’s mother’s pearls, Hathaway has as much charisma as the two actresses who played Rachel Dawes in the prior two Batman films combined. In their defense, the character Selina Kyle lends itself to far more dynamism and energy — let alone ass kicking — than Bruce’s past love interest.

Hathaway looks sexy and sinewy in her cat suit, but her character is not the objectified acknowledgement that gender roles are changing seen in most action films. She is funny, hardened and resourceful, and just as much a savior to Batman as he is to her.

Christian Bale delivers another excellent performance as Bruce Wayne that heavily draws on the previous two films. Bruce struggles with his inner demons that were intensely developed in “Batman Begins.” “Rises” is full of allusions to the death of his parents and even his childhood fear of bats resurfaces at a pivotal life-or-death moment. The death of Rachel Dawes and the destruction caused by the Joker in “The Dark Knight” hang over Bruce and he initially struggles with either resigning to his role as apathetic, entitled playboy or anonymous keeper of justice.

What’s so striking about Bale as Batman and Christopher Nolan’s directing of the franchise is that the hero’s humanity is constantly reiterated. Wayne’s often battered body, sad eyes and initial withdrawal from Gotham society make him much more complex than most heroes of his genre. Nolan seems to understand that in today’s world, trust in a perfect savior is passé.

“The Dark Knight Rises” continuously blurs divisions between good and evil, with even the brutal Bane showing a glimmer of humanity in the end. Nolan challenges our trust in the institutions we depend on through police ineptitude, corporate corruption and a horrifying sequence of explosions right after the singing of the National Anthem at a Gotham “Rogues” football game. At one point when the situation is beyond dire, an anonymous white male president offers empty, flagrantly rehearsed words of hope to the city.

Like most self-serious, epic films these days, “The Dark Knight Rises” is too long (2 hours, 40 minutes), but the plot is easy to follow and doesn’t drag. The special effects, action scenes and all of Batman’s toys also keep the proceedings engaging throughout.

Much of the film’s middle section is full of hopelessness and dread. The ending is heart-wrenching and visually stunning, but that’s not to say it isn’t bittersweet. That it’s an emotional mixed bag is part of what makes it such a satisfying conclusion to the franchise.

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Bisexual former umpire sues Major League Baseball for sexual harassment

Brandon Cooper claims female colleague sexually harassed him

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Arizona Complex League game in 2023. (YouTube screenshot)

A fired former umpire is suing Major League Baseball, claiming he was sexually harassed by a female umpire and discriminated against because of his gender and his sexual orientation. 

Brandon Cooper worked in the minor league Arizona Complex League last year, and according to the lawsuit he filed Wednesday in federal court in Manhattan, he identifies as bisexual. 

“I wanted my umpiring and ability to speak for itself and not to be labeled as ‘Brandon Cooper the bisexual umpire,’” he told Outsports. “I didn’t want to be labeled as something. It has been a passion of mine to simply make it to the Major Leagues.”

But that didn’t happen. Instead of being promoted, he was fired. His suit names MLB and an affiliated entity, PDL Blue, Inc., and alleges he had endured a hostile work environment and wrongful termination and/or retaliation because of gender and sexual orientation under New York State and New York City law.

“Historically the MLB has had a homogenous roster of umpires working in both the minor and major leagues,” Cooper claims in his suit. “Specifically, to date there has never been a woman who has worked in a (regular) season game played in the majors, and most umpires are still Caucasian men. To try to fix its gender and racial diversity issue, defendants have implemented an illegal diversity quota requiring that women be promoted regardless of merit.”

Cooper claims former umpire Ed Rapuano, now an umpire evaluator, and Darren Spagnardi, an umpire development supervisor, told him in January 2023 that MLB had a hiring quota, requiring that at least two women be among 10 new hires.

According to the suit, Cooper was assigned to spring training last year and was notified by the senior manager of umpire administration, Dusty Dellinger, that even though he received a high rating in June from former big league umpire Jim Reynolds, now an umpire supervisor, that women and minority candidates had to be hired first. 

Cooper claims that upon learning Cooper was bisexual, fellow umpire Gina Quartararo insulted him and fellow umpire Kevin Bruno by using homophobic slurs and crude remarks. At that time, Quartararo and Cooper worked on the same umpiring crew and being evaluated for possible promotion to the big leagues.

This season, Quartararo is working as an umpire in the Florida State League, one of nine women who are working as minor league umpires.

Cooper said he notified Dellinger, but instead of taking action against Quartararo, he said MLB ordered Cooper to undergo sensitivity training. According to his lawsuit, he was also accused of violating the minor league anti-discrimination and harassment policy.

Cooper’s suit says he met with MLB Senior Vice President of Diversity, Equity and Inclusion Billy Bean — who the Los Angeles Blade reported in December is battling cancer. 

The lawsuit says at that meeting, Bean told the umpire that Quartararo claimed she was the victim, as the only female umpire in the ACL. Cooper said he told Bean Quartararo regularly used homophobic slurs and at one point physically shoved him. He also claims that he has video evidence, texts and emails to prove his claim. 

But he said his complaints to Major League Baseball officials were ignored. His lawsuit said MLB passed him over for the playoffs and fired him in October. He said of the 26 umpires hired with Cooper, he was the only one let go.

Through a spokesperson, MLB declined to comment on pending litigation. Quartararo has also not publicly commented on the lawsuit.

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Eastern Shore chef named James Beard Finalist

Harley Peet creates inventive food in an inclusive space

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Chef Harley Peet works to support the LGBTQ community inside and outside of the kitchen.

In a small Eastern Shore town filled with boutiques, galleries, and the occasional cry of waterfowl from the Chesapeake, Chef Harley Peet is most at home. In his Viennese-inflected, Maryland-sourced fine-dining destination Bas Rouge, Peet draws from his Northern Michigan upbringing, Culinary Institute of America education, and identity as a gay man, for inspiration.

And recently, Peet was named a James Beard Finalist for Best Chef: Mid-Atlantic – the first “Best Chef: Mid-Atlantic” finalist representing the Eastern Shore.

Peet, after graduation from the Culinary Institute of America, took a position as sous chef at Tilghman Island Inn, not far from Bas Rouge. Falling in love with the Eastern Shore, he continued his passion for racing sailboats, boating, gardening, and fishing, and living his somewhat pastoral life as he opened Bas Rouge in 2016 as head chef, a restaurant part of the Bluepoint Hospitality group, which runs more than a dozen concepts in and around Easton, Md.  

Coming from a rural area and being gay, Peet knew he had his work cut out for him. He was always aware that the service and hospitality industry “can be down and dirty and rough.”

 Now as a leader in the kitchen, he aims to “set a good example, and treat people how I want to be treated. I also want to make sure if you’re at our establishment, I’m the first to stand up and say something.” 

The Bas Rouge cuisine, he says, is Contemporary European. “I’m inspired by old-world techniques of countries like Austria, Germany, and France, but I love putting a new spin on classic dishes and finding innovative ways to incorporate the bounty of local Chesapeake ingredients.”

His proudest dish: the humble-yet-elevated Wiener Schnitzel. “It is authentic to what one would expect to find in Vienna, down to the Lingonberries.” From his in-house bakery, Peet dries and grinds the housemade Kaiser-Semmel bread to use as the breadcrumbs.

Peet works to support the LGBTQ community inside and outside of the kitchen. “I love that our Bluepoint Hospitality team has created welcoming spaces where our patrons feel comfortable dining at each of our establishments. Our staff have a genuine respect for one another and work together free of judgment.” 

Representing Bluepoint, Peet has participated in events like Chefs for Equality with the Human Rights Campaign, advocating for LGBTQ rights.

At Bas Rouge, Peet brings together his passion for inclusion steeped in a sustainability ethic. He sees environmental stewardship as a way of life. Peet and his husband have lived and worked on their own organic farm for several years. Through research in Europe, he learned about international marine sourcing. Witnessing the impacts of overfishing, Peet considers his own role in promoting eco-friendly practices at Bas Rouge. To that end, he ensures responsible sourcing commitments through his purveyors, relationships that have helped create significant change in how people dine in Easton.

“I have built great relationships in the community and there’s nothing better than one of our long-standing purveyors stopping in with a cooler of fresh fish from the Chesapeake Bay. This goes especially for catching and plating the invasive blue catfish species, which helps control the species’ threat to the local ecosystem.

Through his kitchen exploits, Peet expressed a unique connection to another gay icon in a rural fine-dining restaurant: Patrick O’Connell, of three Michelin starred Inn at Little Washington. In fact, Peet’s husband helped design some of O’Connell’s kitchen spaces. They’ve both been able to navigate treacherous restaurant-industry waters, and have come out triumphant and celebrated. Of O’Connell, Peet says that he “sees [his restaurants] as canvas, all artistry, he sees this as every night is a show.” But at the same time, his “judgment-free space makes him a role model.”

Being in Easton itself is not without challenges. Sourcing is a challenge, having to either fly or ship in ingredients, whereas urban restaurants have the benefit of trucking, he says. The small town “is romantic and charming,” but logistics are difficult – one of the reasons that Peet ensures his team is diverse, building in different viewpoints, and also “making things a hell of a lot more fun.”

Reflecting on challenges and finding (and creating) space on the Eastern Shore, Peet confirmed how important it was to surround himself with people who set a good example, and “if you don’t like the way something is going … move on.”

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PHOTOS: Night of Champions

Team DC holds annual awards gala

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Team DC President Miguel Ayala speaks at the 2024 Night of Champions Awards on Saturday. (Washington Blade photo by Michael Key)

Team DC, the umbrella organization for LGBTQ-friendly sports teams and leagues in the D.C. area, held its annual Night of Champions Awards Gala on Saturday, April 20 at the Hilton National Mall. The organization gave out scholarships to area LGBTQ student athletes as well as awards to the Different Drummers, Kelly Laczko of Duplex Diner, Stacy Smith of the Edmund Burke School, Bryan Frank of Triout, JC Adams of DCG Basketball and the DC Gay Flag Football League.

(Washington Blade photos by Michael Key)

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