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Metro Weekly sued for more than $1 million

Post-Newsweek lawsuit alleges fraud, seeks damages

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Metro Weekly, a local LGBT magazine, is being sued over an alleged $85,000 printing debt by a company owned by Post-Newsweek Media, Inc., the media conglomerate that owns the Washington Post, according to a lawsuit filed July 8 in D.C. Superior Court. The lawsuit also seeks $1 million in punitive damages.

The lawsuit, which was first reported by the Washington Business Journal in its Aug. 6, 2010 edition (Vol.29 No.15), alleges that the company that owns Metro Weekly, Jansi LLC, and one of Jansi’s two shareholders, Randy Shulman, are responsible for a five-year-old printing debt with the Gaithersburg, Md., printing firm Comprint, a Post-Newsweek affiliate.

In addition to charging Jansi and Shulman with breach of contract for not paying the printing debt, the lawsuit accuses them of fraud for allegedly entering into a licensing agreement with Isosceles Publishing, Inc., the corporation that owned and operated Metro Weekly up until November 2007, for the alleged purpose of evading debts and liabilities.

“Upon information and belief, Mr. Shulman, Jansi, and Isosceles entered into the 2007 License Agreement with the specific intention to evade Isosceles’ creditors while continuing to publish, and reap revenue from, Metro Weekly,” the lawsuit says. “As a direct result of the defendant’s fraud, plaintiff suffered damages in a sum to be proved at trial but expected to exceed $1,000,000,” the lawsuit states in its request for punitive damages.

“We believe the lawsuit filed against Jansi LLC by Post-Newsweek is wholly without merit,” said William McLain, Jansi’s attorney.

McLain said he could not comment on any further details of the case until he files a response to the lawsuit later this month on behalf of Jansi.

“This story is totally premature for publication, and our responsive pleadings will support our claim that the lawsuit is without merit,” he told the Blade.

Although McLain has yet to file Jansi’s response to the lawsuit, Washington Business Journal quoted him as saying Post-Newsweek was not going to recover its money from Jansi because “it’s just not that corporation’s debt.”

Paul Thayer, the attorney representing Post-Newsweek, said he expects Jansi to argue in its response to the lawsuit that the printing debt was incurred by Isosceles Publishing, Inc., rather than Jansi.

Isosceles and Jansi entered into the licensing agreement in November 2007 in which Isoceles “granted to Jansi the exclusive right to publish Metro Weekly in exchange for a licensing fee,” the lawsuit says.

It says that Shulman disclosed in a deposition taken during a 2009 lawsuit filed by Post-Newsweek against Isosceles, in an earlier effort to collect the printing debt, that “each and every Isosceles employee was transferred to, and was exclusively compensated by, Jansi” after the licensing agreement took effect.

A Superior Court judge issued a judgment in Post-Newsweek’s favor on Dec. 11, 2009, ordering Isosceles Publishing to pay the $85,000 printing bill plus “pre-judgment interest at the rate of 6 percent per annum, dating from Feb. 1, 2009 to the date of judgment” along with court costs.

Thayer said Isoceles had yet to make any payments on the debt since the December judgment.

The July lawsuit argues that Jansi LLC and Shulman should be held responsible for the debt because “there has been a near complete intermingling of corporate funds, staff, and property between Isosceles and Jansi LLC.”

“Mr. Shulman has confirmed that one motive for the License Agreement was a desire to continue publishing Metro Weekly without having the publisher responsible for debts incurred by Isosceles,” the latest lawsuit says.

The lawsuit states that Sean Bugg, Shulman’s business partner, is the second of the two shareholders in Jansi LLC. Bugg is not named as a defendant in the lawsuit.

Meanwhile, in a related development, Washington Business Journal reported in the same story that “nearly $656,000 in federal and state tax liens have been filed against Isosceles,” according to data the newspaper said it gathered.

Public records available from the D.C. Recorder of Deeds, which keeps track of tax liens, show that 21 federal, D.C., or unemployment liens have been filed against Isosceles Publishing between 1996 and 2010. Thirteen are listed as a “U.S. Tax Lien.”

It could not be determined from the Recorder of Deeds docket listing of the Isosceles liens whether they are still pending or have been resolved.

McLain declined to comment on the liens.

The lawsuit states that Isosceles entered into a settlement agreement with Post-Newsweek in June 2005 to pay what at the time was a printing debt of $125,000 incurred “over a period of years.” It says that from 2005 to December 2008, Isosceles made payments totaling $40,000.

“Isosceles failed to make any further payments in accordance with the terms of the Settlement Agreement,” the lawsuit says.

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Rehoboth Beach

SUNFESTIVAL takes center stage as Rehoboth Beach closes out summer

Labor Day Weekend bustling with events, including David Archuleta performance

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David Archuleta headlines this year’s SUNFESTIVAL on Saturday in Rehoboth Beach. (Washington Blade photo by Michael Key)

Labor Day Weekend marks the unofficial end of summer in Rehoboth Beach, but there will be no shortage of LGBTQ events, with CAMP Rehoboth’s annual SUNFESTIVAL taking over town this weekend.

Thursday (9/3)

Get your Labor Day Weekend started early Thursday night with happy hour from 5-7 p.m. at Diego’s Bar & Nightclub, followed by Naughtee Bingo hosted by Magnolia Applebottom at 8:30 p.m.

After bingo, the party continues with Dancing at Diego’s from 9 p.m. to 1:30 a.m.

Aqua Bar & Grill will also kick off its Labor Day Weekend festivities Thursday with a DJ spinning from 9 p.m.-1 a.m.

Friday (9/4)

The weekend ramps up Friday night at Aqua, where DJ Matt Bailer will keep the dance floor moving from 9 p.m.-1 a.m.

Over at Diego’s, DJ Steve Sidewalk will then take over Diego’s for Freedom Friday from 9 p.m.-1:30 a.m.

Saturday (9/5)

The main event of the weekend arrives Saturday with the opening night of CAMP Rehoboth’s SUNFESTIVAL.

Billed as the ultimate party to close out the summer, SUNFESTIVAL has become one of Rehoboth’s signature Labor Day Weekend events. The annual celebration sells out each year, with proceeds benefiting CAMP Rehoboth.

Doors open at 6:30 p.m. with refreshments available at the cash bar while attendees are invited to socialize and find their seats.

Saturday night will feature local singer Ashley Williams as the opening performer, followed by headliner David Archuleta. The event will also feature a live auction.

Back across town Saturday, Aqua will continue its Labor Day Weekend DJ lineup from 9 p.m. to 1 a.m.

Diego’s will also have plenty happening, with ‘Splash Party’ hosted by Magnolia Applebottom at 5 p.m., followed by a Saturday Dance Party with Brett Oosterhaus from 9 p.m.- 1:30 a.m.

The Blue Moon hosts its popular Legends Show at 9 p.m. It’s an all-live singing show by the Blue Moon cast of celebrity impersonators.

Etienne Pilon has taken Rehoboth by storm this summer. Check out the talented singer/pianist at The Pines from 7-10 p.m.

Sunday (9/6)

Sunday’s SUNFESTIVAL event will shift the focus to the dance floor, with globally renowned DJs Robbie Leslie and James Anthony scheduled to perform. Doors open at 7 p.m., with dancing continuing until 1 a.m.

On Sunday, Aqua will throw its annual White Party, with DJs spinning from 9 p.m.-1 a.m. Guests are encouraged to dress in white for the holiday weekend celebration.

Diego’s will host its Sunday High T-Dance with Pamala Stanley at 5 p.m. Later that evening, DJ Tannr will be spinning at 9 p.m.

John Flynn is on the piano from 6-8 p.m. at the Blue Moon.

Monday (9/7)

The final day of Labor Day Weekend brings one last chance to hit the dance floor before summer officially winds down.

Aqua will close out its five-day Labor Day Weekend celebration with DJ Biff from 3-7 p.m.

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Maryland

Anne Arundel schools now need parent permission to call trans students by preferred names

Conservative groups challenged system’s policy

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Anne Arundel County Public Schools has issued new internal guidance for students who ask to be addressed by gender-affirming names and pronouns. (Photo by Eric Thompson for the Baltimore Banner)

By JESSICA CALEFATI | Anne Arundel County Public Schools staff cannot use transgender students’ preferred names if their parents oppose it, according to an internal document reviewed by the Banner, a change that comes after conservative groups challenged the school system’s approach to gender identity.

Teachers union president Kristina Korona told members in an Aug. 20 email that the new guidance undermines district policy on acceptance and inclusivity and “will begin harming affected students immediately.”

Previously, the district didn’t require parental permission to use a high school student’s chosen name and pronouns corresponding to their gender identity, the internal document says. Now it does. The change comes as parents challenge the suburban school system’s gender identity policy and regulation in court and the Trump-Vance administration threatens the district’s funding.

The rest of this article can be found on the Baltimore Banner’s website.

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District of Columbia

‘People don’t see me. They see a trend’

New popularity of all things Asian warps view of multiple cultures

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Lily Brugman (Photo courtesy of Lily Brugman)

As I was growing up, my parents often shared stories about how they were bullied when they were my age, just for being Asian. My mom is Cambodian and my dad is “Wasian,” Chinese and white. Students teased them for their looks, their homemade lunches, and treated their traditional holidays as jokes.

I once asked my mom when I was little if she could pack me dumpling leftovers for lunch. “Yes,” she said with a surprised look, adding, “I would have never wanted to bring dumplings to school when I was your age because I would always get bullied for them. I’m glad times have changed.” 

At the time, I was confused. Whenever I brought a homemade Asian dish to school for lunch, I was happy to hear intriguing and curious questions from the other kids. It felt good to have my meal be popular and different from the Lunchables everyone else had.

Though times have changed, racism still continues. It just has a new face. Today, social media pretends to flatter our cultures in an insincere way trying to gain popularity just for clicks. Think anything from K-pop to Japan’s surge in international tourism. Even Starbucks has added drinks with the flavor of ube yam, native to the Philippines, onto its menu.

I feel that now when people see me, they don’t see me, they see a trend. 

For years, Asian people have been portrayed as foreign or exotic. The new embrace of foods and fashion at first felt good. Asians have never been represented as much as they’ve deserved. 

But this new popularity warps what non-Asians see. Instead of the blunt and direct racism my parents faced, everything now is a gray area, more discreetly hidden behind some TikTok video. It actually normalizes racism and stereotypes.

Whitewashing my culture 

As a 15-year-old Asian American who lives in D.C., I’ve always been one of the few Asian kids in school; my high school today counts less than 2 percent of students as being of Asian descent. I remember always being called “that one Asian girl” or some slur a kid learned from their parents. Every time I search for something related to Asian culture, such as a recipe or maybe a holiday, it’s always the same thing: some white person whitewashing my culture.

Social media is the main culprit, of course. I realized this when I entered high school and got a phone and was introduced to the internet. That is when I realized how messed up the new stereotypes around Asians are. 

One pattern I started to notice was people wanting to be Asian just because it was popular. It was hurtful, patronizing, and annoying. They made assumptions about our race and then only found us “cool” because we were trending. How can people go from hating us or finding us weird, to then only liking us because we’re popular?

There was a trend going around on TikTok called “race change to another” or RCTA.  It is this trend of people manifesting certain physical traits to change their appearance in order to change races. According to journalist Emi Tran, writing then as an intern for NBC Digital, the trend started when a white woman wanted to be Japanese. The woman began posting TikTok videos of herself wishing for different features such as monolids. Tran wrote in that 2023 article that “the overwhelming majority of the RCTA community wants to be East Asian.”

People also look up to K-pop culture, idolizing the pop groups pulled together by big entertainment companies. Most people expect all Koreans to be K-pop fans. Korean friends are asked about K-pop all the time even though they are not into the South Korean music genre.

Although I am not South Korean — I am half Cambodian and Chinese — I still get asked, almost like I’m expected, “You’re really into this group, right?” or “Can you tell me how to pronounce this member’s name?”

I was asked even worse questions during COVID-19. Suddenly, discrimination and violence were increasing specifically toward Asians everywhere. Suddenly, almost everyone was blaming Chinese people for spreading and causing COVID-19.

I remember going to school for one of the last times before quarantine had started and hearing kids whisper, “Oh, she’s going to give us the Coronavirus.” President Donald Trump had publicly posted his opinions about the situation on social media, blaming China for the pandemic, even calling it the “Chinese Virus” or the “Wuhan Virus.” According to NPR, anti-Asian hate crimes in U.S. cities surged 149 percent that year.

Lily Brugman’s parents (Photo courtesy of Lily Brugman)

The topic of Asians in the media has always been complicated. One moment people can hate us for being weird and different and the next we’re suddenly popular and cool for the same reasons. 

I feel conflicted on whether I should feel happy that we’re being represented or angry that it’s all for the wrong reason and has the wrong effects.

Lily Brugman is a sophomore at Benjamin Banneker Academic High School, one of Youthcast Media Group’s journalism class partners. She worked with YMG volunteer and Professor Emerita in journalism at American University Amy Eisman on this piece.

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