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Phillips Collection re-opens after serious fire and more

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'The Finding of Erichthonius,' a 1632 painting by Peter Paul Rubens that's part of the Phillips Collection. None of the art work was damaged or destroyed by last year's fire. (Image courtesy of the Phillips Collection)

Phillips Collection reopens after serious fire

After its disastrous fire Sept. 2, this weekend is the welcome-back celebration/grand reopening of the newly renovated Phillips House, a museum since Duncan Phillips opened its doors in 1921 as America’s first museum of modern art. It’s full of his collection of works by Renoir and Monet, van Gogh and Degas, Picasso and Klee, and more.

The fire was restricted to the roof and a suite of offices directly under it, and the famed art was not harmed, but there was extensive water damage to 12 galleries inside the 1897 building, at 1600 21st St. N.W., in Dupont Circle near 21st and Q.

Now everything is back in place as the museum kicks off its 90th anniversary year under the banner of “90 Years of New,” beginning with this weekend’s reopening when the regular $12 admission charges are waived and complimentary champagne will be uncorked. The museum is open Saturday from 10 a.m. to 5 p.m. and on Sunday from 11 a.m. to 6 p.m. A host of programs, installations, films and more are promised.

The year’s celebration culminates on Nov. 5 with the 90th-anniversary “birthday bash.” More details are here.

Gay arts group to honor King holiday

A “Remembrance of Dr. Martin Luther King, Jr.” sponsored by the GLBT Arts Consortium with the Capitol Hills Arts Workshop will be at 7 p.m. Tuesday at the Capitol Hill Presbyterian Church, 4th and Independence Avenue, S.E.

Participants include the Rock Creek Singers of the Gay Men’s Chorus of Washington (GMCW); light jazz, pop and folk music from Not What You Think, a 12-person ensemble from the Lesbian and Gay Chorus of Washington; and Fortissima, D.C.’s feminist chorus open to “sopranos and altos of all genders,” known as the Bread and Roses Feminist Singers until 2009. Youth will also talk and sing, from the Bokamoso Youth Centre in Winderveldt Township near Pretoria, South Africa. The Centre offers AIDS awareness and other services and each year 12 of the students in its performing arts program receive scholarships for a month-long performance tour in the U.S.

The consortium is a collaboration of varied arts organizations including singers, painters, actors, dancers and filmmakers. For more details, go here or call its co-manager Jill Srachan at 202-547-4102.

St. Marks Players unveil new ‘Inherit the Wind’ production

Also on Capitol Hill beginning today is a new production by the St. Marks Players of “Inherit the Wind,” the play about the famed “Scopes Monkey Trial” of 1925, when a school teacher was tried for the crime of teaching Darwin’s theory of evolution, in contradiction to fundamentalist understandings of biblical creation.

The playwrights, Jerome Lawrence and Robert Edwin Lee (the same team who wrote “Auntie Mame”), were writing in 1955, and taking specific aim at McCarthyism, according to Blake Cornish, who plays Henry Drummond, the character loosely based on civil liberties lawyer Clarence Darrow who battled but lost in the Tennessee courtroom against three-time presidential candidate and religious fundamentalist William Jennings Bryan.

Cornish, who has sung with the Gay Men’s Chorus of Washington and is a former National Gay and Lesbian Task Force attorney, says the play is relevant in 2011 because it “explores issues around the relationship between religious teachings and secular law, and pertains to LGBT equality in lots of different ways, when people use religious beliefs in ways that many in gay community would find to justify bigotry.”

Performance dates are Fridays and Saturdays at 8 p.m. and Sundays at 4 p.m. through Jan 29, at St. Marks Episcopal Church, 3rd and A Streets, S.E. For tickets, go here or call 202-546-9670.

‘Pocket operas’ series continue at the Source

Eight-time Helen Hayes award-winning director Joe Banno brings two more of the In Series’ “pocket operas” to the Source Theater weekends (8 p.m. with 3 p.m. matinees) until Jan. 22. The In Series, a small, performing arts organization has specialized for more than 25 years in an eclectic blend of opera, cabaret, theater and dance, and Latino-heritage productions.

This time it’s 19th century Cuban composer Ernesto Lecuona’s “Maria la O,” a “Zarzuela,” the Spanish lyric-dramatic genre incorporating operatic and popular song, about a white plantation owner who must choose between the mulatta he loves, the Havana nightclub star Maria, and the aristocratic woman he is expected to wed. Love of course is darkened by betrayal and death. Mezzo soprano Anamer Castrello stars as Maria.

The other opera is Italian composer Ruggiero Leoncavallo’s world-famous 1892 opera “Pagliacci” (Clowns), where a troupe of entertainers visits a village and their show intertwines tragically with real life. The desperately sad clown Canio, destined to make the world laugh while he stands at the brink of self-destruction, is portrayed by tenor Peter Burroughs.

Tickets for $20-$39 at 202-204-7763 or inseries.org. If you must miss this pairing in January, shows have been added in late April/early May at the Atlas Performing Arts Center on H Street N.E.

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Silky Nutmeg Ganache talks sex and dating, gender, politics, weight loss journey

‘RuPaul’s Drag Race All Stars’ semifinalist grew up in Bible Belt

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Silky Nutmeg Ganache (Photo courtesy of Silky Nutmeg Ganache)

Uncloseted Media published this interview on July 7.

By SPENCER MACNAUGHTON, ISABEL STOKES, and BELLA SAYEGH | After appearing on the 11th season of “RuPaul’s Drag Race,” the first season of “Canada’s Drag Race: Canada vs. the World,” the sixth season of “RuPaul’s All Stars” and now the 11th season of “All Stars,” Silky Nutmeg Ganache, known by many as the Reverend, is undoubtedly a legend.

Born and raised in Moss Point, Miss., Ganache bears all in this episode of “UNCLOSETED with Spencer Macnaughton.” She speaks about her relationship with gender, her 100-pound weight loss, what it’s like living as a queer person of color in a red state and why she’s calling on allies to stand up for the trans community.

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PHOTOS: Crush Dance Bar

Patrons enjoy a night out at popular LGBTQ venue

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(Washington Blade photo by Landon Shackelford)

Patrons enjoyed a night out at the popular LGBTQ venue Crush Dance Bar on Friday, July 3.

(Washington Blade photos by Landon Shackelford)

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Theater

‘My Favorite Sociopath’ debuts at Shepherdstown’s CATF

Gay playwright Aurin Squire’s take on D.C. journalism in the ‘90s

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Playwright Aurin Squire. (Photo by Yilong Liu)

‘My Favorite Sociopath’
Contemporary American Theater Festival
July 10-Aug. 2
Shepherdstown, W.Va.
Catf.org

Discernment. It’s a thing some people have, explains playwright Aurin Squire, especially when you’re gay or Black in America (Squire is both).

“You instinctively know when the mob is teaming up for the best interests of the powers that be. You can feel it in the air.”

In his sharp new satire “My Favorite Sociopath,” Squire writes about life experiences but set in a different time and place: It’s the 1990s, early days of the 24-hour news cycle, and three ambitious journalism students are pursuing success in D.C.

And now, Squire’s play, along with other new works, are making their world premieres at the annual Contemporary American Theater Festival (CATF) at Shepherd University in historic, queer-friendly Shepherdstown, W.Va. (just a 90-minute drive from D.C.).

“All of my plays are queer in some way,” says Squire, 46. “This one touches on harmless and dangerous lies. The characters are on the spectrum sexually, and it’s interesting how all that falls out.”

And he’s given it a lot of thought. 

“Already as a kid, it seemed to me that the rage against rap music and sex was coming from closeted people resisting their own urges and temptations. For me, it was interesting to see a witch hunt led by witches. Queer people can always call out a lie.”

Since September, Squire has also been working with a TV show about the tech industry set in Silicon Valley. He says, “It seems the general flow of the tech industry is that humanity and civilization is finished and it’s just about accumulating as many goods as possible before everything collapses. In fact, those who are profiting actually agree. But for those who disagree, they believe the solution is to build bigger gates, but activists believe we can stop this” 

Yet, he’s learned from folks associated with the show. “Many say the quickest way to divorce yourself from any responsibility or regulations — smash and grab. Otherwise, you have to stop and think and regulate your desires for greed and power”

Squire possesses a penchant for pithy titles. He laughs, explaining the first thing he wrote as a student at Juilliard was “Obama-ology,” the comedy with contemporary message. While a lot of people liked the name, it didn’t necessarily vibe with the author. He concedes that he chooses names based on “easy to remember” and titles that won’t be easy to lose as a file. 

Another is “Defacing Michael Jackson,” a coming-of-age dramedy set in rural Florida in 1984, specifically Squire’s native town Opa-locka, Miami, a fantastical place famed for its fanciful Moorish revival architecture.

Living in the shadow of exotic structures, he wasn’t particularly fazed. Squire says “It wasn’t until returning to visit after my freshman year at Northwestern University in Chicago that I realized how weird it was: When you grow up in a place, you take surroundings for granted no matter how over the top.”  

Now based in New York (where for two happy years, 2017-2019, he shared digs with drag king Murry Hill), Squire returns frequently to Miami to be with family, but this summer has been filled with both work and travel.

Currently, he’s in Shepherdstown with CATF shaping up “My Favorite Sociopath.” Later this summer he will travel to South Africa for research, followed by a silent writing retreat in Santa Fe, N.M. 

Much of Squire’s work reflects the Latino, African, Caribbean, African-American, and Jewish cultures he grew up around in South Florida.

When asked if today’s winds of anti-multiculturalism worry him, he replies, “No, because that’s going to pass. Most people don’t like, people are seeing the negative results of it, and the young people coming up despise it. White male gamers were tricked momentarily through the algorithms into voting against their own interests and they’re now seeing how it’s not working out for them. 

“Conservatives always try to stop progress and eventually they always lose. It’s just a question of where we’ll be in the middle of the end of civilization before that happens. I’d like to hope we can turn the ship around before then.” 

In addition to “My Favorite Sociopath,” CATF summer season features three other world premieres (Lisa D’Amour’s comedy “The Smoker,” “Refugee Rhapsody” by Yussef El Guindi, “Best Line Wins: A Play Inspired by the Improvised Lives of Elaine May & Mike Nichols” by Beth Kander) and “¡VOS!” by Christina Pumariega.

CATF runs from July 10-Aug. 2 in three venues on the Shepherd University campus: Frank Center, Marinoff Theater, and Studio 112.

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