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Calendar: Feb. 18

Events, parties, concerts and more through Feb. 24

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‘Green Bridesmaid Chair’ by John D'Orazio is part of a series of works featuring found or donated chairs wrapped with colored industrial wire. It is part of the exhibit, ‘Listen to Me’ exhibit on display now at Zenith Gallery.

Friday, Feb. 18

Apex (1415 22nd St., N.W.) presents Caliente Grande with DJ Michael Brandon in the main hall. Jamaica and Friends will perform a drag show at midnight. Drink specials include $4 margaritas. Attendees must be 18 to enter and there is a $10 cover. For more information, visit apex-dc.com or calientedc.com.

The D.C. Queer Writers Collective is holding its monthly writing circle tonight from 7 to 9 p.m. at the D.C. Center (1318 U St., N.W.).

Trade and Ivan’s Holiday Weekend Party is tonight from 11 p.m. to 3 a.m. at Layla Lounge (501 Mores St., N.E.). There is a $5 cover before midnight at $10 after. All attendees must be 21 or older. For more information, visit trade202.com.

DJ Wesley D will be providing music and videos tonight in Nellie’s (900 U St., N.W.) new dining room bar starting at 7 p.m.

Enigma, a monthly substance-free, no-alcohol party, is tonight at Green Lantern (1335 Green Court, N.W.) from 10 p.m. to 3 a.m. on the second floor with a separate entrance and a security guard working the door to make sure no one with drinks from downstairs comes up. Cover is $5 and all are welcomed.

D.C. Women in Their Thirties will meet tonight at 8 p.m. at the D.C. Center (1318 U St., N.W.).

Saturday, Feb. 19

DJ Chris Cox will be providing the music tonight at Town (2009 8th St., N.W.) for its annual Mardi Gras Party. Doors open at 10 p.m. with music and video downstairs by Wess. Drag show starts at 10:30 p.m. Cover is $8 before 11 p.m. and $12 after. Attendees must be 21 or older.

Ultrabar (911 F St., N.W.) hosts Ladies Night: Glow in the Dark Edition tonight from 9 p.m. to 3 a.m. Ladies 21 and over can get a free shot at the bar at midnight when the song “Shots” by LMFAO is played. There will also be an open bar on the main floor from 9 to 10 p.m.

Mixtape D.C. is tonight Black Cat (1811 14th St., N.W.) from 9:30 p.m. to 2 a.m. Mixtape is a dance party for queer music lovers and their pals that features DJs Shea Van Horn and Matt Bailer playing an eclectic mix of electro, alt-pop, indie rock, house, disco, new wave and anything else danceable. There is a $7 cover for this all ages event.

Team D.C. is hosting its first casino night tonight from 9 p.m. to midnight at Buffalo Billards (1330 19th St., N.W.). Games will include blackjack, poker, billiards and more. The event will also be co-hosted by D.C. Ice Breakers, Federal Triangles Soccer Club, the D.C. Gay Flag Football League, the Wetskins, the D.C. Strokes, the CARA bowling league and the D.C. Aquatics Club. Prizes, including a two-night stay at Intercontinental Barclay NYC during Pride weekend with theater tickets to “Priscilla Queen of the Desert,” will be awarded.

Sunday, Feb. 20

Town (2009 8th St., N.W.) introduces its new “Make Out Room” tonight as part of WTF with music by Ryan Duncan from Pink Sock and Bill Todd from Raw. Doors open at 10 p.m. Cover is $5 and all attendees must be 18 or older.

The D.C. Jazz Jam, a weekly jam free for both musicians and jazz lovers, is tonight from 6:30 to 9:30 p.m. at Dahlak (1771 U St., N.W.).

Studio Theatre (1501 14th St., N.W.) brings “The Brother/Sister” trilogy to a close with “Marcus; Or the Secret of Sweet” by Tarell Alvin McCraney in two final performances today at 2 and 7 p.m. Tickets range from $46 to $57 for the 2 p.m. performance and $57 to $65 for the 7 p.m. performance. For more information and to purchase tickets, studiotheatre.org.

Monday, Feb. 21

The Kennedy Center (2700 F St., N.W.) presents National Presidents Day Choral Festival today in the Concert Hall at 2 p.m. The program will feature Barber’s “Adagio for Strings,” a series of Aaron Copland’s work and “Memorial,” written by Rene Clausen in remembrance of the 9-11 attacks. Tickets are $10 and can be purchased online at kennedy-center.org.

Zenith Gallery presents “Listen to Me,” sculpture and paintings by Joel D’Orazio, a former architect. D’Orazio uses found objects and industrial materials to create his art. The show is at The Gallery (1111 Pennsylvania Ave., N.W.), which is open from 8 a.m. to 7 p.m. The exhibit will be on display through May 13.

Tuesday, Feb. 22

Women over Forty will meet tonight from 6:30 to 8 p.m. at the D.C. Center (1318 U St., N.W.).

The Gay and Lesbian Activists Alliance is having its membership meeting tonight from 7 to 8:30 p.m. at the Charles Sumner School Museum and Archive (1201 17th St., N.W.).

Wednesday, Feb. 23

Secrets (1824 Half St., S.W.) is holdings its monthly amateur dance contest tonight beginning at 11 p.m. Contests must sign up at the main bar between 10 and 10:45 p.m.

Higher Achievement D.C. Metro presents its sixth annual Literary Love Poetry Performance tonight at 7:30 p.m. in the Kennedy Center’s Family Theater (2700 F St., N.W.). This is a free event. For more information, visit kennedy-center.org.

The Cultural Competency Action Team will be holding a conference call today with youth speakers Carlos and Antonio sharing their experiences about coming out as youth of color from 2:30 to 4:30 p.m. To participate, call 1-800-503-2899 and use I.D. 1599272#.

The D.C. Log Cabin Republicans will hosting its first February general meeting tonight from 6:30 to 8 p.m. at the Camden Roosevelt (2101 16th St., N.W.) with a viewing of a film on the Log Cabin v. U.S. lawsuit on “Don’t Ask, Don’t Tell” featuring a representative from the law firm representing Log Cabin in the suit. For more information, visit dclogcabin.org.

Thursday, Feb. 24

“The Monster Ball Tour” starring Lady Gaga returns to the Verizon Center (601 F St., N.W.) tonight featuring Semi Precious Weapons. Doors open at 7 p.m. Tickets range from $52.50 to $178 and can be purchased online at ticketmaster.com.

The Duke Ellington School of the Arts presents Earth, Wind & Fire in a gala benefit concert celebrating the school’s 40th anniversary at 7:30 p.m. in the Kennedy Center’s Concert Hall (2700 F St., N.W.). Tickets range from $50 to $175 and can be purchased online at kennedy-center.org.

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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