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Oscar noms: Who’s in and out for the 84th Academy Awards

Plummer nominated for portrayal of older gay man

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Kodak Theatre, gay news, gay politics dc

The 84th Oscars will be held at the Kodak Theatre in Hollywood. (via Wikimedia Commons)

Nominees for the 84th annual Academy Awards were announced this morning in Los Angeles.

Jennifer Lawrence, nominated last year for the film “Winter’s Bone” and who appears this year in “The Hunger Games,” and Tom Sherak, president of the Academy of Motion Picture Arts and Sciences announced the nominations in 10 of the 24 categories for the Feb. 26th presentation.

Christopher Plummer was nominated in the Best Supporting Actor category for his turn as a man who comes out as gay to his adult son late in his 70s in ‘Beginners.’ Plummer is familiar to the Oscars stage — in 1965 he joined Julie Andrews and the cast and crew of ‘The Sound of Music,’ when the film won best picture. He was also nominated in this same category two years ago for playing Leo Tolstoy in “The Last Station.”

Plummer is coming off a Golden Globes win for his character Hal Fields, a late-blooming widower who must learn to navigate the rather tricky waters of being single and gay in your 70s, while dealing with a son coming to grips with the news (played by gay favorite Ewan McGregor).

Gay New York blogger, Scott Wooledge was disappointed that one gay-themed movie missed the list, however.

“On the topic of movies, I’m sorry to see Pariah didn’t get any nods, it deserves a handful,” the Daily Kos regular told the Blade. “I suspect that may be because it was released so very late and Focus Features may not have campaigned on its behalf.”

Wooledge says he was “just blown away” by the Spike Lee produced film about a 17 year-old Brooklyn African-American lesbian and the effect that coming out had on her family. The film also features Adeprero Oduye and Kim Wayans.

“If anyone has ever complained there are not middle class, queer people of color in pop culture,” Wooledge says, “I implore you to run don’t walk, open your wallet and reward the director, Dee Rees and the studio for serving up a beautiful and heartfelt film that features exactly that.”

Glenn Close is a contender for Best Actress for her role as a woman passing as a man in order to work and survive in 19th century Ireland in ‘Albert Nobbs.’ ‘Nobbs’ also garnered a nod in the supporting actress category for Janet McTeer, as well as in the makeup category.

Up for Best Original Screenplay is ‘Margin Call,’ a film about the financial meltdown of the last decade, produced by recently out ‘Heroes’ and ‘Star Trek’ actor Zachary Quinto, who also starred in the film. Quinto recently starred as a gay ghost on gay creator Ryan Murphy’s ‘American Horror Story.’

Among the films nominated, ‘The Help’ received three nominations (Octavia Spencer & Jessica Chastain for Best Supporting Actress and Viola Davis for Best Actress); ‘The Descendants’ received five (Alexander Payne for Best Director, George Clooney for Best Actor, film editing, Best Adapted Screenplay, and Best Picture); and ‘Moneyball’ garnered noms for Best Supporting Actor for Jonah Hill, Best Actor for Brad Pitt, Best Adapted Screenplay, film editing and Best Picture.

The big winner, however, is most likely ‘The Artist’ which received 10 nods including Berenice Bejo for Best Supporting Actress, Michel Hazanavicius for Best Director, Jean Dujardin for Best Actor, Best Original Screenplay, music, art direction, film editing, costume design, cinematography and Best Picture. Set in 1930s Hollywood, the modern silent film has been described as “a love letter to the silver screen,” by NPR’s Pop Culture Happy Hour podcast.

Also receiving several nods was the Michelle Williams-helmed ‘My Week with Marilyn’ for which she is nominated in the Best Actress category. Kenneth Branagh is also nominated for Best Supporting Actor. Williams shed her teen drama ‘Dawson’s Creek’ role forever when she appeared in the critically acclaimed 2005 film ‘Brokeback Mountain,’ playing wife to closeted gay cowboy Heath Ledger, in a role that earned her a Best Supporting Actress nomination in 2006. Another fan favorite ‘Extremely Loud and Incredibly Close’ has offered up Max von Sydow for Best Supporting Actor, and is up for Best Picture.

Predictably, Meryl Streep snagged a Best Actress nomination for ‘The Iron Lady,’ as did Gary Oldman a Best Actor nod for ‘Tinker, Tailor, Soldier, Spy.’ ‘Iron Lady’ is also up in the makeup category, and ‘Tinker’ is up for music and writing awards.

One LGBT favorite for Best Supporting Actress is standout Melissa McCarthy in ‘Bridesmaids,’ as the loveable friend who gets Kristen Wiig out of her funk in time to save the wedding (and steals a van full of adorable puppies on her way). The movie is also up for Best Original Screenplay.

The other Best Picture nominees were ‘Hugo,’ which also grabbed a Best Director nod for Martin Scorsese as well as art direction, writing, film editing, music, and costume design nominations; ‘Midnight in Paris,’ for which Woody Allen will also be up in the Best Director category as well as Best Original Screenplay and Art Direction; ‘War Horse,’ which will also be up in art direction, music, and cinematography, and ‘The Tree of Life,’ which also scored a nomination for Best Director (Terrence Malick) and cinematography.

Late last year, the Oscars parted ways with producer Brett Ratner after a homophobic rant in which he said “rehearsing is for fags.” The incident prompted the scheduled host, Eddie Murphy, to also resign in protest. The Academy turned to veteran host and fan favorite Billy Crystal, who has hosted the Oscars eight times to much success. Ratner and Murphy’s film ‘Tower Heist’ did not receive any Oscar nominations and did not do well at the box office.

Other nominees of note are Best Actress Rooney Mara in ‘The Girl With the Dragon Tattoo’ — a movie also up in the cinematography and film editing categories — Best Supporting Actor Nick Nolte in ‘Warriors,’ and Demián Bichir for Best Actor in ‘A Better Life.’

Animated feature film nods go to ‘A Cat in Paris,’ ‘Chico & Rita,’ ‘Kung Fu Panda 2,’ ‘Puss in Boots,’ and ‘Rango.’

Best feature length documentary nominations go to ‘Hell and Back Again,’ ‘If a Tree Falls: A Story of the Earth Liberation Front,’ ‘Paradise Lost 3: Purgatory,’ ‘Pina,’ and ‘Undefeated.’

Best foreign language film noms went to Belgium’s ‘Bullhead,’ Israel’s ‘Footnote,’ Poland’s ‘In Darkness,’ Canada’s ‘Monsieur Lazhar,’ and Iran’s ‘A Separation.’

Another critically acclaimed gay film that didn’t make the cut in this year of heavy hitters was ‘Weekend’ which won the Gay and Lesbian Entertainment Critics Association’s ‘Dorian Award’ for best picture.

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Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

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Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

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The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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