Arts & Entertainment
Oscar noms: Who’s in and out for the 84th Academy Awards
Plummer nominated for portrayal of older gay man
The 84th Oscars will be held at the Kodak Theatre in Hollywood. (via Wikimedia Commons)
Nominees for the 84th annual Academy Awards were announced this morning in Los Angeles.
Jennifer Lawrence, nominated last year for the film “Winter’s Bone” and who appears this year in “The Hunger Games,” and Tom Sherak, president of the Academy of Motion Picture Arts and Sciences announced the nominations in 10 of the 24 categories for the Feb. 26th presentation.
Christopher Plummer was nominated in the Best Supporting Actor category for his turn as a man who comes out as gay to his adult son late in his 70s in ‘Beginners.’ Plummer is familiar to the Oscars stage — in 1965 he joined Julie Andrews and the cast and crew of ‘The Sound of Music,’ when the film won best picture. He was also nominated in this same category two years ago for playing Leo Tolstoy in “The Last Station.”
Plummer is coming off a Golden Globes win for his character Hal Fields, a late-blooming widower who must learn to navigate the rather tricky waters of being single and gay in your 70s, while dealing with a son coming to grips with the news (played by gay favorite Ewan McGregor).
Gay New York blogger, Scott Wooledge was disappointed that one gay-themed movie missed the list, however.
“On the topic of movies, I’m sorry to see Pariah didn’t get any nods, it deserves a handful,” the Daily Kos regular told the Blade. “I suspect that may be because it was released so very late and Focus Features may not have campaigned on its behalf.”
Wooledge says he was “just blown away” by the Spike Lee produced film about a 17 year-old Brooklyn African-American lesbian and the effect that coming out had on her family. The film also features Adeprero Oduye and Kim Wayans.
“If anyone has ever complained there are not middle class, queer people of color in pop culture,” Wooledge says, “I implore you to run don’t walk, open your wallet and reward the director, Dee Rees and the studio for serving up a beautiful and heartfelt film that features exactly that.”
Glenn Close is a contender for Best Actress for her role as a woman passing as a man in order to work and survive in 19th century Ireland in ‘Albert Nobbs.’ ‘Nobbs’ also garnered a nod in the supporting actress category for Janet McTeer, as well as in the makeup category.
Up for Best Original Screenplay is ‘Margin Call,’ a film about the financial meltdown of the last decade, produced by recently out ‘Heroes’ and ‘Star Trek’ actor Zachary Quinto, who also starred in the film. Quinto recently starred as a gay ghost on gay creator Ryan Murphy’s ‘American Horror Story.’
Among the films nominated, ‘The Help’ received three nominations (Octavia Spencer & Jessica Chastain for Best Supporting Actress and Viola Davis for Best Actress); ‘The Descendants’ received five (Alexander Payne for Best Director, George Clooney for Best Actor, film editing, Best Adapted Screenplay, and Best Picture); and ‘Moneyball’ garnered noms for Best Supporting Actor for Jonah Hill, Best Actor for Brad Pitt, Best Adapted Screenplay, film editing and Best Picture.
The big winner, however, is most likely ‘The Artist’ which received 10 nods including Berenice Bejo for Best Supporting Actress, Michel Hazanavicius for Best Director, Jean Dujardin for Best Actor, Best Original Screenplay, music, art direction, film editing, costume design, cinematography and Best Picture. Set in 1930s Hollywood, the modern silent film has been described as “a love letter to the silver screen,” by NPR’s Pop Culture Happy Hour podcast.
Also receiving several nods was the Michelle Williams-helmed ‘My Week with Marilyn’ for which she is nominated in the Best Actress category. Kenneth Branagh is also nominated for Best Supporting Actor. Williams shed her teen drama ‘Dawson’s Creek’ role forever when she appeared in the critically acclaimed 2005 film ‘Brokeback Mountain,’ playing wife to closeted gay cowboy Heath Ledger, in a role that earned her a Best Supporting Actress nomination in 2006. Another fan favorite ‘Extremely Loud and Incredibly Close’ has offered up Max von Sydow for Best Supporting Actor, and is up for Best Picture.
Predictably, Meryl Streep snagged a Best Actress nomination for ‘The Iron Lady,’ as did Gary Oldman a Best Actor nod for ‘Tinker, Tailor, Soldier, Spy.’ ‘Iron Lady’ is also up in the makeup category, and ‘Tinker’ is up for music and writing awards.
One LGBT favorite for Best Supporting Actress is standout Melissa McCarthy in ‘Bridesmaids,’ as the loveable friend who gets Kristen Wiig out of her funk in time to save the wedding (and steals a van full of adorable puppies on her way). The movie is also up for Best Original Screenplay.
The other Best Picture nominees were ‘Hugo,’ which also grabbed a Best Director nod for Martin Scorsese as well as art direction, writing, film editing, music, and costume design nominations; ‘Midnight in Paris,’ for which Woody Allen will also be up in the Best Director category as well as Best Original Screenplay and Art Direction; ‘War Horse,’ which will also be up in art direction, music, and cinematography, and ‘The Tree of Life,’ which also scored a nomination for Best Director (Terrence Malick) and cinematography.
Late last year, the Oscars parted ways with producer Brett Ratner after a homophobic rant in which he said “rehearsing is for fags.” The incident prompted the scheduled host, Eddie Murphy, to also resign in protest. The Academy turned to veteran host and fan favorite Billy Crystal, who has hosted the Oscars eight times to much success. Ratner and Murphy’s film ‘Tower Heist’ did not receive any Oscar nominations and did not do well at the box office.
Other nominees of note are Best Actress Rooney Mara in ‘The Girl With the Dragon Tattoo’ — a movie also up in the cinematography and film editing categories — Best Supporting Actor Nick Nolte in ‘Warriors,’ and Demián Bichir for Best Actor in ‘A Better Life.’
Animated feature film nods go to ‘A Cat in Paris,’ ‘Chico & Rita,’ ‘Kung Fu Panda 2,’ ‘Puss in Boots,’ and ‘Rango.’
Best feature length documentary nominations go to ‘Hell and Back Again,’ ‘If a Tree Falls: A Story of the Earth Liberation Front,’ ‘Paradise Lost 3: Purgatory,’ ‘Pina,’ and ‘Undefeated.’
Best foreign language film noms went to Belgium’s ‘Bullhead,’ Israel’s ‘Footnote,’ Poland’s ‘In Darkness,’ Canada’s ‘Monsieur Lazhar,’ and Iran’s ‘A Separation.’
Another critically acclaimed gay film that didn’t make the cut in this year of heavy hitters was ‘Weekend’ which won the Gay and Lesbian Entertainment Critics Association’s ‘Dorian Award’ for best picture.
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
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