Arts & Entertainment
From Broadway to Hollywood
‘Double Life’ memoir recounts 50-year love story of artist and TV mogul
From left, Alan Shayne and Norman Sunshine with Christine Baranski and Charles Busch at a launch party for their book in November. They’ll be in Washington this week for a similar event. (Photo courtesy Scott Manning & Associates)
Careers in the arts are never easy, but for every Sinatra, Hepburn or Garland there are hundreds, perhaps thousands, of actors, singers and behind-the-scenes moguls and designers who manage long, successful careers in New York or Hollywood without becoming household names.
Alan Shayne and Norman Sunshine are two such figures. Shayne is a former actor-turned-casting agent-turned TV mogul who nurtured hit ‘70s shows like “Dukes of Hazzard” and “Alice” to the airwaves during his 10 years as president of Warner Brothers Television. Sunshine, his partner of 50 years, is a painter and sculptor who made ads for Blackglama Minks (“What becomes a legend most?”) and Danskins (“Danskins are not just for dancing”) famous between stints of having his own exhibitions and commercial projects. After decades of navigating the thick jungles and uphill battles of the art world and entertainment industry, one wonders their thoughts on the ways of those worlds: with tenacity, does the cream inevitably rise or have we missed geniuses along the way?
They say it’s gotten tougher to “make it” over time.
“I think the thing I’ve observed in the fine arts is the phenomenon of money coming into play more and more in which careers are measured by the amount of money that can be made off of it,” Sunshine says. “All these art fairs are really about money, the dealers and collectors being able to make money off of it. It’s different. I don’t know how one quite survives that … there’s a horrendous fickleness now on a scale we’ve not seen before.”
Shayne, who gave up acting because casting seemed more stable and practical, agrees.
“It’s a really tough road to hoe,” he says. “In my day, I could go to New York and live and rent a room for $5 a week and make it work. Now you can’t possibly do that. I don’t know how the young actors and young artists do it today. Yes, the Meryl Streeps and the Dustin Hoffmans and the Robert De Niros are going to succeed but I worry about some of the little people who are also very talented.”
In November, the two had their joint autobiography published by Magnus Books — “Double Life: a Love Story from Broadway to Hollywood.” They’ll be in Washington Monday for a private reception for the book.
A self portrait of the couple by Sunshine. (Image courtesy the couple)
And even though the book is drawing raves — Joan Rivers called it “beautifully written” and “filled with humor” and legendary critic Rex Reed called it a “riveting” book by “two extraordinary men” — Shayne and Sunshine, who worked on it for about three years, say getting it published was not easy.
“We got the most glowing rejection letters you could imagine from the leading publishing houses,” Shayne says.
He says it was worth the effort to get the book in print to show that long-term gay relationships are possible.
“We’d been terribly disturbed by the suicides,” Shayne says. “Time magazine did a story where they talked to young gays in their 20s who didn’t believe any [gay] relationship could last past 10 years. People have told us we’re a rather inspirational couple so we decided to tell our story.”
“There had always been this thinking that, ‘Oh God, it’s a terrible life,’” Sunshine says. “We wanted to kind of deal with that issue and let people know we’re not always in feathers or this and that. We’re like you. We have the same loves, desires and careers. We felt we had a responsibility to tell that story.”
And it is quite a story. With fun anecdotes of the famous paths with whom they’ve crossed — Lena Horne, Laurence Olivier, Marlon Brando, David Susskind, Helen Hayes, George Cukor, Katharine Hepburn, Norman Lear, Bette Davis, Rock Hudson and more make memorable appearances — the book is delightfully shameless in its name dropping.
Just as vivid, though, are lengthy passages where the two write evocatively of what it was like to be gay in the ‘50s and ‘60s, to what degree they were able to be out (if at all) and how their relationship evolved over the decades. Shorn of any Jackson-Paris-type false idealism — they make it clear it wasn’t always a bed of roses — their experiences come vividly to life.
“We felt we had to be totally honest for the book to work,” Shayne says. “We found out things about each other we didn’t know but we felt if we weren’t totally honest about it, what would be the point? Otherwise it would be so goody-goody you couldn’t stand it. But we got through it and that’s really the story of our relationship. We ended up supporting each other.”
“A lot of people have identified very strongly with the book,” Sunshine says. “It gives them insight into the time period and the history of the gay situation vis-à-vis us.”
During a lengthy phone chat from their home in Palm Beach, Fla., the two — on a joint call — happily elaborate on topics touched on in the book.
Though they still drink, it’s mostly just wine these days —they’ve traded in the Rob Roys they drank copiously for years for California chardonnay.
Norman, left, and Alan on their wedding day. (Photo courtesy the couple)
They attribute their long careers to their mutual abilities to adapt. Some opportunities came out of nowhere — like the Tiffany display that helped launch Sunshine’s impressive art career — while others were built piece by piece through painstaking work like the cards Shayne kept on each actor he saw so he’d have a bounty of suggestions to directors casting various projects.
Their various country houses — in Pennsylvania, Connecticut and more — have helped them grow together, they say.
“In the ‘50s, when you couldn’t really be openly gay, our homes became terribly important to us and we were happiest when we were there by ourselves,” Shayne says.
He also says the popular notion that CBS didn’t care about “Alice” spin-off “Flo,” an eponymous sitcom for Polly Holliday’s sassy character, isn’t true. It was not a victim, he says, of the network carelessly changing the show’s time slot repeatedly in those pre-VCR or TiVo days. Shayne says he worked hard to make “Flo” fly just as he’d done with “Alice” in its rocky first season but ultimately the audience wasn’t buying the character in a world outside Mel’s Diner.
But how did “Alice” succeed another five seasons without its most popular character while “Flo” failed?
“I love Polly and at the time, it seemed like a good idea to bring Diane (Ladd — who’d played Flo in the film) back (to ‘Alice’),” Shayne says. “We really had hoped ‘Flo’ would be a big success and believe me, we did everything. We changed writers, changed producers, nothing seemed to work, but God knows we tried. … the public kind of wanted her there saying, ‘Kiss my grits’ in the diner and she became really a different character when she had her own show. She wanted to be different … CBS was actually very cooperative.”
Ironically perhaps, Shayne and Sunshine say though they socialized several times with Cukor, the legendary “old Hollywood” director who was gay and famous for his parties, they never discussed their relationship or homosexuality with him.
“He knew we were a couple, he would invite us both to dinner, but it was always a mixed group. Sometimes Kate (Hepburn, who lived in Cukor’s guest house when she was on the West Coast) would stop by and say hello, but it was all very proper … I don’t think he ever mentioned the word gay to us,” Shayne says.
As for the changing times, they say it’s only in the last eight or 10 years that they’ve felt comfortable being fully out in all aspects of their lives. They wed in Massachusetts eight years ago initially for practical reasons. They were pleasantly shocked at how welcomed they were by the hotel staff where they stayed.
“AIDS really exploded the conversation on gay issues,” Sunshine says. “It was the instrument by which the whole gay thing came out as a national discussion.”
And what about the irony of Sunshine being the Emmy winner in the family despite Shayne’s long career in television (Sunshine won for titles he designed for a special in the mid-‘70s)?
“Can you hear me gnashing my teeth,” Shayne says.
Arts & Entertainment
A reign defined by commitment and human impact
Nicole Murray Ramirez defined era in International Imperial Court System
Writing about the reign of Nicole Murray Ramirez and the close leadership of King Father Terry Sidie requires far more than listing achievements, because what has been built over these years cannot be reduced to titles, ceremonies, or public recognition. It must be understood as the result of a sustained vision rooted in service, memory, solidarity, and the real ability to build bridges within and beyond the LGBTQ community.
At this point, looking back and assessing this period means acknowledging that this was not just another chapter in the history of the International Imperial Court System. It was a time shaped by far-reaching initiatives, a clear commitment to concrete causes, and a style of leadership that moved confidently between symbolic representation and public action. In that context, Nicole Murray Ramirez’s announcement that her reign will conclude in February 2027, along with the coronation of the person who will assume the throne as the new Queen Mother of the Americas, should not be read simply as the end of an era, but as a moment to fully recognize what has been built while also understanding that a new chapter is about to begin.
One of the most defining aspects of this reign has been its understanding that visibility alone is not enough. Visibility matters, but it only becomes meaningful when it leads to action, support, and measurable change. That has been a consistent strength of the work led by Nicole Murray Ramirez alongside key figures such as Terry Sidie.
The Jose Nicole Terry Scholarship and Educational Fund reflects that commitment. Reaching $400,000 is significant, but what matters most is what that represents in terms of opportunity and access.
This leadership also prioritized historical memory through initiatives like the National LGBTQ Wall of Honor at the Stonewall Inn and the recognition of Jose Julio Sarria.
Efforts such as the Harvey Milk postage stamp, the USNS Harvey Milk, and multiple recognitions for Sarria reflect a sustained commitment to public recognition and justice.
International outreach, financial support to global causes, advocacy for transgender communities, and engagement with organizations beyond national borders further define this period.
The expansion into Canada and the opening of a new chapter that includes Puerto Rico highlight the evolving nature of this leadership. The upcoming June coronation marks an important step in that direction.
Acknowledging that the reign was not perfect does not weaken its legacy. It reinforces its authenticity.
This was not an individual effort. It was collective work supported by a broad network.
As the transition toward Feb. 5, 2027, continues, what remains is a legacy built on action, commitment, and responsibility.
Theater
Diverse cast tackles ‘Aguardiente’ at GALA Hispanic Theatre
Best friends rediscover their Caribbean heritage in new musical
‘Aguardiente: Where Magic Transcends Borders’
Through May 24
GALA Hispanic Theatre
3333 14th St., N.W.
$25–$65
Galatheatre.org
(surtitles in English and Spanish)
With its latest musical offering “Aguardiente: Where Magic Transcends Borders,” GALA Hispanic Theatre has cast its net wide in gathering a blend of talent including the production’s diverse 18-person cast.
Commissioned by GALA, the spanking new musical is about best friends Alberto and Alejandro (two New York writers from Puerto Rico and Colombia respectively). Together, within a short timeline under unrelenting pressure, they struggle to write the project musical of their dreams.
Along the way, the friends rediscover their Caribbean heritage through cumbia, bomba, currulao, and the magical realism of García Márquez.
Offstage, the work has been created by Luis Salgado (book), and Daniel Alejandro Gutiérrez (music), also respectively from Puerto Rico and Colombia. Multiple Helen Hayes Award-winning Salgado is directing and choreographing the GALA production.
In the role of Alejandro, out actor Sebastián Treviño is making his GALA debut opposite Samuel Garnica who plays librettist Alberto. Alejandro is the music composer who doesn’t come from a musical background. He’s simply a lover of Latin music.
Is Alejandro recognizably similar to Gutiérrez?
“Oh yeah,” says Treviño, 36. “Like Gutiérrez, Alejandro doesn’t necessarily follow musical theater rules and etiquette, and it’s his uniqueness that brings a spark to their partnership.
“I got to know him and Luis [Salgado] while touring with ‘On Your Feet!’ in 2022. You really get to know people by spending endless hours together on a bus.”
Language and voice are intertwined for Treviño, and fortunately for the amiable New York-based actor, he enjoys the challenge of a new way of speaking. To play Alejandro, it helps to sound Colombian.
As a native of Monterrey, Mexico, Spanish and Mexican dialects are Treviño’s first languages. He attended American school starting in kindergarten, consequently acquiring flawless English; and because his mother is Colombian, he is familiar with that accent too.
GALA Spanish speaking patrons can be a tough crowd. For instance, when a Mexican actor is playing a Cuban character, they know at once. And while they may embrace the performance and the production, there sometimes remains a niggling dislike for what feels a vocal inaccuracy.
“Since I’ve arrived in D.C., I’ve been practicing my Colombian accent at restaurants and other places. When a Spanish speaking server asks if I’m from Colombia, I know I’m doing something right.”
“Aguardiente” (translates as “Firewater”) is composed of several layers of reality. He explains: “First it’s us creating the show, the work, and all of those pressures and limitations that the industry places on Latino centered projects; and then there’s the fantasy layer.”
A talented tenor, his lengthy bio includes Mexico City (“Wicked,” “Rent”), Off Broadway (“Kowalski”) and North American national tours (“On Your Feet!”).
He says his “Aguardiente” solo specifically feels like ‘80s Latin rock. Also, he enjoys a fun medley number where they’re playing around with “Tropipop” (Colombian pop), classic Broadway sounds, and there’s even a Beatles moment.
In this show, we meet two determined friends, one is holding an American passport because he’s Puerto Rican, while the other, a Colombian, struggles to secure a visa.
“It’s not a stretch for me to relate to that. I’m here on a working visa, so I know all about the stress and costs that comes with that,” says Treviño.
“So much reflects their own story. That includes the setbacks and obstacles faced when trying to build something from very little, and writing about themes that aren’t considered mainstream to white American audiences.”
At just eight years old, Treviño saw “A Chorus Line” at Mont Tecnológico de Monterrey, the same college that he’d later attend. He remembers, “Seated in the second row, the young actors were rock stars to me. When I asked my father who loved the arts if one day I could perform onstage, he said yes, instantly his son’s new dream.”
Looking forward, is there a role he yearns to play? Treviño ponders the trite query with some seriousness before answering “I think it’s yet to be written.”
Books
New books reveal style trends for a more enlightened century
Guidelines that hint about gendering clothing are out
Books about Fashion and Style
By various authors
c.2026, various publishers
$19.95 – $29.95
Don’t look now, but your legs are showing.
It’s OK, it’s almost summertime and you want to show both skin and style. So how about a few hints for looking your best? Check out these great books and get stylin’.
Who says there are rules about fashion? Wearing white before Memorial Day is OK; socks with sandals not so much? Fine, but in “Bending the Rules: Fashion Beyond the Binary” by Camille Benda with Gwyn Conaway (Princeton Architectural Press, $29.95), you’ll see that any guidelines that hint about gendering clothing are oh-so-last century.
Along with lively, fun narrative, there are lots of photos in this book, ads for how clothing used to be worn along male-female lines, and short biographies of some of today’s best designers. Here, you can check out prom dresses from the 1950s and new haute couture gowns practically right off the runway – and see how one parallels with the other. The timeline reaches back centuries, so you get a nice idea of where certain kinds of clothing originated and how it’s relevant today – making what’s inside here perfect for browsing.
Pick up this book, in fact, and you might also pick up some ideas for filling your closet and creating your very own style.
The fashion you wear on your body isn’t all you’ll find in “Pretend to Be Fancy: A Field Guide to Style and Sophistication” by Whitney Marston Pierce (Chronicle Books, $19.95). You’ll also read about other nice things you can have.
So you’re not a pinky-in-the-air kind of person, whatever. You can easily hang with those who are, once you read and absorb this book.
Tongue-tied at fancy soirees? Not anymore, there are tips for talking here. What do you know about canapes, hors d’oeuvres, and the kind of foods you don’t get at the corner c-store? How do you make a charcuterie that everyone will Ooooooh over? And how do you give a gift for the person whose taste seems scads better than yours? That’s all in here, along with what to drink, how to dress, and how to make every corner of your home look like something right out of a high-end magazine.
Will this book make you chic? Possibly, yes. Will it help you get invited to all the best parties? Maybe, but for sure, it’ll make you laugh, it’ll make you feel fabulous, look fabulous, and live your best life with the surroundings you deserve. Out May 5, so put it on your list.
But let’s say you need more ideas. You have questions or thorny issues with fashion that you really need answering. That’s when you ask for a talented fashionista at your local bookstore or library, that knowledgeable someone knows books and knows how to get what you need to be your most dazzling, best-dressed, finest-appointed self in a home you can be proud of, with comfortable furniture that will be the envy of everyone who sees it.
In the meantime, grab the above titles, because these books got legs.
A reign defined by commitment and human impact
Ukrainian MPs advance new Civil Code without protections for same-sex couples
Gay ICE detainee freed after 150 days in detention
How do you vote a child out of their future?
Under new extremism laws, LGBTQ Russians must fight to survive
Republicans attach five anti-LGBTQ riders to State Department funding bill
Tennessee’s trans data bill a frightening omen
Bill seeks to block global gag rule expansion
New Zealand blood donation rules shift
