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Remembering those we lost in 2023
World’s oldest drag performer, PR guru to the stars among those who died
The many acclaimed LGBTQ people and allies who died in 2023 include:
Frank Galati, an internationally acclaimed writer, director, and actor, known for directing “Ragtime” on Broadway and his Chicago theater work, which included his adaptation of “The Grapes of Wrath,” died on Jan. 2 in Sarasota, Fla. at 79 from complications of cancer.
Lily Chavez, a beloved D.C. nightlife figure, died on Jan. 8 at age 35 from complications of Lupus. Chavez was the box office cashier at D.C.’s Town Danceboutique, a bartender at Annie’s and Level 1 restaurants and the gay bar Cobalt, the Blade reported.
Sal Piro, a fan of “The Rocky Horror Picture Show,” who saw the camp classic some 1,300 times and founded “The Rocky Horror Picture Show” fan club, died at 72 on Jan. 22 at his Manhattan home from an aneurysm in his esophagus.
Everett Quinton, an actor, director, and leader of the Ridiculous Theatrical Company after his partner Charles Ludlam’s death in 1987, died on Jan. 23 in Brooklyn, Ny. at 71 from glioblastoma, a fast-moving cancer.
Albert Russell, an acclaimed organist and music director from 1966 to 1984 of St. John’s Episcopal Church on Lafayette Square in D.C. (often called the “Church of the Presidents”), died at 91 from complications of a fall on Jan. 23 at his Washington home.
Dr. Charles Silverstein, a psychologist, whose presentation as a graduate student helped to persuade the American Psychiatric Association to stop pathologizing being queer, died on Jan. 30 at age 87 at his Manhattan home from lung cancer. He founded the Institute for Human Identity, which provides mental health service to LGBTQ clients.
Shinta Ratri, an Indonesian transgender activist, who founded an Islamic boarding school that provides a safe space for trans women, died on Feb. 1 at 60 from a heart attack in Yogyakarta, a city on the Indonesian island of Java.
Adrian Hall, the founding artistic director of the Trinity Repertory Company in Providence, R.I., who revitalized regional theater in Dallas and other cities, died at 95 on Feb. 4 in a hospital in Tyler, Texas.
Donald Spoto, a biographer whose more than two-dozen subjects included Joan of Arc, Jesus, Alfred Hitchcock and Grace Kelly, died at 81 on Feb. 11 in Koege, Denmark from a brain hemorrhage.
Howard Bragman, a publicist who advised celebrities involved in scandals and queer clients who were coming out, died at 66 on Feb. 11 from leukemia in Los Angeles.
John E. Woods, an award-winning translator of Thomas Mann, died on Feb. 15 in Berlin at 80 from a lung ailment and skin cancer.
Royston Ellis, a British Beat poet whose spoken word performances accompanied the Beatles, Jimmy Page and other performers before they became rock stars, died on Feb. 26 at 82 from heart failure in Induruwa, Sri Lanka.
Georgina Beyer, believed to be the first transgender member of Parliament in New Zealand, died on March 6 at 65 in a Wellington, New Zealand hospice.
Ian Falconer, whose popular children’s books featuring Olivia, an endearing, charming pig, delighted kids and adults, died on March 7 at 63 in Norwalk, Conn., from kidney failure.
Julie Anne Peters, author of “Luna,” whose books were widely banned, died on March 21 at 71 at her Wheat Ridge, Colo. home. “Luna,” released in 2004, is believed to be the first young-adult novel with a transgender character to come out from a mainstream publisher.
Walter Cole, the world’s oldest drag performer known as Darcelle XV died March 23 at 92 at a Portland, Ore. hospital.
James Bowman, a British countertenor known for his performance as Oberon in Benjamin Britten’s opera “A Midsummer Night’s Dream” and Apollo in Britten’s opera “Death in Venice,” died at 81 on March 27 at his home in Redhill, south of London.
Raghavan Iyer, an American-born chef and author who introduced Americans to Indian cuisine, died on March 31 at 61 in San Francisco from pneumonia complicated by colorectal cancer that had metastasized to his lungs and brain.
Rachel Pollack, a transgender activist and authority on tarot, who created the first trans DC Comics superheroine, died at 77 on April 7 from non-Hodgkin’s lymphoma in Rhinebeck, N.Y.
Gail Christian, a trailblazing, acclaimed Black NBC News and PBS correspondent, died on April 12 at 83 in Los Angeles from complications of intestinal surgery.
Helen Thorington, a trailblazer in radio and internet art, died at 94 on April 13 from complications of Alzheimer’s disease in Lincoln, Mass.
Koko Da Doll, 35, a Black transgender woman, who was featured in “Kokomo City,” an award-winning documentary about four Black transgender sex workers, was killed in Atlanta on April 18.
Barry Humphries, the Australian-born actor and comic, who created the divine and beloved Dame Edna, died on April 22 in Sydney at 89 several days after having hip surgery.
Robert Patrick, a playwright whose 1964 play “The Haunted Host,” The New York Times has called “a touchstone of early gay theater,” died at 85 on April 23 from atherosclerotic cardiovascular disease at his Los Angeles home.
Harry Belafonte, a barrier-breaking singer, actor, civil rights activist and LGBTQ ally, known as the “King of Calypso,” died on April 25 at 96 from congestive heart failure at his Manhattan home.
David Miranda, an ally of Edward J. Snowden and an advocate for LGBTQ rights in Brazil’s Congress, who was born in the slums of Rio de Janeiro, died at 37 on May 9. He died in a Rio de Janeiro hospital intensive care unit after battling an abdominal infection for nine months.
Renowned queer, avant-garde artist Kenneth Anger, known for his surreal films, died at 96 on May 11 in a care facility in Yucca Valley, Calif. Anger wrote two “Hollywood Babylon” books, which were filled with gossip. These works were thought to be based on rumors, not facts.
Helmut Berger, an Austrian actor who was known for his work in films directed by the acclaimed filmmaker Luchino Visconti, died at 78 on May 18 at his Salzburg home.
Tina Turner, the legendary singer, who performed at the first Gay Games in 1982, died on May 24 at 83 at her home in Kusnacht, Switzerland after a long illness.
George Maharis, an actor who was a star in the iconic TV show “Route 66,” died at 94 on May 24 at his Beverly Hills, Calif. home.
Jon Haggins, a fashion designer, who was acclaimed for, what The New York Times called his “sinuous, sensuous” 1960s and early 70s designs, died on June 15 at 79 at his Queens, N.Y. home.
The drummer for the Texas acid-punk band Butthole Surfers, Teresa Taylor, died at 60 on June 18 from lung cancer. She was beloved by Gen-Xers for her appearance in the 1990 movie “Slacker.”
Robert Black, an acclaimed bassist and a founding member of the renowned Bang on a Can All-Stars ensemble, died at 67 on June 22 from colon cancer at his Hartford, Conn. home.
David Richards, a theater critic, who was a Pulitzer Prize finalist for his work for the The Washington Post, and, briefly, chief drama critic for The New York Times, died at 82 on June 24 in a Warrenton, Va. hospital. The cause of death was complications from Parkinson’s disease.
Michele Judith Ballotta, a.k.a. Mickie, a beloved advocate for the fight against breast cancer and other causes, died on June 24 at age 67 in Seaford, Md.
Lilli Vincenz, a groundbreaking LGBTQ rights activist, psychotherapist and documentary filmmaker, died at 85 on June 27 of natural causes at her residence at an Oakton, Va. assisted living center.
Dr. Susan Love, a surgeon, public health advocate, author, researcher and founder of the National Breast Cancer Coalition, died at 75 on July 2 from a recurrence of leukemia at her Los Angeles home. At the time of her death, she was chief visionary office of the Dr. Susan Love Foundation.
Minnie Bruce Pratt, an acclaimed lesbian poet, essayist and LGBTQ activist, died at 76 from an aggressive brain tumor on July 2 at a hospice in Syracuse, N.Y.
Cheri Pies, author of the landmark 1985 book “Considering Parenthood: A Workbook for Lesbians,” died at 73 from cancer on July 4 at her Berkeley, Calif. home.
The Rev. A. Stephen Pieters, a gay minister, who had AIDS and spoke about being gay and having the disease to church congregations in the 1980s when homophobia was the norm, died at 70 on July 8 from a sepsis infection at a Glendale, Calif. hospital. His memoir “Love Is Greater Than AIDS: A Memoir of Survival, Healing, and Hope” will be released in 2024.
Amos Badertscher, a photographer whose empathetic portraits of hustlers, sex workers and drag queens in Baltimore are in institutions devoted to queer art from the Leslie-Loman Museum of Art in New York to the ONE Archives in Los Angeles, died on July 24. He died in Baltimore at age 86 from complications from a fall.
Sinead O’Connor, the pop singer, who was acclaimed, but reviled for denouncing pedophilia in the Catholic Church, and, in 1992, tearing up a photo of Pope John Paul II on “Saturday Night Live,” died at 56 on July 26.
James “Hawk” Crutchfield, a U.S. Air Force veteran and U.S. Federal Communications Commission career program analyst, died at 77 of natural causes in his D.C. home on July 29. For more than four decades, Crutchfield was “devoted” to volunteer leadership to at least eight D.C.-area LGBTQ D.C. organizations, the Blade reported.
Paul Reubens, the actor and comedian who created and portrayed the iconic and beloved character Pee-Wee Herman, died at 70 on July 30 from cancer in a Los Angeles hospital.
Jess Search, a gender nonconforming producer of documentaries focusing on marginalized groups, died at 54 on July 31 in a London hospital from brain cancer. Search helped to start-up the Doc Society, a group that supports documentarians.
Carmen Xtravaganza, a ballroom legend and transgender activist, who was featured in the documentary “Paris Is Burning,” died at 62 on Aug. 4. Before her death, she had been struggling with stage 4 lung cancer.
Sarah Wunsch, a civil liberties lawyer known for her work on race, gender ,and free speech issues, died at 75 on Aug. 17 at her Brookline, Mass. home from complications of a stroke.
Janne Marie Harrelson, who had a 32-year career at Gallaudet University, died at 70 on Aug. 23 from Ovarian cancer while in hospice care in Rockville, Md. She held multiple leadership positions at Gallaudet, including director, National Mission Planning and director, Gallaudet University Regional Centers.
Michael Leva, an acclaimed 1980s fashion designer, who was on the cover of the (now defunct) weekly “7 Days” for its “Designers on the Verge” feature, and later a prominent fashion executive, died at 62 on Sept. 14 in Providence, R.I. from heart failure.
Erwin Olaf, a Dutch photographer acclaimed for his portraits of counterculture celebs and Dutch royalty died at 64 on Sept. 20 in Groningen, the Netherlands from complications of a lung transplant.
John F. Benton, 72, who worked in management at the Smithsonian Institution’s National Air and Space Museum and other government agencies for more than four decades, died on Sept 20 after a short illness at the Virginia Hospital Center in Arlington the Blade reported.
Pat Arrowsmith, 93, a British author, anti-war activist and Campaign for Nuclear Disarmament co-founder, who worked with Amnesty International, died on Sept. 27 at her North London home.
Rudy Perez, a choreographer and postmodern dance pioneer died at 93 on Sept. 29 from complications of asthma at his Los Angeles home.
Beverly Willis, a trailblazing, acclaimed architect, who advocated for omen striving to break through in the profession, died at 95 on Oct. 1 from complications of Parkinson’s disease at her Branford, Conn., home.
James Jorden, a writer and creator of the high culture, yet punk opera zine-turned-website Parterre Box, died at 69 on Oct. 2. He was found dead at his Sunnyside, Queens home, The New York Times reported.
Terence Davies, 77, a British director whose acclaimed films included “The House of Mirth,” “A Quiet Passion” and “Benediction,” died on Oct. 7, after what his manager said was “a short illness,” at his home in Mistley, Essex in England.
Margot Polivy, a lawyer, champion of women in college sports and a tireless advocate for Title IX, died at 85 on Oct. 7 at her Washington home.
Steven Lutvak, 64, a composer and lyricist whose show “A Gentleman’s Guide to Love & Murder” won the Tony Award for best musical, died on Oct. 9 from a pulmonary embolism at his Manhattan work studio.
Eva Kollisch, 98, in her teens, fled Nazi-occupied Austria. Kollisch, who grew up to be a prominent lesbian rights advocate, feminist studies scholar and memoirist, died from a chest infection on Oct. 10 at her Manhattan home.
Jack Anderson, a dance critic for The New York Times for five decades, died at 88 in a New York City hospital from sepsis on Oct. 20.
Amber Hollibaugh, 77, an activist, organizer, author of “My Dangerous Desires: A Queer Girl Dreaming Her Way Home” and self-educated public intellectual in the LGBTQ+, feminist, sexual liberation and economic justice movements, died from complications of diabetes on Oct. 20, the Blade reported.
David Del Tredici, a Pulitzer Prize-winning composer, acclaimed for his pieces that set parts of “Alice in Wonderland” to music, died at 86 from Parkinson’s disease on Nov. 18 at his Greenwich Village home.
Carlton D. Pearson, a pastor who was cast aside by his evangelical megachurch after he said he didn’t believe in hell and began advocating for LGBTQ+ rights, died at 70 on Nov. 19 from cancer in a Tulsa, Okla. hospice. Pearson, whose life story was told in a Netflix movie, moved on from his evangelical church to become a minister with the United Church of Christ, a liberal Christian denomination.
Brandon “RBC” Gordon, 41, a Greenbelt City Council member, who started the Greenbelt Pride festival in 2022, died on Nov. 26. Gordon, who worked to make the community more inclusive, identified as a “transamorous heterosexual man,” The Washington Post, reported.
LGBTQ ally Norman Lear, the TV writer and producer whose TV shows, from “All in the Family” to “Maude,” transformed the culture, died at 101 on Dec. 5 at his Los Angeles home.
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What ‘Queer Eye for the Straight Guy’ can still teach us
Producer David Collins on lasting impact of hit series
It’s hard to imagine where LGBTQ+ television would be without “Queer Eye for the Straight Guy,” the trailblazing reality series that premiered in 2003.
Each episode of this Emmy-winning show saw a group of gays converge on a struggling man — the titular straight guy — and offer nonstop wit while organizing his endlessly messy life. This program about a group of homosexual helpers took the world by storm, furthering the love of gay television begun by shows like “Will and Grace” but bringing it into the growing medium of reality TV. Of course, it wasn’t perfect; “Queer Eye for the Straight Guy” often cast its experts less as multi-faceted queer folks and more as sources of early 2000s gay jokes. But despite these pitfalls, it’s undeniable that the original program explored the realities of being gay in a way audiences had never seen before. It was a monumental piece of LGBTQ+ representation, and its success is largely owed to the man who fought to get this show made: producer David Collins.
Collins spoke with the Blade from his Los Angeles home, where he’s spent the past few years living with his husband and his two daughters. David spoke fondly of his many years in the industry, detailing how it feels to be such a huge part of LGBTQ+ history. He explained, however, that he didn’t initially set out to alter how queer people were seen on television. “I never went out to make gay television,” said the producer. “I went out to tell great stories.”
“I’m a hillbilly from Ohio, and I thought I was going to be an editor,” David laughed, looking back on his career. “I interned at the Cincinnati Film Office, and I showed up to work my very first day, and the film commissioner was like, ‘Get to the airport right now and pick [someone] up. Don’t talk to them.’ Well, I ended up picking up Jodie Foster.” Collins raved about this car ride that changed his life, with the pair becoming friends and Foster pushing him to become a producer who puts their own media out into the world. Eventually, he did just that, and after learning about the wild new genre that was reality TV, he pitched a series to Bravo: “Queer Eye for the Straight Guy.”
“I was obsessed with Esquire magazine, and they had five categories: fashion, grooming, interior design, culture, food, and wine. So I gave them each a gay, and the Fab Five were born!” Collins said, describing how viewers quickly fell in love with the concept and earned the program four seasons and an Emmy for Outstanding Reality Program. He spoke about how proud he felt creating a show that centered real gay people, not characters in a story, remembering, “To stand in the middle of Times Square and look up and see this massive billboard with the original Queer Eye guys…it wasn’t even a dream come true, because it wasn’t a dream I had even fathomed.”
With his series, people were watching actual gay men and learning the realities of a queer culture that had always been portrayed as a danger to society. Collins tearfully recounted hearing about queer people using the show as a way to connect with their family, saying, “What I’m most proud of that’s come out of Queer Eye [are] the conversations that that series has allowed to have people around their kitchen tables with little boys in Ohio like me who were scared to death that they were going to burn in hell because their pastor was telling them that they were a sinner.”
Now, for all of its trailblazing, the program wasn’t wholly positive; the show’s focus on the central ‘straight guy’ meant it rarely delved into the lives of its Fab Five. Collins regretted that lack of depth but understood that earlier audiences weren’t accustomed to such a nuanced look into queerness — that would have to wait for the reboot.
When “Queer Eye” came out in 2018, audiences were introduced to not only a new Fab Five, but a whole new format (that didn’t rely on a straight person). Now, the series would assist queer folks and allies alike, spotlighting these individuals as well as the queer experts helping them improve their lives. The show has been applauded for its amazing makeovers, but where it truly stands out is its representation, offering a look into individuals across the country and the struggles — along with the immense joys — of being queer in America today.
Fans were disappointed to hear that “Queer Eye” would be ending after its 10th season, but David stressed that they wouldn’t have to be sad for long. “What I will say to you is this: hang tight,” he teased. “There’s yet another version of ‘Queer Eye’ to come, and we’re working on that now.” In the meantime, Collins is continuing his work with new shows like the “House of Stassi,” a series centered on “Vanderpump Rules’”prolific waitress. He’s excited about these new projects, but emphasized that his heart will always belong to “Queer Eye for the Straight Guy” and all that it continues to do for viewers 19 years after its finale.
“It’s not about your new outfit or your new couch or your new whatever. It’s about your humanity,” said Collins, speaking about the core lesson he hopes people take away from the Queer Eye franchise. “It’s about seeing yourself. It’s about dignity. It’s about how confidence breeds success.”
A valuable message that queer folks can benefit from even more now than they did in 2003. And, while it’s unclear just what lies ahead for this franchise, one thing is for sure: “Queer Eye for the Straight Guy” helped people everywhere understand the power that exists within our queerness. It’s a truth that has impacted countless pieces of LGBTQ+ television today, and it’s one that Collins promises to keep alive through whatever hit show he creates next.
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Jason DePuy on coping with homophobia in ‘Big Brother’ house
First drag queen contestant on CBS show fought to stay positive
One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.
During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.
In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”
Former “Big Brother” contestant Frankie Grande called his words ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.
Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.
“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”
He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”
Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself.
“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”
DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.”
While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling.
“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”
He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”
Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.
“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”
One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.
“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”
DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”
DePuy was thrilled to be the very first drag queen to ever be cast on the show.
“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”
Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.
“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”
If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.
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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
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Chicago’s LGBTQ+ youth: Why their zip code still matters
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Remembering Barbara ‘Boo’ Price, a pioneering force in women’s music
White House targets gender-affirming care funding, states fight back
