Arts & Entertainment
The wild west
Shakespeare production works well in Folger variation
‘The Taming of the Shrew’
Through June 10
Folger Theatre
201 East Capitol Street, SE
$39-$65 (discounts available)
202-608-1719

From left, Danny Scheie, Cody Nickell and Kate Eastwood Norris in ‘The Taming of the Shrew’ at Folger Theatre. (Photo by Jeff Malet courtesy Folger)
It was while watching the HBO series “Deadwood,” writes/director Aaron Posner in the program notes for Folger Theatre’s “The Taming of the Shrew,” that he first became inspired to set his production in the American West, circa 1890. While Posner admits it’s not a totally original take on the Bard’s battle of the sexes — it’s been done before — the move from Padua to the Old West works: the raucous, defiant aspects of Shakespeare’s early comedy translate quite nicely.
Because Posner has dropped the play’s official Induction, a cute framing device that establishes “Shrew” as a play within in a play, his fast-paced and funny production jumps quickly into the unconventional courtship of fortune-hunting gambler Petruchio and Katherine, the ornery shrew (played by real life husband and wife Cody Nickell and Kate Eastwood Norris). At first, Katherine wants no part of love and marriage, but through an assortment of carefully executed psychological and physical tortures Petruchio remarkably alters her into the most obliging of wives.
Norris’ Katherine is a sort of hard-drinking, pistol-packing Calamity Jane for whom a future of happy domesticity seems impossible or a real longshot at best; but, again, Petruchio’s abuse works wonders in tempering Katherine’s obstinate disposition. Yes, it’s all very sexist stuff, but Norris is a smart actor with a deft touch, and her transformation from shrew to obedient wifey is nuanced — it’s more about discovering love and finding a new way to live.
Similarly, Nickell’s charming Petruchio is clearly smitten with his Kate, and it’s a love that proves sincere. When he outfits his bride in elegant new duds, Petruchio strives to please by giving her pants and a beautiful pair of black boots complete with spurs. And after proving his wife’s changed nature in a high stakes bet, he hands the winnings over to Katherine. The pair is a team, and it bodes well for a happy and equal marriage.
The comedy’s secondary romantic subplot involves a complicated competition between the suitors of Katherine’s younger more desirable sister, Bianca (Sarah Mollo-Christensen). Her eager wannabe husbands are played by Marcus Kyd, Craig Wallace and Thomas Keegan. Katy Carkuff is a standout as a boozy, well-off widow. James Gardiner and gay actor Danny Sheie play the comic servants.
In a nod to the changing roles of frontier women, Posner has made some intriguing gender-bending choices. The part of Katherine and Bianca’s father Baptista has been changed to a same-named, marriage-brokering mother played by Sarah Marshall, who’s gay. Her Baptista is comically reminiscent of the silver screen types played by Jo Van Fleet and Mercedes McCambridge: Prosperous, independent, tightly wound and willing to level a shotgun when necessary.
The traditionally male Tranio, a clever servant who goes undercover for his master, is also female for this production. As Tranio, Holly Twyford (also gay), swaps out a dull long dress and petticoat for a dapper copper suit and jauntily worn boater. Tranio’s put on squared-off shoulders and masculine walk are belied by touching instances when Twyford reveals the vulnerable young woman beneath the phony moustache, and these are lovely moments indeed.
Tony Cisek’s set is a two-tiered saloon made from roughly hewn wood. Through its swinging doors lie endless plains and big sky. Helen Q. Huang heightens the effect of her beautiful period costumes with subtle flourishes of fancy, freeing them from being too overly moored to time and place.
Additionally, singer/songwriter Cliff Eberhardt in the role of “The Blind Balladeer” performs his bluesy, witty, heartfelt tunes intermittently throughout the play. It’s a wonderful touch that entertainingly trains the spotlight on the characters’ intentions and passions.
At the top of the show, we’re told the evening will end “after [the players] dance.” It’s a promise kept. Posner closes the play with an old fashioned rousing line dance, sending the audience off with a big shot of the Wild West, fun and romance.
Bars & Parties
Impulse Group DC to host fundraiser
Giving Tuesday and Happy Hour held at Thurst Lounge
Impulse Group DC, a local advocacy organization, will host “Giving Tuesday and Happy Hour” on Tuesday, Dec. 2 at 6 p.m. at Thurst Lounge.
This event is a special happy hour fundraiser filled with good vibes, great food, and community connection. DJ Obie will be on deck keeping the energy high while you enjoy tacos, cocktails, and the kind of atmosphere only Thurst can deliver.
A portion of every signature cocktail sold goes directly toward supporting Impulse Group D.C.’s work in sexual health, mental health, harm reduction, and social justice for the D.C. community.
Admission is free and more details are available on Eventbrite.
Friday, November 28
“Center Aging Friday Tea Time” will be at 12 p.m. in person at the DC Center for the LGBT Community’s new location at 1827 Wiltberger St., N.W. To RSVP, visit the DC Center’s website or email [email protected].
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Dupont Italian Kitchen Bar. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, November 29
Go Gay DC will host “LGBTQ+ Community Brunch” at 12 p.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, November 30
Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. Guests are encouraged to come and enjoy stimulating conversation. For more details, visit Eventbrite.
Monday, December 1
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
“Soulfully Queer: LGBTQ+ Emotional Health and Spirituality Drop-In” will be at 3 p.m. at the DC Center for the LGBT Community. This group will meet weekly for eight weeks, providing a series of drop-in sessions designed to offer a safe, welcoming space for open and respectful conversation. Each session invites participants to explore themes of spirituality, identity, and belonging at their own pace, whether they attend regularly or drop in occasionally. For more details visit the DC Center’s website.
Tuesday, December 2
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. Email [email protected] with any questions.
Friends of Dorothy Cafe will host “Choose Our Blend” at 6 p.m. at Stardust Vintage & Gift. Guests are encouraged to come sip, sample, and vote on a lineup of custom coffee blends from Rustic Route Coffee Co., a DMV-based queer-owned roaster. Guests’ votes will help Rustic Route choose the café’s official signature roast. Event organizers will take donations, and more details are available on Eventbrite.
Wednesday, December 3
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.
Center Aging Women’s Social Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, email [email protected].
Thursday, December 4
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breathwork, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander Queer Community. For more details, email [email protected].
Theater
D.C. theater scene has something for everyone this holiday season
‘Nutcracker,’ ‘A Christmas Carol,’ and much more
With its familiar music, yuletide imagery, and storytelling, theater can be a big part of the holidays. Add to that making memories and theater tickets wrapped as presents under the tree, and it’s a seasonal no brainer.
Folger Theatre presents “Resplendent Joy: Christmas Traditions from Spain and Portugal” (Dec. 5-14); the marvelous Folger Consort will perform early Spanish Christmas carols and traditional holiday music from early modern Spain and Portugal: folger.edu/resplendent
At Round House Theatre, playwright Sam Holcroft’s “Rules for Living” (Dec. 3-Jan. 4) makes its U.S. premiere. The darkly funny holiday comedy was a hit in London and is now hoping to repeat that success with a version tailored for the states. The seven-person cast includes versatile actors Naomi Jacobson and real-life spouse John Lescault. Ryan Rillette directs. roundhousetheatre.org
Theatre J presents “Chanukah in the Dark” (Dec. 6-21), an hour-long play ideal for ages five and up. “When the lights go out during Chanukah, Max and family begin sharing songs, stories, and traditions — only to discover the lights they needed and the miracles they searched for were in their midst all along.” edcjcc.org
The Cathedral Choral Society’s “Joy of Christmas” (Dec. 13-14) presents a wonderful program of carols and beloved holiday favorites at the festively decorated National Cathedral. The program features Seraph Brass, organist Edward Hewes, Carillonneur Edward M. Nassor, percussionist Mary La Blanc of “The President’s Own” U.S. Marine Band, and the Eastern Concert Choir from Eastern Senior High School. Cathedralchoralsociety.org
With “The Holiday Show,” (Dec. 13, 14, and 20), the Gay Men’s Chorus returns to entertain audiences with its annual and most popular show.
This year the holiday extravaganza is bigger than ever at historic Lincoln Theatre with new, soulful arrangements of favorite holiday carols: “The reindeer will be high-kicking and the snowflakes will sparkle. Songs include “O Holy Night,” “Rudolph the Red Nosed Reindeer,” “Let It Snow,” “We Wish You the Merriest,” and “Go Tell It on the Mountain.’” gmcw.org
At Olney’s intimate Mulitz-Gudelsky Theatre Lab, out actor Michael Russotto is back for the holiday season in his solo show “Christmas Carol: A Ghost Story of Christmas” (through Dec. 28). The talented Russotto portrays nearly 50 different characters from the Charles Dickens classic, that proves “funnier and far more relevant than you might imagine.” Olneytheatre.org
Also on holiday offer in the DMV are a jolly bunch of musical chestnuts as well as reliable Christmas crowd-pleasers.
Included on the roster is Olney Theatre’s production of Jerry Herman’s “Hello, Dolly!” (through Jan. 4) starring the mega-talented Nova Y. Payton. Based on the play “The Matchmaker” by famed gay playwright Thornton Wilder, the musical has proved a vehicle for many a diva including Carol Channing, Pearl Bailey, Bette Midler, and Barbra Streisand. Now Payton dons the mantle and the buzz is good.
Another beloved musical is “Fiddler on the Roof” (through Jan. 25), the story of Tevye, a poor Jewish milkman, his family and their tight-knit community who honor tradition while contending with pogroms in Czarist Russia. Currently being performed intimately in the round at Signature Theatre in Arlington and directed by Joe Calarco, the large cast features actors Douglas Sills, Chrisopher Bloch, and terrific out actor Jake Loewenthal as the poor tailor Motel Kamzoil, all singing Broadway favorites like “Sunrise, Sunset” “If I Were a Rich Man” and “Matchmaker.” sigtheatre.org
At Shakespeare Theatre Company’s Harman Hall is Frank Loesser’s “Guys and Dolls” (through Jan. 4). Based on tales from famed American journalist Damon Runyon, the show focuses on two overlapping love stories set in Depression-era Times Square. The terrific score includes songs like “Luck Be a Lady,” “Sit Down, You’re Rockin’ the Boat,” “A Bushel and a Peck,” and more songs you’ll know. Directed by Francesca Zambello and choreographed by Joshua Bergasse.
The cast includes Julie Benko, Lamont Brown, and Holly Twyford as General Matilda B. Cartwright, which is reason enough to buy a ticket. shakespearetheatre.org
And for hardcore traditionalists there’s the Washington Ballet’s “The Nutcracker” (through Dec. 29) with its balletic magic at the charming gilded Warner Theatre. The beloved production of Tchaikovsky’s ballet, here set in 1882 Georgetown, features a retinue of agile partiers, children, soldiers, rats, and notable figures from American history. washingtonballet.org
And last but hardly least, historic Ford’s Theatre presents “A Christmas Carol” (through Dec. 31), an enduring Washington tradition since I was youngish. Conceived by Michael Baron, this charming Dickens’ moneymaker again spotlights Craig Wallace as miserly Ebenezer Scrooge who after a night of ghostly visits, rediscovers Christmas joy. Fords.org
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