Arts & Entertainment
Documenting our lives
Story of slain Ugandan activist among LGBT stories at Silverdocs festival
Silverdocs Festival
June 18-24
AFI Silver Theatre
8633 Colesville Rd., Silver Spring
‘Call Me Kuchu’ — June 20 at 9:30 p.m. and June 22 at 8:30 p.m.
‘How to Survive a Plague’ — June 20 at 7 p.m.
‘Ray: A Life Underwater’ — June 21 at noon.
Individual tickets cost $12, however Silverdocs is offering various package deals that allow access to multiple screenings and the conference.A scene from ‘Call Me Kuchu’ showing Uganda activist David Kato in what would end up being the last year of his life. (Still courtesy Silverdocs)
When two filmmakers set out to capture the work of LGBT activist and Uganda’s first openly gay man, they didn’t realize they were also filming the last year of his life.
“It was an incredibly hard thing to go through,” says Malika Zouhali-Worrall of her work with the late David Kato. “We spent a lot of time with him while he was working and during his private time. It came as an awful shock to both of us.”
Worrall and fellow filmmaker Katherine Wright tell Kato’s story in their new documentary “Call Me Kuchu,” which is screening in the upcoming Silverdocs Festival at the AFI Silver Theatre, which kicks off Monday for its 10th year. It’s a seven-day film festival with a five-day conference that promotes documentary film as an art form.
Sky Sitney, festival director of Silverdocs, says the movie will shock those who are largely unaware of what is happening in Uganda while drawing viewers close to the subjects.
“I think it is the way the film takes the topic and weaves it through personal stories, allows intimate access so that you are deeply invested in their lives, that makes it so powerful,” she says.
Worrall is a freelance reporter for CNN and this is her first feature length film. Wright was a film studies and anthropology major at Columbia University and has produced other feature length films including, “Gabi On the Roof in July,” while also directing shorts.
Worrall and Wright began filming in January 2010 after a transgender man named Victor Mukasa won a court case in the high court of Uganda, granting him his right to privacy after it had been violated during a raid. They shot the film with a less than $300,000 budget provided by various backers and a Kickstarter fundraising campaign. The filmmakers chose the term “kuchu” because this is the umbrella term used there for members of the LGBT community.
The film observes Kato and other activists as they fervently try to get Uganda’s homophobic laws repealed while preventing a new anti-homosexuality bill from passing in parliament. The new law would have HIV-positive gay men sentenced to death while others would be sentenced to life imprisonment. Kato was one of the founding members of Sexual Minorities Uganda, an underground movement for LGBT rights. However, Kato’s life abruptly ended when a man named Sidney Nsubuga Enoch, a local gardener and apparently a well-known thief, murdered him in his home.
At the time, Wright and Worrall were in New York planning their next trip to Uganda to shoot. They decided they needed to go back to Uganda immediately — Wright left the next day.
“We realized our film suddenly became about the last year of Kato’s life and added a sense of urgency, it was really intense,” Worrall says.
Though the documentary is LGBT specific, it was not this element that attracted Worrall and Wright to Uganda.
“It wasn’t so much that I was interested in LGBT rights more than any other human rights, but more that these people had these destinies laid out for them by these laws,” Wright says.
To fully depict the causes of these laws and their effect, the filmmakers traveled back and forth between anti-gay community members and LGBT activists. Both Worrall and Wright say it’s important for American audiences to understand what inspired the creation of the new bill.
“Getting all the basic facts is really important,” Worrall says. “Understanding what is happening in Uganda, and that it is very much related to American evangelicals and American foreign policy.”
Specifically, Scott Lively, Caleb Lee Brundidge and Don Schmierer, all American evangelicals, were invited to participate in a workshop in Uganda in 2009 where they spoke about the international “gay agenda.” According to a New York Times article, Lively told attendees that gays sodomize children and would destroy the culture. Soon after the bill was proposed, Worrall says they filmed a scene where a group of evangelicals celebrated and praised the government for proposing it.
Despite the hostility toward the LGBT community, members were still able to find ways to enjoy their lives. Wright says capturing these moments was of special importance to them.
“It was invigorating to see how these people were able to organize themselves despite the persecution,” she says. “It wasn’t the narrative victimization that you might have expected.”
Filming members of the LGBT community could still threaten their security, and some declined to be shown on camera for fear of being outed by local tabloids, which list LGBT people by name under headlines, “Homo Terror! We Name and Shame Top Gays,” according to the movie’s website.
Though Worrall and Wright are straight, they wanted to use the work being done by the LGBT community as a different way to approach Uganda, and by extension Africa.
“It was a way to capture a vivid portrait of people,” Worrall says. “Especially now that David is gone it has become very urgent.”
Worrall will be attending the Silverdocs with one of the film’s protagonists, Long Jones. The U.S. premiere of the film is occurring at the Los Angeles Film Festival on Saturday. The screening at Silverdocs will be the East Coast premiere of the film and will occur on June 20 and June 22 near the end of the festival.
“We are very excited to premiere it in the U.S.,” Worrall says. “It was first premiered in the Berlin Film Festival and the reaction there was incredible.”
Sitney says “Call Me Kuchu” will provide a juxtaposition to another film with LGBT themes, “How to Survive a Plague,” which revisits the 1980s when HIV/AIDS was still greatly feared and effective treatment was largely unavailable.
“One film is showing an injustice that is going on literally today and the act of change in positive and negative ways,” she says. “One is a retrospective look, to see what has changed and what has remained the same.”
“Call Me Kuchu,” which runs 87 minutes, is in the running for a grand jury prize while “How to Survive a Plague,” is one of the centerpieces of the festival.
Another film that doesn’t have prevalent LGBT themes but is directed by lesbian director Amanda Bluglass is “Ray: A Life Underwater,” a 14-minute short provides a portrait of 75-year-old deep-sea diver named Ray Ives who has been exploring the bottom of the ocean for 50 years while wearing a diving suit from the 1900s.
Sitney says that including these films adds to the diversity of the festival, but they do not specifically look for films with LGBT themes, or any specific themes, when reviewing submissions.
“We already make this festival exclusively about documentary films, we don’t want to set too many other boundaries,” she says. “We don’t choose central themes, but some emerge unintentionally.”
Sitney says that each film should be accessible to a non-LGBT audience, by breaking cultural parameters to create a “stunning and beautiful quality of work.”
Arts & Entertainment
A reign defined by commitment and human impact
Nicole Murray Ramirez defined era in International Imperial Court System
Writing about the reign of Nicole Murray Ramirez and the close leadership of King Father Terry Sidie requires far more than listing achievements, because what has been built over these years cannot be reduced to titles, ceremonies, or public recognition. It must be understood as the result of a sustained vision rooted in service, memory, solidarity, and the real ability to build bridges within and beyond the LGBTQ community.
At this point, looking back and assessing this period means acknowledging that this was not just another chapter in the history of the International Imperial Court System. It was a time shaped by far-reaching initiatives, a clear commitment to concrete causes, and a style of leadership that moved confidently between symbolic representation and public action. In that context, Nicole Murray Ramirez’s announcement that her reign will conclude in February 2027, along with the coronation of the person who will assume the throne as the new Queen Mother of the Americas, should not be read simply as the end of an era, but as a moment to fully recognize what has been built while also understanding that a new chapter is about to begin.
One of the most defining aspects of this reign has been its understanding that visibility alone is not enough. Visibility matters, but it only becomes meaningful when it leads to action, support, and measurable change. That has been a consistent strength of the work led by Nicole Murray Ramirez alongside key figures such as Terry Sidie.
The Jose Nicole Terry Scholarship and Educational Fund reflects that commitment. Reaching $400,000 is significant, but what matters most is what that represents in terms of opportunity and access.
This leadership also prioritized historical memory through initiatives like the National LGBTQ Wall of Honor at the Stonewall Inn and the recognition of Jose Julio Sarria.
Efforts such as the Harvey Milk postage stamp, the USNS Harvey Milk, and multiple recognitions for Sarria reflect a sustained commitment to public recognition and justice.
International outreach, financial support to global causes, advocacy for transgender communities, and engagement with organizations beyond national borders further define this period.
The expansion into Canada and the opening of a new chapter that includes Puerto Rico highlight the evolving nature of this leadership. The upcoming June coronation marks an important step in that direction.
Acknowledging that the reign was not perfect does not weaken its legacy. It reinforces its authenticity.
This was not an individual effort. It was collective work supported by a broad network.
As the transition toward Feb. 5, 2027, continues, what remains is a legacy built on action, commitment, and responsibility.
Theater
Diverse cast tackles ‘Aguardiente’ at GALA Hispanic Theatre
Best friends rediscover their Caribbean heritage in new musical
‘Aguardiente: Where Magic Transcends Borders’
Through May 24
GALA Hispanic Theatre
3333 14th St., N.W.
$25–$65
Galatheatre.org
(surtitles in English and Spanish)
With its latest musical offering “Aguardiente: Where Magic Transcends Borders,” GALA Hispanic Theatre has cast its net wide in gathering a blend of talent including the production’s diverse 18-person cast.
Commissioned by GALA, the spanking new musical is about best friends Alberto and Alejandro (two New York writers from Puerto Rico and Colombia respectively). Together, within a short timeline under unrelenting pressure, they struggle to write the project musical of their dreams.
Along the way, the friends rediscover their Caribbean heritage through cumbia, bomba, currulao, and the magical realism of García Márquez.
Offstage, the work has been created by Luis Salgado (book), and Daniel Alejandro Gutiérrez (music), also respectively from Puerto Rico and Colombia. Multiple Helen Hayes Award-winning Salgado is directing and choreographing the GALA production.
In the role of Alejandro, out actor Sebastián Treviño is making his GALA debut opposite Samuel Garnica who plays librettist Alberto. Alejandro is the music composer who doesn’t come from a musical background. He’s simply a lover of Latin music.
Is Alejandro recognizably similar to Gutiérrez?
“Oh yeah,” says Treviño, 36. “Like Gutiérrez, Alejandro doesn’t necessarily follow musical theater rules and etiquette, and it’s his uniqueness that brings a spark to their partnership.
“I got to know him and Luis [Salgado] while touring with ‘On Your Feet!’ in 2022. You really get to know people by spending endless hours together on a bus.”
Language and voice are intertwined for Treviño, and fortunately for the amiable New York-based actor, he enjoys the challenge of a new way of speaking. To play Alejandro, it helps to sound Colombian.
As a native of Monterrey, Mexico, Spanish and Mexican dialects are Treviño’s first languages. He attended American school starting in kindergarten, consequently acquiring flawless English; and because his mother is Colombian, he is familiar with that accent too.
GALA Spanish speaking patrons can be a tough crowd. For instance, when a Mexican actor is playing a Cuban character, they know at once. And while they may embrace the performance and the production, there sometimes remains a niggling dislike for what feels a vocal inaccuracy.
“Since I’ve arrived in D.C., I’ve been practicing my Colombian accent at restaurants and other places. When a Spanish speaking server asks if I’m from Colombia, I know I’m doing something right.”
“Aguardiente” (translates as “Firewater”) is composed of several layers of reality. He explains: “First it’s us creating the show, the work, and all of those pressures and limitations that the industry places on Latino centered projects; and then there’s the fantasy layer.”
A talented tenor, his lengthy bio includes Mexico City (“Wicked,” “Rent”), Off Broadway (“Kowalski”) and North American national tours (“On Your Feet!”).
He says his “Aguardiente” solo specifically feels like ‘80s Latin rock. Also, he enjoys a fun medley number where they’re playing around with “Tropipop” (Colombian pop), classic Broadway sounds, and there’s even a Beatles moment.
In this show, we meet two determined friends, one is holding an American passport because he’s Puerto Rican, while the other, a Colombian, struggles to secure a visa.
“It’s not a stretch for me to relate to that. I’m here on a working visa, so I know all about the stress and costs that comes with that,” says Treviño.
“So much reflects their own story. That includes the setbacks and obstacles faced when trying to build something from very little, and writing about themes that aren’t considered mainstream to white American audiences.”
At just eight years old, Treviño saw “A Chorus Line” at Mont Tecnológico de Monterrey, the same college that he’d later attend. He remembers, “Seated in the second row, the young actors were rock stars to me. When I asked my father who loved the arts if one day I could perform onstage, he said yes, instantly his son’s new dream.”
Looking forward, is there a role he yearns to play? Treviño ponders the trite query with some seriousness before answering “I think it’s yet to be written.”
Books
New books reveal style trends for a more enlightened century
Guidelines that hint about gendering clothing are out
Books about Fashion and Style
By various authors
c.2026, various publishers
$19.95 – $29.95
Don’t look now, but your legs are showing.
It’s OK, it’s almost summertime and you want to show both skin and style. So how about a few hints for looking your best? Check out these great books and get stylin’.
Who says there are rules about fashion? Wearing white before Memorial Day is OK; socks with sandals not so much? Fine, but in “Bending the Rules: Fashion Beyond the Binary” by Camille Benda with Gwyn Conaway (Princeton Architectural Press, $29.95), you’ll see that any guidelines that hint about gendering clothing are oh-so-last century.
Along with lively, fun narrative, there are lots of photos in this book, ads for how clothing used to be worn along male-female lines, and short biographies of some of today’s best designers. Here, you can check out prom dresses from the 1950s and new haute couture gowns practically right off the runway – and see how one parallels with the other. The timeline reaches back centuries, so you get a nice idea of where certain kinds of clothing originated and how it’s relevant today – making what’s inside here perfect for browsing.
Pick up this book, in fact, and you might also pick up some ideas for filling your closet and creating your very own style.
The fashion you wear on your body isn’t all you’ll find in “Pretend to Be Fancy: A Field Guide to Style and Sophistication” by Whitney Marston Pierce (Chronicle Books, $19.95). You’ll also read about other nice things you can have.
So you’re not a pinky-in-the-air kind of person, whatever. You can easily hang with those who are, once you read and absorb this book.
Tongue-tied at fancy soirees? Not anymore, there are tips for talking here. What do you know about canapes, hors d’oeuvres, and the kind of foods you don’t get at the corner c-store? How do you make a charcuterie that everyone will Ooooooh over? And how do you give a gift for the person whose taste seems scads better than yours? That’s all in here, along with what to drink, how to dress, and how to make every corner of your home look like something right out of a high-end magazine.
Will this book make you chic? Possibly, yes. Will it help you get invited to all the best parties? Maybe, but for sure, it’ll make you laugh, it’ll make you feel fabulous, look fabulous, and live your best life with the surroundings you deserve. Out May 5, so put it on your list.
But let’s say you need more ideas. You have questions or thorny issues with fashion that you really need answering. That’s when you ask for a talented fashionista at your local bookstore or library, that knowledgeable someone knows books and knows how to get what you need to be your most dazzling, best-dressed, finest-appointed self in a home you can be proud of, with comfortable furniture that will be the envy of everyone who sees it.
In the meantime, grab the above titles, because these books got legs.
Key West Pride’s state funding pulled
DOE investigates Smith College’s trans-inclusive policy
A reign defined by commitment and human impact
Ukrainian MPs advance new Civil Code without protections for same-sex couples
Gay ICE detainee freed after 150 days in detention
Republicans attach five anti-LGBTQ riders to State Department funding bill
Tennessee’s trans data bill a frightening omen
New Zealand blood donation rules shift
The university that refuses to let go
