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Etheridge comes full circle

Out rock icon talks about her newest release taking us back to her roots; chats election year politics

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On the eve of her 25th year in the music industry, Melissa Etheridge is taking new risks, picking up new instruments and returning to her childhood roots. (Photo by James Minchin III courtesy Island Records)

Listening to Melissa Etheridge’s “4th Street Feeling,” out this week on her home label for 24 years, Island Records, one might agree with the dynamite rock legend’s own description of the sound as “organic.”

After adopting a more pop, adult contemporary sound in the middle of the last decade for singles like her cover of Greenwheel’s “Breathe,” the Oscar and two-time Grammy winning icon has returned to a nostalgic country blues sound that would flow well into a playlist with other artists she says she once played on her Chevy Impala’s 8-track in the ‘70s while driving the strip the album was named for in her hometown of Leavenworth, Kan.

Breaking barriers first by coming out in the early ‘90s and then rocking a Janis Joplin tribute live at the Grammys, bald from radiation and chemotherapy during breast cancer treatment, Etheridge returns to where she was born and raised for her eclectic 11th studio album, while experimenting with some new elements as well — like the banjitar featured in the first single “Falling Up.”

Etheridge, who will be honored at the National Museum for Women in the Arts starting today as part of the exhibition “Women Who Rock,” will bring her 4th Street Feeling tour to Bethesda’s Strathmore Music Center on Nov. 2.

““This next year, 2013, I’ll have been in the professional music business for 25 years,” Etheridge says of the National Museum for Women in the Arts exhibit when she sat down with the Blade to discuss her new album, the tour and the election year. “It’s nice to be honored. To be part of a wonderful community, the wonderful quilt of artists in our society that have brought forth the human experience.”

Etheridge has always been known as a confessional musician, but her personal woes have been on display in a new way with her high-profile 2010 split from actress Tammy Michaels and the contentious alimony and custody cases that have only recently been resolved. Nevertheless, the gravelly-voiced composer sings about her readiness to accept love again on her newest release, telling the Blade that when she sings, “I think I’m ready to try my hand at love again” in the track “Rock & Roll Me,” she’s singing about her budding relationship with “Nurse Jackie” creator Linda Wallem, whom she met through her ex.

““I don’t think we’re ever ready,” she says. “Like if it was up to me I’d still be sitting up in my room, ‘No! No! I’m not going to do that again!’ But love has a way of coming and the relationship that I’m actually in now, she’s been my best friend for 10 years. Believe me, I wasn’t going to go out and look for it, it found its way into my home. I’m very happy. Yes I am ready to try my hand at love again.”

Washington Blade: So the ‘banjitar’: where did you find this instrument?

Melissa Etheridge: It kind of started when I was writing songs to go play on the album, before I went to record. Listening to the radio, listening to popular music trends, I was delighted that people were playing organic instruments. I was hearing mandolins and banjos and real instruments.

I remember thinking, “I can play the banjo.” You know. I’m not terribly good at it, I played it a long, long time ago, but I can play a song on it.

So when I wrote “Falling Up,” I thought, “Yeah, I want to put banjo on this,” so I brought my banjo to the studio, and I said, “Yeah I’m going to play the banjo; not so good at it but you know, it’ll be fine.” And my guitar tech, Mark VanGool — he’s just a genius guitar guy — well why don’t you play the banjitar. I look at him like, ‘What are you talking about,’ and he says, “Yeah, its a banjo body, but its got a guitar neck, so you play it like a guitar, but it sounds like a banjo.” I said “That just sounds perfect!”

So he had one. He brought it. I played it, and the rest is history.

The album might be a dying art, with everyone being able to just buy singles so much. And really, I still think in a collection of music, not just one song. So all the songs are really different. It was hard to pick a first single. What’s representative of this album? It’s really hard. The record company chose “Falling Up,” and I was like “OK.”

Blade: You described that 4th Street feeling as the freedom to put everything you owned into your Chevy Impala. You’ve been on a long journey from Leavenworth Kan., so it’s interesting that the emotional center of this album has us listening to Al Green and Tina Turner on your old 8-track. Why was it so important for you to bring us all back here with you?

Etheridge: Because that’s where my journey took me. I thought in the spiritual evolution of aging and gaining wisdom that I would somehow shed all my old stuff and become something new. What I found is the only way you can become something new is to completely embrace all the old that you are and understand where you came from, and hold it, and even change your past in a way — in the way that you perceive it. In the way that you hold it now. And music takes you right back there. It’s obvious that we’re doing some reminiscing as a society right now. The music sounds like it’s right out of the ‘60s or something, everything is retro, it’s going back. It’s like taking the best of what we did do and growing on it. The organic stuff. That’s what I found. I’m not getting away from this, I’m being in this, and seeing it as something better.

Blade: You sing “Shake it like a polaroid” in your first single “Falling Up” which sounds like a nod to Outkast’s Andre 3000. Who are some other contemporary top 40 artists that you appreciate?

Etheridge: Oh yeah! Love Outkast. Always have. I think they’re very innovative and creative. I can cross all genres. My kids especially — like my daughter — play artists, she first turned me onto Ellie Goulding. She’s a little pop for me, but I appreciate a lot of the singer-songwriter stuff. Loved the Mumford and Sons album, Band of Horses, love Black Keys, (I’m) loving Alabama Shakes. All these great artists that I just want to see live and jump around with.

Blade: You came out 19 years ago and released “Yes I Am.” Just recently, R&B singer Frank Ocean followed your script, coming out and dropping an album; how has the music industry changed for gay musicians since ‘93?

Etheridge: Well, there’s safety in numbers, you know? I think in the ‘90s when those of us were peaking out, it was a sparse field. But I think everyone was kind of watching going, “Well, are you going to lose everything? Is it going to be like what we think?” And it’s all about how you kind of hold yourself in it.

Back then we did it. Did it hurt my career? I say, “I went from selling one million to six million.” People can see that I’m not blaming any of my perceived failures on being gay, so I hold it that way. Its just part of who I am. Its part of the big tapestry of who I am.

Cover art for Etheridge’s new album. (Image courtesy Island)

I don’t think there’s that big of a difference [between the current gay male artist experience and the experience for out lesbian artists]. I think we’re all aware of our society’s hang-ups when it comes to sexuality. We’ve realized that our sexual desires is what makes us different and dangerous. We’ve all grown up with it. We also know that the male aspect of that sexuality can be really frightening to a lot of people, so I think that it is somehow looked at as it’s harder to be a gay man and open in the entertainment industry. You’ve got to be really solid to do that. In general, it’s a little more delicate of a subject, just because of all the fear.

Blade: Four years ago, you took part in the historic Logo-HRC Presidential panel, and you were fairly vocal leading to the general. What do you think of what’s happened since then?

Etheridge: In the last 20 years, especially the last four, I think [the LGBT community has] become wiser about what part we play in this American drama that keeps unfolding in front of us, this experiment called Democracy and America and equality and what it really means. We challenge it to its very core and we’ve seen how we’ve been played in this game. OK, our votes are important, but no one can ever give us full cooperation, or they might be deemed less than, weak, or whatever scares them from giving us our civil rights. So I think this last thing that Obama did, by saying he supports gay marriage, it changes the direction of the stream just enough to kind of give us “Alright, there’s a reason we’ll vote for you again. Yes, you need our votes.” Because we’re a large group of people that cuts across every kind of people. And it also cuts across so many of our deep-seated fears in our whole culture. It’s a challenge. We’re challenged people, and we are challenging. And I think the homosexual community are the leaders in our great societal change right now. We are really pushing it, and I think it’s great.

Blade: What do you think of the Romney-Ryan ticket?

Etheridge: I think it’ll be a really interesting Trivial Pursuit question in 20 years. “Who was that running mate? Who was the Mormon guy?” I think it is fascinating. If you’d have told me in the ‘80s, “Oh my God, in 2012 there’ll be a black president — half black and half white — and he’s going to run against a Mormon with a Catholic Vice Presidential candidate …” But that shows that we are so diverse, that we are really opening up to all. You know what, in this great America of ours, there’s mixed-race people, there are Mormons, there are Catholics, there are every type of person and we have to show the world how it can all get along.

Blade: What are your thoughts on Rep. Todd Akin and his “legitimate rape” statement?

Etheridge: Things are spread instantly. A sentence can leave your mouth, and in a half hour, your life could be totally changed. I love that instant accountability that we have now. And it also gives us an opportunity to examine ourselves and go “Whoa! These deep-seated beliefs or fears are still there!” There’s a lot of dark shadowy ignorance out there in the world, and its coming to the surface, and we’re going to see it in some of our quote-unquote leaders. I don’t think we should shut him down. “OK dude. Wow. Let’s talk about that. What makes it legitimate or not?” Bring these things to the forefront and then let people vote their conscience.

Blade: It always seems with the LGBT community it’s two steps forward, two steps back. We’ve had months of good news, but we’ve had setbacks in North Carolina, some high profile anti-gay attacks and murders and just last week here in D.C. a member of our LGBT community shot a security guard at the Family Research Council’s headquarters. As an artist how do you respond to these crises of community?

Etheridge: I look at the LGBT community as the balance. We are all searching for balance right now. Our whole society. The whole human race. The gay community — we are examples of balance, because we have both the male and female inside each of us. And that’s pretty special. And when we can learn to love that about us more, then we’ll see that there are emotional distresses in every type of person in every walk and choice of person, and that there’s a lot of sadness and a lot of fear and it makes you perfect and normal. And we have to realize that our diversity is our strength, not only in our community but in our country, in the world. It’s loud and clear we better jump on that wagon, that everyone is different, and you have to celebrate those differences, otherwise we’re just going to destroy ourselves. So I appeal to the LGBT community and say, “Hold yourself as someone very special. Believe in who you are, and hold your balance. And that will help balance the rest of the world.”

 

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Jason DePuy on coping with homophobia in ‘Big Brother’ house

First drag queen contestant on CBS show fought to stay positive

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Jason DePuy on Big Brother (Photo courtesy of CBS Broadcasting,Inc.)

One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.

During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.

In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”

Former “Big Brother” contestant Frankie Grande called his words  ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.

Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.

“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”

He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”

Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself. 

“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”

DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.” 

While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling. 

“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”

He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”

Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.

“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”

One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.

“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”

DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”

DePuy was thrilled to be the very first drag queen to ever be cast on the show. 

“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”

Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.

“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”

If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.

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Sports

2 former NBA players launch cheap anti-trans stunt to exploit WNBA rules

Enes Kanter Freedom and Royce White are attempting to extend their finished sports careers through vague gender eligibility policy in the WNBA.

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The future of transgender participation on the basketball court could change following changes to the league's gender based eligibility policy. (Photo by yobro/Bigstock)

As transgender sports policy continues to make headlines, two former NBA players are attempting to use vague WNBA wording on players’ gender identity to extend their finished professional sports careers.

Enes Kanter Freedom and Royce White, two male former professional basketball players who have aligned themselves with the ‘far-right’ political spectrum, have announced that they plan to self-identify as transgender in order to meet the requirements to declare themselves eligible for the WNBA draft.

Freedom last played for the NBA in 2022, while White played his last professional game in 2018.

Both players have explicitly stated that this choice is an attempt to exploit the policy currently in place in the WNBA — one that assumes those who say they identify as transgender women are women — unlike what these two have done.

The WNBA’s collective bargaining agreement states that “only players who are women are eligible to play in the WNBA,” but it does not include more specific language about gender identity or sex assigned at birth, according to The Athletic, The New York Times’s sports publication.

Neither Freedom nor White has previously made any statements about being trans.

“If simply declaring who you are is all that’s required, then I meet every single requirement necessary to compete in the WNBA,” Freedom wrote on X. “Based on the current guidelines, I can and am officially declaring my eligibility for the upcoming WNBA draft in April 2027.”

Hours later, White made a similar statement to Fox News, emphasizing that this was solely an attempt to exploit the policy — an attempt at inclusion — and use it as a loophole to stay relevant in the sport he left in 2018.

“I’m transgender. I’m a woman. I identify as sometimes identifying as a woman for purpose of basketball, professional basketball, so I’ll be declaring for the WNBA draft in 2027 as well,“ White told Fox News. “I think I’d be unstoppable. But I’m a team-first guy. I’m a pass-first kind of player. I do the little things. I led my team in all five major stat categories at Iowa State University, so I do a little bit of everything. I’ll do whatever the coach needs me to do. I’ll do whatever the girls need me to do.”

White also said that he would be open to suing the WNBA if he were not allowed to be a part of the draft, while making transphobic comments about genitalia in the same breath.

“I think the WNBA could come out and make a definitive statement about guys with a pair of balls playing in the Women’s Association,“ White said, saying he doesn’t “want to be discriminated against.”

“I want fair treatment,” White continued while also using the opportunity to promote his run for the U.S. Senate seat in Minnesota. “I’m a young Black, hopefully United States Senator that would like a fair chance to participate as a sometimes-identifying-as-a-transgender-woman athlete.”

“We’re gonna have to have a huge legal battle about discrimination if I can’t play,” he added.

White has made multiple failed attempts to run for office as a Republican since leaving the NBA, with statements surrounding conspiracy theories and his support for Trump coming under fire.

He has faced court actions after falling behind on court-mandated child support payments and has faced family repercussions for his political activities.

White’s grandfather has distanced himself from White, stating: “There’s no way I can support my grandson supporting the GOP, and in essence, Trump.”

In response to Freedom’s X post and White’s announcement, the Women’s National Basketball Players’ Association, the players’ union for the WNBA, released a statement doubling down on its commitment to inclusivity in the sport.

“We embrace justice, equity, diversity, and inclusion. Those are the values that unite this Union and allow it to protect women’s sports while creating transformational change,” the statement said in a post on Instagram.

“Hate, abuse, and demonization of any person or group of people, including transgender people, only fuel fear, division, and harm. We will continue to have hard conversations,” the post continued. “But we will not be used as political pawns.”

The statement comes just days after WNBA Commissioner Cathy Engelbert sent a memo to teams attempting to address ongoing discussions around transgender athletes in women’s basketball.

“I know many of you have received questions in recent weeks regarding transgender athlete participation in women’s basketball, and I expect this topic will continue to receive significant attention,” Engelbert wrote in the memo, which was sent Friday afternoon and published in the Associated Press. “I wanted to reach out to share how we are approaching these conversations at the league office and to thank those of you who have responded to questions from the media with thoughtfulness and professionalism.”

“We recognize that this is a complex and nuanced topic, and we will continue to have important conversations with all of you and the Players Association in the weeks and months ahead,” Engelbert said. “We also plan to convene additional discussions and offer listening sessions for any team leaders who would like to participate. Your perspectives and feedback are invaluable, and I appreciate those who have already reached out to share their thoughts.”

The memo, which does not clarify whether the league’s stance on gender eligibility will change or what the ongoing conversations have looked like, comes as political figures — particularly those on the right — continue to fuel debates over transgender participation in women’s sports across the country and across sports.

Republican Florida Gov. Ron DeSantis also commented on the ongoing eligibility meetings the WNBA is holding, using the issue to criticize transgender participation in women’s sports.

“WNBA meeting to decide whether 2+2=4 or 2+2=5,” Desantis wrote on X on Saturday.

Indiana Fever player Sophie Cunningham voiced support for barring transgender girls and women from girls’ and women’s sports. Cunningham’s comments sparked small rallies and protests in Seattle and Portland when the Fever were on the road last week.

Despite the loudest voices — and those being covered by non-LGBTQ outlets — highlighting negative takes on transgender inclusion on female sports teams, multiple WNBA members have voiced their support for transgender women participating in sports.

Seattle Storm center Stefanie Dolson and Minnesota Lynx coach Cheryl Reeve have used their platforms to continue their vocal support for transgender women participating in sports.

“We need to protect trans kids,” Reeve said on Aug. 1. “To me, it’s a human rights issue. Every kid has a right to sports.”

A source familiar with the league told the Blade that the WNBA is not taking Freedom and White’s announcements seriously and is not entertaining what the source characterized as bad-faith efforts to demonize the transgender community. The source emphasized that there are no serious or immediate eligibility issues involving the two men and said their attempts to enter women’s sports do not represent an effort to protect women’s sports.

“The WNBA will not allow bad-faith publicity stunts designed to mock or demean others to dictate serious conversations about league policy,” the source told the Blade on Tuesday. “There are no immediate eligibility issues affecting the WNBA.”

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Theater

Don’t miss summer productions at Clear Space in Rehoboth Beach

‘Cher Show,’ ‘Pretty Woman’ among season’s standouts

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Abby Lynne and Caetano de Sá (Photo by Deny Howeth)

“The Cher Show” at Clear Space Theatre is wonderful. I am always amazed at the talent they attract for their summer series. Kudos to Wes Drummond, the artistic director of the theater. “The Cher Show” is written by Rick Elice. Compliments to the talented director, James FitzSimmons, who brought to life this production. His immensely talented cast includes Shannen Hofheimer as Star, Breanna Lemerise as Lady, Abby Lynne as Babe, and Anya Kay, as young Cher. Each is a pleasure to both watch and listen to. They command the stage. Then more kudos to the entire cast and ensemble. Also, the creative team, which includes among so many who make this show a hit, choreographer Shondelle Graulich; scenic designer, David Chappell; lighting designer Brendan Smith; costume designer Valerie Beardsley; and the entire orchestra led by conductor, Jerry Birl. 

But the actor who I was looking forward to seeing in the production, was a young actor I had written about, and reviewed, when I saw him at Clear Space two years ago. In this production he is Sonny Bono, and he definitely didn’t disappoint. 

Let me introduce Caetano de Sá. I have written about him before, but his resume is worth repeating. It says; Height: 5’7 ½, Eyes: Brown, Voice part: Tenor G2 – C5, Build: Athletic. All true. Then you add to this he speaks Brazilian Portuguese, is certified in stage combat by the Society of American Fight Directors, and is a 2nd Degree Black Belt in Taekwondo. Then as his resume of roles confirms, he can act, sing, and dance with the best. He does a great job as Sonny and is fun to watch on stage. Here he displays his talents as a singer and actor, and they are as good as I remembered them when I first met Caetano while he was still in school in 2024, and was starring as Frankie Valli in “Jersey Boys,” at Clear Space. At the time he was a rising senior at the Boston Conservatory at Berklee BFA Musical Theater program. I interviewed him, and Harry Sperduto, who played Tommy Devotee, after seeing them in the show, and being amazed by their talent. Since that time, I have followed their careers. When I heard Caetano was coming back to Clear Space for the summer, I reached out, and he agreed to sit down and chat, which we did. I knew Clear Space Theatre was planning a busy summer season. Their lineup of shows included “The Cher Show,” “Mean Girls,” and “Pretty Woman.” They always have talented casts, including the many college students who are getting their first chance to shine, which was the case for Caetano in 2024. Now he is back as a graduate, with more experience under his belt, a little more established. This season he was going to play Sonny in their production of “The Cher Show,” Martin/Coach Carr, in “Mean Girls,” and Mr. Hollister in “Pretty Woman,” and being a part of the ensemble. He told me he really enjoys being at Clear Space, and that his castmates are all talented. He is a lot more experienced than when he was here before, having performed in productions at the Prairie Repertory Theatre, the Emerald Coast Theatre Company, Firehouse Center for the Arts, and the Sullivan Rep, among others. In productions as diverse as “Oklahoma!,” “Mystic Pizza,” “Hairspray,” and “Rock of Ages.” He now lives in New York City and clearly New York is the perfect place for an aspiring actor. He has an agent at Bramante Artists, who is getting him gigs, like the one he had at 54 Below and even a TV commercial for AFLAC. 

“The Cher Show” is the second show I have seen at Clear Space this summer. After our chat I got one of the last tickets available that evening for “Pretty Woman.” In that production he has a smaller role, and is part of the incredibly talented ensemble. It is also an entertaining show and its very talented stars, Abby McDonough as Vivian, and Jaiden Leo Riley as Edward, are a pleasure to watch. Kudos to the talented director, Ashley Williams, and the entire creative team. 

For anyone living at the beach, or coming for a visit, I urge you to plan a night at Clear Space. You won’t regret it. But know tickets for all the shows, and Sunday evening cabaret nights, sell out fast. So, I suggest you see what’s available online and buy yours today.   

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