Arts & Entertainment
Etheridge comes full circle
Out rock icon talks about her newest release taking us back to her roots; chats election year politics


On the eve of her 25th year in the music industry, Melissa Etheridge is taking new risks, picking up new instruments and returning to her childhood roots. (Photo by James Minchin III courtesy Island Records)
Listening to Melissa Etheridge’s “4th Street Feeling,” out this week on her home label for 24 years, Island Records, one might agree with the dynamite rock legend’s own description of the sound as “organic.”
After adopting a more pop, adult contemporary sound in the middle of the last decade for singles like her cover of Greenwheel’s “Breathe,” the Oscar and two-time Grammy winning icon has returned to a nostalgic country blues sound that would flow well into a playlist with other artists she says she once played on her Chevy Impala’s 8-track in the ‘70s while driving the strip the album was named for in her hometown of Leavenworth, Kan.
Breaking barriers first by coming out in the early ‘90s and then rocking a Janis Joplin tribute live at the Grammys, bald from radiation and chemotherapy during breast cancer treatment, Etheridge returns to where she was born and raised for her eclectic 11th studio album, while experimenting with some new elements as well — like the banjitar featured in the first single “Falling Up.”
Etheridge, who will be honored at the National Museum for Women in the Arts starting today as part of the exhibition “Women Who Rock,” will bring her 4th Street Feeling tour to Bethesda’s Strathmore Music Center on Nov. 2.
““This next year, 2013, I’ll have been in the professional music business for 25 years,” Etheridge says of the National Museum for Women in the Arts exhibit when she sat down with the Blade to discuss her new album, the tour and the election year. “It’s nice to be honored. To be part of a wonderful community, the wonderful quilt of artists in our society that have brought forth the human experience.”
Etheridge has always been known as a confessional musician, but her personal woes have been on display in a new way with her high-profile 2010 split from actress Tammy Michaels and the contentious alimony and custody cases that have only recently been resolved. Nevertheless, the gravelly-voiced composer sings about her readiness to accept love again on her newest release, telling the Blade that when she sings, “I think I’m ready to try my hand at love again” in the track “Rock & Roll Me,” she’s singing about her budding relationship with “Nurse Jackie” creator Linda Wallem, whom she met through her ex.
““I don’t think we’re ever ready,” she says. “Like if it was up to me I’d still be sitting up in my room, ‘No! No! I’m not going to do that again!’ But love has a way of coming and the relationship that I’m actually in now, she’s been my best friend for 10 years. Believe me, I wasn’t going to go out and look for it, it found its way into my home. I’m very happy. Yes I am ready to try my hand at love again.”
Washington Blade: So the ‘banjitar’: where did you find this instrument?
Melissa Etheridge: It kind of started when I was writing songs to go play on the album, before I went to record. Listening to the radio, listening to popular music trends, I was delighted that people were playing organic instruments. I was hearing mandolins and banjos and real instruments.
I remember thinking, “I can play the banjo.” You know. I’m not terribly good at it, I played it a long, long time ago, but I can play a song on it.
So when I wrote “Falling Up,” I thought, “Yeah, I want to put banjo on this,” so I brought my banjo to the studio, and I said, “Yeah I’m going to play the banjo; not so good at it but you know, it’ll be fine.” And my guitar tech, Mark VanGool — he’s just a genius guitar guy — well why don’t you play the banjitar. I look at him like, ‘What are you talking about,’ and he says, “Yeah, its a banjo body, but its got a guitar neck, so you play it like a guitar, but it sounds like a banjo.” I said “That just sounds perfect!”
So he had one. He brought it. I played it, and the rest is history.
The album might be a dying art, with everyone being able to just buy singles so much. And really, I still think in a collection of music, not just one song. So all the songs are really different. It was hard to pick a first single. What’s representative of this album? It’s really hard. The record company chose “Falling Up,” and I was like “OK.”
Blade: You described that 4th Street feeling as the freedom to put everything you owned into your Chevy Impala. You’ve been on a long journey from Leavenworth Kan., so it’s interesting that the emotional center of this album has us listening to Al Green and Tina Turner on your old 8-track. Why was it so important for you to bring us all back here with you?
Etheridge: Because that’s where my journey took me. I thought in the spiritual evolution of aging and gaining wisdom that I would somehow shed all my old stuff and become something new. What I found is the only way you can become something new is to completely embrace all the old that you are and understand where you came from, and hold it, and even change your past in a way — in the way that you perceive it. In the way that you hold it now. And music takes you right back there. It’s obvious that we’re doing some reminiscing as a society right now. The music sounds like it’s right out of the ‘60s or something, everything is retro, it’s going back. It’s like taking the best of what we did do and growing on it. The organic stuff. That’s what I found. I’m not getting away from this, I’m being in this, and seeing it as something better.
Blade: You sing “Shake it like a polaroid” in your first single “Falling Up” which sounds like a nod to Outkast’s Andre 3000. Who are some other contemporary top 40 artists that you appreciate?
Etheridge: Oh yeah! Love Outkast. Always have. I think they’re very innovative and creative. I can cross all genres. My kids especially — like my daughter — play artists, she first turned me onto Ellie Goulding. She’s a little pop for me, but I appreciate a lot of the singer-songwriter stuff. Loved the Mumford and Sons album, Band of Horses, love Black Keys, (I’m) loving Alabama Shakes. All these great artists that I just want to see live and jump around with.
Blade: You came out 19 years ago and released “Yes I Am.” Just recently, R&B singer Frank Ocean followed your script, coming out and dropping an album; how has the music industry changed for gay musicians since ‘93?
Etheridge: Well, there’s safety in numbers, you know? I think in the ‘90s when those of us were peaking out, it was a sparse field. But I think everyone was kind of watching going, “Well, are you going to lose everything? Is it going to be like what we think?” And it’s all about how you kind of hold yourself in it.
Back then we did it. Did it hurt my career? I say, “I went from selling one million to six million.” People can see that I’m not blaming any of my perceived failures on being gay, so I hold it that way. Its just part of who I am. Its part of the big tapestry of who I am.
I don’t think there’s that big of a difference [between the current gay male artist experience and the experience for out lesbian artists]. I think we’re all aware of our society’s hang-ups when it comes to sexuality. We’ve realized that our sexual desires is what makes us different and dangerous. We’ve all grown up with it. We also know that the male aspect of that sexuality can be really frightening to a lot of people, so I think that it is somehow looked at as it’s harder to be a gay man and open in the entertainment industry. You’ve got to be really solid to do that. In general, it’s a little more delicate of a subject, just because of all the fear.
Blade: Four years ago, you took part in the historic Logo-HRC Presidential panel, and you were fairly vocal leading to the general. What do you think of what’s happened since then?
Etheridge: In the last 20 years, especially the last four, I think [the LGBT community has] become wiser about what part we play in this American drama that keeps unfolding in front of us, this experiment called Democracy and America and equality and what it really means. We challenge it to its very core and we’ve seen how we’ve been played in this game. OK, our votes are important, but no one can ever give us full cooperation, or they might be deemed less than, weak, or whatever scares them from giving us our civil rights. So I think this last thing that Obama did, by saying he supports gay marriage, it changes the direction of the stream just enough to kind of give us “Alright, there’s a reason we’ll vote for you again. Yes, you need our votes.” Because we’re a large group of people that cuts across every kind of people. And it also cuts across so many of our deep-seated fears in our whole culture. It’s a challenge. We’re challenged people, and we are challenging. And I think the homosexual community are the leaders in our great societal change right now. We are really pushing it, and I think it’s great.
Blade: What do you think of the Romney-Ryan ticket?
Etheridge: I think it’ll be a really interesting Trivial Pursuit question in 20 years. “Who was that running mate? Who was the Mormon guy?” I think it is fascinating. If you’d have told me in the ‘80s, “Oh my God, in 2012 there’ll be a black president — half black and half white — and he’s going to run against a Mormon with a Catholic Vice Presidential candidate …” But that shows that we are so diverse, that we are really opening up to all. You know what, in this great America of ours, there’s mixed-race people, there are Mormons, there are Catholics, there are every type of person and we have to show the world how it can all get along.
Blade: What are your thoughts on Rep. Todd Akin and his “legitimate rape” statement?
Etheridge: Things are spread instantly. A sentence can leave your mouth, and in a half hour, your life could be totally changed. I love that instant accountability that we have now. And it also gives us an opportunity to examine ourselves and go “Whoa! These deep-seated beliefs or fears are still there!” There’s a lot of dark shadowy ignorance out there in the world, and its coming to the surface, and we’re going to see it in some of our quote-unquote leaders. I don’t think we should shut him down. “OK dude. Wow. Let’s talk about that. What makes it legitimate or not?” Bring these things to the forefront and then let people vote their conscience.
Blade: It always seems with the LGBT community it’s two steps forward, two steps back. We’ve had months of good news, but we’ve had setbacks in North Carolina, some high profile anti-gay attacks and murders and just last week here in D.C. a member of our LGBT community shot a security guard at the Family Research Council’s headquarters. As an artist how do you respond to these crises of community?
Etheridge: I look at the LGBT community as the balance. We are all searching for balance right now. Our whole society. The whole human race. The gay community — we are examples of balance, because we have both the male and female inside each of us. And that’s pretty special. And when we can learn to love that about us more, then we’ll see that there are emotional distresses in every type of person in every walk and choice of person, and that there’s a lot of sadness and a lot of fear and it makes you perfect and normal. And we have to realize that our diversity is our strength, not only in our community but in our country, in the world. It’s loud and clear we better jump on that wagon, that everyone is different, and you have to celebrate those differences, otherwise we’re just going to destroy ourselves. So I appeal to the LGBT community and say, “Hold yourself as someone very special. Believe in who you are, and hold your balance. And that will help balance the rest of the world.”
Celebrity News
Is Karla Sofía Gascón’s apology too little, too late?
Netflix has removed transgender actress from Oscars campaign

The latest in the scandal involving “Emilia Peréz”’s trans star and Best Actress nominee Karla Sofía Gascón is Netflix deciding to part ways with her even after her public apology and statement regarding not withdrawing from the nomination.
“I have been labeled a racist and I need to be clear that I am not. I feel like I’ve been judged, sentenced, crucified, and stoned without a fair trial and without an option to defend myself,” said Gascón in an interview with CNN en Español.
According to Variety and the Hollywood Reporter, Netflix has cut Gascón out of the campaign for the Oscars. This move comes even after Gascón issued an apology through a statement on her social media and in an interview with CNN en Español. On Thursday she was set to be seated with co-star Selena Gomez, Zoe Saldaña and the film’s writer-director, Jacques Audiard for the AFI Awards luncheon — a gathering at the Four Seasons in Beverly Hills. On Friday, she was set to attend the Critics Choice Awards. On Saturday, she was set to serve as presenter at the Producers Guild Awards, which happen to be going on at the same time as the Directors Guild Awards. According to THR, she will not be attending the events.
The Spaniard actress found herself at the center of controversy surrounding the Netflix original being nominated for 13 Oscars after freelance culture writer Sarah Hagi uncovered the actress’s stream of consciousness on display on X, formerly Twitter. Hagi found tweets from as far back as 2020, revealing Gascón’s views on Muslims, George Floyd, China, and vaccines.
In her hour-long interview with CNN en Español, she defended her position on the issue stating that she feels that she was unfairly targeted, while not being given the opportunity to defend the position she stood behind while writing those tweets.
She goes on to say that she “supports the Black Lives Matter movement obviously” and that the tweets about George Floyd “were taken out of context.” In the interview, she goes on to say she was highlighting the hypocrisy of humanity in that moment in history. According to Gascón, what she noticed during that time was that only after Floyd’s death did people care about him, but prior to his death, they did not help him or care about his struggles.
“I do not identify with any political party and I have my own opinions about issues that might have been one thing in the past, but have now shifted because I have learned many things about respect, love and with the spiritual practice of Buddhism,” said Gascón.
In the interview, she also pulls the “I have a friend who’s Black, so I’m not racist,” card by saying she has a very close family friend who is Muslim, in response to the line of questioning about her being Islamophobic and only through very heavy discussions with her, has Gascón truly come to understand the implications of her words against the culture and religion, as well as the differences between the cultures.
“Emilia Peréz” was already facing an upward battle to gain popularity, as it was a French production about México. Audiences criticized the film for various reasons and yet, it was still nominated for Best Picture, Critics Choice Award for Best Picture, Academy Award for Best Directing, and many others.
Gascón deleted her X account shortly after the tweets were discovered and is now facing the cold shoulder from Netflix. Variety and THR, reported that the streaming giant is no longer directly communicating with Gascón – only through representatives.
Whether or not this is a witch hunt for a trans actress at the height of her career, Gascón now has first-hand experience in dealing with what it means to misuse a platform by sharing her views on issues she said herself, she did not understand.
Out & About
Camp Rehoboth Theatre Company kicks off new season
Poetry jam to be followed by ‘5 Lesbians Eating a Quiche’

CAMP Rehoboth Theatre Company will kick off its 2025 season with its first-ever poetry jam followed by a full-stage production of “5 Lesbians Eating a Quiche” on Friday, Feb. 21 at 5 p.m. at CAMP Rehoboth’s Elkins-Archibald Atrium.
CAMP Rehoboth Poetry Jam Poets / Performers include: Debbie Bricker, Kari Ebert, Shelley Blue Grabel, Lavance John, Vanita Leatherwood, Syd Linders, Ellie Maher, Jane Miller, Gwen Osborne, Coco Silveira, Guillermo Silverira, Laura Unruh, Paul Unruh, and Sherri Wright.
“5 Lesbians Eating A Quiche,” which will run from March 7-9 debuted at CAMP Rehoboth in fall of 2022, and features returning cast members Karen Laitman, Kelly Sheridan, Gwen Osborne, Darcy Vollero, and Shelley Kingsbury, and is directed by Teri Seaton. The absurdist comedy follows the Susan B. Anthony Society for the Sisters of Gertrude Stein having their annual quiche breakfast in 1956. Winner of the 2012 NYC International Fringe Festival as Best Overall Production, “5 Lesbians Eating A Quiche” is a tasty recipe of hysterical laughs, sexual innuendos, unsuccessful repressions, and delicious discoveries. For more information, visit CAMP Rehoboth’s website.

Friday, February 7
“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Go Gay DC will host “First Friday LGBTQ+ Community Social in the City” at 7 p.m. at P.F. Changs. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Saturday, February 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
“Fashion Freeway” will be at 11 a.m. at the DC Center for the LGBT Community. Guests will have the opportunity to check out the clothing closet. Clothes, shoes, accessories, and other items will be available. For more details, email [email protected].
Sunday, February 9
Go Gay DC will host “LGBTQ+ Community Dinner” at 6:30 p.m. at Federico Ristorante Italiano. Guests are encouraged to come enjoy an evening of Italian-style dining and conversation with other LGBTQ folk. Attendance is free and more details are available on Eventbrite.
Go Gay DC will host “LGBTQ+ Coffee and Conversation” at 12 p.m. at As You Are. This event is ideal for making meaningful new connections and informal community building. Or just to unwind and enjoy the group happy hour. Fabulous people from all over the world are expected. Nametags will be provided. This event is free to attend and more details are available on Eventbrite.
Monday, February 10
“Center Aging Monday Coffee & Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, February 11
Coming Out Discussion Group will be at 7 p.m. on Zoom. This group is a safe space to share experiences about coming out and discuss topics as it relates to doing so. By sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, email [email protected].
Trans Support Group will be at 7 p.m. on Zoom. This group is intended to provide emotionally and physically safe space for trans* people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Wednesday, February 12
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, February 13
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
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