Arts & Entertainment
Madge and beyond
Fall concert season dotted with biggest legends to hippest new underground queer acts

Grizzly Bear is touring its new album ‘Shields,’ which drops Tuesday. The band plays two sold out shows next week at the 9:30 Club. (Photo courtesy Warp Records)
A bounty of queer bands are slated for Phasefest which starts Thursday and runs through next weekend at Phase 1’s Eastern Market (original) location (525 8th Street S.E.). Look for indie bands like Bitch, Athen Boys Choir, Angie Head, People at Parties, Mitten, Hunter Valentine, D.C. band Glitterlust, Vanity Theft and many others. Weekend passes are $55. Tickets for individual nights are $15 Thursday, $20 for Sept. 22 and $25 for Sept. 22 and are available only at the door. Visit phasefest.com for details.
Grizzly Bear, whose new album “Shields” is slated to drop Tuesday, plays two nights at the 9:30 Club (815 V Street, N.W.) Sept. 20-21. Both shows are sold out. Gay singer/songwriter Ed Droste fronts the Brooklyn-based quartet. Try StubHub if you really want to go. Doors are 7 for the Thursday show; 8 for the Friday show. Unknown Mortal Orchestra opens.
Madonna brings her “MDNA Tour” to the Verizon Center (601 F Street, N.W.) Sept. 23-24, her first D.C. shows here since the “Re-Invention Tour” in 2004. Tickets were still available for the second night as of Blade press time but be warned the night of the show — as longtime fans now, she almost never starts on time. She didn’t go on in Philly a few weeks ago until almost 10:30 p.m. Check Ticketmaster or StubHub for availability.
Diamond Rings, a one-man outfit consisting of openly gay John O (his new album drops Oct. 22), opens for Stars at the 9:30 Club on Sept. 23. Doors are at 7. It’s sold out.
“Spill: True Stories of Queer Sex, Desire and Romance,” a new monthly performance event, kicks off at Black Fox Lounge (1723 Connecticut Ave. N.W.) at 8 p.m. on Sept. 27. It’s free. Bi New Yorker Jefferson hosts. More info at spillstories.wordpress.com.
Tony winner Sutton Foster (“Anything Goes,” “Thoroughly Mordern Millie” and “Shrek the Musical”) plays George Mason University’s Center for the Arts (on the George Mason campus in Fairfax County, Va.) Sept. 29 at 8 p.m. Tickets are available for $40, $55 and $70. Visit cfa.gmu.edu for information.
Broadway legend Patti LuPone brings her “Matters of the Heart” show to the Strathmore (5301 Tuckerman Lane, North Bethesda) for two nights Oct. 5-6. The 8 p.m. shows will find the double Tony winner singing love songs from a wide range of composers from Broadway legends like Rodgers and Hammerstein to pop singers such as Joni Mitchell and Cyndi Lauper. Tickets range from $45-$85. Buy online at Strathmore.org.
Look for ‘70s teen idol David Cassidy, inspiration for surely many gay coming-of-age fantasies, at the Birchmere Oct. 6. Tickets are $49.50 for the 7:30 p.m. show. Details at birchmere.com.
Shi-Queeta-Lee and her “cast of celebrity female impersonators” return to the Howard Theatre (620 T Street, N.W.) Oct. 10 for another “Drag Salute to the Divas” after a successful debut there in August. The lady poses as Mary J. Blige in the ads. Tickets are $20 in advance ($25 at the door) for the 8 p.m. show.
In other drag news, Special Agent Galactica (Jeffrey Johnson) plays Black Fox Lounge (1723 Connecticut Ave. N.W.) every second and fourth Friday of the month from 6-9 p.m. and the first Tuesday of each month she brings her “Ye Olde Rock ‘n Roll Show” to MOVA (2204 14th Street) from 8-10 p.m. All free. Details at pinkhairedone.com.
Queer Women of Color successfully raised $5,000 in an online drive for its third annual Revival Poetry Tour that’s slated to wrap in D.C. Oct. 13. Details pending.
Soul legend Mavis Staples plays the Hamilton (600 14th Street, N.W.) Oct. 17. Tickets are $55-$62 for the 7:30 p.m. show. Info at thehamiltondc.com.
It’s a trek from D.C., but if you want to catch Liza Minnelli’s fall show “Confessions,” the closest spot is the Luhrs Performing Arts Center (1871 Old Main Drive) in Shippensburg, Pa., on the campus of Shippensburg University. It’s about a two-hour drive from D.C. Tickets range from $67-$95. Details at luhrscenter.com.
Perrenniel lesbian road warriors The Indigo Girls are slated to play Rams Head Live (20 Market Place) in Baltimore Oct. 20. Tickets are $35 for the 9 p.m. show. Check ticketfly.com for tickets or link there through ramsheadlive.com.
Gay comedian David Sedaris plays the Strathmore Oct. 23. Tickets range from $48-$58 for the 8 p.m. show. Details at Strathmore.org.
Of course there’s an ocean of stuff going on all the time in New York, but if you happen to be there Oct. 30 (the night of the High Heel Race in D.C., by the way), consider checking out a special Freedom to Marry concert there featuring Rufus Wainwright, They Might Be Giants, John Cameron Mitchell, Justin Bond and more. It will be held at the Beacon Theatre (2124 Broadway, New York) at 8 p.m. and 100 percent of the $50-$155 tickets benefit LGBT advocacy group Freedom to Marry (Rufus’s dad, Loudon Wainwright III, who’s been playing a new song he just wrote for Rufus’s gay wedding at his summer shows, plays the Birchmere Oct. 12-13).
Lesbian rocker Melissa Etheridge plays the Strathmore Nov. 2 for her “4th Street Feeling Tour.” Tickets range from $57.50-$102.50. Details at Strathmore.org.
The Gay Men’s Chorus of Washington has its Home Cooked Cabaret night dubbed “Showmen and Showstoppers” at Town Danceboutique (2009 8th Street N.W.) Nov. 3 at 6:30 p.m. Tickets are $100 for reserved seats or $75 general admission. Visit gmcw.org for information.
Dance diva Stephanie Mills plays the Birchmere Nov. 10. Tickets are $69.50 (birchmere.com).
Aretha Franklin plays DAR Constitution Hall (1776 D Street, NW) Nov. 20. Tickets are $59.50-$115.50 at Ticketmaster.
The Chorus’s “Winter Nights” show is the weekend of Nov. 30-Dec. 1 at the Lisner Auditorium (730 21st Street, N.W.). No word yet on ticket prices for that show.
That’s the big stuff but a few other venues to keep an eye on or plan checking out include gay-owned Comet Ping Pong (5037 Connecticut Ave., N.W.), a gay-owned pizza restaurant, live music venue that hosts indie bands — some queer — all the time. Info at cometpingpong.com.
The Clarice Smith Performing Arts Center at the University of Maryland (claricesmithcenter.umd.edu), the Washington Performing Arts Society (wpas.org) and Wolf Trap (wolftrap.org) all have great events scheduled throughout the fall.
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)














Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages
They’re among the world’s greatest love stories.
You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.
Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.
That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”
She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.
Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.
She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.
And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.
And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”
“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.
If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.
These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.
The Blade may receive commissions from qualifying purchases made via this post.
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