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Queery: Shannon Wyss

The AIDS United grant manager and D.C. Trans Coalition volunteer answers 20 gay questions

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Shannon Wyss, Queery, gay news, Washington Blade
Shannon Wyss, Queery, gay news, Washington Blade

Shannon Wyss (Washington Blade photo by Michael Key)

Editor’s note: Shannon Wyss requested and uses gender-neutral pronouns.

After majoring in international studies for hir undergrad degree and womens’ studies for hir master’s, Shannon Wyss wasn’t particularly seeking out AIDS work, but Wyss is passionate about both hir day job as grants manager for AIDS United and hir volunteer work at the D.C. Trans Coalition.

“My work at AIDS United is not really activist work for me, although we do have a policy department,” Wyss says. “What I love about it is that we look at HIV not as a biomedical issue, which it certainly is, but as an issue of social justice that focuses very much on why certain groups are affected more than others by HIV. This is not a coincidence. We find time and time again that the people most affected by it are also the most marginalized.”

Wyss says moving forward, increased — and at times uncomfortable — prevention efforts will be needed.

“I feel like medically we have the tools to mostly combat HIV at this point,” Wyss says. “The drugs that are out there are pretty effective. We don’t have a way of curing it, but we can treat it. Where we’re playing catch up is in preventing new infections. Maybe gay men need some messages that would make straight people a bit squeamish. Or we need to talk about access to clean syringes, but we’re not a culture that wants to acknowledge that it has a drug problem. There are a whole bunch of things culturally we need to address if we’re going to stop new infections. And we also have to address all the issues that go along with that, poverty, homophobia, transphobia, xenophobia, race — and I don’t think we’re ready to deal with all that.”

Wyss, a 40-year-old St. Louis native, has been in the Washington area about 17 years after going to college in Vassar (in New York) and spending a year abroad in Senegal on a study program.

Wyss and partner Katie Wanschura have been together nearly 10 years after meeting in a chorus. Two years ago they bought a house in Hyattsville, Md.

In hir free time, Wyss enjoys giving trans and LGBT seminars, working with gender non-conforming kids, photography, “puttering around the house,” reading, gardening, yard work and caring for the couple’s three cats and one dog.” (Blade photo by Michael Key)

How long have you been out and who was the hardest person to tell?

I’ve been out under varying labels since 1993. If I recall correctly, the hardest person to tell at the time was my favorite teacher from high school, whom I wasn’t sure would still accept me. She did and has remained one of my biggest supporters ever since.

Who’s your LGBT hero? 

I deeply admire anyone who is able and willing to be true to hirself under difficult circumstances.

What’s Washington’s best nightspot, past or present? 

I don’t do bars or clubs since I don’t drink or dance. But I love anyplace quiet where I can hang out with friends and loved ones.

Describe your dream wedding.

I don’t believe in assimilating into an institution that the state should not be involved in for any couple or group of people. But I was fortunate enough to have a wonderful commitment ceremony with my life partner in July.

What non-LGBT issue are you most passionate about?

Every issue is an LGBTQ issue! But of those who are commonly defined as “not-LGBTQ,” I would put racial and economic justice at the top of my list.

What historical outcome would you change?

Slavery — everywhere, but especially in the “New World.”

What’s been the most memorable pop culture moment of your lifetime? 

Answering this would actually require me to be somewhat in touch with what “pop culture” is.

On what do you insist?

Justice and an equitable distribution of resources of all kinds for everyone.

What was your last Facebook post or Tweet?

“Wonderful session at the Harm Reduction Conference today on the anti-trafficking movement and how it is, overall, incredibly conservative, ageist, sexist, transphobic, pro-police and disempowering of youth. The feminist, LGBTQ, and harm reduction movements have to think harder about how we can support sex workers’ rights.”

If your life were a book, what would the title be?

“Privileged: How a White, Middle Class, Well-Educated Genderqueer Tried to Make Social Change”

If science discovered a way to change sexual orientation, what would you do?

Help all of the straight women who can’t find a decent man!

What do you believe in beyond the physical world? 

I’m about as agnostic as I can be. So I’m not sure if there’s anything beyond where/what we are now.

What’s your advice for LGBT movement leaders?

It’s about justice, not “just us.” Work with other social justice movements and ours will advance so much more quickly.

What would you walk across hot coals for?

It would have to be something really huge, like a cure for cancer or HIV or world peace. Aside from that, I like my feet just the way they are, thank you.

What LGBT stereotype annoys you most?

What annoys me the most are our community’s attempts to run frantically away from some of the stereotypes about us. There is nothing wrong with being a feminine man, a masculine woman, a radical feminist, sex-positive or a drag queen.

What’s your favorite LGBT movie?

There are so, so many that I haven’t seen! But I do love “Boys Don’t Cry” and “But I’m a Cheerleader.”

What’s the most overrated social custom?

Mornings. And the five-day work week.

What trophy or prize do you most covet?

Being seen as an advocate for social change by my family, friends, and coworkers and, what’s a lot harder, being someone who actually makes change happen.

What do you wish you’d known at 18?

That my life was about to get dramatically better when I went to college and left my small, private, Catholic, cliquey, conservative, all-girls high school.

Why Washington?

I moved here right after college in 1995 and never left: great mass transit, free museums, a really diverse population and progressive overall. What’s not to like?

 

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Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

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Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

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The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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