Arts & Entertainment

Deck the halls

Stuck on gift ideas? You can’t go wrong helping somebody give the home a festive flair

Published

14 years ago

November 29, 2012

Erin Durkin

(photo courtesy of American Plant)

Not only can holiday-themed plants bring a room together, plants in the shape of a reindeer cannot go wrong. Like the mossed ivy reindeer from American Plant (5258 and 7405 River Road., Bethesda). They also offer custom holiday arrangements as well as recycled tin ornaments and tabletop pieces (americanplant.net).

Clever items from Home Rule. (Blade photo by Michael Key)

For several different gift ideas or must haves at any party, visit Home Rule (1807 14^th St., NW). From ice trays shaped like the Titanic labeled “Gin & Titonic,” to an owl-themed cheese grater, both priced at $15, these small appliances can become the cutest things in your kitchen. And don’t forget creative Christmas ornaments for $5-$13 (homerule.com).

Home Morter and Pestle set from Good Wood (Blade photo by Michael Key)

No kitchen is complete without beautiful kitchen appliances, like ones found at Good Wood (1428 U St., NW). They sell be Home Kitchen appliances, which include wooden teak mortar and pestle for $37.50, measuring spoons for $25 and olivewood juice press for $24 (goodwooddc.com).

Vintage bar caddy

To take your party to days gone by, you can’t do it without a vintage bar caddy from Foundry (1522 U St., NW) for $209 (foundrybyfreeman.com).

Espresso cups from Millennium Decorative Arts. (Blade photo by Michael Key)

Or for colorful pieces such as multicolored espresso cups and a variety of mirrors, visit Millennium Decorative Arts (1528 U St., NW). The espresso cups come in several colors and patterns, for $35 for each cup and saucer. The mirrors come in different styles, colors and sizes for $75 to $125 (millenniumdecorativearts.com).

Vintage and new ornaments at Miss Pixie’s, a winner in this year’s Best of Gay D.C. readers’ poll. (Blade photo by Michael Key)

If you are as excited for Christmas as Miss Pixie’s (1626 14^th St., NW), step in to check out their small vintage ornaments that run from 25 cents up to $5, ceiling ornaments for $30, and even holiday molds for $12-$30 (misspixies.com).

Decorative bowls from Mitchell Gold+Bob Williams. (Blade photo by Michael Key)

For classy home décor for any time of the year, go to Mitchell Gold + Bob Williams (1526 14^th St., NW). Their inventory includes blue tinted glass blows for $50 to $130, decorative table centerpieces for $135 to $175 and ornamental boxes for $85 to $190 (mgbwhome.com).

To get traditional holiday plants or landscapes, go to Merrifield Garden Center (8132 Lee Hwy, Merrifield). Customers can also attend their holiday decorating classes, Santa hours and a Steinbach Nutcracker event (merrifieldgardencenter.com).

Salt-and-pepper shakers from Target. (Blade photo by Joey DiGuglielmo)

If you don’t want to break the bank giving your home a festive flair, Target has plenty of exclusive items that are colorful and inexpensive. Like Santa and Mrs. Claus salt and pepper shakers ($6.99), Christmas tree and Santa candles (various sizes and prices, all under $10), red or green cocktail shakers ($14.99), snow globes ($12.99) or nutcrackers ($12.99) in dozens of styles and more.

Even if you’re not crafty, Micheals (with several locations in the D.C. area) can give your home a ready-made holiday flair with tons of options.

Lemax pieces for village. (Blade photo by Joey DiGuglielmo)

Start your own holiday village or give that certain someone who likes retro flair a perpetual gift idea with village scenes and buildings from Lemax. Prices vary, but they almost all light up and will remind you of the train set you spent hours working on as a kid.

Snow angels from Michaels. (Blade photo by Joey DiGuglielmo)

Or give a whole room a silvery, wintry Michaels flair with color-themed pieces — there’s everything from Santas, silvery reindeer, sparkly candles, rhinestone-studded mirrors and more. Prices vary. These angels ($34.99) works as table centerpieces, tree toppers or decorative accents anywhere in your winter wonderland.

Mirrors from Christmas Tree Shops. (Blade photo by Joey DiGuglielmo)

Want to give something beautiful that’ll actually get used? These body-length wardrobe mirrors from Christmas Tree Shops ($39.99, various locations) come in several finishes and have a lovely Victorian flair.

And speaking of the home, if you and your partner have decided to use your gift money this year into the house, consider new window treatments. Window Wears has Hunter Douglas Duette Architella Honeycomb Shades and Pirouette Window Shadings on sale through Dec. 15. They’re online at windowwears.net.

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Celebrity News

Madonna headlines World Pride Music Festival in Amsterdam

Kylie Minogue made surprise appearance alongside gay icon

Published

11 hours ago

August 2, 2026

Michael K. Lavers

Kylie Minogue with Madonna at the World Pride Music Festival in Amsterdam on Aug. 2, 2026. (Photo courtesy of Cejlon Studio)

AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.

The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.

“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.

Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.

Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”

(Washington Blade video by Michael K. Lavers)

“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”

Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.

View this post on Instagram

A post shared by Kylie Minogue (@kylieminogue)

Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.

Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.

“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”

Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

Published

20 hours ago

August 2, 2026

Patrick Folliard

Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.

BLADE: Are you curating the upcoming 2026–2027 season?

WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique?

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.

BLADE: How do you think queer audiences will receive the season?

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.