Arts & Entertainment
‘Ordinary’ yet charming
Low-key musical delights with its minimalism

Janine Divita as Claire and Will Gartshore as Jason in ‘Ordinary Days.’ (Photo courtesy Round House Theatre)
‘Ordinary Days’
Through June 22
Round House Theatre
4545 East-West Highway, Bethesda
$25-50
240-644-1100
In the program notes for Round House Theatre’s delightful area premiere of “Ordinary Days,” out composer/lyricist Adam Gwon says the show’s gay character is most like him.
Warren is an optimist. He isn’t terribly put off by rude behavior. For him, a calamity is an opportunity. In jaded Manhattan he might seem an anomaly, yet in Gwon’s charming chamber musical about young people carving out lives for themselves, it’s Warren who embodies the promise and possibilities of Gotham.
“Ordinary Days” is two stories — one about friendship the other love. The first involves nervous Deb (Erin Weaver), a humorless grad student who is unsure what she wants; and Warren (Samuel Edgerly), a happy cat sitter and aspiring artist who canvasses the street handing out flyers with inspiring messages. Two complete strangers. Deb and Warren come together after she loses her thesis notes and he finds them. A hand-over rendezvous is arranged. Warren, ever the romantic, suggests the two meet on Saturday at the Metropolitan Museum of Art in front a Monet painting in one of the museum’s myriad galleries. Deb reluctantly agrees. The meeting is amusingly played out in the duet “Sort-of Fairy Tale.”
On parting, uptight Deb feels she owes Warren a thank you. After affirming he’s gay, she suggests a quick 20 minutes at Starbucks, her treat. They sip and chat. Her initial distaste for Warren softens.
That same Saturday, Jason (Will Gartshore) and Claire (Janine Divita) are also at the museum. An afternoon taking in art is part of Jason’s plan to get the couple closer. Though Jason recently moved into Claire’s place, the relationship feels stalled. A painful secret prevents reserved Claire from taking things to the next level.
Almost entirely sung through, Gwon’s 19-song melodic score is filled with the yearning of youth and some more clearheaded thinking prompted by a little maturity. His lyrics are sharp, clever and often funny. Through his songs, Gwon deftly introduces and rounds out complex characters and smartly moves an engaging but hardly groundbreaking plot, which is part of its charm.
Out director Matthew Gardiner’s staging is masterful. Under his sure hand, the perfectly cast, four-person ensemble make it all look so easy, which of course it isn’t. As Jason, Will Gartshore is in gorgeous voice, especially with “Favorite Places,” a sentimental tune in which Jason lists his most prized spots in the city including one he’s yet to visit, Claire’s heart. Janine Divita’s Claire hides her hurt with a hardened veneer. Finally she comes clean with her feelings and reveals the show’s secret with a touching rendition of “I’ll Be Here.”
The eminently watchable Erin Weaver is terrific as Deb, displaying some serious comic and vocal talent with songs like “Don’t Wanna Be Here” and “Calm” (which Deb isn’t). Samuel Edgerly is delightful as the preternaturally sunny and sometimes oblivious Warren. Like his fellow cast members, Edgerly more than does justice to the score. Sole musical accompaniment comes from the excellent musical director/pianist William Yanesh who is seated on stage at a baby grand.
A relatively modest musical, “Ordinary Days” is fun and affecting. Gardiner’s production exudes New York’s energy. There’s the sense of a big city teeming with people in which near misses and accidental meetings can change fates. Misha Kachman’s set is open. A table and chairs, benches and newspaper boxes suggest locations where the characters meet. High above there’s a high balcony from which falls a colorful flurry of inspiring messages.
During his ordinary days as a college student at New York University, Gwon, 34, enjoyed listening to Broadway star Audra McDonald’s first solo album, imagining that one day he would compose for musical theater. Last year McDonald recorded “I’ll Be Here” from “Ordinary Days” on her most recent album, “Go Back Home.”
Gwon’s “Ordinary Days” makes for something special.
Books
New book reveals what we can learn from animal sex
‘Poking the Squid’ on homosexuality, gender swapping, and more
‘Poking the Squid: What We Can Learn from Animal Sex’
By Perrin Roosevelt Ireland
c.2026, W.W. Norton
$29.99 241 pages
Birds do it.
According to Cole Porter, bees do, too, but it’s not exactly what he imagined. Wild and tame, avians, insects, and mammals all have sex – although not always as you’ve been told or for reasons you might think. Even educated fleas do it and, as in the new book, “Poking the Squid” by Perrin Roosevelt Ireland, humans can learn from them all.

If you read through scientific papers on animal reproduction, you might notice something unusual: for scientists, the word “sex” means a lot of different things.
Says Ireland, “It’s used to describe behaviors, biology, life histories, and more.”
That might be because animals are not simply binary.
Take, for instance, hyenas. It’s easy for the casual observer to mistake a male hyena for a female and vice versa because of stereotypes of anatomy. Mating, for hyenas, requires subordination for the male and a nifty trick on the part of the female’s body to get things done.
Our feathered friends are no birdbrains, either: black-browed albatrosses were once thought to be monogamous but global warming seems to have changed their nesting habits sometimes. Male flamingos have sex with one another, as a territorial thing; other birds and animals form same-sex pairs for other reasons.
The Chinese mantis eats her mate after fertilization. Female snakes, alpacas, guinea pigs, and monkeys are anatomically able to enjoy sex. Genitalia between species varies quite a bit; in fact, the vaginas of ducks “are highly complex.” Lionesses will mate up to 100 times when in heat. Female damselflies will change into a “third sex” to avoid overly aggressive mating males. Bearded dragons can change their sex, if needed, as can yellow clown goby fish. And seahorse pregnancy and birth sparked a book banning in Tennessee.
So, asks Ireland, if animals, including us, vary so much in biology and life, “… why are we using the word sex like it means something, anything, consistent?!”
Pick up “Poking the Squid,” page through it a few seconds, and you’ll see that the information here is largely told through cartoon-like drawings mixed with captions. It seems to be something on the lighter side, but don’t let that artwork fool you.
Author Perrin Roosevelt Ireland offers readers solid information that cozies up to the scholarly, with hard science, philosophy, feminism, and quotations from researchers to support it, thus furthering the narrative and hitting the points squarely. If you see the art and expect something lighthearted, comic, and small-talk-worthy, you could be disappointed.
On the other hand, if you want solid, wryly serious facts, you’re in for a treat.
There’s lots of learning to be gleaned here, and some slight nudge-wink whimsy to emphasize the absurdity of wrong-headed thinking. This can make readers feel like they’re in-the-know on the jokes, and the playfulness balances the seriousness of the information well.
So, serious, scholarly, or slightly silly, none of these are negative but you’re going to know what you want from a book like this. For the right reader, someone in the mood, “Poking the Squid” is wild.
The Blade may receive commissions from qualifying purchases made via this post.
The eighth annual Westminster Pride Festival was held at Westminster City Park in Westminster, Md. on Saturday, July 11.
(Washington Blade photos by Michael Key)














The fifth annual Emerald City Pride was held in Greenbelt, Md. on Saturday, July 11.
(Washignton Blade photos by Michael Key)












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