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Danger ahead?

Signorile on victory blindness, Aaron Schock and the path forward

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Michelangelo Signorile, gay news, Washington Blade
Michelangelo Signorile, gay news, Washington Blade

Michelangelo Signorile says LGBT advances are at a dangerous place. (Photo by Jayne Wexler; courtesy Houghton Mifflin Harcourt)

Michelangelo Signorile

 

‘It’s Not Over’ book tour

 

Wednesday, April 22

 

Politics and Prose

 

5015 Connecticut Ave., N.W.

 

7 p.m.

 

free

 

signorile.com

 

With even anti-LGBT forces conceding a turning tide against them in the marriage wars, gay rights activists are in a place they like with same-sex marriage support polling higher than ever (only 33 percent oppose according to last month’s NBC News/Wall Street Journal poll) and marriage equality in 37 states plus D.C.

But marriage, of course, isn’t the only issue and radio host and author Michelangelo Signorile says the movement is in danger of succumbing to “victory blindness,” a phenomenon wherein “we’re overcome by the heady whirl of a narrative of victory, a kind of bedtime story that tells us we’ve reached the promised land, that can make everything else seem like a blur.” In his new book “It’s Not Over: Getting Beyond Tolerance, Defeating Homophobia & Winning True Equality,” a wide-ranging book culled from years of activism and insight gleaned from his long-running eponymous show on Sirius XM radio, Signorile warns of potential dangers ahead.

Dubbed both “a wake-up call” and “a battle plan for the fights to come,” Signorile, who’ll be in Washington to promote it and sign copies at Politics & Prose next week, says there’s much work to do. Though he makes a compelling case, we played devil’s advocate with him by phone for an hour last week. His comments have been edited for length.

WASHINGTON BLADE: The book is so timely and full of up-to-the-minute developments. Aren’t you concerned it will be outdated very quickly?

MICHELANGELO SIGNORILE: It’s the nature of our entire communications industry that everything moves so quickly and books occupy a different place than they used to. They have to do something different. What had continued to strike me over the last few years is that although we kept having these victories, the facts on the ground weren’t matching the celebrations and there was still a lot of discrimination. That was something that was remaining true regardless of what the latest victory was …. so it was really an issue of which examples to use. Some of the older ones, I just decided not to use. There were newer ones that would carry the basic idea through.

BLADE: In the last chapter you outline what you feel is the best way to proceed from here. Nobody has a crystal ball, but with the information you have, how likely do you feel that scenario is?

SIGNORILE: It’s hard to know because if you had asked me 10 or 15 years ago, how soon we would have full marriage equality, I would have said 25 or 50 years, something like that, so I think it could happen a lot quicker but a lot of it really is related to how kids are taught about gender and sexual orientation, that really is key. … In terms of getting full civil rights, who knows when Democrats will have full control again. I almost see that as taking longer, maybe 10 years or more.

BLADE: You write about the dangers of “victory blindness.” Do you see any parallels or mistakes at comparable points in the African-American civil rights movement or the women’s movement that we can avoid? Do any of the rumblings that still bubble up in society on those issues stems from issues of victory blindness their respective leaders might have succumbed to at comparable points to where we are now?

SIGNORILE: Yeah, we’ve seen victory blindness with every group and every civil rights movement. There’s a point where there’s a major win and a lot of people become complacent and apathetic and pull back and it’s really the worst time for that to happen because that’s really when the opponents really begin to organize in a fierce way and take advantage of that apathy and we have certainly seen that with women’s rights. If you go back to the ‘70s, … there was a real cultural shift and the sexual revolution and then people kind of thought it was over, we’d arrived. People don’t anticipate the backlash, often in the form of a religious revival, which we saw in the ‘80s with the Christian evangelical revival, which has happened at various times all throughout history. … Now we’re seeing the Voting Rights Act stripped away, another clear example where people don’t anticipate the backlash. You can change the laws, but it doesn’t change the attitudes and you can’t just say it’s over.

BLADE: But couldn’t that be construed as an argument in favor of the incrementalist approach you argue against in the book? If you don’t come in like such a barnstormer, wouldn’t it stave off some of the fervor of the backlash?

SIGNORILE: I think you do have to come in like a barnstormer and demand full equality and then stick with it. The problem is people get a part of it and may even get much of it, but then don’t stick with it for further change. Whether you do it incrementally or not, your enemies will still organize against you. I don’t think you’re taken seriously when you just ask for a little bit or crumbs and I don’t think it really energizes and captivates your own people and the larger public when you do it that way. You have to really demand that full equality and whatever you get you get, but then you have to stick with it and keep fighting for it. … The lesson for a minority is that you’re always going to be fighting. The roots of bigotry go very deep.

BLADE: So is it a mistake for groups like Freedom to Marry to say they’ll close if the Supreme Court rules in our favor?

SIGNORILE: I think it depends how they’re talking about it. Evan Wolfson has been very clear that the fight is far from over. … The bigger problems are the groups that only like to focus on winning and see it as a downer or not good fundraising to focus on losing. That’s the real problem because then you look like you’re not taking up a fight, like you’re in denial. None of us can still figure out why HRC was silent through the entire period when Arkansas passed that law that rescinded all the civil rights ordinances. Yes, the local HRC chapter said a few things but we heard nothing at all from Chad Griffin, no national press release, nothing. I don’t know what to conclude from that but it seems they gave up and thought, “Well, it’s a loser.” Then a couple weeks later, they were focused on the religious liberty law in that state which they were able to beat back. It just seems they were picking what they could win … but I don’t think it does us any good when it looks like we’re running away from battle. (HRC declined to comment.)

BLADE: You’re gay and include some biographical passages in the book. Might it be more compelling to the moveable middle if there was somebody out there who was making these points who didn’t have a proverbial dog in the fight? Is anyone doing that?

SIGNORILE: I don’t really see this idea of more objectivity in journalism as something that really furthers discussion because you can’t really claim to be objective but you can be fair and open and you can entertain the thinking of those who disagree with you. … There are people like Rush Limbaugh who have their own point of view and just shut everybody else out and then you have the New York Times that claims it’s objective but that’s really impossible because even what you omit from a story requires subjectivity. I would prefer outlets that say, “This is our opinion, but let’s entertain their thoughts and see what they think.” That’s what I try to do on my show. I always try to talk to people who are oppositional. I may have arguments and it may get passionate, but I don’t shut them out. Actually people who call my show who are on the opposite side are more likely to get on because I think we need to have a discussion.

BLADE: You never hear anybody arguing against our issues that it’s not one step removed from some sort of religious argument. You never hear of an atheist arguing against gay rights but nobody really seems to point that out. Why?

SIGNORILE: I’ve made that point sometimes. Somebody always comes forth and mentions some obscure historical figure who was an atheist but was supposedly still anti-Semitic or anti-gay but I do believe whether someone is religious or not, the ideology all stems from religion. I don’t think there’s any natural aversion to homosexuality. What religion has done to modern society is really demonize homosexuality and in that sense it really is all religion-based. A lot of the media have a hard time having any kind of discussion about it without bringing some religion person on and I think they need to stop doing that because if that’s your religious belief, that’s the end of that but if you want to argue with two people coming at it from a scientific point of view, they can’t seem to find anybody because it’s all religion-based.

BLADE: Why don’t we have more Republican allies? With Republican ideals of less regulation, freer trade, fewer embargoes, why doesn’t some of that brand of thinking trickle down to more personal freedom on our issues?

SIGNORILE: There are some free market fiscal Republicans who are not anti-gay themselves and do not agree with those who want to ban marriage or throw gays out of a restaurant or whatever, but the short answer is that it’s because the religious right still has such a stranglehold on the party it has to contend with so I still hold those other people accountable if they’re still comfortable being in that party and still vote with those who have an anti-gay point of view. It becomes a bit more difficult for the party because they can’t stomach any more blatant ugly homophobic language so they have to adapt the language a bit. It still slips out every now and then, like with women’s issues when somebody says “legitimate rape” and it ruins everything again. But instead of trying to shun those people, they try to rephrase and rebrand those arguments so others will be more comfortable being in the party. Now they’re going with the religious liberty argument hoping that will stick.

BLADE: You write about the spillover into pop culture and the ramifications of that. We have strong representation on hit shows like “Orange is the New Black” and “RuPaul’s Drag Race.” But invariably shows like “Duck Dynasty” and the Duggers’ show “19 Kids and Counting” come along and go through the roof becoming a mega cultural phenomenon. Are we going to look back in 20 years and see them as cultural anachronisms a la “Amos ’n’ Andy”? When attitudes are clearly changing in our favor, how do these kinds of shows get such traction?

SIGNORILE: These shows are a reflection of where the culture is and it’s quite clear there are millions of people out there who connect with these shows. Don’t forget that even though the people who run the industry might themselves be described as liberal, they know where the money is and where it isn’t and where it isn’t is in portraying LGBT people in a more realistic way. I think we’ll look back on “Modern Family” and say, “OK, why did these people never have any real connection.” There isn’t any discernible sexual energy between them. It’s been sanitized … to be more palatable to a mainstream audience in a way that won’t scare them.

BLADE: You say Aaron Schock should have been grilled and investigated a lot harder on possibly being a closet case. Lots of people argued there was no smoking gun and that everybody was just speculating based on tired stereotypes like the way he dressed and decorated his office. Short of some gay sex tape leaking, which is highly unlikely, these kinds of things become very hard to prove and any discussions end up being based on innuendo and stereotype. Is that unfair? How acute or fair do you feel the public’s overall gaydar is?

SIGNORILE: Well, what’s been forgotten in all this is the Itay Hod story …

BLADE: Well that sounded really wobbly — a second-hand thing where he didn’t even say for sure whom he was talking about.

SIGNORILE: He now has confirmed that’s who he was talking about and so while yes, it’s a second-hand source, it’s not something based on how he dresses or looks, but a second-hand account based on a sexual interaction. All of these issues are troublesome because they’re treated differently than they would be with any other story about a public figure. All of a sudden if it’s a gay rumor, we have a much higher burden of proof than we have with anybody else. Why didn’t anybody go investigate this? Why didn’t anybody go to Iowa? Why didn’t anybody go to Dupont Circle and start asking around? We have no problem going through Ted Cruz’s records. Why was this treated differently?

BLADE: How do you know that didn’t happen? Perhaps nothing was found.

SIGNORILE: I don’t think it happened. I asked specifically if people were looking into it and it seemed reporters were just not interested. They saw it as some sort of prying. What’s wrong with us talking about it? People go digging into Rand Paul’s background and he was maybe using a bong in college or whatever. Nobody attacks them as invading his privacy but with Schock, it’s a case of unless you have the proof, you can’t even talk about it. We take tips from visual cues all the time. The whole story of his downfall came from a visual cue, the way he had his office decorated which looked like excess and like maybe he was spending public money. Nobody had any proof, but they started looking into it and they found that he was doing lots of things that were very lavish and getting them paid for in all kinds of creative ways. … On this issue, they treat it differently and it’s not something they want to look into or talk about and I think what shows is that they’re still very uncomfortable talking about the issue of homosexuality.

BLADE: Have we ever really dismantled the slippery slope argument against marriage? We tend to laugh it off and say we’re not marrying our daughter or an animal, yet it still seems to play so well in the heartland and in the South. What’s our best response to that and what does it mean for the poly-inclined among us?

SIGNORILE: I think it really is kind of a ludicrous argument because we’ve changed marriage probably a thousand times over the last several hundred years and we always change it in the way society comes to believe it should be changed, at least in a democratic society. We’ve shown before how it was unfair to women, unfair to children, that women should have more rights and rights to divorce as well to make it easier to get out of abusive marriages. Now we’ve made the argument of why gay people should be included. The polygamy argument was made a long time ago by the Mormons and it didn’t take off and the Supreme Court didn’t go with that. When they keep saying, it’s going to lead to polygamy and all that, well, the Bible has that. That’s what it was and you know, it just seems to me they keep grasping at straws every time they argue that. There is no movement of people in this country who want to marry animals, there’s no organizing around that that has tried to capture the public imagination. They say, “Well, once the door is open …,” but the door is always open on every institution for rational change and marriage has changed too. We’ve made it better.

BLADE: How did you feel about John Aravosis ending AMERICAblog?

SIGNORILE: I think it’s a tough time for blogs as social media has become the real force. John was at the forefront of so much activism, particularly in the early years of blogging … in the way people now do on social media. I think he and others used that forum for activism in the best possible way you could at the time and I think the forum shifted and it has become more difficult to do that and to sustain it, so hats off to him for the work he did in those years. I’m glad he was able to transition.

BLADE: What would happen in our worst-case scenario? Say we get a Republican president elected to two terms who gets to appoint several Supreme Court justices who really bring out the guns. Do we have enough groundswell support to combat that in any substantive way and if so, what does that even look like? Would everything just get pushed back a generation or could some extreme scenario play out where the whole movement has to go underground?

SIGNORILE: It’s so hard to tell and I think any of those things are possible. We talked about how I think the arguments made to the general public are weak, but what the general public thinks often doesn’t matter because it becomes about who’s on the court and who’s lobbying and who’s in Congress and where the money is. The majority of the public believes we should have tougher gun laws but we don’t because of the NRA. And most people think Citizens United was a terrible decision and we could make the argument in the court of public opinion, but what most people don’t realize is that we’re likely going to get marriage equality because one man on the court (Justice Kennedy) thinks gay people should have some protection. He may now get another man on the court to agree with him, but he’s thought that for a while. Not in the same way legal progressives have, but he’s thought that. He’s made terrible decisions on women’s rights and terrible decisions about voting rights. It’s all so precarious and arbitrary and that’s what people don’t get. They think there’s some sort of natural thing going on, some sort of natural evolution toward justice that’s happening but what we’re dealing with is a Supreme Court that by the luck of the draw on this issues, has the five votes and may convert a sixth but we all know that could change at any time. If there’s a Republican president to replace Justice Kennedy and more gay rights issues come up, who knows what could happen. I think a lot people aren’t really thinking about how precarious this all really is.

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What ‘Queer Eye for the Straight Guy’ can still teach us

Producer David Collins on lasting impact of hit series

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David Collins (Photo courtesy of Collins)

It’s hard to imagine where LGBTQ+ television would be without “Queer Eye for the Straight Guy,” the trailblazing reality series that premiered in 2003. 

Each episode of this Emmy-winning show saw a group of gays converge on a struggling man — the titular straight guy — and offer nonstop wit while organizing his endlessly messy life. This program about a group of homosexual helpers took the world by storm, furthering the love of gay television begun by shows like “Will and Grace” but bringing it into the growing medium of reality TV. Of course, it wasn’t perfect; “Queer Eye for the Straight Guy” often cast its experts less as multi-faceted queer folks and more as sources of early 2000s gay jokes. But despite these pitfalls, it’s undeniable that the original program explored the realities of being gay in a way audiences had never seen before. It was a monumental piece of LGBTQ+ representation, and its success is largely owed to the man who fought to get this show made: producer David Collins. 

Collins spoke with the Blade from his Los Angeles home, where he’s spent the past few years living with his husband and his two daughters. David spoke fondly of his many years in the industry, detailing how it feels to be such a huge part of LGBTQ+ history. He explained, however, that he didn’t initially set out to alter how queer people were seen on television. “I never went out to make gay television,” said the producer. “I went out to tell great stories.”

“I’m a hillbilly from Ohio, and I thought I was going to be an editor,” David laughed, looking back on his career. “I interned at the Cincinnati Film Office, and I showed up to work my very first day, and the film commissioner was like, ‘Get to the airport right now and pick [someone] up. Don’t talk to them.’ Well, I ended up picking up Jodie Foster.” Collins raved about this car ride that changed his life, with the pair becoming friends and Foster pushing him to become a producer who puts their own media out into the world. Eventually, he did just that, and after learning about the wild new genre that was reality TV, he pitched a series to Bravo: “Queer Eye for the Straight Guy.” 

“I was obsessed with Esquire magazine, and they had five categories: fashion, grooming, interior design, culture, food, and wine. So I gave them each a gay, and the Fab Five were born!” Collins said, describing how viewers quickly fell in love with the concept and earned the program four seasons and an Emmy for Outstanding Reality Program. He spoke about how proud he felt creating a show that centered real gay people, not characters in a story, remembering, “To stand in the middle of Times Square and look up and see this massive billboard with the original Queer Eye guys…it wasn’t even a dream come true, because it wasn’t a dream I had even fathomed.”

With his series, people were watching actual gay men and learning the realities of a queer culture that had always been portrayed as a danger to society. Collins tearfully recounted hearing about queer people using the show as a way to connect with their family, saying, “What I’m most proud of that’s come out of Queer Eye [are] the conversations that that series has allowed to have people around their kitchen tables with little boys in Ohio like me who were scared to death that they were going to burn in hell because their pastor was telling them that they were a sinner.”

Now, for all of its trailblazing, the program wasn’t wholly positive; the show’s focus on the central ‘straight guy’ meant it rarely delved into the lives of its Fab Five. Collins regretted that lack of depth but understood that earlier audiences weren’t accustomed to such a nuanced look into queerness — that would have to wait for the reboot. 

When “Queer Eye” came out in 2018, audiences were introduced to not only a new Fab Five, but a whole new format (that didn’t rely on a straight person). Now, the series would assist queer folks and allies alike, spotlighting these individuals as well as the queer experts helping them improve their lives. The show has been applauded for its amazing makeovers, but where it truly stands out is its representation, offering a look into individuals across the country and the struggles — along with the immense joys — of being queer in America today.

Fans were disappointed to hear that “Queer Eye” would be ending after its 10th season, but David stressed that they wouldn’t have to be sad for long. “What I will say to you is this: hang tight,” he teased. “There’s yet another version of ‘Queer Eye’ to come, and we’re working on that now.” In the meantime, Collins is continuing his work with new shows like the “House of Stassi,” a series centered on “Vanderpump Rules’”prolific waitress. He’s excited about these new projects, but emphasized that his heart will always belong to “Queer Eye for the Straight Guy” and all that it continues to do for viewers 19 years after its finale. 

“It’s not about your new outfit or your new couch or your new whatever. It’s about your humanity,” said Collins, speaking about the core lesson he hopes people take away from the Queer Eye franchise. “It’s about seeing yourself. It’s about dignity. It’s about how confidence breeds success.”

A valuable message that queer folks can benefit from even more now than they did in 2003. And, while it’s unclear just what lies ahead for this franchise, one thing is for sure: “Queer Eye for the Straight Guy” helped people everywhere understand the power that exists within our queerness. It’s a truth that has impacted countless pieces of LGBTQ+ television today, and it’s one that Collins promises to keep alive through whatever hit show he creates next. 

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Jason DePuy on coping with homophobia in ‘Big Brother’ house

First drag queen contestant on CBS show fought to stay positive

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Jason DePuy on Big Brother (Photo courtesy of CBS Broadcasting,Inc.)

One week after Jason DePuy (known as Salina EsTitties on “RuPaul’s Drag Race”) was bullied and eventually evicted from CBS’s “Big Brother” house, the queer drag performer is still emotionally processing his feelings.

During his 24 days in the reality TV competition, DePuy often had a rough time, with fellow cast member Kamuela “Kamu” Kirk making homophobic comments and feeling isolated.

In a conversation with Head of Household Rick Devens, Kirk left viewers upset when he said, “Bro, miss me with the drag stuff. Miss me. I’m still an MMA guy, and I have an image to uphold.”

Former “Big Brother” contestant Frankie Grande called his words  ‘homophobic’ and ‘gross.’ Another comment, where Kirk said he wanted to end DePuy’s career, also received strong backlash online.

Now that he is out of the house, DePuy has been shocked and deeply touched by the love from “Big Brother” fans and former contestants. We chatted with DePuy for this Blade exclusive.

“To know that my community was rallying for me outside the house was the most wonderful thing. Seeing how much people were just wanting to shower me with love was incredible. Even my friends, I went to say hi and give them a hug, and they’re like, ‘Uh, uh, come here.’ They had to hold me and let me know America was feeling for me in a way that I had no idea.”

He added: “To see that reality was just overwhelming, and I couldn’t ask for more.”

Known as a messy player in the house, DePuy often had to fight to stay positive and stand up for himself. 

“No one was coming to my rescue. In real life, it’s easy to block people, but in the house, I didn’t have that luxury, so I had to find it within myself to learn how to speak up for myself in a way that wasn’t nasty or biting. I didn’t attack anyone personally, which is what I was the most proud of.”

DePuy acknowledged he has had a history of putting his foot in his mouth when it came to certain “Drag Race”moments, being in the public eye, and making a fool of himself. “I’ve learned my lessons; to see how I handled myself in the ‘Big Brother’ house was amazing.” 

While DePuy has been sober for 14 and a half years and has a strong spiritual foundation, in the Big Brother house, he often felt like he couldn’t communicate what he was feeling. 

“As a queer person, a person of color, a drag queen, I have to be very careful about how I move. I don’t have the luxury or privilege to just act a certain way or say a certain thing. I have to be very careful; I’m representing me. But who I am is a Latino, a person of recovery, a drag queen, a queer person in the community. I know that there’s a lot of pressure that comes with that. I felt it was safer for me to sit there and just breathe than try to do anything crazy.”

He continued: “I couldn’t speak to the personal attack that was happening in the house, because in my mind I was like, ‘no, this is a game, and I have to play it, put that aside.’”

Not only can viewers watch the episodes, but they can also watch the live feeds of what’s happening. Seeing the fans’ social media posts from people who had watched the episodes and the live feeds also contributed to DePuy realizing that his feelings of discomfort were valid.

“To know that I wasn’t delusional in those moments, that others could see what was happening, has been a lot to take in. Fans and friends let me know the comments made went beyond the game…I’m like, ‘Oh, so my instincts were correct.”

One of the most poignant moments on the live feeds occurred when DePuy was crying, alone in his room, and said how he missed his gay community.

“I really missed my friends. I missed my queer community. We’re so colorful. We’re so loud. We’re so vibrant. We speak off the cuff, and we’re very truthful and honest with how we speak, and it’s fun. We have fun lingo.”

DePuy had to censor his expressions in the house. “Because I can say one thing, but it can mean something different to straight people than it does with my queer brothers and sisters. So, there was a sense of code-switching that I had to do. I had to even put aside some of my queerness in a way sometimes to fit in.”

DePuy was thrilled to be the very first drag queen to ever be cast on the show. 

“I’m honored to have been chosen. There’s a million drag queens out there, and to know that I was a contender to come in the house and not even be in drag was like a wow for me. I’m over here in Hollywood, running around these streets with a wig and heels just to make a dollar to survive, and I have to rely on drag to do that. And then to be offered this opportunity and be given the privilege to say, ‘hey, you don’t have to put on the wig for you to be valuable here,’ is just insane to me.”

Prior to his shows, DePuy has been hustling for 15 years, flipping burgers and doing drag at night.

“That has been my life these past since I was 17. So it’s been a long journey; the opportunity to do this out of drag is a very big blessing. I’m honored and grateful to be the representation of my community.”

If you missed Jason on “Big Brother: Unlocked,” the episode can be seen on CBS.com. He will be back on the show for the finale.

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Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard

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Lily Erin, one of Rainbows in Revolt’s signature artists, performed at Capital Pride in June. (Photo courtesy of Rainbows in Revolt)

Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!

The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?

There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?

Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.

The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.

Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.

Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.

In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.

I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.

Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.

Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.

A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.” 

Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”

The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.

Rainbows in Revolt is just getting started bridging gaps and building community.

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