Music & Concerts
The Human League gets deluxe treatment on new anthology
Illuminating sonic journey charts course of ’80s New Wave favorites

Revisit ‘80s Brit pop with ‘The Human League — A Very British Synthesizer Group.’ The booklet contains detailed interviews with Human League mainstays Phil Oakey, Joanne Catherall and Susan Ann Sulley, and the striking artwork consists of brightly drawn caricatures of the trio decked out in both their early ‘80s new wave fashion and their current look. (Photo courtesy Virgin Records)
You don’t get lines much more iconic than, “I was working as a waitress at a cocktail bar … that much is true.” “Don’t You Want Me” never really gets old no matter how many times you’ve heard it. It isn’t merely a novelty relic of its era — it’s a brilliantly conceived work of timeless pop and one of the decade’s most ubiquitous singalongs.
The Human League’s 1981 chart-topper closes the band’s third album “Dare,” widely regarded as a cornerstone of the new wave era. They are much more than that one smash, though, and now is a good time to discover what you might have missed along the way. Released in celebration of their 40th anniversary, “A Very British Synthesizer Group” is an excellent excursion through the influential British band’s extensive catalog.
The lavishly produced set is offered in multiple configurations. The two-CD version contains 30 of the band’s singles in chronological order. A four-LP vinyl edition released as a gorgeous (but expensive) box set contains the same track-listing. Also available is a deluxe edition including demos and early mixes, but this is for die-hards only.
Listening to “A Very British Synthesizer Group” in chronological order is illuminating, as the band’s musical progression unfolds. It begins with their debut single, 1978’s “Being Boiled,” an influential synthpop classic that’s very much of its time yet somehow timeless. The Human League’s early work is very raw as they are still finding their way, grappling with new technology and learning to be songwriters. Tracks like “Empire State Human” (1979), “Only After Dark” (1980) and “Boys and Girls” (1981) are primitive and charmingly weird, imbued with the singular vibe that would come to define the Human League.
The band’s first chart breakthrough in the U.K. was “The Sound of the Crowd” (1981), the first of a string of singles that would make the Human League synonymous with the ‘80s and the new wave era (the song is presented here in its instrumental version). The addition of Catherall and Sulley was the final ingredient that helped break the band internationally. The ladies weren’t professional vocalists by any means, but their working class realness and natural charm became an integral part of the Human League’s sound. Electro-pop classics “Love Action (I Believe in Love)” and “Open Your Heart” still sound fantastic, and of course “Don’t You Want Me” is irresistible as always.
The big hits are all here, like “Mirror Man,” “(Keep Feeling) Fascination” and their surprise 1986 chart-topper “Human,” written and produced by the unlikely collaborators Jimmy Jam and Terry Lewis. Later highlights include their exciting 1990 single “Heart Like a Wheel” and the band’s big 1995 comeback single, “Tell Me When.” The brilliant retro-pop “Stay With Me Tonight” (1996) and the energetic “All I Ever Wanted” (2001) are every bit as arresting as the band’s ‘80s classics. The set closes with three selections from their most recent album, 2011’s outstanding “Credo,” including the pulse-pounding “Night People” and “Never Let Me Go,” a pop charmer that manages to perfectly capture the Human League’s essence decades after their commercial peak.
The only negative is that the set is not quite definitive. Each disc hovers around 60 minutes (and several sides of the LP set contain only 4 tracks), leaving plenty of wasted space. Some of the more notable omissions include the early single “I Don’t Depend on You” and other scattered tracks and minor singles that would have made it a more complete and fulfilling collection: “The Things that Dreams Are Made Of,” “I Love You Too Much,” “The Sign,” “Are You Ever Coming Back?,” “Kiss the Future,” “Get It Right This Time,” “These Are The Days,” “Love Me Madly?,” “You’ll Be Sorry” and “Egomaniac.”
Still, “The Human League: A Very British Synthesizer Group” is a deeply satisfying and entertaining trip through this underrated band’s greatest moments. Human League doesn’t get the credit they deserve as an important part of the pop landscape over the last four decades — perhaps this set will help change that.
Music & Concerts
DJ Chanel Santini is bringing the heat and some gender-fluid diversity to XBIZ Miami
Pool party celebrates most charismatic personalities, creative artists in adult entertainment
Chanel Santini has crossed over to being a DJ, performing at clubs all over the country. Now known as Santini, they will be making music and hyping the pool party, DJ-ing at XBIZ, the conference for adult creators and digital players, in Miami.
Taking place on Monday to Wednesday, the event honors the most charismatic personalities and creative artists in entertainment.
“I am honestly so excited — getting to DJ in Miami Beach is literally a DJ’s dream!” Santini told the Los Angeles Blade.
“I thought it would be a good opportunity because I haven’t been around my industry peers in a long time. It’s a great event to network and show off the new me!” said Santini.
While Santini is unsure what music they will be playing, they want everyone to have a good time. “My goal is to ignite the dance floor and play great music that everyone will vibe to. My sound includes house music, bass house, tech house, and I always like to throw a little bit of hip-hop in my sets.”
Santini loves how DJ-ing brings people together.
“Music really ignites us all! It is so universal, no matter what language you speak. I think it’s the best high in the world when you play a banger track, and everybody on the dance floor screams loudly. You can’t describe that feeling until you’re up there on that stage.”
Santini describes DJs as the “modern rock stars” in today’s world.
“I always feel like such a superstar when I’m up on that stage. The best feeling is after my set when I have people come up to me and say, ‘Thank you for sharing that amazing music.’ That’s how you know that you’re a good DJ — I love when I get those types of compliments!”

While sometimes it’s hard to please everyone’s musical tastes, Santini endeavors to try! “You just have to go out there and give it your all and be the best DJ that you can be,” he noted.
Santini, who had previously identified as transgender, recently decided to transition back to being gender fluid.
“It’s definitely been a journey, but I’m definitely happier in my own skin now than I was. I don’t go by he/him pronouns. I don’t go by they/them either. I guess I just really don’t have a preference. Whatever you see me as is your opinion. I’ve learned over the years that I’m not trying to be one specific thing. I’m just Santini. I’m just me.”
Santini acknowledged they felt respected more when dressed as a woman.
“I think it’s just because femininity runs the world. When I started to de-transition, I felt like I had to just be a boy all the time. But I’ve realized over the years that I don’t need to stick to one specific thing. I am always gonna be feminine, and that’s OK.”
Recently, Santini has been embracing their feminine side more.
“I definitely feel more comfortable in female presentation, and more powerful when I’m on stage dressed as Chanel. I love DJ-ing in drag because there are so many straight male DJs in the world. It’s almost like a superhero when he puts on his cape! I think it makes me confident and stand out more as an artist.”
And because Santini loves makeup and fashion, they can incorporate that into their sets. “I’m not just bringing you good vibes and good music. I’m bringing you a show/ production!”

Santini is already working on big plans for the future.
“I’m opening up for a huge Pride block party in my hometown, Albuquerque, N.M., on June 12 and 13. It’s a two day festival and I’m super excited for this opportunity. I’m even hiring backup dancers and a choreographer.”
Santini plans to go “all out” for this show.
“It’s gonna be the biggest crowd that I’ve ever played for,” Santini enthused. “I’m putting my heart and soul into this performance, especially because it’s Pride in my hometown, and that means so much to me. I know the younger me would be so proud.”
Santini remembers going to Pride when they were younger and telling themself they couldn’t wait to be up on that stage.
“I’m truly living my dream right now, and I’m so excited for the future. The last 10 years of being in the adult entertainment business have been great and have given me major success. But I always knew that I didn’t want to be in this industry for long.”
Santini acknowledged that, in the recent past, it was a struggle.
“I’ve been trying to find myself and figure out what I wanna do next with my life. Now that I’ve found this passion for DJ-ing, it makes me want to go far in this business.”
In addition to being a DJ/artist, Santini is starting college next semester.
“I’m gonna get my degree in audio engineering,” Santini enthused. “I can’t wait to start producing my own tracks. I especially can’t wait till the day I’m headlining a major festival! I know with a little bit of patience and hard work that I can get there! I just have to continue believing in myself.”
Santini wanted to thank all of their fans for their support. “Truly, if it wasn’t for them, I wouldn’t be able to fund my art in the way that I have. I’m truly grateful. And I’m excited for the future!”
Music & Concerts
Gaga, Cardi B, and more to grace D.C. stages this spring
Shake off your winter doldrums at a local concert
D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.
March
3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.
3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.
April
4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”
4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.
4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.
4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”
4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.
4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP.
4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.
4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.
May
5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.
5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.
5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.
5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.
June
6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.
Music & Concerts
Washington chorale kicks off Christmas with vibrant program
‘Thine Own Sweet Light’ concerts planned
The full Washington Master Chorale will return for its annual holiday concert tradition with “Thine Own Sweet Light” on Friday, Dec. 19 and Sunday, Dec. 21 at St. Ann’s Catholic Church (D.C.) and Church of the Epiphany (D.C.).
The concert will feature the rich sounds of the 50-voice, a cappella chorus performing lush, seasonal choral music inspired by the theme of light. Highlights include Edvard Grieg’s “Ave Maris Stella,” Eric Whitacre’s “Lux Aurumque,” and Christopher Hoh’s “Holy, Holy, Holy is the Lord God of Hosts.” The program will also present a new work by Barcelona composer Josep Ollé i Sabaté, along with charming holiday folk songs and seasonal favorites.
For more details, visit the Washington Master Chorale website.
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