Arts & Entertainment
Off to summer camp
Many schools, theaters and more offer LGBT-affirming options


Campers at Synetic Theater this summer will learn and perform ‘The Wild and Wacky Wizarding World of Wiley Skylar!’ (Photo courtesy Synetic)
Although winter weather is hanging on tight at the close of the season, summer is rapidly approaching. Instead of fighting to find ways to entertain the kids at home, local camps have done the hard work for you. Kids can ride horses, learn beauty tricks, conduct science experiments or perform in a musical. With programs for all types of interest, the only battle is choosing which camp to try this summer.
Adventure Theatre offers Summer Musical Theater Camp for grades one-six in Glen Echo Park for a two-week session and for grades six-12 in Wintergreen Plaza for a three-week session. This summer campers will Campers will perform “Return of the Glass Slipper,” “Thwacked!” and “Tom Sawyer” among others. D.C area theater professionals and artists guide campers in daily rehearsals. Family and friends can watch the completed shows at the end of the camp session. Grades six-12 can choose from Contemporary Musical Theater Study and On-Camera Musical Theater Study. Contemporary Musical Theater Study includes a day trip to New York City. Sessions for grades one-six range from $800-850. Grades six-12 sessions range from $1,200-1,330. For details, visit adventuretheatre-mtc.org.
The Beauvoir School (3500 Woodley Rd., N.W.) splits its camp programs into age-appropriate activities. Fireflies (Rising Pre-K), Blue Jays (rising Kindergarten), Box Turtles (rising first graders), Koalas (rising second-third Graders), Broad Bears (rising fourth-fifth graders) and CITs (rising sixth-12 graders). Each level focuses on a type of program from art to outdoor activities. CITs prepare students to become counselors by giving them hands-on leadership experience with campers. Blue Jays, Box Turtles and Koalas can also choose a Make-Your-Own Camp option that lets campers pick their A.M. and P.M. activities. A swimming option is also available. For a list of prices, visit summer.beauvoirschool.org.
Camp RimRock for Girls (343 Camp Rim Rock Rd., Yellow Spring, W.Va.) is a sleep-away camp for girls in rising first grade through rising 10th grade. General camp is for rising second through 10th graders. Campers can participate in horseback riding, sports, aquatics, performing arts and arts and crafts. General Camp sessions is for two-week sessions for $2,750 or four-week sessions for $5,000. Riding Speciality Camp is for rising fourth through 10th graders. This program focuses only on horseback riding for one week for $1,500. Mini Camp is also available for first time sleep-away campers in rising first, second and third grade for $1,500. For a list of dates, visit camprimrock.com.
Circle Yoga (3838 Northampton St., N.W.) offers programs for children ages 6-12 for full-day camp and children ages 4-7 for half-day camp. Children can participate in yoga and movement, crafts and creative arts, group games, camp songs, relaxation and journaling. Full-day camp is from 9 a.m.-3 p.m. and is $365 per week. Half-day camp is from 9 a.m.-noon and is $250 per week. For information, visit circleyoga.com.
Green Acres School (11701 Danville Dr., North Bethesda, Md.) offers Kreative Kangaroos for pre-K students which lets them engage in outdoor play, swimming, dancing and carpentry. Junior camp is for kindergarten through second grade and activities include drama, music, dance, swimming and cooking Senior camp is for grades three through six and includes robotics, rock band, workshop, filmmaking, photography and cooking. For a list of pricing and session times, visit greenacres.org.
The Lowell School (1640 Kalmia Rd., N.W.) offers programs for campers starting at age 2-15. Best Buddies is for rising first and second graders and programs include African Drum Fun, Beginning Robotics, among others. Summer Stage is for rising third-eigtht graders and includes Gotta Have Glee, a program that focus on popular music like Taylor Swift and “The Lion King.” Tweens N Teens is for ages 12-14 and has programs such as Gaming and Apps Basics and Amazing Race, which challenges campers to find little-known locations in and around D.C. For a complete list of sessions, programs and prices, visit lowellschool.com.
Synetic Theatre (1800 S Bell St., Arlington, Va.) lets campers stage and perform an original play, “The Wild and Wacky Wizarding World of Wiley Skylar!” The play was written for the campers with original musical numbers and an original score. There is one summer intensive session for students 12-18 from June 12-23 for $350. Multiple sessions are available for students 6-14 for $900. Camp Creation and Imagination is for children ages 4-6 from June 12-23 from 9 a.m.-1 p.m. Tuition is $400 and includes snack. A.M. care and lunch add-ons are available for all programs except summer intensive. For more details, visit synetictheater.com/camps.
Washington Performing Arts has Capital Jazz Camp from June 26-July 8 for children in rising grades three through eight with minimum one-year instrumental experience. Capital Strings Camp is from June 26-July and is for children in rising grades three through six. No experience is required. Capital Voices Camp runs from July 10-21 and is for children in grades four-12 with basic vocal training experience. Summer Steps with Step Afrika is for rising campers in grades four-12 with basic dance experience. Each camp is $350 and locations vary. For more information, visit washingtonperformingarts.org.
The YMCA in D.C. has camp programs for a traditional experience such as sports, theater, art, swimming, dance and technology. Campers wanting a more specialized course can register for beauty school, creative writing, gardening, among numerous other programs. Camp Letts (4003 Camp Letts Rd., Edgewater, Md.) is the YMCA’s sleep-away camp which offers activities such as horseback riding and kayaking. For more details on camp programs and for a list of prices, visit ymcadc.org and campletts.org.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.