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Cait Brennan delivers on classic-sounding new album

Retro-leaning project is tighter, more polished than previous efforts

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Cait Brennan, gay news, Washington Blade

Cait Brennan delivers the goods on her classic-sounding new album ā€˜Third.ā€™ (Photo by Greg Allen)

If youā€™re gonna record at the legendary Argent Studios in Memphis and call the resulting album ā€œThirdā€ (an homage to the 1978 classic of the same name by power-pop heroes Big Star), you better have the goods to back it up.

Fortunately, up-and-coming singer/songwriter/musician Cait Brennan has delivered an album worthy of its historic birthplace. It has not been an easy road for Brennan, whoā€™s transgender, and her life experience has provided rich material for compelling songwriting, although she certainly knows how to tell a story as well. ā€œThirdā€ is consistently entertaining from start to finish, a well-crafted retro-leaning collection of rockers and ballads that will never leave you bored.

Brennanā€™s musical trajectory has gone nowhere but upward since her debut effort ā€œDebutanteā€ from last year. Her songwriting is more confident and self-assured, the arrangements are tighter, and the mixing, which was an issue on ā€œDebutante,ā€ is vastly improved. Overall ā€œThirdā€ is more polished and professional. Brennan once again works with collaborator Fernando Perdomo, and together theyā€™ve crafted a highly melodic collection of guitar-based power pop thatā€™s at once personal but also highly accessible.

There is a definite retro feel to ā€œThird.ā€ Songs like the infectious ā€œShake Away,ā€ with its ultra-tight harmonies, and ā€œBenedict Cumberbatch,ā€ with its ā€˜70s arena-rock vibe, would sound fantastic on classic rock radio, fitting right alongside bands like Cheap Trick, the Knack, the Rubinoos and of course Big Star. ā€œShake Awayā€ and the hard-driving ā€œThe Angels Lieā€ are also fast-paced retro-rockers with prominent harmonies, all with strong melodies. Just about any track on the album, apart from a few of the more intense ballads, are catchy enough to be potential singles.

Album opener ā€œBad at Apologiesā€ is an edgy and intensely personal blues rocker thatā€™s probably the strongest track on the album. It opens boldly with the memorable line, ā€œYeah Iā€™m the asshole who stole your boyfriend.ā€

ā€œStack Overflowā€ has a manic energy and ā€œHe Knows Too Muchā€ goes even deeper back into musical history than late ā€˜70s power pop, touching upon late ā€˜50s and early ā€˜60s influences.

ā€œAt the End of the World,ā€ an epic rock waltz with an ambitious full-band arrangement, practically screams to be performed live. ā€œA Hard Man to Love,ā€ with its insanely catchy chorus and delightfully swirling string arrangement, is a cleverly built number that unexpectedly ends with a bit of Caribbean flavor.

Perhaps the most achingly personal track is ā€œCatiebots Donā€™t Cry.ā€ Placed mid-way through the set and stretching to nearly six minutes, it might be considered the albumā€™s centerpiece. Brennan begins with a beautiful falsetto wrought with vulnerability before her multi-layered self-harmonizing begins over bluesy guitar licks. Itā€™s a heartbreaker on an album that runs a full range of human emotion.

After the raucous ā€œThe Angels Lie,ā€ the album eases into a more generally downbeat direction, winding down from a set of high-energy rockers to show a different side to Brennanā€™s musical identify. ā€œCollapseā€ is a wrenching baring of the soul, the expression of an individual spiraling into a period of personal crisis.

ā€œPerish the Thoughtā€ is Brennanā€™s typically thoughtful reflection on the state of our current political situation. The album closes with the somber waltz ā€œGoodbye Missamerica,ā€ with Brennan channeling classic Elton John as sheā€™s accompanied by a mournful organ accompaniment.

Cait Brennan is a rising talent. ā€œDebutanteā€ showed a great deal of promise and ā€œThirdā€ delivers on that potential. Perhaps a bit of sameness creeps in on some of the straightforward harmony-heavy power-pop numbers, but they are so entertaining that it hardly matters.

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Music & Concerts

Lana Del Rey, Katy Perry plan fall releases

A Fleetwood Mac live album, more Joni archives among vintage options

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Dolly Partonā€™s ā€˜Smoky Mountain DNAā€™ is slated for a Nov. 15 release. (Image courtesy Owepar Entertainment)

Paris Hilton released her ā€œInfinite Iconā€ album on Sept. 6. Itā€™s just the second effort following a massive hiatus ā€” her debut album ā€œParisā€ was released way back in 2006. Sia produces. This summerā€™s ā€œIā€™m Freeā€ was the first single. A tour is planned. Hilton promised a ā€œheavily gay-leaning release.ā€

Miranda Lambertā€™s ā€œPostcards from Texasā€ is slated to drop today. Lambertā€™s 10th studio album was preceded by the May release of single ā€œWranglers,ā€ which stalled in the lower 30s on country radio. Lambert calls the album a musical ode to her home state. She co-produces with Jon Randall and either wrote or co-wrote 10 of the projectā€™s 14 cuts. 

Katy Perryā€™s ā€œ143ā€ is set for a Sept. 20 release. It will be her seventh studio album. Its title refers to what she says is her symbolic angel number. Perry is aiming for a dance party feel working with producers Max Martin, Dr. Luke, Stargate, Vaughn Oliver and Rocco Did It Again! The proceedings are not off to a strong start. First single ā€œWomanā€™s Worldā€ stalled at No. 63 on the Billboard Hot 100. Follow-up ā€œLifetimesā€ failed to crack the Hot 100 at all. 

Fleetwood Mac releases ā€œMirage Tour ā€™82ā€ on Sept. 20. It includes six tracks previously unreleased including ā€œDonā€™t Stop,ā€ ā€œDreams,ā€ ā€œNever Going Back Again,ā€ ā€œSaraā€ and more. Available on double CD, triple vinyl and digitally.  

Volume four of Joni Mitchellā€™s ā€œArchivesā€ series dubbed ā€œThe Asylum Years: 1976-1980ā€ releases Oct. 4. Itā€™s being offered in six-CD or four-LP (highlights) configurations. It will feature unreleased studio sessions, alternate versions, live recordings, rarities and a 36-page book with new photos and an extensive conversation between Mitchell and filmmaker/uberfan Cameron Crowe. 

Sophie B. Hawkins releases her ā€œWhaler Re-Emergingā€ album (a re-recording of her landmark 1994 album) on Oct. 15. Order through her site and the first 250 copies will be signed. Hawkins (who identifies as omnisexual) says it surpasses the original. 

Joe Jonasā€™s ā€œMusic for People Who Believe in Loveā€ and Shawn Mendesā€™s ā€œShawnā€ are both set for Oct. 18 releases. Jonasā€™s album (his first solo effort since 2011ā€™s ā€œFastlifeā€) will feature songwriting he says is of a more personal nature. Billboard called it ā€œunvarnishedā€ but with a shimmery pop sound aglow with garage rock and alt-pop influences. First single ā€œWork It Outā€ was released over the summer and failed to chart. 

ā€œShawnā€ will be Mendesā€™s first album since 2020ā€™s ā€œWonder,ā€ the tour of which he cancelled citing mental health. Two singles ā€” ā€œWhy Why Whyā€ and ā€œIsnā€™t That Enoughā€ ā€” have been released. The former stalled at no. 84 on the Hot 100. He has called the album his ā€œmost musically intimate and lyrically honest work to date.ā€ 

Lana Del Reyā€™s ā€œLassoā€ is expected for a possible fall release, although some sources say itā€™s been bumped to early 2025. No date had been announced as of yet. Sheā€™s apparently going the Beyonce route and releasing a straight-up country album. 

Dolly Parton plans a Nov. 15 release for ā€œSmoky Mountain DNA ā€” Family, Faith & Fables.ā€ Parton recruited family to help her on the 37 (!)-track collection, which will also encompass a four-part docuseries tracing Partonā€™s familial roots. One song (ā€œA Rose Wonā€™t Fix Itā€) is an outtake from the feverish writing sessions that led to her solid (but underrated) 1998 album ā€œHungry Again.ā€ An extremely limited-edition triple vinyl release is also planned. 

Release dates shift and many more releases will be announced later. Pitchfork keeps a great running tab at pitchfork.com/news/new-album-releases. Also check your local record store for Black Friday special editions available on Friday, Nov. 29. Release info was scant as of this writing. Ā 

(Joey DiGuglielmo was variously the Bladeā€™s news and features editor from 2006-2020.)

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Fall concerts feature Sivan, Eilish, Lauper, more

Ndegeocello pays tribute to Baldwin at Strathmore next month

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Sigur Ros plays the Anthem this month. Frontman JONSI (center) is gay. (Photo by Chloe Kritharas; courtesy motormouthmedia)

Sigur Ros will be joined by the Wordless Music Orchestra at the Anthem (901 Wharf St., S.W.) on Wednesday, Sept. 25th. Theyā€™re continuing their 2023 tour in support of ā€œAtta,ā€ their first LP of original music in a decade. Frontman Jonsi is gay. Tickets are $60.50-173.50 for this seated show. 

Troye Sivan brings the ā€œSweat Tourā€ with Charli XCX (co-headlining) to Baltimore at the CFG Bank Arena (201 West Baltimore St.) on Thursday, Sept. 26th at 7:30 p.m. Itā€™s sold out. The latter is touring behind her 2024 album ā€œBrat.ā€ The former is touring behind his 2023 album ā€œSomething to Give Each Other.ā€ Sivan is gay and has performed at Capital Pride. 

Cyndi Lauper brings her ā€œGirls Just Wanna Have Fun Farewell Tourā€ to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 27 at 7 p.m. Tickets range from $29-179. Itā€™s her first solo arena stateside tour since her ā€™86-ā€™87 ā€œTrue Colors World Tour.ā€ Lauper is a longtime and avid LGBTQ ally. 

St. Vincent brings her ā€œAll Born Screaming Tourā€ to the Anthem (901 Wharf St., S.W.) on Friday, Sept. 13th at 8 p.m. Tickets are $55-95. A Variety review called it ā€œminimalistā€ and said ā€œwith no video screens, backup singers or sketches, and a lot of electric guitar, itā€™s the purest distillation of St. Vincent weā€™ve had on stage in quite a few years.ā€ Anne Erin Clark (aka St. Vincent) doesnā€™t identify as anything sexually but has mostly dated women in recent years. 

Kristin Chenoweth and Alan Cumming play Wolf Trap (1551 Trap Rd., Vienna, Va.) on Friday, Sept. 13 at 8 p.m. Individual sets are planned, but there will likely be a duet or two. Tickets are $29.

Out singer/songwriter Perfume Genius brings his ā€œToo Bright 10th Anniversary Tourā€ to The Atlantis (2047 9th St., N.W.) on Monday, Sept. 16. This highly limited run will only play six dates in five cities. Mike Hadreas (aka Perfume Genius) will perform his 2014 album in its entirety. Itā€™s sold out. 

Meghan Trainor brings ā€œThe Timeless Tourā€ to Jiffy Lube Live (7800 Cellar Door Dr., Bristol, Va.) on Tuesday, Sept. 17th at 6:30 p.m. Sheā€™s touring behind her album of the same name released earlier this year. Tickets are $33-155. No lawn seats available for this show. 

Queer-affirming gospel singer Amy Grant (who also had a decent pop chart run in the ā€™90s) brings her fall tour to The Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Thursday, Sept. 19 at 7:30 p.m. As sheā€™s done on tour with previous re-releases, Grant could include more songs than usual from her 1994 ā€œHouse of Loveā€ album, which was just released in an expanded edition and on LP for the first time. Tickets are $95. 

Sara Bareilles, a self-described LGBTQ ally,  joins the NSO Pops for a three-night stint at the Kennedy Center (2700 F St., N.W.) on Sept. 24-26 at 8 p.m. each night. Itā€™s sold out. 

Billie Eilish brings her ā€œHit Me Hard and Soft: the Tourā€ to CFG Bank Arena (201 West Baltimore St.) in Baltimore on Friday, Oct. 4 at 7 p.m. Her album of the same name dropped in March. Although sheā€™s mostly dated guys publicly, Eilish identifies as bi. Itā€™s sold out. 

Queer artist Meshell Ndegeocello plays the Strathmore (5301 Tuckerman Lane, North Bethesda, Md.) on Saturday, Oct. 5 at 8 p.m. Her show is dubbed ā€œNo More Water: the Gospel of James Baldwinā€ and is billed as a tribute event to the legendary Black gay writer. A pre-concert event, ā€œThe Gospel of Meshell Ndegeocelloā€ is free but advanced registration is required. Tickets for the concert are $28-74. 

Former Capital Pride headliner Betty Who (ā€œqueer/biā€ herself) brings her ā€œAn Acoustic Evening in Celebration of 10 years of TMWYGā€ to the Lincoln Theatre (1215 U St., N.W.) on Wednesday, Oct. 9 at 9 p.m. Tickets are $55. Itā€™s a nod to her 2014 debut album ā€œTake Me When You Go.ā€ 

Justin Timberlake brings his ā€œForget Tomorrow World Tourā€ to Capital One Arena (601 F St., N.W.) on Sunday, Oct. 13. This seventh headlining concert tour (and first in five years) supports his 2024 sixth album ā€œEverything I Thought it Was.ā€ Reviews for the tour have been strong; the setlist looks career-spanning and generous. Itā€™s sold out. 

Gay-helmed Pink Martini with China Forbes and Ari Shapiro plays the Kennedy Center (2700 F St., N.W.) on Monday, Oct. 14 at 7 p.m. Tickets are $40-80. 

ā€™80s pop sensation Debbie Gibson brings her ā€œAcoustic Youth: Songs & Stories from Electric Youth Eraā€ to the Birchmere (3701 Mt. Vernon Ave., Alexandria, Va.) on Wednesday, Oct. 16. Tickets are $59.50. Gibson is celebrating her 1989 album ā€œElectric Youth,ā€ her second. Sheā€™ll accompany herself on piano playing the songs ā€œthe way I first wrote them.ā€ 

DJ/producer Diplo, who says heā€™s ā€œnot not gay,ā€ plays Echostage (2135 Queens Chapel Road, N.E.) on Saturday, Oct. 19 at 9 p.m. Walker and Royce join. Tickets are $60. 

Motown diva Diana Ross brings her ā€œBeautiful Love Performances Legacy Tourā€ to MGM National Harbor (101 MGM National Ave., Oxon Hill, Md.) on Oct. 24-25 at 8 p.m. Except for adding a couple cuts from her abysmal 2021 album ā€œThank Youā€ (her latest), her setlist has not changed much in 15 years. Sheā€™s a little better about performing Supremes songs than she was earlier in her career (for ages, they were crammed into one medley), but she still heavily favors her solo material. Tickets start at $102. 

ā€œThe Life and Music of George Michaelā€ comes to the National Theatre (1321 Pennsylvania Ave., N.W.) on Friday, Oct. 25 at 8 p.m. Hard to tell from promo material if this is a typical jukebox musical-type show or more like a tribute band concert for the late gay singer. Tickets are $55. 

ā€œSapphic Factory: Queer Joy Partyā€ is at 9:30 Club (815 V St., N.W.) on Friday, Oct. 25 at 10 p.m. Itā€™s slated to feature music by artists such as Mana, Chappell Roan, Fletcher, Phoebe Bridges, Kehlani, Rina Sawayama, boygenius, Kim Petras, Tegan and Sara and more. Tickets are $23. 

Kacey Musgraves brings her ā€œDeeper Well World Tourā€ to CFG Bank Arena (201 West Baltimore St.) on Saturday, Nov. 9 at 7:30 p.m. It supports her sixth studio album, released in March. The setlist morphed slightly over a spring run in Europe. Itā€™s sold out. 

Soul diva Gladys Knight plays the Hall at Live! (7002 Arundel Mills Circle) in Hanover, Md., on Sunday, Nov. 17th at 7:30 p.m. Knight, who hasnā€™t had a new album out in a decade, tends to be fairly generous with her classic Motown- and Buddha-era hits with the Pips in approximately 75-minute sets. Tickets start at $95. 

(Joey DiGuglielmo was variously the Bladeā€™s news and features editor from 2006-2020.)

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Music & Concerts

National Symphony plays free concert Sunday

NSO Labor Day performance held at U.S. Capitol

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(Photo by DeshaCAM/Bigstock)

The National Symphony Orchestra’s free annual Labor Day weekend concert returns to the West Lawn of the U.S. Capitol on Sunday, Sept. 1.Ā The performance is free and tickets are not required. Seating is first-come, first-served.

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