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‘The Handmaid’s Tale,’ Lena Waithe win big at politically charged Emmys

the Hulu series won a total of eight awards for the night

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9 years ago

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(Aziz Ansari and Lena Waithe accept the award for Outstanding Writing for a Comedy Series. Screenshot via Twitter.)

The 69th Primetime Emmy Awards was filled with historic wins, political humor and some LGBT representation on Sunday night.

Hosted by late night talk show host Stephen Colbert, the awards ceremony wasn’t short on digs at the Trump administration. Colbert’s opening monologue was riddled with Trump references. In one of the most surprising moments of the night, Sean Spicer made an appearance wheeling out a podium as a nod to Melissa McCarthy’s portrayal of him on “Saturday Night Live.”

“This will be the largest audience to witness the Emmys, period,” Spicer told the shocked crowd.

Dolly Parton, Jane Fonda and Lily Tomlin joined together for a “Nine to Five” reunion on stage and took their own aim at Trump.

“Back in 1980, in that movie we refused to be controlled by a sexist, egotistical, lying, hypocritical bigot,” Fonda began.

“And in 2017, we still refuse to be controlled by a sexist, egotistical, lying, hypocritical bigot,” Tomlin finished to the cheers of the crowd.

RuPaul also made an appearance as a living Emmy statue being quizzed by Colbert on her dating life with other award statues.

Dave Chappelle presented the award for Outstanding Director in a Comedy Series and brought attention to D.C. Public Schools with a random shoutout.

“All right, now I’m going to read this teleprompter. Shout out to D.C. Public Schools, here we go,” Chappelle, who is an alumni of Duke Ellington School of the Arts, joked.

Later in the night while accepting his award for Outstanding Writing for a Variety Series, comedian John Oliver asked to get D.C. Public Schools trending on Twitter. His plea was heard and the hashtag was trending nationally.

The awards of the night marked firsts for many who held the statue on stage.

Lena Waithe made history for winning an Emmy for Outstanding Writing for a Comedy Series for co-writing the episode “Thanksgiving” on “Master of None” with the show’s co-creator, Aziz Ansari. She is the first black woman to receive the honor.

“Thanksgiving,” tells the story of how Waithe’s character Denise comes to terms with her sexuality and coming out in a black family over a series of family Thanksgivings. Waithe thanked her girlfriend while accepting the award and gave a special shoutout to her “LGBTQIA family.”

“I see each and every one of you,” Waithe says. “The things that make us different – those are our superpowers. Every day when you walk out the door and put on your imaginary cape and go out there and conquer the world, because the world would not be as beautiful as it is if we weren’t in it. And for everybody out there that showed us so much love for this episode, thank you for embracing a little Indian boy from South Carolina and a queer black girl from the South Side of Chicago.”

Donald Glover became the first black person to win both Outstanding Lead Actor in a Comedy Series and for comedy directing for his work on “Atlanta.” Julia Louis-Dreyfus won for Outstanding Lead Actress in a Comedy Series for her role on “Veep,” making her the record-holder for most Emmys won for the same role in the same series.

Sterling K. Brown was the first black man to win Outstanding Lead Actor in a Drama Series for “This is Us” since Andre Braugher won in 1998. Riz Ahmed took home Outstanding Lead Actor in a Limited Series for “The Night Of,” making him the first South Asian man to receive the honor.

Kate McKinnon won Outstanding Supporting Actress in a Comedy Series and thanked Hillary Clinton, who she frequently portrayed on “Saturday Night Live.”

“San Junipero,” from the sci-fi Netflix series “Black Mirror,” also received awards for Outstanding Television Movie and Outstanding Writing in a Limited Series or Movie. “San Junipero” follows an interracial, lesbian couple who fall in love in a simulated, alternate reality. It’s often been praised for its positive portrayal of an LGBT relationship and for having a happy ending.

“The Handmaid’s Tale” swept the Emmys, winning a total of eight awards including Outstanding Drama Series and Outstanding Lead Actress in a Drama Series for Elisabeth Moss.

List of winners below.

Outstanding Lead Actor in a Drama Series

Sterling K. Brown- “This Is Us” 
Anthony Hopkins, “Westworld”
Bob Odenkirk, “Better Call Saul”
Matthew Rhys, “The Americans”
Liev Schreiber, “Ray Donovan”
Kevin Spacey”House of Cards”
Milo Ventimiglia, “This Is Us”

Outstanding Lead Actress in a Drama Series

Viola Davis, “How to Get Away With Murder”
Claire Foy, “The Crown”
Elisabeth Moss, “The Handmaid’s Tale” 
Keri Russell, “The Americans”
Evan Rachel Wood, “Westworld”
Robin Wright, “House of Cards”

Outstanding Supporting Actor in a Drama Series

Jonathan Banks, “Better Call Saul”
Ron Cephas Jonas, “This Is Us”
David Harbour, “Stranger Things”
Michael Kelly, “House of Cards”
John Lithgow, “The Crown” 
Mandy Patinkin, “Homeland”
Jeffrey Wright , “Westworld”

Outstanding Supporting Actress in a Drama Series

Ann Dowd, “The Handmaid’s Tale” 
Samira Wiley, “The Handmaid’s Tale”
Uzo Aduba, “Orange Is the New Black”
Millie Bobby Brown, “Stranger Things”
Chrissy Metz, “This Is Us”
Thandie Newton, “Westworld”

Outstanding Lead Actor in a Comedy Series

Anthony Anderson, “Black-ish”
Aziz Ansari, “Master of None”
Zach Galifianakis, “Baskets”
Donald Glover, “Atlanta”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”

Outstanding Lead Actress in a Comedy Series

Pamela Adlon, “Better Things”
Jane Fonda, “Grace and Frankie”
Allison Janney, “Mom”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
Julia Louis-Dreyfus, “Veep” 
Tracee Ellis Ross, “Black-ish”
Lily Tomlin, “Grace and Frankie”

Outstanding Supporting Actor in a Comedy Series

Louie Anderson, “Baskets”
Alec Baldwin, “Saturday Night Live” 
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
Tony Hale, “Veep”
Matt Walsh, “Veep”

Outstanding Supporting Actress in a Comedy Series

Vanessa Bayer, “Saturday Night Live”
Leslie Jones, “Saturday Night Live”
Kate McKinnon, “Saturday Night Live” 
Kathryn Hahn, “Transparent”
Judith Light, “Transparent”
Anna Chlumsky, “Veep”

Outstanding Lead Actor in a Limited Series or Movie

Riz Ahmed, “The Night Of”
Benedict Cumberbatch,” Sherlock”
Robert De Niro, “Wizard of Lies”
Ewan McGregor, Fargo
Geoffrey Rush, Genius
John Turturro, The Night Of

Outstanding Limited Series

“Big Little Lies” 
“Fargo”
“Feud: Bette and Joan”
“The Night Of”
“Genius”

Best TV Movie

“Black Mirror: San Junipero”
“Dolly Parton’s Christmas of Many Colors”
“The Immortal Life of Henrietta Lacks”
“Sherlock: The Lying Detective”
“The Wizard of Lies”

Outstanding Lead Actor in a Limited Series

Riz Ahmed, “The Night Of” 
Benedict Cumberbatch, “Sherlock: The Lying Detective”
Robert De Niro, “The Wizard of Lies”
Ewan McGregor, “Fargo”
Geoffrey Rush, “Genius”
John Turturro, “The Night Of”

Outstanding Lead Actress in a Limited Series

Carrie Coon, “Fargo”
Felicity Huffman, “American Crime”
Nicole Kidman, “Big Little Lies”
Jessica Lange, “Feud: Bette and Joan”
Susan Sarandon, “Feud: Bette and Joan”
Reese Witherspoon, “Big Little Lies”

Outstanding Supporting Actress in a Limited Series or Movie

Judy Davis, “Feud: Bette and Joan
Laura Dern, “Big Little Lies” 
Jackie Hoffman,”Feud: Bette and Joan”
Michelle Pfeiffer, “The Wizard of Lies”
Shailene Woodley, “Big Little Lies”

Outstanding Supporting Actor in a Limited Series or Movie

Bill Camp, “The Night Of”
Alfred Molina, “Feud: Bette and Joan”
Alexander Skarsgard, “Big Little Lies” 
David Thewlis, “Fargo”
Stanley Tucci, “Feud: Bette and Joan”
Michael Kenneth Williams, “The Night Of”

Outstanding Variety Talk Series

“Full Frontal With Samantha Bee”
“Jimmy Kimmel Live!”
“Last Week Tonight With John Oliver” 
“The Late Late Show With James Corden”
“The Late Show With Stephen Colbert”
“Real Time With Bill Maher”

Outstanding Reality-Competition Program

“The Amazing Race”
“American Ninja Warrior”
“Project Runway”
“RuPaul’s Drag Race”
“Top Chef”
“The Voice” 

Outstanding Directing for a Comedy Series

Jamie Babbit, “Silicon Valley”
Donald Glover, “Atlanta”
Mike Judge, “Silicon Valley”
David Mandel, “Veep”
Morgan Sackett, “Veep”
Dale Stern, “Veep”

Outstanding Writing for a Drama Series

The Duffer Brothers, “Stranger Things”
Lisa Joy and Jonathan Nolan, “Westworld”
Peter Morgan, “The Crown”
Bruce Miller, “The Handmaid’s Tale” 
Gordon Smith, “Better Call Saul”
Joe Weisberg and Joel Fields, “The Americans”

Outstanding Writing for a Comedy Series

Aziz Ansari and Lena Waithe, “Master of None”
Alec Berg, “Silicon Valley”
Donald Glover, “Atlanta”
Stephen Glover, “Atlanta”
Billy Kimball, “Veep”
David Mandel, “Veep”

Best Writing for a Limited Series, Movie or Dramatic Special

Charlie Brooker, “Black Mirror: San Junipero”
David E. Kelley, “Big Little Lies”
Noah Hawley, “Fargo”
Ryan Murphy, “Feud: Bette and Joan”
Jaffe Cohen, Michael Zam & Ryan Murphy, “Feud: Bette and Joan”
Richard Price & Steven Zaillian, “The Night Of”

Outstanding Directing for a Drama Series

Stephen Daldry, “The Crown”
Kate Dennis, “The Handmaid’s Tale”
The Duffer Brothers, “Stranger Things”
Vince Gilligan, “Better Call Saul”
Lesli Linka Glatter, “Homeland”
Reed Morano, “The Handmaid’s Tale”
Jonathan Nolan, “Westworld”

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Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

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18 hours ago

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May 11, 2026

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'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

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1 day ago

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May 11, 2026

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The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip. 

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026 

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

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Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

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2 days ago

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May 10, 2026

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Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read. 

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan. 

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”  

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24). 

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater. 

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”]. 

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball. 

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life. 

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar? 

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel. 

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students. 

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.  

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel. 

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer. 

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy. 

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating. 

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close. 

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time. 

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