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Pence criticized for excluding media from breakfast with gay Irish PM

U.S.-Irish leaders meet for St. Patrick’s Day events

Published

8 years ago

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Vice President Mike Pence (center) and Second Lady Karen Pence (right) met with the gay Irish PM Leo Vardakar for St. Patrick’s Day breakfast. (Photo courtesy Twitter)

Vice President Mike Pence is taking heat for excluding the media from his breakfast meeting with Irish Prime Minister Leo Varadkar, who is gay.

The breakfast at the Naval Observatory is a tradition for St. Patrick’s Day, which is a time when the Irish leader makes his annual visit to Washington to meet with U.S. leaders. This year, Varadkar was representing Ireland during his first year as prime minister.

But this year was different than previous years: The breakfast was now between an openly gay leader of Ireland and a vice president with a draconian anti-gay record. What’s also different is that in the past reporters were able to attend the breakfast, but this time the exchange was closed to the media.

Prior to the breakfast, Varadkar was quoted in the Ireland publication TheJournal.ie as saying he’d like to raise LGBT issues with the vice president during the breakfast.

“I am going to be meeting him over breakfast on Friday morning, so if I have the opportunity I will certainly be mentioning the wider issue of equal rights and freedoms for LGBT citizens,” Varadkar said.

The nation’s largest LGBT group, the Human Rights Campaign, pounced on the closed-press nature of the breakfast as evidence Pence didn’t want to be seen with a gay person or be held accountable for his anti-LGBT record.

Pence has an extensive anti-LGBT history. As a U.S. House member, Pence backed a U.S. constitutional amendment that would have banned same-sex marriage; he also opposed hate crimes protections legislation, “Don’t Ask, Don’t Tell” repeal and a version of the Employment Non-Discrimination Act.

Most prominently, Pence in 2015 as Indiana governor signed a “religious freedom” bill allowing businesses and individuals to refuse services and discriminate against LGBT people. After pressure from LGBT advocates and the business community, Pence was forced to sign a “fix” to the law significantly limiting its scope.

Pence has been dogged by comments from his 2000 campaign for the U.S. House stipulating he would support HIV/AIDS funding on the condition that resources are directed to institutions that “provide assistance to those seeking to change their sexual behavior.” That has been interpreted as support for “ex-gay” conversion therapy, although Pence through a spokesperson has denied he ever supported the practice.

The perception Pence backed conversion therapy came to the fore during the Winter Olympics when gay skater Adam Rippon said he wouldn’t meet with Pence because he “funded gay conversion therapy.” A Pence spokesperson asserted the claim was false. Tension grew when USA Today reported Pence sought a meeting with Rippon, but the skater declined it. Pence tweeted out the article was fake and pledged support for Rippon, but the public didn’t buy it based on the vice president’s anti-LGBT history.

Although the breakfast itself within the Naval Observatory was closed to media, reporters were granted access outside for Pence’s invite of Varadkar to the event. According to the U.K.-based Independent, Pence ignored questions shouted at him by reporters and Varadkar didn’t respond to a question about whether he’d bring up same-sex marriage with Pence.

Alyssa Farrah, a Pence spokesperson, affirmed the breakfast itself was closed to the press and said the two leaders already appeared together at events in the White House that were open to the media.

“The vice president and the prime minister met and spoke together at multiple events yesterday,” Farrah said. “Today’s informal breakfast is set up like every breakfast the vice president has had with a foreign leader following their meetings at the White House.”

According to the Irish media, the decision to close the event to press was made by the Pence camp. Farrah denied the breakfast was made closed press at behest of the vice president, but didn’t respond to a follow-up email on who made the decision.

Sources within the vice president’s office said there’s no precedent for open or closed press for this breakfast, even though last year’s breakfast was open press, because it’s only the second time the vice president has participated. (In 2015 and 2016, the breakfasts between then-Vice President Joseph Biden and then-Irish Prime Minister Enda Kenny were open press.)

The vice president’s office made public transcripts of remarks from Pence and Varadkar during the breakfast. Not once during those remarks, according to the transcripts, did either of the leaders articulate views on LGBT rights, despite Varadkar’s pledge to bring it up.

Also made public via the vice president’s Twitter account were photos of Pence and Varadkar together during the breakfast, which were captioned with words from Pence praising the U.S.-Ireland relationship.

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Photos

PHOTOS: ‘ICE Out For Good’ Sunday protests

Northern Virginia demonstrations among nationwide protest

Published

3 hours ago

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January 12, 2026

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A demonstrator holds a sign with the photo of Renee Nicole Good. (Washington Blade photo by Michael Key)

“ICE Out For Good” demonstrations were held in the Northern Virginia municipalities of Haymarket, Annandale and Arlington, among others, on Sunday, Jan. 12.

Nearly 1,200 similar actions were scheduled nationwide over the weekend, according to a statement from organizers.

Demonstrations in D.C. against ICE included a protest march on Friday and a march around the White House on Saturday.

(Washington Blade photos by Michael Key)

Picketers stand along James Madison Highway near Heathcode Blvd. just outside of Haymarket, Va. on Sunday, Jan. 11.
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Demonstrators in the ‘ICE Out For Good’ protests hold signs on an overpass over the Capital Beltway in Annandale, Va. on Jan. 11.
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Demonstrators participating in the ICE Out For Good protests stand along Mount Vernon Ave. in Alexandria, Va. on Jan. 11.
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Theater

Ford’s ‘First Look’ festival showcases three new productions

A chance to enjoy historical dramas for free before they’re completed

Published

12 hours ago

on

January 11, 2026

By

José Carrasquillo, director of Artistic Programming at Ford's Theatre (Photo by Paolo Andres Montenegro)

The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org

When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings. 

“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”

This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.

The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp. 

“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo. 

Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping. 

“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves. 

Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026. 

“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.” 

At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored. 

For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”

One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season. 

Increasingly, the readings at Ford’s have become popular with both artists and audiences. 

At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone. 

Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work. 

Is this year’s festival queer influenced? Yes, both by those involved and the topics explored. 

Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us. 

“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”

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Bars & Parties

Mid-Atlantic Leather kicks off this week

Parties, contests, vendor expo and more planned for annual gathering

Published

13 hours ago

on

January 11, 2026

By

A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.

This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.

There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle. 

For more details, visit MAL’s website. 

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