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Pence criticized for excluding media from breakfast with gay Irish PM

U.S.-Irish leaders meet for St. Patrick’s Day events

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Vice President Mike Pence (center) and Second Lady Karen Pence (right) met with the gay Irish PM Leo Vardakar for St. Patrick’s Day breakfast. (Photo courtesy Twitter)

Vice President Mike Pence is taking heat for excluding the media from his breakfast meeting with Irish Prime Minister Leo Varadkar, who is gay.

The breakfast at the Naval Observatory is a tradition for St. Patrick’s Day, which is a time when the Irish leader makes his annual visit to Washington to meet with U.S. leaders. This year, Varadkar was representing Ireland during his first year as prime minister.

But this year was different than previous years: The breakfast was now between an openly gay leader of Ireland and a vice president with a draconian anti-gay record. What’s also different is that in the past reporters were able to attend the breakfast, but this time the exchange was closed to the media.

Prior to the breakfast, Varadkar was quoted in the Ireland publication TheJournal.ie as saying he’d like to raise LGBT issues with the vice president during the breakfast.

“I am going to be meeting him over breakfast on Friday morning, so if I have the opportunity I will certainly be mentioning the wider issue of equal rights and freedoms for LGBT citizens,” Varadkar said.

The nation’s largest LGBT group, the Human Rights Campaign, pounced on the closed-press nature of the breakfast as evidence Pence didn’t want to be seen with a gay person or be held accountable for his anti-LGBT record.

Pence has an extensive anti-LGBT history. As a U.S. House member, Pence backed a U.S. constitutional amendment that would have banned same-sex marriage; he also opposed hate crimes protections legislation, “Don’t Ask, Don’t Tell” repeal and a version of the Employment Non-Discrimination Act.

Most prominently, Pence in 2015 as Indiana governor signed a “religious freedom” bill allowing businesses and individuals to refuse services and discriminate against LGBT people. After pressure from LGBT advocates and the business community, Pence was forced to sign a “fix” to the law significantly limiting its scope.

Pence has been dogged by comments from his 2000 campaign for the U.S. House stipulating he would support HIV/AIDS funding on the condition that resources are directed to institutions that “provide assistance to those seeking to change their sexual behavior.” That has been interpreted as support for “ex-gay” conversion therapy, although Pence through a spokesperson has denied he ever supported the practice.

The perception Pence backed conversion therapy came to the fore during the Winter Olympics when gay skater Adam Rippon said he wouldn’t meet with Pence because he “funded gay conversion therapy.” A Pence spokesperson asserted the claim was false. Tension grew when USA Today reported Pence sought a meeting with Rippon, but the skater declined it. Pence tweeted out the article was fake and pledged support for Rippon, but the public didn’t buy it based on the vice president’s anti-LGBT history.

Although the breakfast itself within the Naval Observatory was closed to media, reporters were granted access outside for Pence’s invite of Varadkar to the event. According to the U.K.-based Independent, Pence ignored questions shouted at him by reporters and Varadkar didn’t respond to a question about whether he’d bring up same-sex marriage with Pence.

Alyssa Farrah, a Pence spokesperson, affirmed the breakfast itself was closed to the press and said the two leaders already appeared together at events in the White House that were open to the media.

“The vice president and the prime minister met and spoke together at multiple events yesterday,” Farrah said. “Today’s informal breakfast is set up like every breakfast the vice president has had with a foreign leader following their meetings at the White House.”

According to the Irish media, the decision to close the event to press was made by the Pence camp. Farrah denied the breakfast was made closed press at behest of the vice president, but didn’t respond to a follow-up email on who made the decision.

Sources within the vice president’s office said there’s no precedent for open or closed press for this breakfast, even though last year’s breakfast was open press, because it’s only the second time the vice president has participated. (In 2015 and 2016, the breakfasts between then-Vice President Joseph Biden and then-Irish Prime Minister Enda Kenny were open press.)

The vice president’s office made public transcripts of remarks from Pence and Varadkar during the breakfast. Not once during those remarks, according to the transcripts, did either of the leaders articulate views on LGBT rights, despite Varadkar’s pledge to bring it up.

Also made public via the vice president’s Twitter account were photos of Pence and Varadkar together during the breakfast, which were captioned with words from Pence praising the U.S.-Ireland relationship.

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Arts & Entertainment

The very few queer highlights of the Oscars

Streisand’s live performance, a shocking tie, and more

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(Photo courtesy of AMAS)

LOS ANGELES — While Sunday’s Academy Awards saw the expected winners “One Battle After Another” and “Sinners” nab a collective 10 Oscars throughout the evening, dominating most of the major categories, there were a few moments for queer film fans to celebrate.

During the ceremony’s prolonged and emotional In Memoriam segment, which paid tribute to Robert Redford, Rob Reiner, and Catherine O’Hara, queer icon Barbra Streisand went on stage and gave a rare live performance of “The Way We Were” as a tribute to Redford, who died last September at the age of 83. Before singing, Streisand said, “Now, Bob had real backbone on and off the screen. He spoke up to defend freedom of the press, protect the environment, and encouraged new voices at his Sundance Institute — some of whom are up for Oscars tonight, which is so great. He was thoughtful and bold.”

Both “I Lied to You” from “Sinners” and “Golden” from “KPop Demon Hunters” were performed live; Alabama Shakes front woman Brittany Howard performed during the evening’s powerful rendition of “Sinners’” “pierce the veil” scene. “Golden” ended up winning the Best Original Song award.

One of the most shocking moments of the night arrived early on when Kumail Nanjiani presented the Best Live Action short category, which was a tie between “The Singers” and “Two People Exchanging Saliva” — only the seventh tie in Oscars history (one of which involved Streisand’s 1969 win for “Funny Girl”). The latter short, which is currently streaming on The New Yorker, is described as “a dystopian version of Paris where kissing is forbidden and purchases are made through small acts of violence” and follows the unexpected connection between two women.

When accepting the award, “Two People Exchanging Saliva” director and producer Natalie Musteata said: “Thank you to the Academy for supporting a film that is weird, and that is queer, and that is made by a majority of women!”

“One Battle After Another’s” editor, Andy Jurgensen (who collaborated with Paul Thomas Anderson on “Licorice Pizza” and “Phantom Thread”), kissed his husband before going on stage to accept his award for film editing. He said, “To my partner, Bill, who brings so much joy to my life every day.”

Overall, the 2026 award season did not feature many queer films or actors in the lineup, and that was reflected in both the Oscar nominees and eventual winners. Smaller award shows like the Gotham Awards and the Film Independent Spirit Awards provided opportunities for indies like “Sorry, Baby,” “Twinless,” and “Lurker” to get proper recognition. “One Battle After Another” won Best Picture and Best Director for Paul Thomas Anderson; “Sinners” star Michael B. Jordan won Best Actor; and “Hamnet’s” Jessie Buckley won Best Actress.

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Photos

PHOTOS: Awesome Con

George Takei speaks on the main stage

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George Takei was among the featured guests at Awesome Con on March 14. (Washington Blade photos by Michael Key)

The annual fantasy, comics and science fiction convention Awesome Con was held at the Walter E. Washington Convention Center on March 13-15. Featured guests included openly gay actor, author and activist, George Takei. The convention included LGBTQ panels and a “Pride Alley” with LGBTQ-specific booths in the exhibit hall.

(Washington Blade photos by Michael Key)

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Theater

A season of renewal for D.C. theater

‘Streetcar,’ ‘Hamnet,’ ‘Hamlet,’ and many more

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Ismenia Mendes plays Ana in ‘Jonah’ at Studio Theatre. (Photo by Krystena Patton)

Ideally, spring is our season of renewal – personal, emotional, and social. Lucky for those in the DMV, there’s a lot of exhilarating new theater to help make it happen. 

At Arena Stage, there’s still time to catch the world premiere production of “Chez Joey” (extended through March 22). Set around the 1940s Chicago jazz scene, this smart reboot of the Broadway classic “Pal Joey” effervesces with music by Rodgers and Hart and a terrific cast brimming with big talent (including Myles Frost, Awa Sal Secka, and out comedic actor Kevin Cahoon). 

Also at Arena, is “Inherit the Wind” (through April 5), the extraordinarily timely work based on the real-life Scopes “Monkey” Trial. It’s a courtroom drama that pits two towering legal minds against each other in a small-town battle over science, religion, and the right to think. The large, talented cast includes Billy Eugene Jones, Dakin Matthews, and out actors Holly Twyford and Alyssa Keegan.  Arenastage.org 

La Pluma Theatre, a queer Latin company housed in Dupont Underground, presents “The Ladybird of Saint John” (April 6-12), a powerful story about two sisters navigating immigration, separation, and the fragile bonds of family. @laplumatheatre – Instagram 

Great gay playwright Tennessee Williams’ “A Streetcar Named Desire” (April 20–May 4) is also coming to the Dupont Underground space. Directed by out actor/director Nick Westrate, the touring production of Williams’s classic work set in New Orlean’s steamy Vieux Carré is performed with neither set nor props. It focuses on the words. Lucy Owen and Brad Koed star as fragile Blanche Dubois and her brutal brother-in-law Stanley. Dupontunderground.org

Folger Theatre is serving up one of the Bard’s best comedies, “As You Like It” (through April 12). Staged by out director Timothy Douglas, Folger’s production “offers a love note to D.C., imbuing the forest of Arden with the familiar vibes, culture, and characters that mark the District as a singular, resilient, and redemptive place of belonging.” Folger.edu 

As part of the country’s semi-quincentennial celebrations, Ford’s Theatre presents “1776” (through May 16), a Tony Award-winning musical about the Second Continental Congress’s struggle to adopt the Declaration of Independence in Philadelphia. Directed by Luis Salgado, the show features a large cast including queer talent like Tom Story, Jake Loewenthal, Jimmy Mavrikes, and Wood Van Meter. Fords.org 

In Falls Church, Creative Cauldron presents “Twelve Dancing Princesses” (through March 29), a Learning Theater Production targeting both kids and adults. Adapted from a Brothers Grimm tale, the eerie story features Spanish language elements and original music by husbands Matt Conner and Stephen Gregory Smith. Creativecauldron.org 

The National Theatre presents “Disney’s Beauty and the Beast” (March 18–April 5). This musical “tale as old as time” is a love story involving Belle, a cursed beast, and the arrogant and famously spurned Gaston played out actor Stephen Mark Lukas, a beauty in his own right. Broadwayatthenational.com 

At Mosaic Theater Company, Michael Bahsil-Cook plays the titular activist/congressman in Psalmayene 24’s “Young John Lewis: Prodigy of Protest.” (March 26–May 3). Staged by Mosaic’s out artistic director Reginald L. Douglas, focuses on Lewis’s formative years of ages 18-28, revealing the budding humanity and heart of this mighty historic figure. Talented out actor Vaughn Ryan Midder plays legendary civil rights activist Medgar Evers and other parts. Mosaictheater.org 

At Olney Theatre Center, it’s the anticipated area premiere of “Appropriate” (March 18–April 19). Penned by Tony Award-winning out playwright Branden Jacobs-Jenkins, the darkly comic work follows a dysfunctional white family that gathers on a plantation home to liquidate their late father’s estate where they uncover a dark history of racism.

Excellent area actors Kimberly Gilbert and Cody Nickell play siblings battling over possessions as well as their father’s shady legacy. Performed in Olney’s black box Mulitz-Gudelsky Theatre Lab, the company promises a unique staging of this important American play.  Jason Loewith directs. 

Also at Olney Theatre, celebrity chef and longtime queer ally Carla Hall debuts her one-woman show, “Carla Hall — Please Underestimate Me” (June 3–July 12). Olneytheatre.org 

British imports are striding the boards at Shakespeare Theatre Company this spring. The first is “Hamnet” (March 17–April 12), the U.S. premiere of the Royal Shakespeare Company’s 2023 stage adaptation of Maggie O’Farrell’s best-selling novel about the life of Shakespeare’s wife, Agnes, and the death of their son.

And then it’s “Eddie Izzard in the Tragedy of Hamlet” (March 27–April 11), a one-woman show in which the British comedian takes on 23 characters in a unique re-telling of the renowned work. Shakespearetheatre.org 

Woolly Mammoth Theatre presents “Travesty” (March 24–April 12). Created and performed by gender fluid drag performer Sasha Velour, the one-person show is part performance art, part history, and part call to action.

Also at Woolly, out actor Justin Weaks stars in his solo piece “A Fine Madness” (June 2–21), in which the Helen Hayes Award-winning actor shares his personal experience as a Black gay man receiving a positive HIV diagnosis. Woollymammoth.net

Spring at Studio Theatre is Rachel Bonds’ “Jonah” (through April 19), an exploration of a woman’s life through relationships with three men. Directed by Taylor Reynolds, the young five-person cast includes Rohan Maletira in the title role and Ismena Mendes as Ana. Mendes is an accomplished stage and screen actor whose described as bisexual/queer in her IMBD bio. Studiotheatre.org 

In Arlington, Signature Theatre’s out artistic director Matthew Gardiner stages “Pippin” (May 12–July 26), Stephen Schwartz’s musical about a young prince searching for a terrific life guided by a theatrical troupe. The original 1972 production featured stars like Ben Vereen and Irene Ryan (best known as TV’s Granny Clampett). Signature’s production’s big names have yet to be shared. Sigtheatre.org 

Exciting stuff ahead. 

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