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Pence criticized for excluding media from breakfast with gay Irish PM

U.S.-Irish leaders meet for St. Patrick’s Day events

Published

7 years ago

on

Vice President Mike Pence (center) and Second Lady Karen Pence (right) met with the gay Irish PM Leo Vardakar for St. Patrick’s Day breakfast. (Photo courtesy Twitter)

Vice President Mike Pence is taking heat for excluding the media from his breakfast meeting with Irish Prime Minister Leo Varadkar, who is gay.

The breakfast at the Naval Observatory is a tradition for St. Patrick’s Day, which is a time when the Irish leader makes his annual visit to Washington to meet with U.S. leaders. This year, Varadkar was representing Ireland during his first year as prime minister.

But this year was different than previous years: The breakfast was now between an openly gay leader of Ireland and a vice president with a draconian anti-gay record. What’s also different is that in the past reporters were able to attend the breakfast, but this time the exchange was closed to the media.

Prior to the breakfast, Varadkar was quoted in the Ireland publication TheJournal.ie as saying he’d like to raise LGBT issues with the vice president during the breakfast.

“I am going to be meeting him over breakfast on Friday morning, so if I have the opportunity I will certainly be mentioning the wider issue of equal rights and freedoms for LGBT citizens,” Varadkar said.

The nation’s largest LGBT group, the Human Rights Campaign, pounced on the closed-press nature of the breakfast as evidence Pence didn’t want to be seen with a gay person or be held accountable for his anti-LGBT record.

Pence has an extensive anti-LGBT history. As a U.S. House member, Pence backed a U.S. constitutional amendment that would have banned same-sex marriage; he also opposed hate crimes protections legislation, “Don’t Ask, Don’t Tell” repeal and a version of the Employment Non-Discrimination Act.

Most prominently, Pence in 2015 as Indiana governor signed a “religious freedom” bill allowing businesses and individuals to refuse services and discriminate against LGBT people. After pressure from LGBT advocates and the business community, Pence was forced to sign a “fix” to the law significantly limiting its scope.

Pence has been dogged by comments from his 2000 campaign for the U.S. House stipulating he would support HIV/AIDS funding on the condition that resources are directed to institutions that “provide assistance to those seeking to change their sexual behavior.” That has been interpreted as support for “ex-gay” conversion therapy, although Pence through a spokesperson has denied he ever supported the practice.

The perception Pence backed conversion therapy came to the fore during the Winter Olympics when gay skater Adam Rippon said he wouldn’t meet with Pence because he “funded gay conversion therapy.” A Pence spokesperson asserted the claim was false. Tension grew when USA Today reported Pence sought a meeting with Rippon, but the skater declined it. Pence tweeted out the article was fake and pledged support for Rippon, but the public didn’t buy it based on the vice president’s anti-LGBT history.

Although the breakfast itself within the Naval Observatory was closed to media, reporters were granted access outside for Pence’s invite of Varadkar to the event. According to the U.K.-based Independent, Pence ignored questions shouted at him by reporters and Varadkar didn’t respond to a question about whether he’d bring up same-sex marriage with Pence.

Alyssa Farrah, a Pence spokesperson, affirmed the breakfast itself was closed to the press and said the two leaders already appeared together at events in the White House that were open to the media.

“The vice president and the prime minister met and spoke together at multiple events yesterday,” Farrah said. “Today’s informal breakfast is set up like every breakfast the vice president has had with a foreign leader following their meetings at the White House.”

According to the Irish media, the decision to close the event to press was made by the Pence camp. Farrah denied the breakfast was made closed press at behest of the vice president, but didn’t respond to a follow-up email on who made the decision.

Sources within the vice president’s office said there’s no precedent for open or closed press for this breakfast, even though last year’s breakfast was open press, because it’s only the second time the vice president has participated. (In 2015 and 2016, the breakfasts between then-Vice President Joseph Biden and then-Irish Prime Minister Enda Kenny were open press.)

The vice president’s office made public transcripts of remarks from Pence and Varadkar during the breakfast. Not once during those remarks, according to the transcripts, did either of the leaders articulate views on LGBT rights, despite Varadkar’s pledge to bring it up.

Also made public via the vice president’s Twitter account were photos of Pence and Varadkar together during the breakfast, which were captioned with words from Pence praising the U.S.-Ireland relationship.

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Photos

PHOTOS: WorldPride Street Festival and Closing Concert

Doechii, Khalid among performers

Published

16 hours ago

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June 11, 2025

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Doechii performs at the WorldPride Closing Concert on Sunday, June 8. (Washington Blade photo by Michael Key)

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.

(Washington Blade photos by Michael Key)

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Photos

PHOTOS: WorldPride Parade

Thousands march for LGBTQ rights

Published

18 hours ago

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June 11, 2025

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The 2025 WorldPride Parade (Washington Blade photo by Michael Key)

The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals. 

(Washington Blade photos by Michael Key and Robert Rapanut)

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Theater

A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’

Nonbinary actor Alyssa Keegan stars as Duke Orsino

Published

4 days ago

on

June 8, 2025

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Alyssa Keegan (Photo courtesy Folger Theatre)

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within. 

Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.” 

Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few. 

In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting. 

WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about? 

ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all. 

BLADE: What’s your approach to the fetching, cod-piece clad nobleman?

KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness. 

So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.

Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.

BLADE: As an actor, do you ever risk taking on the feelings of your characters? 

KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character. 

So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character. 

BLADE: Has changing the way you work affected your performances?

KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way. 

BLADE: Is Orsino your first time playing a male role?

KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy. 

As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.

BLADE: Do you have a favorite part? Male or female? 

KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting. 

BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?

KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way. 

The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen.  It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.

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