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‘Shadowhunters’ canceled after three seasons

The show included a gay hunter who falls for a warlock

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Magnus Bane (Harry Shum Jr) and Alec Lightwood ( Matthew Daddario) in ‘Shadowhunters.’ (Screenshot via YouTube)

Freeform has announced its supernatural series “Shadowhunters” will end after its third season.

“Shadowhunters,” based on “The Mortal Instruments” book series by Cassandra Clare, stars  Katherine McNamara, Dominic Sherwood, Matthew Daddario and Emeraude Toubia as part human/part angels who must protect people from demons and maintain order in the Shadow World.

Daddario plays Alec Lightwood, a closeted Shadowhunter who falls for Warlock Magnus Bane (Harry Shum Jr).

“It has been an absolutely wonderful experience getting to be part of Shadowhunters for the past three years. After all of it, I hope I have fulfilled my promise of being the best Alec Lightwood you could ask for. Look out for the great work this crew will be doing out of,” Daddario wrote in a tweet.

“We are very proud of Shadowhunters, a series that broke new ground in the genre world and became a fan favorite,” the network said in a statement to People. “However, along with our partners at Constantin, we reached the very difficult decision not to renew the show for a fourth season. But, as big supporters and fans ourselves, Freeform insisted on and championed the filming of a special two-part finale that would give devoted fans a proper ending. The twelve episodes will air in spring of 2019. We want to thank our talented creators, producers, cast and crew along with our colleagues at Constantin for their hard work and dedication and to Cassie Clare for her incredible book series. We look forward to the final chapter of this breakthrough drama.”

The second half of the third season premieres in 2019 with a two-episode series finale.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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