Connect with us

Arts & Entertainment

Learn to make a Pride birthday cake in support of the Blade Foundation

Participants can take home their own cakes, truffles

Published

on

Learn to make a Milk Bar birthday cake in support of the Blade Foundation.

The Blade Foundation, Milk Bar and Absolut host a Pride Birthday Cake class at Milk Bar (1525 15th St., N.W.) on Friday, June 15 from 6:30-8:30 p.m.

The class will teach how to make Milk Bar’s birthday cake layer by layer. The cake scraps will be transformed into B’Day Cake Truffles. Participants will take home their own 6″ cake and truffles.

Absolut cocktails and light snacks will be provided.

Tickets are $95. Proceeds benefit the Blade Foundation.

Purchase tickets here. 

Continue Reading
Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Photos

PHOTOS: Safe Space

New LGBTQ+ party held at Black Cat

Published

on

A scene from the 'Safe Space' party at the Black Cat on Saturday. (Washington Blade photo by Michael Key)

The Safe Space 2: A Safer Space party was held at the Black Cat on Saturday, Dec. 3.

(Washington Blade photos by Michael Key)

Continue Reading

Photos

PHOTOS: Holiday Show

The Gay Men’s Chorus of Washington perform annual concert at Lincoln Theatre

Published

on

A scene from the Gay Men's Chorus of Washington's 'Holiday Show.' (Washington Blade photo by Michael Key)

The Gay Men’s Chorus of Washington and the GenOUT Youth Chorus performed “The Holiday Show” at a dress rehearsal on Friday, Dec. 2 at Lincoln Theatre. The Chorus has performances scheduled for Dec. 9 and 11. For tickets and showtimes, visit gmcw.org.

(Washington Blade photos by Michael Key)

Continue Reading

Theater

New Studio Theatre production explores misery of addiction

Slogging through the work of recovery in ‘People, Places & Things’

Published

on

Kristen Bush in ‘People, Places & Things.’ (Photo by Margot Schulman)

‘People, Places & Things’
Through Dec. 11
Studio Theatre
1501 14th St., N.W.
$65-$95
Studiotheatre.org

Meet Emma, working actor and addict.  

After a lot of hard partying and an onstage collapse, the relapsing heroine of Duncan Macmillan’s “People, Places & Things” devises a sort of strategy. She’ll do a short stint in rehab and get back to work as soon as possible, sort of breeze in and breeze out. But things don’t quite pan out as planned.  

In Macmillan’s superbly written and aptly named work (the title references a recovery slogan about triggers and relapse), the English playwright takes a lucid and, at turns, funny and mordantly perceptive look into the misery of addiction and the vicissitudes of recovery. At the center of his work is Emma — dishonest, witty, very toxic, but in spite of everything, likeable.  

At Studio Theatre, director David Muse succeeds in leading an inventive design team and strong cast, particularly Kristen Bush as wily Emma, in bringing this not unfamiliar but compellingly told tale to life. 

After a major professional screw up, (a wasted Emma implodes during a performance of Chekhov’s “The Seagull”), she voluntarily checks into a British clinic. At intake she’s still high and in an uncharacteristically honest moment, readily admits to having recently indulged in a panoply of pills, weed, coke, speed, and ibuprofen washed down with gin and a good bottle of Rioja.

Unsold on the 12 steps, she’s resistant. Still the show must go on – loads of therapy (one-on-one and group) and role-playing sessions ensue. The medical professionals, staff, and patients are played effectively by Nathan Whitmer, Lise Bruneau, Tessa Klein, Maboud Ebrahimzadeh, Emily Erickson, Derek Garza, Lynette R. Freeman, and the excellent David Manis. 

Jeanne Paulsen plays Emma’s helpful doctor and later and more startling, her mother. Jahi Kearse adds an inspiring presence as a fellow addict.

Watching an addict slog through the yeoman work of recovery, and in this case an unenthusiastic patient’s passage from detox to therapy to departure, isn’t anything new; but here, the unfolding journey feels fresh despite or maybe due to the protagonist’s dearth of pink cloud elation. There’s also a real true-to-lifeness about it. 

Studio’s new Victor Shargai Theatre has been configured as alley staging (it’s like a catwalk with banked seating on either side), making for an intimate experience. Debra Booth’s institutional grey set changes fairly seamlessly and entertainingly to different spaces, all interconnected in Emma’s recovery – a stage, an after-hours club evoking both allure and dread, offices, therapy rooms, and bedrooms. 

Lighting by Andrew Cissna and Lindsay Jones’s music contribute to a sometimes-unsettling mood. 

Macmillan wrote “People, Places & Things” with a meaty female role in mind. It premiered at London’s National Theatre in 2015 and moved to New York a couple of years later. The production proved a great success for everyone involved, including Denise Gough who created the role of Emma. Bush is garnering a similar reaction at Studio. 

As the action moves steadily toward an ending, contributing factors regarding Emma’s dysfunction are revealed – cold family, a brother’s death. Some definite headway is made. Still, there’s no denying that over turbulent years, she’s left some very hurt and disappointed colleagues and family in her frenzied drug fueled wake. 

The actor/addict leaves rehab markedly less messy. Reentering the world as a different Emma, she lands at the home of her unsympathetic parents, not the most cushiony place for a sober re-launch. 

Her future is unclear, and like her sobriety, can’t be taken for granted. 

Continue Reading
Advertisement

Sign Up for Weekly E-Blast

Advertisement

Follow Us @washblade

Advertisement

Popular