Galleries
Beat the heat, chill with great art
Baseball-, Hamilton- and Oprah-themed exhibits among regional highlights

‘ALL STAR GAME’ by Charles Fazzino is available for purchase at the Wentworth Gallery. (Photo courtesy Wentworth)
Looking for cool ways to beat the heat without leaving D.C.? Washington boasts nearly 80 museums located throughout the city. They’re a cheap way — most admission prices range from free to $30 — to spend a day inside learning about new topics and enjoying pieces of art and culture. The collections are constantly changing and new exhibits ensure that every trip is a one-of-a-kind experience.
The D.C. Center’s Center Arts Gallery (2000 14th St., N.W.) presents its new installation “RoopKotha,” a compilation of pictures, memorabilia and installation that narrates the story of Xulhaz Mannan and Mahbub Rabbi Tonoy, two Bangaldeshi LGBT activists. They were murdered in 2016 and the Bangladeshi government has failed to investigate the case. The exhibition has traveled around the world and will continue to exhibit until the murderers are brought to justice. The exhibition begins July 21. For more information, visit thedccenter.org/
The Wentworth Gallery (7101 Democracy Blvd., Bethesda, Md. and 1807 Galleria at Tysons II, McLean, Va.) is exhibiting Charles Fazzino’s Major League Baseball official commemorative artwork. The collection consists of original artwork, limited-edition prints on both paper and aluminum, and hand-painted baseballs and home plates. It is both on exhibition and available for purchase. Fazzino, a 3-D pop artist, uses bright colors and detail to construct lithographs and serigraphs that are finished with either acrylic or glitter paint. For more details, visit wentworthgallery.com.
The National Gallery of Art (6th and Constitution Ave., N.W.) presents “Sense of Humor,” an exhibition of comedic art, on the ground floor of the West Building. Although humorous painting and sculpture is limited, prints and drawings comprise many of the pieces in the exhibit. It spans time and genre, with works like Renaissance caricatures, English satires and comics from the 20th century and featuring artists like Pieter Brueghel the Elder, Francisco Goya, Art Spiegelman and the Guerrilla Girls. Admission is free. The exhibition runs from July 15-Jan. 6. For more information, visit nga.gov.
National Geographic Museum (1145 17th St., N.W.) presents “Titanic: the Untold Story” through Jan. 6. The exhibit explores the link between a top-secret Cold War mission and the 1985 discovery of the sunken steamship Titanic. Artifacts like a coat worn by a survivor of the shipwreck are combined with items like the 8,000-pound crew module that was used to survey the shipwreck to create an extensive exhibition. Tickets are $15; for seniors, students, and military members, $12; and for children ages 5-12, $10. Annual pass members and children under 5 are free. For more information, visit nationalgeographic.com.
The National Postal Museum (2 Massachusetts Ave., N.E.) presents “Alexander Hamilton: Soldier, Secretary, Icon” until 2019. The exhibit explores Hamilton’s life through original mail that he sent and signed. Hamilton was the first secretary of the treasury, and frequently used the Post Office Department in his role. The exhibit also features portraits of Hamilton and his contemporaries on postage and revenue stamps. The original dueling pistols used by Hamilton and Aaron Burr in the 1804 duel that resulted in Hamilton’s death will be on display until Sept. 16. This is the first time they have been displayed in D.C. Admission to the museum is free. For more information, visit postalmuseum.si.edu.
The National Museum of African-American History and Culture (1400 Constitution Ave., N.W.) presents “Watching Oprah: the Oprah Winfrey Show and American Culture.” The exhibit, open until June 2019, explores Winfrey’s story and her impact through her many roles — talk show host, actress, producer and philanthropist — and how her success highlights the struggles and triumphs of African-American women throughout history. The exhibition features artifacts from Harpo Studio where “The Oprah Winfrey Show” aired for more than two decades, items from Winfrey’s personal collection, photos and video. The collection is separated into three sections, “America Shapes Oprah,” “The Oprah Winfrey Show” and “Oprah Shapes America.” The museum offers free timed passes for entry, which can be reserved at etix.com. For more information, visit nmaahc.si.edu.
The Freer | Sackler Gallery (1050 Independence Ave., S.W.) presents “Subodh Gupta: Terminal” through Feb. 3 in the Sackler pavilion. Subodh Gupta, an Indian artist, transforms ordinary household objects into artistic structures. “Terminal,” a readymade installation made of towers of glass containers connected by a web of thread. The spires range from one-15 feet tall and echo architectural design often seen on religious buildings. “A Perfect Harmony: American Art” is in galleries 10-11; works by Charles Lang Freer are featured in “The Power to See Beauty” in gallery nine; and “The Peacock Room Comes to America” is in Gallery 12. Admission is free. For more information, visit freersackler.si.edu.
The Art Museum of the Americas (201 18th St., N.W.) presents “Art of the Americas: Collection of the Art Museum of the Americas of the Organization of American States” through Oct. 28. The exhibition, which accompanies a book of the same name, takes a comprehensive look at the cultural and historical legacy of the AMA and the Organization of the American States through new research on 100 pieces in the collection. Admission is free. For more information, visit museum.oas.org.
The National Museum of Women in the Arts (1250 New York Ave., N.W.) hosts “Heavy Metal,” the fifth installment in the museum’s “Women to Watch” series, which highlights contemporary women artists who work with metal. The artists explore the physical properties and artistic possibilities of metalwork through a variety of objects such as sculpture and jewelry. The pieces in the exhibit range from large installations to small trinkets made from iron, steel, bronze, silver, gold, brass, tin, aluminum, copper and pewter. The exhibition’s goal is to shift the masculine focus on metalworking and prove that contemporary women artists also make significant contributions to the field. Regular admission is $10; $8 for visitors 65 and older and students and free for NMWA members and children 18 years and younger. For more information, visit nmwa.org.
The Newseum (555 Pennsylvania Ave., N.W.) presents “1968: Civil Rights at 50,” on display through Jan. 2. The exhibit explores the events of the civil rights movement in 1968, the year Rev. Martin Luther King, Jr. was assassinated. It examines the relationship between the First Amendment and the civil rights movement. The collection contains original newspapers and magazines, buttons from 1968 presidential campaigns, a pennant from the Poor People’s Campaign protest, and a Newseum-produced film called “Justice for All” about 1968 Olympic protests. Admission is $24.95 for adults ages 19-64, $19.95 for seniors ages 65 and older, $14.95 for children ages seven-18, and free for children 6 and younger. For more information, visit newseum.org.
Galleries
Blockbuster Amy Sherald exhibit opens in Baltimore
Artist has emerged as LGBTQ hero after refusing to cave to censorship
Artist Amy Sherald has emerged as a hero in the LGBTQ community following her controversial decision to pull her blockbuster new exhibit “American Sublime” from the National Portrait Gallery in D.C. and move it to Baltimore after Smithsonian officials sought to censor her painting “Trans Forming Liberty.”
That painting depicts transgender model Arewà Basit as the Statue of Liberty, which conflicts with President Trump’s war on DEI and his efforts to erase transgender people from the American narrative.
Sherald issued a statement over the summer that the Smithsonian had “concerns” about the painting. “These concerns led to discussions about removing the work from the exhibition,” Sherald said in the statement. “While no single person is to blame, it is clear that institutional fear shaped by a broader climate of political hostility toward trans lives played a role.”
She said the Smithsonian had proposed including a video in the exhibit that would “contextualize” the painting and likely include anti-trans views. It was then she announced her decision to pull the exhibit entirely and move it to the Baltimore Museum of Art, a major coup for the museum.

Sherald studied at Baltimore’s Maryland Institute College of Art, which she described as “the best decision I ever made,” during a sold out Q&A on Nov. 2 moderated by the BMA’s director, Asma Naeem. Unfortunately, the subject of censorship and the last-minute decision to move the exhibit to the BMA didn’t come up during the discussion. But Naeem rightly described Sherald as “one of the most important painters of our time.”
“American Sublime,” billed as a mid-career retrospective, features 38 of Sherald’s paintings, including her portraits of former first lady Michelle Obama and Breonna Taylor, along with “Trans Forming Liberty.”
Sherald and Naeem joked throughout the breezy hour-long conversation and reminisced about spending time at MICA and in Baltimore. The artist said she still finds inspiration and even potential portrait subjects in grocery stores and on the streets of Baltimore and New York, where she now lives. Many of the portraits in the exhibit were painted in Baltimore.
Although Sherald and Naeem kept it light and avoided discussing censorship, the one serious and non-negotiable subject Sherald addressed was the paramount importance of integrity. Her insistence on the integrity of the work and the inclusion of trans representation in the exhibit brought her to the difficult decision to pull her work from the Smithsonian. It was a bold and inspiring move in a time when so many public figures, CEOs, and politicians have shown a disappointing and dangerous lack of integrity in the face of an administration that seeks to subvert the Constitution and erode the First Amendment. Sherald stands as a powerful symbol of resistance and, yes, integrity in these dark times. Her refusal to cave to authoritarian impulses and blatant censorship will be remembered for years to come. The nation’s top tech CEOs and congressional leaders should see this exhibit and learn from her brave example.
“American Sublime” is open now through April 5 at the Baltimore Museum of Art and requires a paid ticket for entry. (Admission is free on Thursday evenings and free on Jan. 15 and Feb. 19. The museum is closed Mondays and Tuesdays.) For more information and tickets visit artbma.org.
Galleries
New gallery opening in D.C.
Dandelion Collective exhibition features works by John Von Sauerhoff
Dandelion Collective, a new space in Columbia Heights for LGBTQ healers and artists, will open on Saturday, Aug. 24 with an opening reception at 2 p.m. at 3417 14th St., N.W.
This first exhibition features the incredible, ethereal artwork of John Von Sauerhoff. His stunning pop surrealist paintings will transport you to another world.
More information is available at dandelioncollectivedc.com/art-gallery.
New England artists Caroline Rufo and John Rufo, also known as RufoArt will open an exhibition on Thursday, Aug. 10 at 6 p.m. at Nepenthe Gallery.
The husband-and-wife duo will share their paintings and also talk about their inspirations. Caroline explores the natural beauty, ideas, and systems of power that create her surroundings while John works toward an understanding of art as a representation of singular moments of both immediate presence and a larger context of wholeness.
For more details, visit Nepenthe Gallery’s website.
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