Chris Genebach, on left, and Jaysen Wright in ‘Macbeth’ at Folger Theatre. (Photo by Brittany Diliberto; courtesy Folger)

The fall theater season is proving to be an exciting mix of classics, area premieres and some promising new works. And, like always, LGBT theater professionals are playing a big part in making it happen. 

In memoriam of the 20th anniversary of Matthew Shepard’s death, Baltimore’s award-winning queer company Iron Crow Theatre (45 West Preston St., Baltimore) presents“The Laramie Project” through Sept. 23. With just eight actors playing about 60 characters, the seminal 2000 work weaves together interviews, journal entries and published news reports about the hate crime murder of the gay University of Wyoming student. It’s written by out playwright Moisés Kaufman and the members of Tectonic Theater Project and John Knapp directs. Full details at ironcrowtheatre.org. 

Signature Theatre (4200 Campbell Ave., Arlington) continues with its season opener, an exquisite production of Stephen Sondheim’s “Passion” through Sept. 23. Set in 1860s Italy, Passion portrays the unlikely but intense relationship between a dashing young soldier and his commanding officer’s plain and ill-fated cousin Fosca. Out actor Claybourne Elder and Natascia Diaz give stellar performances. It’s beautifully staged by out director Matthew Gardiner. 

Also, at Signature, out director Joe Calarco helms “Heisenberg” Sept. 18-Nov. 11. In this hit Broadway play, Simon Stephens (“The Curious Incident of the Dog in the Night-Time”) writes about a chance encounter on a London train that changes two people’s lives. Full details at sigtheatre.org.

Folger Theatre (201 E. Capitol St., S.E.) has kicked off the season with a wildly entertaining production of William Davenant’s Restoration era adaption of Shakespeare’s “Macbeth” (through Sept. 23). There’s a lot happening here: fabulous period music performed by the Folger Consort, expanded roles for the witches and Lady Macbeth, and lots of blood and flourish. What’s more, director Robert Richmond has opted to stage a play within a play and set the action in London’s notorious Bedlam asylum. The uniformly excellent large cast includes Ian Merrill Peakes in the title role and Kate Eastwood Norris as his wife. Also featured is out actor Jaysen Wright as an asylum inmate with PTSD who’s been cast to play Lenox 

Next up at Folger, Aaron Posner directs Shakespeare’s epic royal power struggle, Shakespeare’s “King John” (Oct. 23-Dec. 2). The cast includes Kate Eastwood Norris as Philip the Bastard and out actor Holly Twyford as Constance. Full details at folger.edu/folger-theatre.

Taffety Punk (Capitol Hill Arts Workshop, 545 7th St., S.E.) presents Sadie Hasler’s dark comedy “Pramkicker” through Sept. 29. Find out what happens after a woman loses it in a café, kicks a pram and is then arrested and sent to anger management training. Details at taffetypunk.com.

At Mosaic Theater Company (Atlas Performing Arts Center, 1333 H St., N.E.) it’s “Marie and Rosetta,” running through Sept. 30. Geroge Brant’s terrific play with music takes a glimpse into the personal/professional relationship of gospel singer and rock and roll pioneer Sister Rosetta Tharpe and singer/pianist Marie Knight. It’s cleverly staged by Sandra L. Holloway with vibrantly memorable performances by Roz White and Ayana Reed. Full details at mosaictheater.org.  

Woolly Mammoth Theatre Company (641 D St., N.W.) starts the season with “Gloria,” running through Sept. 30. Penned by Branden Jacobs-Jenkins, the 2016 Pulitzer Prize finalist centers on the cutthroat culture of the New York magazine world. The cast includes talented out actor Justin Weaks. Kip Fagan directs. Full details at woollymammoth.net.

Through Oct. 7, “South Pacific” runs at Olney Theater Center (2001 Olney-Sandy Springs Road, Olney, Md.). The Rodgers & Hammerstein’s timely classic about love, war and racism is directed by Alan Maraoka. Full details at olneytheatre.org.

Theater Alliance (Anacostia Playhouse, 2020 Shannon Pl., S.E.) opened the season with “The Events,” running though Oct. 7. Scottish playwright David Greig tells the story of Clare, the lone survivor of a mass shooting. Colin Hovde directs. Full details at theateralliance.com. 

GALA Hispanic Theatre (3333 14th St., N.W.) is presenting the U.S. premiere of the romantic comedy “Como agua para chocolate (Like Water for Chocolate),” through Oct. 7. Adapted from the novel by Laura Esquivel, the play (performed in Spanish with English surtitles), is the story of a young woman trapped by traditions who finds freedom in cooking “so magical it inspires people to laugh, cry and burn with desire.” The cast includes Luz Nicolás and out actor Carlos Castillo. Full details at galatheatre.org.

Studio Theatre (1501 14th St., N.W.) enters fall with “If I Forget,” through Oct. 14. Written by Bethesda native Steven Levenson, it’s the story of a modern, D.C. Jewish family grappling with aging parents, Israel and real estate. Matt Torney directs. Full details at studiotheatre.org.

Ford’s Theatre (511 10th St., N.W.) presents “Born Yesterday” (Sept. 21-Oct. 21). Directed by Aaron Posner, this terrific satirical comedy about an opportunistic tycoon who arrives in 1940s Washington with his naive girlfriend to game the political system (sound familiar?). Kimberly Gilbert stars as Billie Dawn, the role that Judy Holliday made famous. Full details at fords.org.

The Klunch (D.C. Arts Center, 2438 18th St., N.W.) opens its season with the world premiere of “How to Win a Race War” (Sept. 21-Oct. 30). Written and directed by The Klunch’s out artistic director Ian Allen, the three-part comedy is “a parody of white supremacist ‘race war’ fiction, which has proliferated in the years since Timothy McVeigh named William Pierce’s “The Turner Diaries” as inspiration for his brutal 1995 bombing of a federal building in Oklahoma City.” (18 and older only). Full details at theklunch.com.

Shakespeare Theatre Company (Lansburgh Theatre, 450 7th St., N.W.) kicks off legendary out artistic director Michael Kahn’s final season with “The Comedy of Errors” (Sept. 25-Oct. 28). Staged by out director Alan Paul, the Bard’s madcap farce revolves around mishaps of two sets of twins, each with the same name. The top-notch cast includes out actors Sarah Marshall and Tom Story. 

Later into STC’s season, Michael Kahn directs David Ives’ “The Panties, The Partner and The Profit: Scenes from the Heroic Life of the Middle Class” (Dec. 4-Jan. 6). Moving from Boston in 1950 to Wall Street in 1986 to lavish Malibu today, Ives’ funny new work is an adaption of Carl Sternheim’s epic trilogy, “Scenes from the Heroic Life of the Middle Classes.” Full details at shakespearetheatre.org.

Synetic Theater (1800 South Bell Street, Chrystal City) is set to give its movement-based interpretation of the spooky tale of Ichabod Crane and his encounters with the Headless Horseman in “Sleepy Hollow” (Oct. 3-Nov. 4). Details at synetictheater.org.

At Round House Theatre (4545 East-West Highway, Bethesda) Amber Paige McGinnis makes her directorial debut staging out playwright Paula Vogel’s magnificent “How I learned to Drive” (Oct. 10 – Nov. 4). The award-winning play heartbreakingly chronicles a woman’s attempt to break the silence and cycle surrounding sexual abuse. Ayssa Wilmoth Keegan stars as Li’l Bit. Details at roundhousetheatre.org.  

Constellation Theatre Company (1835 14th St., N.W.) begins its “Epic Love” season with Elton John and Tim Rice’s “Aida” (Oct. 11- Nov. 18). Staged by out director Michael J. Bobbitt, the musical follows a love triangle involving Nubian princess Aida who’s been kidnapped from her country; Radames, the Egyptian captain who enslaved her people; and his fiancée Princess Amneris. Details at constellationtheatre.org.  

At the National Theatre (1321 Pennsylvania Ave., N.W.) fall is filled with music — new and not so new. First, it’s “Beetlejuice” (Oct. 14-Nov. 18). Alex Timbers directs the pre-Broadway world premiere of this new musical comedy, based on Tim Burton’s quirky iconic film. After that, it’s the road show of the Tony Award-winning Broadway hit “Beautiful: the Carole King Musical” (Nov. 27-Dec. 30). Details at Thenationaldc.org. 

At Theater J (offsite performance, Arena Stage, 1106 6th St., S.W.), it’s Anna Ziegler’s provocative new play “Actually” (Oct. 17-Nov. 18). Johanna Gruenhut directs this provocative new play about issues surrounding sexual consent at American colleges. The cast features Sylvia Kates and out actor Jaysen Wright. Details at Theaterj.org.

WSC Avant Bard (Gunston Arts, 2700 South Lang St., Arlington) presents the intriguing “Illyria, or What You Will,” a work freely adapted from Shakespeare’s “Twelfth Night” (Oct. 18-Nov. 19). Conceived by Jonelle Walker and Mitchell Hébert and directed by Hébert, the piece “reimagines Shakespeare’s comedy of mixed-signal love in a downtown Manhattan dive bar in the early 1980s, where identity, sex and gender are what you will.” The 11-person cast features out actors Christopher Henley and Frank Britton. Full details at wscavantbard.org.

The Kennedy Center presents “Anastasia” (Oct. 30-Nov. 25), a romantic musical by Lynn Ahrens and Stephen Flaherty about the fabled Grand Duchess Anastasia who may or may not have escaped execution during the Russian Revolution. Details at kennedy-center.org.

Arena Stage (1101 6th St., S.W.)  presents “Anything Goes” (Nov. 2-Dec. 23). Staged by Arena’s artistic director Molly Smith, this Cole Porter comedy musical about love and hijinks on a New York to London bound luxury cruiser features — among many standards — “You’re the Top” and “I Get a Kick Out of You.” Corbin Blue plays young lovestruck Wall Street broker Billy Crocker. Full details at arenastage.org.

D.C.’s company dedicated to the LGBT experience, Rainbow Theatre Project (D.C. Arts Center, 2438 18th St., N.W.), presents “Jeffrey Higgins: A Deafening Sound (a cabaret)” (Nov. 23-24).  Directed and performed by Higgins, it’s the exploration of a gay life through song. Details at rainbowtheatreproject.org.