Arts & Entertainment
Antoni Porowski shared food and laughter at Bentzen Ball Comedy Brunch
The event raised funds for Whitman-Walker Health
Antoni Porowski at Lyft’s Bentzen Ball Comedy Brunch (Washington Blade photo by Mariah Cooper)
Lyft’s Bentzen Ball Comedy Brunch “Belly Laughs” brought plenty of food, laughter and thought-provoking conversation led by co-hosts “Queer Eye” food and wine expert Antoni Porowski and comedian Michelle Buteau at the Eaton DC on Sunday.
The charity brunch was presented in partnership with the ride-sharing app, Lyft. It raised funds for the non-profit organization and community health center serving the LGBT community, Whitman-Walker Health, which marks its 40th anniversary this year. Lyft also made a special $10,000 donation to Whitman-Walker Health in honor of LGBT History month.
Fans were only able to receive access to the brunch by applying the code “AVOCADO,” a known Porowski food favorite, into the Lyft app. Winners were then selected to participate in the private brunch.
The event kicked off with mingling as attendees sipped on Bloody Marys and orange juice and vodka courtesy of Smirnoff Vodka. Soon after, Buteau took the stage for a brief stand-up comedy set before bringing Porowski to the stage.
Porowski gave a cooking demonstration for a carrot and date salad, which he said was a recipe inspired by his father. The demonstration got interactive when Porowski chose a participant from the audience to assist with the recipe. Buteau pitched in as well, cracking jokes and banter with Porowski throughout the demonstration, and everyone in the audience received the salads for their own taste test. Porowski finished up by showing the crowd how to make his version of a Bloody Mary.
After a brief intermission, and some more food including tacos, Porowski and Buteau returned to the stage for a Q&A with the audience.
One member of the audience asked what are some of the perks of having a platform to use their voice on issues they care about.
For Buteau, it was important for her to make a positive impact on someone’s day.
“As a woman of color I’m realizing now more than ever what a social media platform is for and what kind of good it can do. Whether it’s reminding people to vote or helping people do whatever that is. At the end of the day what I love is when people slide into my DMs and they’re like ‘I was having such a shit day. Thank you so much for just putting a smile on my face,’” Buteau said.
Porowski noted that his fame has caused him to look at speaking up on issues in a different way.
“For me I think the greatest perk is a forced education on a lot of topics. I tended to be more quiet and private about a lot of things. But with the current climate it makes it more and more challenging not to say anything,” Porowski said.
He also revealed his view on Pride celebrations changed after he was invited to Montreal Pride by Prime Minister Justin Trudeau this past summer. Porowski shared that despite growing up in Montreal he had never attended Pride.
“Pride was something that when I was in my first relationship with a guy I always stayed away from because I associated it with parties and a lot of excessive drug use. It wasn’t at all the way that I look at it now,” Porowski said.
After a fan from Poland reached out to him on social media thanking him for attending Pride because “it’s so nice to just see somebody who is able to celebrate freely,” Porowski says he felt like a “brat” about his previous views on Pride.
Now, Porowski encourages people to look for the positive things during the current political climate.
“What I still try to do is instead of focusing on all the negative that’s happening and going after He Who Shall Not Be Named [Trump] is focus on all the positive things that are happening because I think we still really need to remember that. It’s very easy to just fall in a hole of ‘What the fuck did he do today?’ and that becomes the new normal, that becomes acceptable. I think it’s important to remember that, we need to shed light on that, because with all the bad that’s going on there’s still a lot of good as well,” Porowski said.
It’s a sentiment that seemed to reflect throughout Bentzen Ball’s numerous comedy shows this weekend. Fellow “Queer Eye” star Jonathan Van Ness hosted three live shows of his “Getting Curious” podcast over the weekend including one conversation with Mara Keisling from the National Center for Trans Equality and another conversation with House of Representatives minority leader Nancy Pelosi.
Brightest Young Things co-founder Svetlana Legetic told the Washington Blade the goal of the comedy weekend was to get people laughing but also mobilized for action.
“Bentzen Ball is supposed to be four days where you forget about everything but you leave energized to do something,” Legetic said. “You go there and see these people who are incredibly busy and doing all this stuff and they’ve taken the time, they really care, they’re really passionate. And people say ‘Yes, I’m going to vote. Yes, I’m going to say something. Yes, it’s hilarious but I am a 100 percent voting.’”
The Petal Release Party and Drag Show was held at Spark Social on Friday, July 31. Performers included Tiara-Missou, Labianna and Darcy de la Cuadra.
(Washington Blade photos by Landon Shackelford)
Celebrity News
Madonna headlines World Pride Music Festival in Amsterdam
Kylie Minogue made surprise appearance alongside gay icon
AMSTERDAM — Madonna on Sunday headlined the final night of the World Pride Music Festival in Amsterdam.
The gay icon took the stage shortly before 2:30 a.m. local time (8:30 p.m. ET on Saturday) during Club Confessions, a set that MISTR, a telehealth platform that offers free access to PrEP, Doxy PEP, STI testing, and long-term HIV care, organized.
“Mother is here and this is gay heaven,” said Madonna when she took the stage inside Amsterdam’s AFAS Live concert hall that can hold up to 6,000 people.
Stuart Price, who produced Madonna’s 2005 “Confessions on a Dance Floor” album and “Confessions II,” which debuted on July 2, DJed the set.
Kylie Minogue made a surprise appearance. She and Madonna performed a new remix of “Love Sensation” from “Confessions II.”
(Washington Blade video by Michael K. Lavers)
“Throughout my career, I’ve always supported efforts to fight HIV and AIDS, and that fight begins with education and access,” said Madonna in a MISTR press release. “With MISTR, (CEO) Tristan (Schukraft) is expanding access to HIV prevention and sexual healthcare for everyone. Through this work, he’s helping preserve and strengthen LGBTQ+ spaces while investing in the communities and culture that have long sustained us.”
Minogue in an Instagram post thanked Madonna, Price, Schukraft, and MISTR.
Madonna appeared at The Abbey in West Hollywood, Calif., in April. Madonna in June celebrated Pride month with a pop-up performance in New York’s Times Square.
Jake Resnicow and Insomniac produced the World Pride Music Festival that also featured Bebe Rexha and Paris Hilton, among others.
“Pride has always been about bringing our community together,” said Resnicow. “At a moment when too many people are being told to hide or make themselves smaller, gathering openly, joyfully, and without apology matters more than ever. I couldn’t be prouder of what this festival brought to life in Amsterdam — one dance floor, completely free.”
Theater
Reggie White relishing first season as artistic director of Woolly Mammoth
First five shows a reminder that ‘pressure is a privilege’
Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.
White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.
A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.
White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?”
Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor.
“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.”
WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?
REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real.
BLADE: Are you curating the upcoming 2026–2027 season?
WHITE: Yes, I am. It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard.
I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work.
These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV.
Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.
BLADE: As a queer artistic director, what makes you unique?
WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.
I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].
BLADE: Will we see familiar faces?
WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work.
BLADE: How do you think queer audiences will receive the season?
WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.
Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.
PHOTOS: Petal Release Party
Madonna headlines World Pride Music Festival in Amsterdam
Reggie White relishing first season as artistic director of Woolly Mammoth
PHOTOS: Amsterdam Pride Canal Parade
Amsterdam Pride Canal Parade draws hundreds of thousands
Madonna to perform at World Pride in Amsterdam
BLADE ENDORSEMENT: Susan Stewart for mayor of Rehoboth Beach
PHOTOS: Lambda Legal in the Pines
Calendar: July 31-August 6
