Arts & Entertainment
‘Bohemian Rhapsody,’ ‘Versace’ and other LGBT Golden Globes wins
Lady Gaga, Ben Whishaw and more take home the gold

The 76th annual Golden Globes, hosted by Andy Samberg and Sandra Oh, recognized the best in film and television at the Beverly Hilton Hotel on Sunday with some prominent awards handed to LGBT projects.
“Bohemian Rhapsody,” the Queen biopic starring Rami Malek as queer frontman Freddie Mercury, won Best Motion Picture Drama. Malek’s portrayal of Mercury was also honored with the award for Best Performance by an Actor in a Motion Picture – Drama. Before raking in the accolades, the film was already a box office hit becoming the biggest-selling music biopic in history.
Malek notably didn’t thank director Bryan Singer during his acceptance speech.
“There’s only one thing we needed to do and that was to celebrate Freddie Mercury in this film. He is a marvel. There is only one Freddie Mercury and nothing would compromise us giving him the love, celebration and adulation he deserves,” Malek said per People.
“The Assassination of Gianni Versace” won for Best Limited Series or Motion Picture Made for Television. Executive producer Brad Simpson noted in his speech that although the story is historical, set in ’90s Miami, it is not dated.
“This was the era of ‘don’t ask, don’t tell.’ It was the Defense of Marriage Act era. Those forces of hate are still here with us. They tell us we should be scared of people who are different than us. They tell us we should put walls around ourselves. As
Darren Criss, who played spree killer Andrew Cunanan, also won for Best Performance by an Actor in a Limited Series or Motion Picture Made for Television.
“This has been a marvelous year for representation in Hollywood, and I am so enormously proud to be a teeny tiny part of that as the son of a firecracker Filipino woman from Cebu that dreamed of coming into this country and getting to be invited to cool parties like this. Mom, I know you’re watching this,” Criss told the crowd.“I love you dearly. I dedicate this to you. This is totally awesome.”
Darren Criss dedicates his #GoldenGlobes award to his mother pic.twitter.com/5jU5MBcZj2
— MTV NEWS (@MTVNEWS) January 7, 2019
Lady Gaga won Best Original Song in a Motion Picture for “Shallow” although both she and her “A Star is Born” co-star Bradley Cooper didn’t bring home awards for Best Actress, Best Actor or Best Director.
Out actor Ben Whishaw also won for his role as Norman Scott in “A Very English Scandal.”
“He took on the establishment with courage and
Check out the complete list of winners below.
Best Motion Picture – Drama
“Black Panther”
“BlackKklansman”
“Bohemian Rhapsody”
“If Beale Street Could Talk”
“A Star Is Born”
Best Motion Picture – Musical or Comedy
“Crazy Rich Asians”
“The Favourite”
“Green Book”
“Mary Poppins Returns”
“Vice”
Best Performance by an Actress in a Motion Picture – Drama
Glenn Close-“The Wife”
Lady Gaga-“A Star Is Born”
Nicole Kidman-“Destroyer”
Melissa McCarthy- “Can You Ever Forgive Me?”
Rosamund Pike-“A Private War”
Best Performance by an Actor in a Motion Picture – Drama
Bradley Cooper-“A Star Is Born”
Willem Dafoe-“At Eternity’s Gate”
Lucas Hedges-“Boy Erased”
Rami Malek-“Bohemian Rhapsody”
John David Washington-“BlackKklansman”
Best Performance by an Actress in a Motion Picture – Musical or Comedy
Emily Blunt-“Mary Poppins Returns”
Olivia Colman-“The Favourite”
Elsie Fisher- “Eighth Grade”
Charlize Theron-“Tully”
Constance Wu-“Crazy Rich Asians”
Best Director
Bradley Cooper-“A Star Is Born”
Alfonso Cuaron-“Roma”
Peter Farrelly-“Green Book”
Spike Lee (“BlackKklansman”)
Adam McKay (“Vice”)
Best Performance by an Actor in a Motion Picture – Musical or Comedy
Christian Bale-“Vice”
Lin-Manuel Miranda-“Mary Poppins Returns”
Viggo Mortensen-“Green Book”
Robert Redford-“The Old Man and the Gun”
John C. Reilly-“Stan and Ollie”
Best Supporting Actress in a Motion Picture
Amy Adams-“Vice”
Claire Foy-“First Man”
Regina King-“If Beale Street Could Talk”
Emma Stone-“The Favourite”
Rachel Weisz-“The Favourite”
Best Supporting Actor in a Motion Picture
Mahershala Ali-“Green Book”
Timothée Chalamet-“Beautiful Boy”
Adam Driver-“BlackKklansman”
Richard E. Grant-“Can You Ever Forgive Me?”
Sam Rockwell-
Best Original Score in a Motion Picture
Marco Beltrami-“A Quiet Place”
Alexandre Desplat-“Isle of Dogs”
Ludwig Göransson-“Black Panther”
Justin Hurwitz-“First Man”
Marc Shaiman (“Mary Poppins Returns”)
Best Original Song in a Motion Picture
“All the Stars”-“Black Panther”
“Girl in the Movies”-“Dumplin'”
“Requiem for a Private War”-“A Private War”
“Revelation”-“Boy Erased”
“Shallow”-“A Star Is Born”
Best Screenplay in a Motion Picture
Barry Jenkins-“If Beale Street Could Talk”
Adam McKay-“Vice”
Alfonso Cuaron-“Roma”
Deborah Davis and Tony McNamara-“The Favourite”
Peter Farrelly, Nick Vallelonga, Brian Currie-“Green Book”
Best Motion Picture – Foreign Language
“Capernaum”
“Girl”
“Never Look Away”
“Roma”
“Shoplifters”
Best Animated Film
“Incredibles 2”
“Isle of Dogs”
“Mirai”
“Ralph Breaks the Internet”
“Spider-Man: Into the Spider-Verse”
Best TV series – Drama
“The Americans”
“Bodyguard”
“Homecoming”
“Killing Eve”
“Pose”
Best
Caitriona Balfe-“Outlander”
Elisabeth Moss-“The Handmaid’s Tale”
Sandra Oh-“Killing Eve”
Julia Roberts-“Homecoming”
Keri Russell-“The Americans”
Best
Jason Bateman-“Ozark”
Stephan James-“Homecoming”
Richard Madden-“Bodyguard”
Billy Porter-“Pose”
Matthew Rhys-“The Americans”
Best TV series – Musical or Comedy
“Barry”
“The Good Place”
“Kidding”
“The Kominsky Method”
“The Marvelous Mrs. Maisel”
Best Performance by an Actor in a TV series – Musical or Comedy
Sasha Baron Cohen-“Who Is America?”
Jim Carrey-“Kidding”
Michael Douglas-“The Kominsky Method”
Donald Glover-“Atlanta”
Bill Hader-“Barry”
Best Performance by an Actress in a TV series – Musical or Comedy
Kristen Bell-“The Good Place”
Candice Bergen-“Murphy Brown”
Alison Brie-“GLOW”
Rachel Brosnahan-“The Marvelous Mrs. Maisel”
Debra Messing-
Best Limited Series or Motion Picture Made for Television
“The Alienist”
“The Assassination of Gianni Versace: American Crime Story”
“Dirty John”
“Escape at Dannemora”
“Sharp Objects”
“A Very English Scandal”
Best Performance by an Actor in a Limited Series or Motion Picture Made for Television
Antonio Banderas-“Genius: Picasso”
Daniel Bruhl-“The Alienist”
Darren Criss-“The Assassination of Gianni Versace: American Crime Story”
Benedict Cumberbatch-“Patrick Melrose”
Hugh Grant-“A Very English Scandal”
Best Performance by an Actress in a Limited Series or Motion Picture Made for Television
Amy Adams-“Sharp Objects”
Patricia Arquette-“Escape at Dannemora”
Connie Britton-“Dirty John”
Laura Dern-“The Tale”
Regina King-“Seven Seconds”
Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Alan Arkin-“The Kominsky Method”
Kieran Culkin-“Succession
Edgar Ramirez- “The Assassination of Gianni Versace: American Crime Story”
Ben Whishaw-“A Very English Scandal”
Henry Winkler-“Barry”
Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Alex Borstein-“The Marvelous Mrs. Maisel”
Patricia Clarkson-“Sharp Objects”
Penélope Cruz-“The Assassination of Gianni Versace: American Crime Story”
Thandie Newton (“Westworld”)
Yvonne Strahovski (“The Handmaid’s Tale”)
Nightlife
In D.C. comedy, be sure to shop local
A thriving patchwork of queer-friendly stages in Washington, Baltimore
Most people know stand-up comedy from Netflix specials or late-night sets on Comedy Central. The reality is far different for local working comics like me. A few times a month, I might get paid $50 for a 10-minute set and my photo on a bar flyer to show off to the ladies in my scrapbooking club.
Still, it’s a joy sharing laughs about my well-worn Washington career arc — from conservative reporter to openly trans organic grocery store worker and nightclub comedian. Or, as I like to say onstage, from Fox to foxy.
Stand-up is hard. Offstage, it’s even harder. It took more than a year and nearly 80 open mics to land my first paid set. Since then, I’ve performed in coffee shops, bars, restaurants and even on a city sidewalk. I once performed in the Catskills, which felt like a big deal — even if it was a bigger deal in the 1950s.
As an older trans comic in Washington, I’ve found it nearly impossible to get stage time — or even the courtesy of a returned email — at the big, corporate-owned comedy clubs. Fortunately, there’s a thriving patchwork of queer-friendly producers in Washington and Baltimore creating shows that reflect the diversity of our communities, instead of straight male-dominated lineups that look like the cast of “Ice Road Truckers.”
“There are so many kinds of funny people, but a lot of barriers exist for women and queer people because it’s a very masculine culture,” said Dana Fleitman, who runs the Just Kidding Comedy Collective and is helping produce the Woke Mob Comedy Festival in April, featuring many women and queer comics.
Full disclosure: I’m not performing in the festival. But I am proud to be one of more than 50 women and nonbinary comics Fleitman and her colleagues have helped “train up” through an incubator program she first ran through Grassroots Comedy and now through Just Kidding Comedy Collective.
Another trans comic, Charlie Girard, who splits time between New York and Washington, runs an incubator program called Queers Can’t Take a Joke. He has trained more than 100 comics in Washington.
Girard has one rule: no punching down.
“The best comics speak truth to power,” Girard said. “Making fun of marginalized communities is simple lazy writing based on tired, old stereotypes.”
Ultimately, Girard wants to prepare students not just for queer rooms, but to find their voice and expand into all kinds of spaces.
Comics trained by Girard and Fleitman have gone on to produce or help run shows like Clocked Comedy, Backbone Comedy, the Crackin’ Up open mic and Funny Side Up. Several have found a home on Barracks Row at As You Are — one of my favorite places to perform. In Washington, comic Jenny Cavallero’s show Seltzer is a sober comedy night frequently featuring local queer comics.
In Washington, performer and producer Arzoo Malhotra, who runs Zoo Animal Productions, said it’s a critical moment to support community-based comedy producers, often the first hit by worsening economic conditions.
“We’re losing spaces faster than we’re creating them,” Malhotra said. “We are in the use-it-or-lose-it stage. If there’s a restaurant you like or a performer you want to keep seeing, patronize them now — because they’re going away.”
I’m also grateful for producers in Baltimore, which has a thriving queer comedy scene. Comic Hannah Alden Jeffrey’s monthly “The Really Cool Open Mic,” created for women and trans performers but open to all, regularly draws up to 100 people.
Hannah’s mic and Kenny Rooster’s “Dramedy” open stage have provided safety and opportunity when other stages felt out of reach. Comedians Michael Furr and Jake Leizear also produce shows regularly featuring queer comics.
“We started the REALLY COOL Open Mic because every other mic in town catered toward straight dudes that dominated the Baltimore scene,” Alden Jeffrey said. “Contrary to the lineups of many shows today, people don’t want to see a show of eight guys being bigots. Go figure.”
One of the most important moments for me came when I attended a free showcase at a well-known Adams Morgan club. Like other big venues, it hadn’t responded to emails from a new comic looking for a shot. I sat in the back row thinking maybe these comics were just way funnier than I am.
Then a straight male comedian — with hair even more gorgeous than mine — launched into a long joke comparing eating pizza to performing oral sex on a woman.
At that moment, I walked out feeling better about myself. I remember thinking: nope. I absolutely deserve to be on that stage, too.
Lots of us do.
Jamie Mack is a stand up comedian, speaker and writer. Follow them on Instagram at @jamiemack_blt or email [email protected].
Celebrity News
Liza Minnelli makes surprise appearance at GLAAD Media Awards
Laverne Cox’s fiery speech earned standing ovation
Last night’s GLAAD Media Awards had a few pleasant surprises in store.
Throughout the evening, which was hosted by “Mean Girls” star Jonathan Bennett on Thursday at the Beverly Hilton in Los Angeles, the audience was clued into the fact that a mystery guest would make an appearance. By the end of the night, it was revealed to be none other than “Cabaret” star and queer icon Liza Minnelli, who was in attendance to accept the newly-created Liza Minnelli Storyteller Award.
An emotional Minnelli told the crowd of queer attendees and creatives, “You make me so proud because you’re so strong, and you stand up for what you believe in. You really do, and it’s so nice to be here. I feel like a five-year-old!” Everyone then joined in a happy birthday celebration for Minnelli’s upcoming birthday on March 12, and the release of her upcoming memoir, “Kids, Wait Till You Hear This!”
Another moment that got the audience standing and cheering was when “Orange Is the New Black” star Laverne Cox took to the stage to call out how “what is going on right now in the United States of America is not right.”
She said, “Identify, I said this earlier, and I’m going to say it again, what dehumanizing language and images are. Call it out and don’t buy into it! So much of my struggle over the past several years [has been] trying to figure out how to combat this assault on my community, rhetorically. I do not want to have the conversation about my life and my humanity on the oppressor’s terms.”
That message was echoed by Bowen Yang and Matt Rogers when accepting the Stephen F. Kolzak Award for their “Las Culturistas” podcast and pledging to donate $10,000 to Equality Kansas after the state revoked transgender people’s driver’s licenses. “We cannot accept this award without condemning the rampant active transphobia from this administration,” Rogers said. “We are also here to let them know in advance that they are fighting a losing battle. When we gather in rooms like this, we are always going to have each other’s backs.”
Among the big winners last night were “Heated Rivalry” for outstanding new TV series, “The Traitors” for outstanding reality competition program, “Stranger Things” for outstanding drama series, “Palm Royale” (which was just cancelled after two seasons) for outstanding comedy series, “Come See Me in the Good Light” for outstanding documentary, “Kiss of the Spider Woman” for outstanding wide theatrical release film and a tie between “A Nice Indian Boy” and “Plainclothes” for outstanding limited theatrical release film.
Quinta Brunson received the Vanguard Award for her hit TV series “Abbott Elementary,” which features Jacob, an openly queer character played by Chris Perfetti. Brunson said, “Queer people have been a part of my life since birth. I have to shout out my uncle … who was the first example of representation in my life of queer people, who allowed me to be free. There are so many people in the room who changed my life.”
On the music side, Young Miko won for outstanding music artist, and KATSEYE won for outstanding breakthrough music artist. Demi Lovato even opened the show with a steamy performance of her single “Kiss.”
The GLAAD Media Awards will officially air Saturday, March 21 on Hulu.
Photos
PHOTOS: Sydney Gay and Lesbian Mardi Gras Parade
48th annual LGBTQ event held in Australian city
The 48th annual Sydney Gay and Lesbian Mardi Gras Parade was held on Feb. 28.
(Photos by Cori Mitchell)




















-
National5 days agoSupreme Court deals blow to trans student privacy protections
-
District of Columbia5 days agoD.C. Black Pride theme, performers announced at ‘Speakeasy’
-
Opinions5 days agoWhy innovation matters for Black health
-
National4 days agoPeter Thiel’s expanding power — and his overlap with Jeffrey Epstein
