Arts & Entertainment
Gay teen claims Netflix outed him to dad
A 15-year-old Reddit user has told fellow users on the platform that he thinks Netflix outed him to his father.
The poster said it happened when he and his dad were looking for a movie to watch together and he volunteered to use his own Netflix account. It was a decision he quickly regretted.
He wrote, “The first thing on Continue watching was ‘Elite’ [a Spanish teen drama prominently featuring a gay romance]. If you know Netflix, they like to switch up the little posters about once every minute, and this time, they decided to put the one of the gay couple holding each other’s faces. I nearly got put in cardiac arrest.”
“My father said something on the lines of ‘What’s that? Go back,’” the Reddit poster said. “I don’t know if that’s what he was referring to or he found something he wanted to watch. Either way, I low-key pretended that I didn’t know what he was talking about and kept looking.”
The Redditor went on to add that his reaction may have made it suspicious, but also stressed that his dad was not exactly a homophobe. “He’s very open-minded,” he wrote, “and I wouldn’t call him an ally, but he’s pretty close. I walked in the house and saw him and his (girlfriend?) watching “Queer Eye,” and any time the topic comes up, he’s always supportive.”
“Regardless, I was still scared sh*tless,” the teen said.
From the responses in the comment section, it appears that other users have experienced similar embarrassing moments.
“I know how you feel,” one Redditor wrote. “When I showed my dad Netflix, he scrolled down to gay movies I used to watch. He didn’t say anything, but either he doesn’t know yet or he doesn’t want to talk about it.”
Another user wrote, “I legit delete my Netflix account every other week, so my parents won’t see that kind of program on my account.”
Other commenters said that the original poster might be overreacting, since LGBT content is now common on Netflix, even speculating that the teen’s dad may have been using the revelation of “Elite” on his son’s watchlist as a “conversation starter.”
“What if he asked what it was in order to give you an opening to discuss it?” wrote one user. “Either way, no pressure. When the time is right, for you.”
Another reply read, “If Dad is comfortable enough to watch “Queer Eye,” something tells me that he’s a bit more understanding than OP is giving him credit for. It sounds to me like he might have an inkling and used that moment to try to broach the subject.”
No update has been forthcoming from the original poster, so it’s still unclear if his TV bonding time with Dad has resulted in an unexpected “coming-out” conversation, but his story still serves as a cautionary tale for closeted Netflix users – who might want to keep it in mind when browsing for the next binge-watching session with their family members or anyone else who isn’t yet “in the know.”
Photos
PHOTOS: Capital Stonewall Democrats 50th anniversary
D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery
The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.
(Washington Blade photos by Michael Key)
Theater
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
Holly Twyford on new role and importance of listening to different opinions
‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org
When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles.
Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan).
Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial.
Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”
When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not.
“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”
Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew.
“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”
During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”
When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.”
At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”
“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.
“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today.
Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.”
She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”
Out & About
‘How We Survived’ panel set for March 25
‘Living History’ discussion to be held at Spark Social
Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.
This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.
This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.
Polish court rules country must recognize same-sex marriages from EU states
Capital Stonewall Democrats 50th anniversary gala draws ‘sold out’ crowd
PHOTOS: Capital Stonewall Democrats 50th anniversary
Small is beautiful: subcompact SUVs
‘Inherit the Wind’ isn’t about science vs. religion, but the right to think
SAVE Act could silence millions of trans voters
The frightening rise of antisemitism, Islamophobia
‘It’s Dorothy’ traces lasting influence of a cultural icon
Protesters say SAVE Act targets voters, transgender youth
