a&e features
D.C.-area LGBT residents share COVID-19 experiences
‘It’s the most sick I’ve ever been,’ says Rehoboth Beach survivor
Runny nose, some sneezing, itchy eyes — when Ryan Bos started experiencing those symptoms the week of April 8, he figured it was his annual annoying allergy onset.
By that weekend, though, a slight sore throat kicked in and he had some coughing, all typical of his usual allergies. By Sunday, April 11, he had a fever. A virtual doctor’s appointment the next day helped him determine it was a sinus infection.
During the next few days and with an antibiotic, his sore throat improved and his fever went down. But later in the week, Bos, who’s gay, lost all sense of smell, something he’d never experienced before.
Hearing from a friend that was a common symptom of COVID-19, the coronavirus that has infected 3.2 million around the world and killed 233,600, Bos, executive director of Capital Pride, went to the emergency room at George Washington University Hospital and got tested. Because of lab backlogs, it took 10 days to get the results. By that time his smell had returned but his COVID-19 test was positive.
The Blade this week spoke to three LGBT folks in the region — one in D.C., one in Annapolis, another in Rehoboth — about their experiences contracting and surviving the coronavirus.
Mariah Davis is a busy woman. She’s a policy and campaigns manager for the National Wildlife Federation, is working on a master’s degree from the University of Maryland in public management (she plans to finish in December) and she’s one of the founders of Annapolis Pride. She rents a room in a three-bedroom house in Annapolis and has two roommates. Like Bos, her symptoms also kicked in about April 8.
At first, she thought she had the flu but began to think it was something more serious despite not initially exhibiting many of the typical coronavirus symptoms she’d read about. She had extreme fatigue, body aches, persistent headache and congestion but no fever, no loss of taste or smell, no coughing and no sneezing.
She went to an urgent care center in her area and got a slip to get a COVID-19 test, which she had to drive about an hour away to Columbia, Md., to get through a drive-thru set up at a car emissions testing site.
“It was pretty freaky,” the 29-year-old lesbian says. “You drive through a garage, you get your test, it only takes like 10-15 seconds but yeah, that was an experience.”
That was a Tuesday. By Friday, she had her positive results.
“I knew there was a high possibility I could have caught COVID and by the time I went and got tested, I was already feeling a lot better,” Davis says. “In some ways it was a relief knowing I had it because then I knew what I needed to do to stop the spread.”
Tyler Townsend, a co-owner of gay bars The Pines and Aqua in Rehoboth Beach, Del., had a typically busy and bustling party weekend just before St. Patrick’s Day in March. They were allowed to have 100 on site to hear singer Pamala Stanley perform, which they did. He and friends went later that night to the Purple Parrot and “a few other bars” and did their usual socializing.
He started to feel sick on Friday, March 27. He’d known nobody else in his circle who’d had it and says it seemed to come “out of nowhere, just kind of random.”
“It was scary,” the 31-year-old Rehoboth native, who’s gay, says. “At the highest, my fever got to 104.8. It kind of came in waves. I’d feel OK for a while, then have chills, then take Tylenol and get it down. There was about five days of that cycle. Then after my fever broke, I had a little bit of a cough. It was about a week or eight days total. Then when the symptoms were gone, it was just being tired and just trying to get back to some kind of a normal life in isolation.”
Townsend, who shares a house with a roommate (although Townsend is planning to move into his own place soon), says he “just locked myself in the upstairs of the house” and waited it out.
There was one point his breathing got a bit shallow and he considered going to the ER, but it went away.
He got tested about two days after his symptoms started. He drove to Bethany Beach, Del., about a half-hour away, to get tested. The results took about a week to come in, by which time he was feeling better.
Townsend, who says he’s never had the flu, didn’t know what to compare it to.
“It was not fun,” he says. “It was more than just an inconvenience. There was not much beyond getting off the bed or the couch for a good four-five days. It’s the most sick I’ve ever been.”
The three regions Bos, Davis and Townsend represent are somewhat middling in overall number of coronavirus figures. Maryland is the 13th most affected U.S. state and Anne Arundel, with 2,054 infections and 107 deaths, is the fifth most infected county in the state. Rehoboth Beach is in Sussex County, Del., the most affected county in the state with 2,520 confirmed cases and 72 deaths. Delaware is the 33rd most affected state.
The District comes in at no. 36 in the nation (among states) with 5,322 confirmed cases and 264 deaths, but its figures are enough to put it pretty high among metro areas. It’s fourth behind New York, Chicago and Philadelphia but above Seattle, as of latest numbers according to the New York Times.
Of the three who shared their stories with the Blade, Bos fared worst.
About April 10, he started feeling “something in my stomach” that reminded him of the diverticulitis he’d had six years ago. He took himself to the ER about 4 a.m. on Saturday, April 11 and spent three days in the hospital. He went home, rested but got a fever again on Sunday, the 19th. By Friday, the 24th, his primary care physician advised him to go back to the hospital when it was discovered he had an abdominal abscess, a complication of the diverticulitis.
He says the COVID-19 and diverticulitis were related. The latter, he says, was more painful.
“For me, the COVID, the worst was when I had a temperature but the question was sort of mixed in with this sinus infection so not knowing how the symptoms overlapped — the worst part is just not knowing if you have the COVID, you begin to question everything you feel, every tightness, every cough, you wonder if you’re getting the next symptom and when it’s going to be over. That was one of the most challenging aspects,” Bos says.
He says he was fortunate not to experience shortness of breath or some of the more debilitating symptoms associated with the coronavirus. The diverticulitis, he says, was especially nasty.
“When you have a bad flare-up, it’s very debilitating,” Bos says. “I wasn’t able to stand up, it hurt to stand up, you have these shooting pains through the abdomen, you’re thinking, ‘Is this appendicitis, what is this?’ It definitely was not a fun experience at all.”
The staff at George Washington, Bos says, were “amazing.” It was never chaotic and he says they were on top of the testing and protocol.
Bos, who lives with one roommate (who has remained asymptomatic) in Mt. Vernon Square, says he has “no idea” whom he might have contracted COVID-19 from. He and the Capital Pride team were having their usual meetings in early March.
Davis, too, had several days of misery. She tried doing some teleworking and grad school work but says at its peak, the coronavirus sapped her energy.
“I felt really, really, really awful,” Davis says. “It was hard even to get out of bed. I’d start the day just taking a bath wth Tylenol, just trying to subside the pain. The fatigue definitely kept me on my butt for most of that week.”
Townsend had a gradual road back to health, he says with the cough letting up after his fever broke, then a lot of fatigue.
“It was definitely a slow process but I’m finally back to normal now,” he says. “It’s not just like bam, one morning you wake up and it’s over.”
Davis says now she “feels great.” She’s been told she’s free to come out of isolation and do normal activities provided she practices social distancing. She cites her overall good health with her fairly speedy recovery. The whole ordeal was about two weeks total for her.
Davis and Townsend’s roommates, so far, have not had symptoms.
While she was overall pleased with how her county — Anne Arundel — handled things, she says nationally there are disappointments.
“It’s pretty appalling that a lot of black and brown people are dying most of this,” she says. “I think that says a lot about who we prioritize in our country and that’s an issue that comes up across the board in other social issues.”
Bos said this week he’s “feeling pretty good” but “getting antsy.” He is still connected to a drain tube for his stomach infection and hopes to have it removed this week. “I miss running,” the 46-year-old Indiana native says.
Bos says he’s been pleased with how D.C. elected officials have handled the outbreak but says national leadership has been underwhelming.
“I expected more from our country in handling this crisis,” Bos says.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
a&e features
New book celebrates 1970s dance music icons
‘A Night at the Disco’ features interviews with Donna Summer, Debbie Harry, more
If you’re a fan of 1970s-era dance music, don’t miss the irresistible new book by Christian John Wikane and Alice Harris, “A Night at the Disco,” which revisits more than 90 interviews conducted with some of the biggest names in pop culture.
“A Night at the Disco” (ACC Art Books) was published on March 24, and distributed by Simon & Schuster. It celebrates more than 100 artists who sparked a phenomenon in dance music from 1970-1979 and features excerpts from interviews with everyone from Donna Summer to Debbie Harry.
Lost City Books (2467 18th St., N.W.) will welcome author Christian John Wikane for a book signing and conversation about “A Night at the Disco” on Thursday, April 16 at 6 p.m. Details at lostcitybookstore.com. Bird in Hand Coffee & Books in Baltimore (11 E. 33rd St.) )will also host a Q&A with the author on Wednesday, April 15 at 6 p.m. Details at theivybookshop.com.
Below is an excerpt from “A Night at the Disco.”
“I’ll let in anyone who looks like they’ll make things fun.” Steve Rubell is guiding a New York Times reporter through Studio 54 as resident DJ Richie Kaczor dazzles the crowd with records by CHIC, Odyssey, and T-Connection. “Disco, that’s where the happy people go,” The Trammps sing as dancers spin and twirl underneath tubes of flashing lights. Seven months since Rubell and co-owner Ian Schrager opened Studio 54 in April 1977, it’s welcomed untold numbers of “happy people” … at least those lucky enough to pass through the doors.
“We were part of the chosen few,” says André De Shields, who immortalized the title role in The Wiz on Broadway at the time. “We could show up at Studio 54 and the doorman at the velvet stanchion would look over everyone and point to us from The Wiz to come in, that kind of thing.” As the lead vocalist in the GRAMMY-nominated Dr. Buzzard’s Original Savannah Band, whose debut modernized big band sophistication for the discothèques, Cory Daye had carte blanche in the club. “The energy was like a New Year’s Eve party every night,” she says. “I would go up to the mezzanine and watch the mechanical light pillars go up and down, metallic confetti falling from the ceiling, the spoon and the moon. I was so fascinated and enamored by it.
“When a certain song came on, the people would just rush to the dance floor. There was no contact dancing — the hustle was pretty much on its way out — but it was just an amazing experience to see all the cultures together. It was a fusion of cultures, which described my life and my band, so I was right at home there.”
“Studio 54 was the place,” adds Linda Clifford. “Crazy parties. If you could think it, you would see it. It was like a circus. Just an amazing place to be. I worked 54 so many times. It was like a second home to me. The people there treated me so well. The crowd always seemed to enjoy my show. I always had a good time with them. That was the most important thing: making sure that they had fun.”
Well before Studio 54 opened, disco had become a business juggernaut. “A four billion dollar market and still growing,” Billboard announced in February 1977, with dance music offering more variety than ever. “There is no longer a single, readily identifiable disco beat, but a kaleidoscope of sounds that are melodic and danceable,” Tom Moulton told the magazine. In the clubs, records by veteran artists like Stevie Wonder and the Bee Gees were mixed in with a range of new acts like Grace Jones, Boney M., and The Ritchie Family, while everyone from ABBA to Marvin Gaye scored number one pop hits with songs that had club-centric storylines.
Beyond the charts, disco itself remained as idiosyncratic as ever, especially on several productions by Laurin Rinder and W. Michael Lewis, whose studio creations, El Coco (“Let’s Get It Together,” “Cocomotion”) and Le Pamplemousse (“Le Spank”), joined their own “Lust” from Seven Deadly Sins (1977) among the most tantalizing releases on AVI Records. Rinder & Lewis also produced acts for the newly hatched Butterfly Records in Los Angeles, where Saint Tropez (“On a Rien à Perdre”) and Tuxedo Junction (“Moonlight Serenade”) reflected the duo’s high gloss sound, spanning everything from European sophistication to a more literal translation of the ’40s sensibilities popularized by Dr. Buzzard’s Original Savannah Band.
12-inch singles had also grown as the preferred format to approximate the club music experience at home. Nearly a year after Atlantic Records introduced its series of promotional 12-inch singles for DJs, New York-based Salsoul Records released the industry’s first commercially available 12-inch single, “Ten Percent” by Double Exposure, in May 1976. A year later, T.K. Records was the first label to certify a gold record for a 12-inch single when Peter Brown’s “Do You Wanna Get Funky With Me” tallied one million sales.— Christian John Wikane
(From “A Night at the Disco” by Alice Harris & Christian John Wikane. Published by ACC Art Books.)
The Blade may receive commissions from qualifying purchases made via this post.
Rorschach stages ‘Dragon Play’ in unlikely, raw space
Wagons ho! High-class, head-turning haulers
Judge rescinds stay-away order in Capital Pride anti-stalking case
The latest Supreme Court case erasing LGBTQ identity
Calendar: April 17-23
Court orders Pride flag to return to Stonewall
Lebanese LGBTQ group responds to latest war
La X vuelve al tribunal
Inside the LGBTQ records of Todd Blanche and Markwayne Mullin
