Connect with us

Books

Highsmith at 100: Literary legacy marred by racism

Few writers are as popular or more embedded in pop culture

Published

on

Talented Mr. Ripley, gay news, Washington Blade
A scene from ‘The Talented Mr. Ripley,’ a film version of Patricia Highsmith’s series of novels about the famous protagonist. Her work is available in print, e-book and audiobook format. (Photo by Phil Bray; courtesy Paramount/Miramax)

You don’t know this about me but I’m a murderer. At least that’s what the brilliant, talented, queer novelist Patricia Highsmith, who was born 100 years ago, may well have called me.

Why, would Highsmith renowned for her novel “Strangers on a Train” and other psychological thrillers, have said this of me? Because, I confess, I’ve eaten snails, smothered, so to speak, in garlic and butter. Highsmith, a misanthrope, gave us in her fiction Tom Ripley, the world’s most charming, but murderous sociopath. Yet, she (seriously) believed that you were a murderer if you ate snails.

Welcome to the world of Patricia Highsmith!

Few writers are as popular, well regarded or more embedded in pop culture than Highsmith, who lived from 1921 to 1995. She wrote many short stories and more than 20 novels. More than 25 movies and numerous TV adaptations have been made of her work. Highsmith’s diaries (comprising some 8,000 pages) will be published this year. A movie, with the same name, of her 1957 psychological erotic thriller “Deep Water,” starring Ben Affleck and Ana de Armas will be released in August.

Her first novel, “Strangers on a Train,” is a gripping psychological thriller. In it, two men, strangers, meet on a train. Guy has a troublesome wife who won’t divorce him, and Bruno, an engaging sociopath is enraged that his wealthy father won’t give him money. Bruno proposes that they go “criss-cross” – that they murder the person who’s so annoying to each other. Alfred Hitchcock’s 1951 movie of the novel will keep you glued to your seat.

Highsmith is perhaps best known for her series of novels about Tom Ripley. (“The Talented Mr. Ripley,” the first of the Ripley novels, was published in 1955. The last Ripley thriller, “Ripley Under Water,” was released in 1991.) Ripley is a sociopath. Lies are to him what potato chips are to junk food addicts: he can never tell just one. Ripley steals other people’s identities, forges paintings and murders anyone who’s an obstacle on his path. Yet, I dare any reader, no matter how saintly, not to love him. He’s handsome, courteous, clever, witty, great at doing impressions of people and has fabulous taste in art, food, and wine.

Highsmith’s work will give you an unforgettable mix of pleasure and suspense. As you read, you’ll wonder: Why am I enthralled by characters who deceive and steal identities as naturally as they might have a beer or coffee? Why am I rooting for a murderer? Graham Greene called Highsmith “the poet of apprehension.”

Perhaps Highsmith’s most important contribution to LGBTQ history was her groundbreaking 1952 novel “The Price of Salt” (later re-titled “Carol”). As I’ve written before in the Blade, Highsmith originally wrote the novel under the pseudonym Clare Morgan out of fear that using her real name would have derailed her career. “The Price of Salt” was a rare novel for that time: It featured a lesbian couple who didn’t die or go to jail. It gave hope to generations of queers.

A Fort Worth, Texas native, she moved at age 12 with her mother and stepfather to New York City. Highsmith often said that her mother had told her that she’d tried to abort her by drinking turpentine.

Highsmith was brilliant, eccentric, but “bigoted, obsessed and intolerant,” Richard Bradford wrote in “The Daily Mail.”

She had numerous relationships with women as well as some male lovers. In one diary entry, Highsmith noted that she’d had 10 lovers in one day. She “made the likes of Casanova look demure,” wrote Bradford, author of the new biography “Devils, Lusts and Strange Desires: The Life of Patricia Highsmith.”

Highsmith didn’t like Black people or women (except for sex). She was so virulently anti-Semitic that she wished more Jewish people had been killed in the Holocaust.

Yet, Highsmith had a soft spot. She left her estate to Yaddo, the writer’s retreat where she worked on “Strangers on a Train” in 1948.

Knowing about Highsmith’s bigotry is stomach turning. Yet her writing is magnificent, thrilling, pleasurable, and psychologically profound. That’s something to celebrate on her centennial.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Books

Susan Lucci on love, loss, and ‘All My Children’

New book chronicles life of iconic soap star

Published

on

(Book cover image courtesy of Blackstone Publishing)

‘La Lucci’
By Susan Lucci with Laura Morton
c.2026, Blackstone Publishing
$29.99/196 pages

They’re among the world’s greatest love stories.

You know them well: Marc Antony and Cleopatra. Abelard and Heloise. Phoebe and Langley. Cliff and Nina. Jesse and Angie, Opal and Palmer, Palmer and Daisy, Tad and Dixie. Now read “La Lucci” by Susan Lucci, with Laura Morton, and you might also think of Susan and Helmut.

When she was a very small girl, Susan Lucci loved to perform. Also when she was young, she learned that words have power. She vowed to use them for good for the rest of her life.

Her parents, she says, were supportive and her family, loving. Because of her Italian heritage, she was “ethnic looking” but Lucci’s mother was careful to point out dark-haired beauties on TV and elsewhere, giving Lucci a foundation of confidence.

That’s just one of the things for which Lucci says she’s grateful. In fact, she says, “Prayers of gratitude are how I begin and end each day.”

She is particularly grateful for becoming a mother to her two adult children, and to the doctors who saved her son’s life when he was a newborn.

Lucci writes about gratitude for her long career. She was a keystone character on TV’s “All My Children,” and she learned a lot from older actors on the show, and from Agnes Nixon, the creator of it. She says she still keeps in touch with many of her former costars.

She is thankful for her mother’s caretakers, who stepped in when dementia struck. Grateful for more doctors, who did heart-saving work when Lucci had a clogged artery. Grateful for friends, opportunities, life, grandchildren, and a career that continues.

And she’s grateful for the love she shared with her husband, Helmut Huber, who died nearly four years ago. Grateful for the chance to grieve, to heal, and to continue.

And yet, she says of her husband: “He was never timid, but I know he was afraid at the end, and that kills me down to my soul.”

“It’s been 15 years since Erica Kane and I parted ways,” says author Susan Lucci (with Laura Morton), and she says that people still approach her to confirm or deny rumors of the show’s resurrection. There’s still no answer to that here (sorry, fans), but what you’ll find inside “La Lucci” is still exceptionally generous.

If this book were just filled with stories, you’d like it just fine. If it was only about Lucci’s faith and her gratitude – words that happen to appear very frequently here – you’d still like reading it. But Lucci tells her stories of family, children and “All My Children,” while also offering help to couples who’ve endured miscarriage, women who’ve had heart problems, and widow(ers) who are spinning and need the kindness of someone who’s lived loss, too.

These are the other things you’ll find in “La Lucci,” in a voice you’ll hear in your head, if you spent your lunch hours glued to the TV back in the day. It’s a comfortable, fun read for fans. It’s a story you’ll love.

The Blade may receive commissions from qualifying purchases made via this post.

Continue Reading

Books

Risking it all for love during World War II

New book follows story of Black, gay expat in Paris

Published

on

(Book cover image courtesy Viking)

‘The Remarkable Life of Reed Peggram’
By Ethelene Whitmire
c.2026, Viking
$30/308 pages

You couldn’t escape it.

When you fell in love, that was it: you were there for good. Leaving your amour’s side was unthinkable, turning away was impossible. You’d do anything for that person you loved – even, as in the new biography, “The Remarkable Life of Reed Peggram” by Ethelene Whitmire, you’d escape toward danger.

On Aug. 28, 1938, Reed Peggram boarded a ship from Hoboken, N.J., hoping to “become a proper gentleman” and fulfill his dreams. A prolific writer and Harvard scholar of comparative literature, he’d recently been awarded the Rosenwald Fellowship, which put him in the company of literary stars like Du Bois, Hurston, and Hughes.

Both Peggram’s mother and grandmother were then domestic workers, and they had big expectations for him. Reed himself was eager to study abroad, for professional and personal reasons; he was “determined to become a French professor and an accomplished linguist” and “He also hoped to find love.”

What better place to do it than in Paris?

Outgoing and confident, Peggram made friends easily and had no trouble moving “through the world of his white male peers.” Where he faltered was in his lack of funds. He relied on the kindness of his many friends – one of whom introduced Peggram to a “man who would become so pivotal in his life,” a Danish man named Arne.

Peggram and Arne had a lot in common, and they began to enmesh their lives and dreams of living in the United States. But there were complications: homosexuality was largely forbidden, World War II was in its early stages, and it quickly became apparent that it was dangerous to stay in Europe.

And yet, Peggram loved Arne. He refused to leave without him and so, while most visiting Black Americans fled the war in Europe, “Reed was trying to stay.”

There’s so much more to the story inside “The Remarkable Life of Reed Peggram,” so much to know about Reed himself. Problem is, it’s a long haul to get to the good stuff.

In her introduction, author Ethelene Whitmire explains how she came to this tale and yes, it needs telling but probably not with the staggering number of inconsequential details here. Peggram moved homes a lot, and many people were involved in keeping him in Europe. That alone can be overwhelming; add the fact that costs and other monetary issues are mentioned in what seems like nearly every page, and you may wonder if you’ll ever find the reason for the book’s subtitle.

It’s there, nearly halfway through the book, which is when the tale takes a tender, urgent turn — albeit one with determination, rashness, and a dash of faux nonchalance. Also, if you’re expecting an unhappily-ever-after because, after all, it’s a World War II tale, don’t assume anything.

Reading this book will take a certain amount of patience, so skip it if you don’t have that fortitude. If you’re OK with minuscule details and want a heart-pounder, though, “The Remarkable Life of Reed Peggram” might be a good escape.

The Blade may receive commissions from qualifying purchases made via this post.

Continue Reading

Books

Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

Published

on

Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

Continue Reading

Popular