Books
Highsmith at 100: Literary legacy marred by racism
Few writers are as popular or more embedded in pop culture

You don’t know this about me but I’m a murderer. At least that’s what the brilliant, talented, queer novelist Patricia Highsmith, who was born 100 years ago, may well have called me.
Why, would Highsmith renowned for her novel “Strangers on a Train” and other psychological thrillers, have said this of me? Because, I confess, I’ve eaten snails, smothered, so to speak, in garlic and butter. Highsmith, a misanthrope, gave us in her fiction Tom Ripley, the world’s most charming, but murderous sociopath. Yet, she (seriously) believed that you were a murderer if you ate snails.
Welcome to the world of Patricia Highsmith!
Few writers are as popular, well regarded or more embedded in pop culture than Highsmith, who lived from 1921 to 1995. She wrote many short stories and more than 20 novels. More than 25 movies and numerous TV adaptations have been made of her work. Highsmith’s diaries (comprising some 8,000 pages) will be published this year. A movie, with the same name, of her 1957 psychological erotic thriller “Deep Water,” starring Ben Affleck and Ana de Armas will be released in August.
Her first novel, “Strangers on a Train,” is a gripping psychological thriller. In it, two men, strangers, meet on a train. Guy has a troublesome wife who won’t divorce him, and Bruno, an engaging sociopath is enraged that his wealthy father won’t give him money. Bruno proposes that they go “criss-cross” – that they murder the person who’s so annoying to each other. Alfred Hitchcock’s 1951 movie of the novel will keep you glued to your seat.
Highsmith is perhaps best known for her series of novels about Tom Ripley. (“The Talented Mr. Ripley,” the first of the Ripley novels, was published in 1955. The last Ripley thriller, “Ripley Under Water,” was released in 1991.) Ripley is a sociopath. Lies are to him what potato chips are to junk food addicts: he can never tell just one. Ripley steals other people’s identities, forges paintings and murders anyone who’s an obstacle on his path. Yet, I dare any reader, no matter how saintly, not to love him. He’s handsome, courteous, clever, witty, great at doing impressions of people and has fabulous taste in art, food, and wine.
Highsmith’s work will give you an unforgettable mix of pleasure and suspense. As you read, you’ll wonder: Why am I enthralled by characters who deceive and steal identities as naturally as they might have a beer or coffee? Why am I rooting for a murderer? Graham Greene called Highsmith “the poet of apprehension.”
Perhaps Highsmith’s most important contribution to LGBTQ history was her groundbreaking 1952 novel “The Price of Salt” (later re-titled “Carol”). As I’ve written before in the Blade, Highsmith originally wrote the novel under the pseudonym Clare Morgan out of fear that using her real name would have derailed her career. “The Price of Salt” was a rare novel for that time: It featured a lesbian couple who didn’t die or go to jail. It gave hope to generations of queers.
A Fort Worth, Texas native, she moved at age 12 with her mother and stepfather to New York City. Highsmith often said that her mother had told her that she’d tried to abort her by drinking turpentine.
Highsmith was brilliant, eccentric, but “bigoted, obsessed and intolerant,” Richard Bradford wrote in “The Daily Mail.”
She had numerous relationships with women as well as some male lovers. In one diary entry, Highsmith noted that she’d had 10 lovers in one day. She “made the likes of Casanova look demure,” wrote Bradford, author of the new biography “Devils, Lusts and Strange Desires: The Life of Patricia Highsmith.”
Highsmith didn’t like Black people or women (except for sex). She was so virulently anti-Semitic that she wished more Jewish people had been killed in the Holocaust.
Yet, Highsmith had a soft spot. She left her estate to Yaddo, the writer’s retreat where she worked on “Strangers on a Train” in 1948.
Knowing about Highsmith’s bigotry is stomach turning. Yet her writing is magnificent, thrilling, pleasurable, and psychologically profound. That’s something to celebrate on her centennial.
Books
In ‘The Lost Brontë,’ a complicated lie can lead to danger
New book features sweetly romantic girl-meets-girl twist
‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages
Mom always said to tell the truth.
One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.

Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.
She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.
It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.
Uncle always did say she was headstrong.
But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?
Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!
The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?
This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.
If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.
If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.
The Blade may receive commissions from qualifying purchases made via this post.
Books
Eliot Glazer’s new book an engaging collection of essays
From growing up gay to turning down ‘Queer Eye’
“The Terrible, Horrible, No Good, Very Bad Gay: Essays”
By Eliot Glazer
c.2026, Gallery Books
$28.99/240 pages
You try and you try.
Once, twice, you go back at that thorny issue, the dream you have, the punchline that’s not hitting quite right. Sometimes, time is all you need to make it better, or a new approach, or a second look. And then there are days when you actually get things right, as in “The Terrible, Horrible, No Good, Very Bad Gay” by Eliot Glazer, and it’s all good.

Throughout his life, Eliot Glazer has made mistakes. And it’s OK, everybody trips and falls now and then. In his case, though, he’s perfectly willing to document his failures, foibles, and whoopsies in this book.
He writes of his mother, Sandi, “a Queens-born balabosta” who wouldn’t tolerate laziness in herself or Glazer. He found work as soon as he was legally able to do so, and he had many jobs throughout high school. He was a gardener, ice cream scooper, camp counselor, golf caddy, chocolatier, telemarketer, and video store clerk. The one that fit him best, however, was working at Talbots, a department store for older women, where he found his people.
Even with all those jobs, he was a theater kid in his time off, little though it was. Back then, he was just a boy growing up on Long Island but swagger was important, so swagger he did. He still appreciates a good Broadway show, even the silliest ones.
Glazer says that he had just recently come out when gayness exploded on TV with “Will & Grace” and “Queer Eye for the Straight Guy,” with which he was obsessed. It helped him feel not othered, he says. Producers of the reboot asked him to be a second-generation Eye, but Glazer turned them down, though he thinks he’d have been good at it.
The show helped him with love of décor. His unexpected advisory skills came naturally, through age and wisdom and learning that wild partying isn’t really so much fun.
As for finding love, well, that’s a long, boy-meets-boy-meets-boy story…
So you’re looking for something to easily pick up and put down, something that speaks to your inner impatience? You’ll find that in “The Terrible, Horrible, No Good, Very Bad Gay,” a book that’s practically meant for you to skip around and you don’t have to read everything.
Essays can be like that, which is nice, even refreshing. Author Eliot Glazer is entertaining enough to make things work, engaging enough to keep it moving, and funny enough to make you want more of what he has to say. He’s open with his life and, despite his fame, his writing isn’t lofty; you can expect stories that’ll make you snort and ones with spice, but also some surprisingly tender moments that soften this book in a way that’s just right.
Readers who want a quick, mostly light book to finish will find something appealing in this collection of essays. If you don’t mind a bit of non-linearity and you need a laugh, “The Terrible, Horrible, No Good, Very Bad Gay.” is worth a try.
The Blade may receive commissions from qualifying purchases made via this post.
Books
Curl up with a good book this fall
New releases include mysteries, biographies, religion, and more
The fall books season offers lots of options so curl up and get ready to read.
FICTION
For the mystery fan who likes a sprinkle of thriller, look for “The Longest Death” by Kevin Jagernauth (Soho Crime, December). Richard Cobson hates his small town, he’s bored and desperate to get away. Stealing from his employer is the only thing that makes life bearable. That all changes when Marlon Montgomery comes to town and the two fall in love because if one guy can steal so easily, what can two do?
If you like graphic novels, try the “Tripping Over You” trilogy by Suzana Harcum and Owena White. Milo and Liam are finally able to be open about their relationship, no more hiding their love. They’re living together now, but can it last? “Tripping Over You Book 3” (First Second Books) is in stores in early November.
Also try “Diana: The Punk Singer Who Ripped Through Time” by Nate Powell (Abrams ComicArts, October). It’s about a young woman who’s trying desperately to escape her past, until a mysterious murder sidetracks her plans.
So you say you’re a romantic at heart? Then look for “Unspeakable Things: A Novel” by Elizabeth Hand (Little, Brown & Company, October). It’s a story set in the 1920s, when two young women arrive in the English Countryside to a dark and ancient manor. But, of course, nothing in a Gothic novel is easy, right? And you’ll love this tale.
NONFICTION
So this upcoming year is going to be one of exploration, right? Then look for “Free Love: Adventures in Marriage and Polyamory” by Michelle Tea (HarperOne, November). It’s a well-researched, personal, and interesting look at the lives of polyamorous couples and what it’s like to live what used to be called an “alternative” lifestyle.
If “fall” says “biography” to you, then look for “Showbiz! My Life as a Middle-Aged Man” by Murray Hill (Gallery Books, October). For decades, Hill has been making audiences laugh with his signature humor, but getting laughs hides his past all too well. He grew up in an abusive family and learning to hone his talents took some ingenuity. If you’re not a Hill fan yet, you will be, once you read this book.
For the reader who’s searching for a spiritual place, “Reading the Bible Through Queer Eyes: Good News for LGBTQ+ People from Genesis to Revelation” by podcasters Brian G. Murphy and Shannon T.L. Kearns (HarperOne, December) might help. Here, the authors look deeply at Scripture to find the queerness that’s there, proving to readers that the Word is not always what it seems.
Young readers may want to check out “Bitter Pill: Randy Shilts and the Dawn of the HIV/AIDS Epidemic” by Clement Xavier, illustrated by Heloise Cochois, foreword by Michael Lee (Abrams ComicArts, November). It’s a highly researched true story of activist Shilts, but also of Harvey Milk, and the earliest days of the AIDS crisis, when gay men needed a loud voice to advocate for them.
And finally, if you want a fun book for your kids or a child you love, look for “Good Night, Break a Leg: Life with Broadway Dads” by Bret Shuford, illustrated by Elena Hager (Penguin Workshop). What do parents do when they go to work? A little boy learns that his dads have very special jobs by day – and by night! It’s a cute book for kids, but a special tale for lovers of Broadway.
Be aware that publication dates change, titles change, books can be canceled, and your librarian or favorite bookseller can help you find what you need. Season’s readings!
-
Afghanistan5 days agoICC unseals arrest warrants for Taliban officials accused of persecuting LGBTQ people, women
-
District of Columbia4 days agoPhysician: addiction doesn’t always look the way you think it does
-
Calendar5 days agoCalendar: October 9-15
-
Opinions4 days agoSolidarity beyond the parade: the actual cost of Pride
