Arts & Entertainment
‘I was born to create and entertain’
DJ Nina Flowers was ‘RuPaul’s Drag Race’ premiere season runner-up

Bombastic flowers of extravagant colors and shapes hang from the nightclub’s roof. The half-lit dance floor at times simulates a jungle with exotic plants and butterflies. Some flowers that are placed on the stage symbolize the birth of music, which Nina Flowers generates from her turntables.
Flowers knows exactly what sounds to combine so that the audience goes into ecstasy, a sensation that bounces back instantly and makes you raise your arms to the metallic beat that is more intense with every second. When the music reaches its climax, the lights explode like lightning and Flowers emerges with one hand on her headphones and the other directing the electrifying atmosphere at will at The Manor, one of the most popular nightclubs in Wilton Manors, a gay Mecca in South Florida.
Flowers — a DJ, music producer, former drag queen and makeup artist — is the guest star on this Saturday. Many in the audience pull out their cell phones to film her while they continue to dance, and more than a few of them come to ask for a picture or autograph.
Flowers is widely recognized among the LGBTQ community, especially for her appearances on “RuPaul’s Drag Race.” Flowers finished second in the show’s season premiere in 2009.
A lot has happened in Flowers’ professional and personal life since then. She agreed to an exclusive interview with the Washington Blade via email.
WASHINGTON BLADE: Many have followed your career since you became a celebrity, but how did it all start? What prompted you to pursue a career as a DJ in the first place?
NINA FLOWERS: When I was very young, still a child, I used to accompany my father who helped a friend who was DJing at private parties. From the first time I went to one of these events, it was like love at first sight.
BLADE: What was your training as a DJ?
FLOWERS: I started playing neighborhood parties; family parties; at school, until I built a reputation and then continued to hold private parties and corporate events. At the age of 16 (in 1989) I auditioned for the first time for a position of resident DJ of a new club in San Juan, Puerto Rico, where I am from, and it was there where I obtained my first residency in a club. From there I continued working in many clubs on the island, until I had to move to the United States. And my career exploded.
BLADE: Is it true that back then you performed with a masculine appearance in the beginning?
FLOWERS: Correct and under the name of Jorge Flores, which is my birth name, then under the nickname of DJ Flowers that one of my previous bosses baptized.
BLADE: Precisely from where where does your stage name come?
FLOWERS: Nina is in tribute to my favorite artist, Nina Hagen, better known as the mother of punk rock. Flowers comes from my last name, Flores, in English. As I was already known as DJ Flowers, I decided to keep the relationship between both characters and the brand.
BLADE: How is the process to produce your music?
FLOWERS: It is an extremely fun and creative process. The first thing is that you have to be in those days where the “creative juices” are flowing. There are times that nothing works out, no matter how hard you try. Other days, pure wonders come out. The main thing is to have the knowledge of production and in turn of the program that is used to produce it. Basically (you need to) have a good set of tools, as well as a good team. The magic will be infinite once you have that and the desire to create.
BLADE: How would you define your sound?
FLOWERS: Progressive, sticky, tasty, tribal, different. Quite the opposite of what is commercial or what we hear everywhere.
BLADE: What do you feel behind the booth and surrounded by the public at that moment?
FLOWERS: Excitement, energy! I feel blessed to have the joy of being able to develop what I do with love and at the same time receive the support of those who follow me.
Flowers released her first single “Loca” in December 2009 in collaboration with DJ Ranny. The song reached its highest position (#15) on the Billboard Hot Dance Club Play chart the week of Jan. 30, 2010. She released her first mini-album entitled “Start Your Engines,” a compilation of six original tracks that he made with producer and remixer William Umana, in July of that same year.
Flowers in January 2011 released her dance single “I’m Feelin Flowers” and in July 2012 she released her single “Rock the Beat.”
BLADE: How was your transition from DJ to drag queen?
FLOWERS: Very soft and divine. When I started in the drag scene I was already working as a DJ in clubs, so I already had many friends and followers who supported me at all times. I started in the drag scene in 1993.
BLADE: If you had to define your style of drag, what would it be?
FLOWERS: Authentic, imposing, different, intense, colorful, energetic, androgynous and fun.
BLADE: How do you do it?
FLOWERS: A creation that combines my roots of who I am as a person, of what I like and attracts me, of my feelings and my artistic side.
BLADE: You competed on the first season of “RuPaul’s Drag Race.” How would you describe that experience?
FLOWERS: Incredible. Definitely an opportunity that I will never forget, and that surely opened the doors for me to be discovered throughout the world. It was a blessing for me.
BLADE: How did you feel when you finished in second place?
FLOWERS: No particular feeling. I was sad, of course, because obviously we all want to win. But if it didn’t affect me, it was because it wasn’t meant for me. I was very proud of my role in the show, and I know that I performed in the best possible way. At the same time BeBe Zahara Benet (the winner) and I became super good friends during the filming, and in the end I was very happy for her. She did an incredible job and worked as hard as I did, so to me she deserved it as much as I did.
BLADE: You did, however, win the Miss Congeniality award during the first season’s reunion special, making you the first runner-up to win the title and the best Miss. Could we call it your revenge?
FLOWERS: I think so (laughs).
BLADE: You were on RuPaul’s show in 2009, 2010 and 2012. What did you learn and how many opportunities has this television show brought to your career?
FLOWERS: Based on what I learned, the important thing is to be sure of yourself and to lose your fear of those things that we sometimes tell ourselves that we cannot do or achieve; to be positive at all times; and face any challenge that comes our way.
In terms of opportunities, it gave me global exposure, opening doors that I never dreamed would be there for me.
BLADE: I understand there is a Nina Flowers Day. Can you explain how it happened? What happens on your day?
FLOWERS: (Then-Denver Mayor) John Hickenlooper in 2009 gave me the honor of naming May 29 as Nina Flowers Day. This was in gratitude from the community and the city for the impact that I had brought to Denver after participating in the program and being one of its residents. They were all very proud of me. The reality is that I have never stopped touring the nation and internationally since the show happened, so I never had the opportunity to organize any event to commemorate the day.
BLADE: Why did you decide to abandon your career as a drag queen, even though you were so renowned in that world?
FLOWERS: Very simple. When I decided to stop it was simply because I needed new challenges in my life. I needed a change. I already knew it was time to conquer other territories. In my case the territory of music, which has always been my priority and my number one passion.
BLADE: You remain in drag, however, when you perform as a DJ. Why?
FLOWERS: It’s part of the Nina Flowers brand. A brand that took many years of preparation, sacrifice and is recognized worldwide. Why am I leaving her behind?
BLADE: DJ, drag queen, makeup artist … Which of your facets fulfill you the most as an artist?
FLOWERS: The entertainment. I was born to create and entertain. In the three facets I have the opportunity to develop myself in what I love so much, but my passion is music.
BLADE: How has the current pandemic affected you, taking into account that the entertainment industry has been one of the most affected areas?
FLOWERS: It has unfortunately affected me a lot financially, because almost all events in 2020 were cancelled. There were some cities that managed to have events. I worked on some of them, which caused a lot of personal attacks by COVID Karens, who only dedicate themselves to personal attacks on social media. This affected me emotionally, but it didn’t stop me either. All of us who have agreed to work during the pandemic have our reasons, our obligations, our needs. No one has the right to point out or judge anyone for their decisions, much less without knowing the reasons for being. For my part I continue and will continue forward. Nobody stops me. Nightlife will be the last to recover. Hopefully we will all recover from this global hit very soon.
In an effort to continue creating and not lose connection with her fans, Flowers has presented her most recent musical chapter “Resurgimiento” through the Twitch and Zoom platforms.
BLADE: What are you working on right now?
FLOWERS: On music. This is my life, my reason for being. It’s all I do
BLADE: Tell us a bit about Nina Flowers offstage. What are you like at home?
FLOWERS: Completely different. A little introverted, quiet, reserved, homey. I love cooking. I really like sewing and photography. Happily married for almost 14 years. I love animals and I am very family oriented.
BLADE: Is your personal life as successful as your professional one?
FLOWERS: Yes, thank goodness!
BLADE: What are those goals or dreams that you still haven’t achieved?
FLOWERS: I’ve already conquered the music circuit of the gay community. I would love and dream of a transition to the “straight community.” Someday it will be! I am already recognized as a DJ, so my goal for the moment is to achieve the same level of recognition or more as a music producer. Today that is my focus.
Books
Love or fear flying you’ll devour ‘Why Fly’
New book chronicles a lifetime obsession with aircraft
‘Why Fly’
By Caroline Paul
c. 2026, Bloomsbury
$27.99/256 pages
Tray table folded up.
Check. Your seat is in the upright position, the airflow above your head is just the way you like it, and you’re ready to go. The flight crew is making final preparations. The lights are off and the plane is backing up. All you need now is “Why Fly” by Caroline Paul, and buckle up.

When she was very young, Paul was “obsessed” with tales of adventure, devouring accounts written by men of their derring-do. The only female adventure-seeker she knew about then was Amelia Earhart; later, she learned of other adventuresome women, including aviatrix Bessie Coleman, and Paul was transfixed.
Time passed; Paul grew up to create a life of adventure all her own.
Then, the year her marriage started to fracture, she switched her obsession from general exploits to flight.
Specifically, Paul loves experimental aircraft, some of which, like her “trike,” can be made from a kit at home. Others, like Woodstock, her beloved yellow gyrocopter, are major purchases that operate under different FAA rules. All flying has rules, she says, even if it seems like it should be as freewheeling as the birds it mimics.
She loves the pre-flight checklist, which is pure anticipation as well as a series of safety measures; if only a relationship had the same ritual. Paul loves her hangar, as a place of comfort and for flight in all senses of the word. She enjoys thinking about historic tales of flying, going back before the Wright Brothers, and including a man who went aloft on a lawn chair via helium-filled weather balloons.
The mere idea that she can fly any time is like a gift to Paul.
She knows a lot of people are terrified of flying, but it’s near totally safe: generally, there’s a one in almost 14 million chance of perishing in a commercial airline disaster – although, to Paul’s embarrassment and her dismay, it’s possible that both the smallest planes and the grandest loves might crash.
If you’re a fan of flying, you know what to do here. If you fear it, pry your fingernails off the armrests, take a deep breath, and head to the shelves. “Why Fly” might help you change your mind.
It’s not just that author Caroline Paul enjoys being airborne, and she tells you. It’s not that she’s honest in her explanations of being in love and being aloft. It’s the meditative aura you’ll get as you’re reading this book that makes it so appealing, despite the sometimes technical information that may flummox you between the Zen-ness. It’s not overwhelming; it mixes well with the history Paul includes, biographies, the science, heartbreak, and exciting tales of adventure and risk, but it’s there. Readers and romantics who love the outdoors, can’t resist a good mountain, and crave activity won’t mind it, though, not at all.
If you own a plane – or want to – you’ll want this book, too. It’s a great waiting-at-the-airport tale, or a tuck-in-your-suitcase-for-later read. Find “Why Fly” and you’ll see that it’s an upright kind of book.
The Blade may receive commissions from qualifying purchases made via this post.
Theater
Out actor Kevin Cahoon on starring role in ‘Chez Joey’
Arena production adapted from Broadway classic ‘Pal Joey’
‘Chez Joey’
Through March 15
Arena Stage
1101 Sixth St., S.W.
Tickets start at $93
Arenastage.org
As Melvin Snyder in the new musical “Chez Joey,” out actor Kevin Cahoon plays a showbiz society columnist who goes by the name Mrs. Knickerbocker. He functions as a sort of liaison between café society and Chicago’s Black jazz scene circa 1940s. It’s a fun part replete with varied insights, music, and dance.
“Chez Joey” is adapted from the Broadway classic “Pal Joey” by Richard Rodgers and Lorenz Hart. It’s inspired by John O’Hara’s stories based on the exploits of a small-time nightclub singer published in The New Yorker.
A warm and humorous man, Cahoon loves his work. At just six, he began his career as a rodeo clown in Houston. He won the Star Search teen division at 13 singing songs like “Some People” from “Gypsy.” He studied theater at New York University and soon after graduating set to work playing sidekicks and comedic roles.
Over the years, Cahoon has played numerous queer parts in stage productions including “Hedwig and the Angry Inch,” “La Cage aux Folles,” “Rocky Horror” as well as Peanut in “Shucked,” and George the keyboardist in “The Wedding Singer,” “a sort of unicorn of its time,” says Cahoon.
Co-directed by Tony Goldwyn and the great Savion Glover, “Chez Joey” is a terrific and fun show filled with loads of talent. Its relevant new book is by Richard Lagravenese.
On a recent Monday off from work, Cahoon shared some thoughts on past and current happenings.
WASHINGTON BLADE: Is there a through line from Kevin, the six-year-old rodeo clown, to who we see now at Arena Stage?
KEVIN CAHOON: Anytime I want to land a joke in a theater piece it goes back to that rodeo clown. It doesn’t matter if it’s Arena’s intimate Kreeger Theatre or the big rodeo at the huge Houston Astrodome.
I was in the middle stadium and there was an announcer — a scene partner really. And we were doing a back and forth in hopes of getting laughs. At that young age I was trying to understand what it takes to get laughs. It’s all about timing. Every line.
BLADE: Originally, your part in “Chez Joey” Melvin was Melba who sings “Zip,” a clever woman reporter’s song. It was sort of a star feature, where they could just pop in a star in the run of “Pal Joey.”
CAHOON: That’s right. And in former versions it was played by Martha Plimpton and before her Elaine Stritch. For “Chez Joey,” we switched gender and storyline.
We attempted to do “Zip” up until two days before we had an audience at Arena. Unexpectedly they cut “Zip” and replaced it with a fun number called “I Like to Recognize the Tune,” a song more connected to the story.
BLADE: Wow. You must be a quick study.
CAHOON: Well, we’re working with a great band.
BLADE: You’ve played a lot of queer parts. Any thoughts on queer representation?
CAHOON: Oh yes, definitely. And I’ve been very lucky that I’ve had the chance to portray these characters and introduce them to the rest of the world. I feel honored.
After originating Edna, the hyena on Broadway in “The Lion King,” I left that to do “Hedwig and the Angry Inch” as standby for John Cameron Mitchell, doing one show a week for him.
Everyone thought I was crazy to leave the biggest musical of our time with a personal contract and getting paid more money that I’d ever made to get $400 a week at the downtown Jane Street Theatre in a dicey neighborhood.
At the time, I really felt like I was with cool kids. I guess I was. And I never regretted it.
BLADE: When you play new parts, do you create new backstories for the role?
CAHOON: Every single time! For Melvin, I suggested a line about chorus boys on Lakeshore Drive.
BLADE: What’s up next for Kevin Cahoon?
CAHOON: I’m about to do the New York Theatre Workshop Gala; I’ve been doing it for nine years in a row. It’s a huge job. I’ll also be producing the “Cats: The Jellicle Ball” opening on Broadway this spring; it’s a queer-centric uptown vogue ball with gay actor André de Shields reprising his role as “Old Deuteronomy.”
BLADE: There’s a huge amount of talent onstage in “Chez Joey.”
CAHOON: There is. I’m sharing a dressing room with Myles Frost who plays Joey. He won accolades for playing Michael Jackson on Broadway. We’ve become great friends. He’s a miracle to watch on stage. And Awa [Sal Secka], a D.C. local, is great. Every night the audience falls head over heels for her. When this show goes to New York, Awa will, no doubt, be a giant star.
BLADE: Do you think “Chez Joey” might be Broadway bound?
CAHOON: I have a good feeling it is. I’ve done shows out of town that have high hopes and pedigree, but don’t necessarily make it. “Chez Joey” is a small production, it’s funny, and audiences seem to love it.
The Capital Pride Alliance held the annual Pride Reveal event at The Schuyler at The Hamilton Hotel on Thursday, Feb. 26. The theme for this year’s Capital Pride was announced: “Exist. Resist. Have the audacity!”
(Washington Blade photos by Michael Key)























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