Arts & Entertainment
‘I was born to create and entertain’
DJ Nina Flowers was ‘RuPaul’s Drag Race’ premiere season runner-up

Bombastic flowers of extravagant colors and shapes hang from the nightclub’s roof. The half-lit dance floor at times simulates a jungle with exotic plants and butterflies. Some flowers that are placed on the stage symbolize the birth of music, which Nina Flowers generates from her turntables.
Flowers knows exactly what sounds to combine so that the audience goes into ecstasy, a sensation that bounces back instantly and makes you raise your arms to the metallic beat that is more intense with every second. When the music reaches its climax, the lights explode like lightning and Flowers emerges with one hand on her headphones and the other directing the electrifying atmosphere at will at The Manor, one of the most popular nightclubs in Wilton Manors, a gay Mecca in South Florida.
Flowers — a DJ, music producer, former drag queen and makeup artist — is the guest star on this Saturday. Many in the audience pull out their cell phones to film her while they continue to dance, and more than a few of them come to ask for a picture or autograph.
Flowers is widely recognized among the LGBTQ community, especially for her appearances on “RuPaul’s Drag Race.” Flowers finished second in the show’s season premiere in 2009.
A lot has happened in Flowers’ professional and personal life since then. She agreed to an exclusive interview with the Washington Blade via email.
WASHINGTON BLADE: Many have followed your career since you became a celebrity, but how did it all start? What prompted you to pursue a career as a DJ in the first place?
NINA FLOWERS: When I was very young, still a child, I used to accompany my father who helped a friend who was DJing at private parties. From the first time I went to one of these events, it was like love at first sight.
BLADE: What was your training as a DJ?
FLOWERS: I started playing neighborhood parties; family parties; at school, until I built a reputation and then continued to hold private parties and corporate events. At the age of 16 (in 1989) I auditioned for the first time for a position of resident DJ of a new club in San Juan, Puerto Rico, where I am from, and it was there where I obtained my first residency in a club. From there I continued working in many clubs on the island, until I had to move to the United States. And my career exploded.
BLADE: Is it true that back then you performed with a masculine appearance in the beginning?
FLOWERS: Correct and under the name of Jorge Flores, which is my birth name, then under the nickname of DJ Flowers that one of my previous bosses baptized.
BLADE: Precisely from where where does your stage name come?
FLOWERS: Nina is in tribute to my favorite artist, Nina Hagen, better known as the mother of punk rock. Flowers comes from my last name, Flores, in English. As I was already known as DJ Flowers, I decided to keep the relationship between both characters and the brand.
BLADE: How is the process to produce your music?
FLOWERS: It is an extremely fun and creative process. The first thing is that you have to be in those days where the “creative juices” are flowing. There are times that nothing works out, no matter how hard you try. Other days, pure wonders come out. The main thing is to have the knowledge of production and in turn of the program that is used to produce it. Basically (you need to) have a good set of tools, as well as a good team. The magic will be infinite once you have that and the desire to create.
BLADE: How would you define your sound?
FLOWERS: Progressive, sticky, tasty, tribal, different. Quite the opposite of what is commercial or what we hear everywhere.
BLADE: What do you feel behind the booth and surrounded by the public at that moment?
FLOWERS: Excitement, energy! I feel blessed to have the joy of being able to develop what I do with love and at the same time receive the support of those who follow me.
Flowers released her first single “Loca” in December 2009 in collaboration with DJ Ranny. The song reached its highest position (#15) on the Billboard Hot Dance Club Play chart the week of Jan. 30, 2010. She released her first mini-album entitled “Start Your Engines,” a compilation of six original tracks that he made with producer and remixer William Umana, in July of that same year.
Flowers in January 2011 released her dance single “I’m Feelin Flowers” and in July 2012 she released her single “Rock the Beat.”
BLADE: How was your transition from DJ to drag queen?
FLOWERS: Very soft and divine. When I started in the drag scene I was already working as a DJ in clubs, so I already had many friends and followers who supported me at all times. I started in the drag scene in 1993.
BLADE: If you had to define your style of drag, what would it be?
FLOWERS: Authentic, imposing, different, intense, colorful, energetic, androgynous and fun.
BLADE: How do you do it?
FLOWERS: A creation that combines my roots of who I am as a person, of what I like and attracts me, of my feelings and my artistic side.
BLADE: You competed on the first season of “RuPaul’s Drag Race.” How would you describe that experience?
FLOWERS: Incredible. Definitely an opportunity that I will never forget, and that surely opened the doors for me to be discovered throughout the world. It was a blessing for me.
BLADE: How did you feel when you finished in second place?
FLOWERS: No particular feeling. I was sad, of course, because obviously we all want to win. But if it didn’t affect me, it was because it wasn’t meant for me. I was very proud of my role in the show, and I know that I performed in the best possible way. At the same time BeBe Zahara Benet (the winner) and I became super good friends during the filming, and in the end I was very happy for her. She did an incredible job and worked as hard as I did, so to me she deserved it as much as I did.
BLADE: You did, however, win the Miss Congeniality award during the first season’s reunion special, making you the first runner-up to win the title and the best Miss. Could we call it your revenge?
FLOWERS: I think so (laughs).
BLADE: You were on RuPaul’s show in 2009, 2010 and 2012. What did you learn and how many opportunities has this television show brought to your career?
FLOWERS: Based on what I learned, the important thing is to be sure of yourself and to lose your fear of those things that we sometimes tell ourselves that we cannot do or achieve; to be positive at all times; and face any challenge that comes our way.
In terms of opportunities, it gave me global exposure, opening doors that I never dreamed would be there for me.
BLADE: I understand there is a Nina Flowers Day. Can you explain how it happened? What happens on your day?
FLOWERS: (Then-Denver Mayor) John Hickenlooper in 2009 gave me the honor of naming May 29 as Nina Flowers Day. This was in gratitude from the community and the city for the impact that I had brought to Denver after participating in the program and being one of its residents. They were all very proud of me. The reality is that I have never stopped touring the nation and internationally since the show happened, so I never had the opportunity to organize any event to commemorate the day.
BLADE: Why did you decide to abandon your career as a drag queen, even though you were so renowned in that world?
FLOWERS: Very simple. When I decided to stop it was simply because I needed new challenges in my life. I needed a change. I already knew it was time to conquer other territories. In my case the territory of music, which has always been my priority and my number one passion.
BLADE: You remain in drag, however, when you perform as a DJ. Why?
FLOWERS: It’s part of the Nina Flowers brand. A brand that took many years of preparation, sacrifice and is recognized worldwide. Why am I leaving her behind?
BLADE: DJ, drag queen, makeup artist … Which of your facets fulfill you the most as an artist?
FLOWERS: The entertainment. I was born to create and entertain. In the three facets I have the opportunity to develop myself in what I love so much, but my passion is music.
BLADE: How has the current pandemic affected you, taking into account that the entertainment industry has been one of the most affected areas?
FLOWERS: It has unfortunately affected me a lot financially, because almost all events in 2020 were cancelled. There were some cities that managed to have events. I worked on some of them, which caused a lot of personal attacks by COVID Karens, who only dedicate themselves to personal attacks on social media. This affected me emotionally, but it didn’t stop me either. All of us who have agreed to work during the pandemic have our reasons, our obligations, our needs. No one has the right to point out or judge anyone for their decisions, much less without knowing the reasons for being. For my part I continue and will continue forward. Nobody stops me. Nightlife will be the last to recover. Hopefully we will all recover from this global hit very soon.
In an effort to continue creating and not lose connection with her fans, Flowers has presented her most recent musical chapter “Resurgimiento” through the Twitch and Zoom platforms.
BLADE: What are you working on right now?
FLOWERS: On music. This is my life, my reason for being. It’s all I do
BLADE: Tell us a bit about Nina Flowers offstage. What are you like at home?
FLOWERS: Completely different. A little introverted, quiet, reserved, homey. I love cooking. I really like sewing and photography. Happily married for almost 14 years. I love animals and I am very family oriented.
BLADE: Is your personal life as successful as your professional one?
FLOWERS: Yes, thank goodness!
BLADE: What are those goals or dreams that you still haven’t achieved?
FLOWERS: I’ve already conquered the music circuit of the gay community. I would love and dream of a transition to the “straight community.” Someday it will be! I am already recognized as a DJ, so my goal for the moment is to achieve the same level of recognition or more as a music producer. Today that is my focus.
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















Books
New book explores homosexuality in ancient cultures
‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome
‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages
Nobody likes you very much.
That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.
When he was a teenager, Harry Tanner says that he thought he “was going to hell.”
For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”
Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”
Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.
In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”
Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”
Says Tanner, “all is not what it seems.”
So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.
Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.
While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.
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