Arts & Entertainment
Top 10 pop culture moments of 2021
A gay Playboy cover boy, a Satanic lap dance, the ‘Pose’ finale, and Colton’s drama

It was a memorable year for pop culture, as productions resumed after COVID lockdowns. Here’s our list of the top 10 pop culture moments of 2021.
#10: Lesbian nuns get it on in ‘Benedetta’

Director Paul Verhoeven (“Basic Instinct,” “Showgirls”) delivered his latest film “Benedetta,” which tells of an Italian nun in the 1600s who receives erotic visions of a nude Christ as well as stigmata before having a lesbian relationship with a novitiate in her convent.
The title character (played by Virginie Efira) plays “a randy nun whose religious visions and lustful cravings are rolled into a single ball of blasphemy,” as the New York Times wrote. “Verhoeven might have aged, but his love of the lurid has dimmed not one bit.”
The Times also said the movie “presents lesbianism as a middle finger to church power.”
A modest release, it gained steam on the festival circuit and screened in competition at Cannes.
#9: Sapphic love in ‘Squid Game’

(SPOILER ALERT) It was subtle but the relationship between players 067 (HoYeon Jung) and 240 (Lee Yoo-mi) on the “Gganbu” episode of “Squid Game,” Netflix’s monster K-drama, was embraced by fans as a tale of doomed lesbian love.
While other teams use the 30 minutes allotted for a nerve-wracking series of marble games, the two young women spent all but the final seconds of their time telling each other their life stories. Player 240 loses intentionally, sacrificing her life for her partner’s. She expresses her love just before getting shot.
The show has been deemed Netflix’s “most watched series.”
#8: Olly’s big year

It was a big year for Olly Alexander, the Years & Years singer. He drew raves for his role in the five-part British series “It’s a Sin” as Ritchie, one of a group of gay U.K. men dealing with AIDS in the ‘80s.
In March, Alexander announced that his band was now a solo venture. Kylie Minogue showed up as guest artist on a remix of single “Starstruck” in May. In October, Years & Years guested on Minogue’s song “A Second to Midnight.” A full album is expected in 2022.
Alexander performed a sensuous cover of the Pet Shop Boys’ “It’s a Sin” with Elton John at the BRIT Awards in May.
#7: Bretman dons bunny ears

Bretman Rock, the 23-year-old Filipino YouTuber and beauty influencer known for his makeup tutorials and MTV reality show, made history as the first openly gay man to make the cover of Playboy magazine.
Aside from Playboy’s late founder, Hugh Hefner, Rock is only the second man to appear on the cover (in July, 2020, Puerto Rican rapper Bad Bunny was the first).
Sporting a nipple-baring bustier and the famous bunny ears, Rock called the historic moment “so surreal” on Instagram. Sadly, the issue is digital only as Playboy suspended its print product in 2020 after 66 years citing COVID “disruption.”
Model Ariel Nicholson became the first trans person on the cover of Vogue in September. She was featured with seven other models dubbed “Generation America.”
#6: Ewan bends over for ‘Halston’

Straight actor Ewan McGregor drew strong reviews for his portrayal of late gay designer Roy Halston Frowick (who died of AIDS in 1990) in the Netflix miniseries “Halston,” which premiered in May.
Another Ryan Murphy-produced project, “Halston’s” five episodes follow the designer’s work with Liza Minnelli, booming business, drug use and comeback.
McGregor, no stranger to screen sex scenes and nudity (he even filmed one with Jim Carrey in “I Love You Phillip Morris”), gets pounded by soon-to-be-boyfriend Ed (Sullivan Jones) in the first episode, though ultimately, the series focuses more on drugs than sex. He won an Emmy for the role in September.
#5: ‘Pose’ wraps

The groundbreaking FX series “Pose,” wrapped in June and was lauded for being the first show to center on trans women of color and cast trans actors in its roles.
The show, which depicted New York City drag ballroom culture of the ’80s and ’90s, only ran for three seasons (26 episodes) but followed the characters over the course of a decade.
Created by Steven Canals, Brad Falchuk and Ryan Murphy, the New York Times called the show “a celebration, a juicy soap and one of TV’s most kinetic and dance-intensive shows.”
Star Billy Porter told the Hollywood Reporter in May he’s been HIV-positive since 2007.
In September, Mj Rodriguez, who plays Blanca, was the first trans actor to receive an Emmy nomination.
#4: JoJo makes ‘Dancing’ history

YouTuber JoJo Siwa, 18, one of Time’s “most influential people in the world” last year, came out as pan (she’s also comfortable with “queer” and “gay,” she said) in January.
In September, the dancer/singer made history on the 30th season of “Dancing With the Stars” as the first contestant to compete with a same-sex partner. She and Jenna Johnson came in second.
#3: Marvel depicts gay superhero

“Eternals,” the 26th movie in the Marvel Cinematic Universe, was released in November, features the franchise’s first LGBTQ superheroes with Phastos (Brian Tyree Henry), a genius inventor, who’s married to Ben (Haaz Sleiman) and father of Jack. The couple even gets an onscreen kiss.
Though the movie itself drew mixed reviews but solid box office, the inclusion was widely praised.
“Seeing a powerful gay superhero kiss his husband and feeling the reaction in that theater was a real-life example of why it is important for our stories to be told – especially in films that travel to big cities and small towns around the world,” Variety noted.
Several countries in the Middle East — Saudi Arabia, Kuwait, et. al. — denied release; others only agreed to a version that edited the love scenes.
“It made these Arab countries look so ignorant and pathetic,” Sleiman told Variety. “I have no respect for those governments.”
#2: Colton Underwood comes out — and it gets messy

The 29-year-old former NFL linebacker, whose alleged virginity gave him a novel angle on “The Bachelor” two years ago, came out in April on a “Good Morning America” interview. This month, a six-episode reality show dubbed “Coming Out Colton” arrived on Netflix in which he comes out to family and friends and learns gay culture.
In November, an online petition with more than 35,000 signatures asked Netflix to cancel the series because of stalking and harassment allegations that Underwood’s ex-girlfriend, Cassie Randolph (his choice on “The Bachelor,” though they didn’t end up marrying), claimed in a 2020 restraining order. The order was dropped, but the incident as well as the docuseries raised gay eyebrows.
“To some, that appears more like a monetized career move than an unvarnished emotional reckoning,” the New York Times wrote.
#1: Lil Nas X scores big with ‘Montero’

Out rapper Lil Nas X proved he’s not a one-hit wonder when his single “Montero (Call Me By Your Name)” debuted atop the Billboard Hot 100 in April.
Its video, which depicts the artist giving Satan a gay lap dance, won “Video of the Year” at the MTV Video Music Awards and People’s Choice Awards and three Grammys are pending.
The accompanying album, “Montero,” dropped in September at No. 2 to solid reviews and featured two other Hot 100 top-10 hits.
Nas shot to fame in 2018 when his song “Old Town Road” became the longest-charting No. 1 song in Hot 100 history.

WorldPride 2025 concluded with the WorldPride Street Festival and Closing Concert held along Pennsylvania Ave., N.W. on Sunday, June 8. Performers on the main stage included Doechii, Khalid, Courtney Act, Parker Matthews, 2AM Ricky, Suzie Toot, MkX and Brooke Eden.
(Washington Blade photos by Michael Key)










































The 2025 WorldPride Parade was held in Washington, D.C. on Saturday, June 7. Laverne Cox and Renée Rapp were the grand marshals.
(Washington Blade photos by Michael Key and Robert Rapanut)



















































Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino

‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.