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Drag Isn’t Dangerous Telethon raises over $523,000

Final amount raised from the live broadcast was over $523,000. Recording of it will stay online for 48 hours after its conclusion

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'Drag Isn't Dangerous: Live Telethon' (Screenshot/YouTube)

Into the third hour of Drag Isn’t Dangerous, a brief film makes the point that there have been article after article about children molested by church clergy and counselors, yet not a single bill has been proposed tackling that real issue. Then there are drag queens. Drag queens have never harmed a child, and there are no articles implying that they have.  Yet … yet … state after state, bill after bill are going after drag queens.

With this telethon event, drag queens and all that they have inspired, have sent the message: They are not going to take this shit anymore. Clips of rightwing pundits and commentators were presented and  the ignorant hatred expressed in each clip is both at once chilling, and pathetic.

The message of hate is juxtaposed with segments like one featuring “RuPaul Drag Race” alum Nina West. West told the story about her adventures doing storybook hours at Columbus, Ohio, libraries for children. It should be pointed out that the Nina West brand is one of classiness and kindness. She moved her popular book readings onto Instagram. The first hour where she did so was wonderful. 

The second hour was not. 

The audience turned “dark, terrifying and threatening.” Then it all got very personal. People showed up at his house where he was broadcasting and  blew eardrum breaking airhorns outside his windows. They then started a campaign of harassment and doxing, targeting him, his parents and his sister. Signs appeared in his yard accusing him of being a groomer. 

Last December he embarked on a Drag Christmas tour. The tour encountered protesters, bomb threats and required police escorts.

Drag Isn’t Dangerous: Live Telethon (Screenshot)

Hosted by Justin Martindale and Peppermint with a co-location hosted by Alaska and Adam Shankman, the telethon team declared a goal target of $250,000 for the evening.  The evening was filled with performances from some of the Drag community’s best. Kicking off the evening were songs by Trixie Mattel and Alaska. The online crowd was gobsmacked with exclamations like “legends!” , “fierce!” “That voice!”. 

The telethon was a recreation of the traditional telethon style with a phonebank of drag celebrities womaning the phones. Instead of the phone banks of years gone by the receptionists were not the first point of entry to make donations. In this modern version, donors first register their donation on the gofundme application and then are connected to the celebrity to receive thanks and conversation. Phone bank stars included Candis Cayne, Jinx Monsson, Ginger Minge, Laganja Estranja Trinity the Tuck, Monet Exchange and Queer Eye OG Jai Rodriguez.

As of 4:30 p.m., $55,000 had been raised.

Celebrity cameos and interviews were generously sprinkled through the broadcast. Many of them expressed gratitude and awe for the talents and artistic contributions of drag. Still others were downright angry. “I will f*ck anyone who messes with you,” Charlize Theron declared.

“Drag isn’t dangerous, but Leslie Jones IS!” Leslie Jones fumed.

Sarah Silverman also did not mince words. “It is an invented ‘problem’. It creates a REAL problem for  the marginalized. I would trust RuPaul before any of you (Republican) hate mongers.” To the drag community, she declared, “If they come for you, they will have to come through me first.”

“Lawmakers are terrified of how bright we are shining,” Adam Lambert stated affirmingly.

As of 4:50 p.m. $100,000 had been raised.

Donors were interviewed through the phonebank. Jai Rodriguez had an impromptu conversation with a young woman who had come out as queer that day. Even though her experience has been “tough”, she wanted to celebrate her landmark day by donating.

Michele Visage gave RuPaul visibility and spoke from her heart. “I wish I could say that I am glad to be here,” she started. “I am appalled I have to be at something called ‘Drag Isn’t Dangerous.’ Imagine a world where dancers are told they can’t dance; imagine a world where artists are told they cannot take paint to canvas…because it is ‘bad for children.’ That is what is happening to drag right now.”

As of 5:40 p.m., $205,000 had been raised.  Jinx Monsson whipped out her own checkbook and wrote a check for $10,000.

Other celebrities added perspective to the issue. Ocean Kelly stated, “They want us to stay quiet. Watching a drag queen won’t make a child queer. If a child is queer, it is because they are … queer.”

Billy Eichner discussed the historical use of scapegoats as distractions. “It is not new, but it is urgent and dangerous,” he warned. “We need to be relentless and loud,” he instructed.

Oscar winner Marcia Gay Harden demonstrated her queer chops by publicly outing her entire family. “All my children are queer,” she declared. “One is nonbinary, one is gay. My first boyfriend was gay and my conservative Naval Officer dad loved him. “ Of the drag controversy she said, “Why are we having to advocate for creativity and imagination? It is so fear-based. We know what love is.”

As of 7:38 p.m., half a million dollars had been raised.

The movement has started and this first outing is not yet over. Recording of it will stay online for 48 hours after it concludes. 

Go here for tickets and then receive you email with the telethon link: https://www.moment.co/dangerous/dragisntdangerous-drag-isnt-dangerous-live

Donate here.

As for the end of the Telethon, Ginger Minge show stopped with the classic “I Am What I Am” from La Cage.

 
I don’t want praise I don’t want pity
I bang my own drum
Some think it’s noise I think it’s pretty
And so what if I love each sparkle and each bangle
Why not try to see things from a different angle
Your life is a sham til you can shout out
I am what I amI am what I am
And what I am needs no excuses
I deal my own deck
Sometimes the ace sometimes the deuces
It’s my life that I want to have a little pride in
My life and it’s not a place I have to hide in
Life’s not worth a danm til you can shout out
I am what I am

********************************************************************

Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.

He is an established LGBTQ columnist and blogger having written for many top online publications including The Los Angeles Blade, The Washington Blade, Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.

He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.

He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .

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Theater

Ford’s ‘First Look’ festival showcases three new productions

A chance to enjoy historical dramas for free before they’re completed

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José Carrasquillo, director of Artistic Programming at Ford's Theatre (Photo by Paolo Andres Montenegro)

The Ford’s Theatre Legacy Commissions: A First Look – 2026
Jan. 16 & 17
Ford’s Theatre
511 Tenth St., N.W.
FREE
Fords.org

When Ford’s Theatre debuted its new plays festival, “A First Look,” in 2023, it was unclear whether people would come for the staged readings. 

“Before the pandemic if you announced the reading of a play, 12 people might show up,” says José Carrasquillo, director of artistic programming at Ford’s Theatre. “Since then, we’ve experienced comparatively massive turnout. Maybe because it’s cheap, or because of the very newness of the works.”

This year’s fourth edition showcases readings of three pieces currently in varied stages of development. The free, two-day festival offers audiences a chance to encounter historical dramas long before they’re completed and fully produced. None are finished, nor have they been read publicly. And befitting the venue’s provenance, the works are steeped in history.

The festival kicks off with “Springs” by playwright Jeanne Sakata and directed by Jessica Kubzansky. Commissioned by The Ford’s Theatre Legacy Commissions, it’s the both epic and personal story of Sakata’s Japanese American family including her grandfather’s experience in an internment camp. 

“Sakata’s immigrant grandfather was an exceptionally skilled farmer who helped to stave off starvation in the camp. Still, he never gave up on the idea that he belonged in America. It’s very much a story of today,” says Carrasquillo. 

Unlike “Springs,” the festival’s two other works weren’t commissioned by Ford’s. But they both fit the history brief and likely will benefit from the exposure and workshopping. 

“Providence Spring,” by California based playwright Richard Helesen and directed by Holly Twyford, portrays Clara Barton (played by local favorite Erin Weaver) as a hero beyond the Red Cross whose then-radical initiatives included cataloguing the Civil War dead, many pulled from mass graves. 

Directed by Reginald L. Douglas, “Young John Lewis: Prodigy of Protest” explores a slice from the life of the legendary civil rights activist and longtime congressman. With book and lyrics by Psalmayene 24 and music by Kokayi this collaboratively staged reading between Ford’s and Mosaic Theater is slated to premiere fully produced at Mosaic as a 90-minute musical in the spring of 2026. 

“When I was hired at Ford’s in 2018, we began discussing hiring writers who do historical drama,” says Carrasquillo. “Our intention was resolute, but we didn’t do it right away. It took getting through the pandemic to revisit the idea.” 

At the same time, the racial reckoning spurred Ford’s to hire playwrights of color to tell stories that had previously been forgotten or ignored. 

For Carrasquillo, who is gay, the impulse to commission was crystalized when he saw the film “Hidden Figures,” a true story about “three brilliant African-American women — at NASA during the Space Race, overcoming racial and gender discrimination to make crucial contributions to America’s spaceflight success.” He says, “the film floored me. How many stories like this are there that we don’t know about?”

One of the festival’s happiest experiences, he adds, was the commission of playwright Chess Jakobs’s “The American Five” and its subsequent success. It’s the story of Martin Luther King Jr. and his inner circle, including Bayard Rustin (MLK’s brilliant, unsung gay adviser) leading up to the 1963 March on Washington. The play later premiered fully produced in Ford’s 2025 season. 

Increasingly, the readings at Ford’s have become popular with both artists and audiences. 

At Ford’s, Carrasquillo wears many hats. In addition to selecting plays and organizing workshops, he serves as an in-house dramaturg for some of the nascent works. But he’s not alone. Also helming the festival are senior artistic advisor Sheldon Epps, and The Ford’s Theatre Legacy Commissions advisor Sydné Mahone. 

Because the plays are in development, comments from directors, dramaturgs, and the audience are considered and may become part of the playwrights’ rewrites and changes. If and when the play resurfaces fully produced, audience members might find their suggestion in the completed work. 

Is this year’s festival queer influenced? Yes, both by those involved and the topics explored. 

Carrasquillo explains, “While Sakata’s “Springs” is primarily about immigration, its message is relevant to the queer community. Civil rights are being taken away from us. We need this playwright’s story to know what has happened and what can happen to any of us. 

“Many of Ford’s legacy commissions underscore the importance of civil rights in our country and that’s important to all of us. Queer and not queer.”

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Bars & Parties

Mid-Atlantic Leather kicks off this week

Parties, contests, vendor expo and more planned for annual gathering

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A scene from the 2025 Mr. Mid-Atlantic Leather competition. (Washington Blade file photo by Michael Key)

The Mid-Atlantic Leather Weekend will begin on Thursday, Jan 15.

This is an annual three-day event in Washington, D.C., for the leather, kink, and LGBTQ+ communities, featuring parties, vendors, and contests.

There will be an opening night event hosted the evening of Thursday, Jan. 15. Full package and three-day pass pickup will take place at 5:30 p.m. at Hyatt Capitol B. There will also be “Kinetic Dance Party” at 10 p.m. at District Eagle. 

For more details, visit MAL’s website

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Photos

PHOTOS: ‘ICE Out For Good’

Demonstrators protest ICE across country following shooting

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D.C. shadow representative Oye Owolewa speaks at a rally outside of the White House on Saturday, Jan. 10. (Washington Blade photo by Michael Key)

A protest was held outside of the White House on Saturday following the killing of Renee Nicole Good by a U.S. Immigration and Customs Enforcement agent in Minneapolis. Across the Potomac, picketers held signs calling for “Justice for Renee” in Tysons, Va.

“ICE Out For Good” demonstrations were held in cities and towns across the country, according to multiple reports. A march was held yesterday in Washington, D.C., as the Blade reported. Further demonstrations are planned for tomorrow.

(Washington Blade photos by Michael Key)

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