Arts & Entertainment
Drag Isn’t Dangerous Telethon raises over $523,000
Final amount raised from the live broadcast was over $523,000. Recording of it will stay online for 48 hours after its conclusion
Into the third hour of Drag Isn’t Dangerous, a brief film makes the point that there have been article after article about children molested by church clergy and counselors, yet not a single bill has been proposed tackling that real issue. Then there are drag queens. Drag queens have never harmed a child, and there are no articles implying that they have. Yet … yet … state after state, bill after bill are going after drag queens.
With this telethon event, drag queens and all that they have inspired, have sent the message: They are not going to take this shit anymore. Clips of rightwing pundits and commentators were presented and the ignorant hatred expressed in each clip is both at once chilling, and pathetic.
The message of hate is juxtaposed with segments like one featuring “RuPaul Drag Race” alum Nina West. West told the story about her adventures doing storybook hours at Columbus, Ohio, libraries for children. It should be pointed out that the Nina West brand is one of classiness and kindness. She moved her popular book readings onto Instagram. The first hour where she did so was wonderful.
The second hour was not.
The audience turned “dark, terrifying and threatening.” Then it all got very personal. People showed up at his house where he was broadcasting and blew eardrum breaking airhorns outside his windows. They then started a campaign of harassment and doxing, targeting him, his parents and his sister. Signs appeared in his yard accusing him of being a groomer.
Last December he embarked on a Drag Christmas tour. The tour encountered protesters, bomb threats and required police escorts.
Hosted by Justin Martindale and Peppermint with a co-location hosted by Alaska and Adam Shankman, the telethon team declared a goal target of $250,000 for the evening. The evening was filled with performances from some of the Drag community’s best. Kicking off the evening were songs by Trixie Mattel and Alaska. The online crowd was gobsmacked with exclamations like “legends!” , “fierce!” “That voice!”.
The telethon was a recreation of the traditional telethon style with a phonebank of drag celebrities womaning the phones. Instead of the phone banks of years gone by the receptionists were not the first point of entry to make donations. In this modern version, donors first register their donation on the gofundme application and then are connected to the celebrity to receive thanks and conversation. Phone bank stars included Candis Cayne, Jinx Monsson, Ginger Minge, Laganja Estranja Trinity the Tuck, Monet Exchange and Queer Eye OG Jai Rodriguez.
As of 4:30 p.m., $55,000 had been raised.
Celebrity cameos and interviews were generously sprinkled through the broadcast. Many of them expressed gratitude and awe for the talents and artistic contributions of drag. Still others were downright angry. “I will f*ck anyone who messes with you,” Charlize Theron declared.
“Drag isn’t dangerous, but Leslie Jones IS!” Leslie Jones fumed.
Sarah Silverman also did not mince words. “It is an invented ‘problem’. It creates a REAL problem for the marginalized. I would trust RuPaul before any of you (Republican) hate mongers.” To the drag community, she declared, “If they come for you, they will have to come through me first.”
“Lawmakers are terrified of how bright we are shining,” Adam Lambert stated affirmingly.
As of 4:50 p.m. $100,000 had been raised.
Donors were interviewed through the phonebank. Jai Rodriguez had an impromptu conversation with a young woman who had come out as queer that day. Even though her experience has been “tough”, she wanted to celebrate her landmark day by donating.
Michele Visage gave RuPaul visibility and spoke from her heart. “I wish I could say that I am glad to be here,” she started. “I am appalled I have to be at something called ‘Drag Isn’t Dangerous.’ Imagine a world where dancers are told they can’t dance; imagine a world where artists are told they cannot take paint to canvas…because it is ‘bad for children.’ That is what is happening to drag right now.”
As of 5:40 p.m., $205,000 had been raised. Jinx Monsson whipped out her own checkbook and wrote a check for $10,000.
Other celebrities added perspective to the issue. Ocean Kelly stated, “They want us to stay quiet. Watching a drag queen won’t make a child queer. If a child is queer, it is because they are … queer.”
Billy Eichner discussed the historical use of scapegoats as distractions. “It is not new, but it is urgent and dangerous,” he warned. “We need to be relentless and loud,” he instructed.
Oscar winner Marcia Gay Harden demonstrated her queer chops by publicly outing her entire family. “All my children are queer,” she declared. “One is nonbinary, one is gay. My first boyfriend was gay and my conservative Naval Officer dad loved him. “ Of the drag controversy she said, “Why are we having to advocate for creativity and imagination? It is so fear-based. We know what love is.”
As of 7:38 p.m., half a million dollars had been raised.
The movement has started and this first outing is not yet over. Recording of it will stay online for 48 hours after it concludes.
Go here for tickets and then receive you email with the telethon link: https://www.moment.co/dangerous/dragisntdangerous-drag-isnt-dangerous-live
As for the end of the Telethon, Ginger Minge show stopped with the classic “I Am What I Am” from La Cage.
I don’t want praise I don’t want pity
I bang my own drum
Some think it’s noise I think it’s pretty
And so what if I love each sparkle and each bangle
Why not try to see things from a different angle
Your life is a sham til you can shout out
I am what I amI am what I am
And what I am needs no excuses
I deal my own deck
Sometimes the ace sometimes the deuces
It’s my life that I want to have a little pride in
My life and it’s not a place I have to hide in
Life’s not worth a danm til you can shout out
I am what I am
********************************************************************
Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.
He is an established LGBTQ columnist and blogger having written for many top online publications including The Los Angeles Blade, The Washington Blade, Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.
He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.
He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .
Theater
A hilarious ‘Twelfth Night’ at Folger full of ‘elegant kink’
Nonbinary actor Alyssa Keegan stars as Duke Orsino
‘Twelfth Night’
Through June 22
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu
Nonbinary actor Alyssa Keegan (they/them)loves tapping into the multitudes within.
Currently Keegan plays the melancholic Duke Orsino in Folger Theatre’s production of Shakespeare’s romantic comedy “Twelfth Night.” Director Mei Ann Teo describes the production as “sexy, hilarious, and devastating” and full of “elegant kink.”
Washington-based, Keegan enjoys a busy and celebrated career. Her vast biography includes Come From Away at Ford’s Theatre; Cat on a Hot Tin Roof (Helen Hayes Award, Best Actress) and Paula Vogel’s How I Learned to Drive, both at Round House Theatre; Diana Son’s Stop Kiss directedby Holly Twyford for No Rules Theatre Company; and Contractions at Studio Theatre, to name just a few.
In addition to acting, Keegan works as a polyamory and ethical non-monogamy life and relationship coach, an area of interest that grew out of personal exploration. For them, coaching seems to work hand in hand with acting.
WASHINGTON BLADE: You’re playing the lovesick Orsino in Twelfth Night. How did that come about?
ALYSSA KEEGAN: The director was looking to cast a group of actors with diverse identities; throughout auditions, there were no constraints regarding anyone’s assigned sex at birth. It was really a free for all.
BLADE: What’s your approach to the fetching, cod-piece clad nobleman?
KEEGAN: Offstage I identify as completely nonbinary; I love riding in this neutral middle space. But I also love cosplay. The ability to do that in the play gives me permission to dive completely into maleness.
So, when I made that decision to play Orsino as a bio male, suddenly the part really cracked open for me. I began looking for clues about his thoughts and opinions about things like his past relationships and his decision not to date older women.
Underneath his mask of bravura and sexuality, and his firmness of feelings, he’s quite lonely and has never really felt loved. It makes sense to me why his love for Olivia is so misguided and why he might fall in love with the Cesario/Viola character.
BLADE: As an actor, do you ever risk taking on the feelings of your characters?
KEEGAN: Prior to my mental health education, yes, and that could be toxic for me. I’ve since learned that the nervous system can’t tell the difference between real emotional distress and a that of a fully embodied character.
So, I created and share the Empowered Performer Project. [a holistic approach to performance that emphasizes the mental and emotional well-being of performing artists]. It utilizes somatic tools that help enormously when stepping into a character.
BLADE: Has changing the way you work affected your performances?
KEEGAN: I think I’m much better now. I used to have nearly debilitating stage fright. I’d spend all day dreading going onstage. I thought that was just part of the job. Now, I’ve learned to talk to my body. Prior to a performance, I can now spend my offstage time calmly gardening, working with my mental health clients, or playing with my kid. I’m just present in my life in a different way.
BLADE: Is Orsino your first time playing a male role?
KEEGAN: No. In fact, the very first time I played a male role was at the American Shakespeare Center in Staunton, Va. I played Hipolito in Thomas Middleton’s The Revenger’s Tragedy.
As Hipolito, I felt utterly male in the moment, so much so that I had audience members see me later after the show and they were surprised that I was female. They thought I was a young guy in the role. There’s something very powerful in that.
BLADE: Do you have a favorite part? Male or female?
KEEGAN: That’s tough but I think it’s Maggie the Cat. I played the hyper-female Maggie in Tennessee Williams’ Cat on a Hot Tin Roof at Round House. In the first act she didn’t stop talking for 51 minutes opposite Gregory Wooddell as Brick who barely had to speak. That lift was probably the heaviest I’ve ever been asked to do in acting.
BLADE: What about Folger’s Twelfth Night might be especially appealing to queer audiences?
KEEGAN: First and foremost is presentation. 99% of the cast identify as queer in some way.
The approach to Shakespeare’s text is one of the most bold and playful that I have ever seen. It’s unabashedly queer. The actors are here to celebrate and be loud and colorful and to advocate. It’s a powerful production, especially to do so close to the Capitol building, and that’s not lost on any of us.
The Washington Blade hosted the inaugural WorldPride Boat Parade at The Wharf DC on Friday, June 6. NBC4’s Tommy McFly served as the emcee.
(Washington Blade photos by Michael Key)
The 2025 Capital Pride Honors awards ceremony and gala reception was held at the National Building Museum on Thursday, June 5. Honorees included Cathy Renna, Jerry St. Louis, Ernest Hopkins, Lamar Braithwaite, Rev. Dr. Donna Claycomb Sokol, Kriston Pumphrey, Gia Martinez, Kraig Williams and SMYAL. Presenters and speakers included U.S. Rep. Mark Takano (D-Calif.), Amber Ruffin, Raven-Symoné and Paul Wharton.
(Washington Blade photos by Michael Key)
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