Arts & Entertainment
Behind the scenes at the Emmys
Alan Cumming ‘very happy’ this year’s ceremony was so LGBTQ-inclusive
At the Creative Arts Emmy awards last weekend, actor/LGBTQ activist Alan Cumming won the award for Outstanding Host of a Reality Series for the much-loved Peacock series, “The Traitors.” While at the Primetime Emmys on Sunday night, the series also won for Outstanding Competition Series.
Thanking the audience, Cumming said: “We are so grateful because we are a new show, and you guys, when you like something, you tend to stick to it, which is a good quality, so we appreciate it all the more.”
During Emmys night, Cumming wore a Trans Pride pin on the lapel of his jacket, which featured the colors of the transgender Pride flag–blue, pink and white. Attached to the ribbon was a medal, which read, “For Military Merit.”
Speaking to him Saturday at the GBK Brand Bar event, Cumming said he was “very happy” the Emmys were so very LGBTQ-friendly this year.
“There are lots and lots of queer people being celebrated, and that is a very positive thing,” Cumming told the Los Angeles Blade. “Especially because we are at a time in America’s history where queer people are under threat and there is a lot of violence around. So I think it’s very beautiful that the entertainment industry is showing their love and support for us.”
There were many stylish LGBTQ couples on the Emmys red carpet. Caroline Joyner, who is the director and co-head of inclusion at William Morris, was with Brittani Nichols, a writer and producer for “Abbott Elementary,” which was nominated for Outstanding Comedy Series this year. Looking lovely as well was Sarah Paulson, who was right by Emmy nominee Holland Taylor’s side. Singer Jessica Betts accompanied her wife, Niecy Nash-Betts, who was part of a fun segment about television cops.
Other well dressed celebrities were queer actor Devery Jacobs, who stars in “Reservation Dogs,” which was up for Best Comedy; Ayo Edebiri, nominated for “The Bear,” Kirsten Kish was nominated for “Top Chef” and Kali Reis, who was nominated for acting in “True Detective: Night Country.”
LGBTQ “Baby Reindeer” stars Jessica Gunning — nominated for Outstanding Supporting Actress in a Limited Series — and Richard Gadd, who also wrote/created the series, both received accolades for their fascinating Netflix series, which won four Emmys.
“This is the stuff of dreams,” Gadd said after winning his first Emmy in writing, as well as outstanding limited or anthology series and lead actor.
In the pressroom, Gunning complimented Gadd’s writing, saying that her character was “so unique and unusual” in the dialogue she read. “It was all really there in the script for me and I just connected with her. I never saw her as a villain. I saw her as a kind of a complicated, lonely character, as was Richard’s character Donny. It was all there in the work. I was just very lucky to be able to play the part.”
Gunning said that she was unable to put the script down once she received it.
“I read all the seven episodes in one go and I just kind of fell in love with the story and the writing and the character of Martha,” she noted. “When we were filming, I just was so proud of Richard and this story. And so when we made it, I think we just all thought it was gonna be this kind of indie slow-burning hit that people might watch.”
Trans Latina “Baby Reindeer” actress Nava Mau was also nominated in the Outstanding Supporting Actress in a Limited or Anthology Series or Movie category, making her the fourth trans person nominated at the award show and the first in the category.
“I think that what we’ve been fighting for as a community is to be able to tell stories that come from the heart and that are based from a human foundation,” Mau told “Live from E!” host Laverne Cox, who was the first trans actress to be nominated for an Emmy. “Because that’s who we are as trans people, we are humans first and foremost.”
Among the numerous other LGBTQ talent present during television’s biggest night were queer and Indigenous nominees Lily Gladstone and Reis, both of whom were nominated for “Outstanding Supporting Actress In A Limited Or Anthology Series Or Movie.” This was the first time Native women have ever been nominated.
Around town
Publicist Tad Hamilton handles both the GBK Brand Bar and Affinity Nightlife’s “Dream in Gold” Post Awards Gala.
“As a publicist working in the entertainment industry with some of the industry’s top talent and events, we are always excited to include, and work with, the LGBTQIA+ community. Diversity and Inclusion is a core principle of Mosaic PR and this year’s GBK & MEND Television Awards Luxury Lounge and Affinity Nightlife’s ‘Dream in Gold’ Post Awards Gala is no exception. Both events had some of the most recognizable LGBTQIA+ stars in attendance.”
Hollywood hairstylist Erick Orellana loved seeing classic Hollywood glam all over the red carpet this year, with hairstyles ranging from “soft Veronica Lake waves to the side” to “vixen starlet looks” with blowouts that complement almost anyone with long hair.
“It was nice to see a beautiful homage to old Hollywood glamor and beauty as we are transitioning out of beach waves or to done up hairstyles,” he noted.
Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.
(Washington Blade photos by Michael Key)
Arts & Entertainment
Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week
Pride on the Pier officially launches Pride Week in D.C.
The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.
Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.
“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”
Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.
Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.
Event Details:
📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026
⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP
Theater
National tour of ‘Gatsby’ comes to National Theatre
Out actor Edward Staudenmayer talks playing the show’s gangster
‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com
Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.
Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.
It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”
Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).
While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.
WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?
EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].
There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.
BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.
STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].
BLADE: When did the 1925 novel first surface on your radar?
STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.
Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.
BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?
STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.
Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.
BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?
STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.
BLADE: Have you had to do that in your career?
STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.
It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.
BLADE: What was your coming of age like?
STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.
BLADE: Did he live to see your success in theater?
STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.
BLADE: Looking ahead, is there a part you’d especially like to play?
STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.
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