a&e features
Boomer Banks brings beats to MAL Weekend
From porn to the DJ booth, ’I’m the happiest I’ve ever been’
If you enjoy gay adult films, there is a high likelihood you have seen or at least heard of Boomer Banks. His tattoos, muscles, masculine presence, and thick mustache have made him one of the most recognizable — and awarded — Latinx gay adult performers in the industry. This weekend, Banks heads to the nation’s capital to partake in Mid-Atlantic Leather weekend.
As D.C. polishes its leather gay apparel for the annual MAL weekend, Banks, alongside a slew of other gay adult performers and leather lovers, is getting ready to make adult content, meet fans, buy some new leather goods, and perform in the name of sexual expression.
This year will be different for Banks compared to his past MAL weekends, though. He will still be go-go dancing as he has in years past, but this year he has a new hat on — headlining DJ. The Blade sat down with the 44-year-old performer to discuss his sex work career, the changing industry, and his passion for DJing.
On Friday night, Banks is one of three headlining DJs for the main dance event of the night, UNCUT XL. He explained that his love for music has always been there, but since the death of his best friend, with whom he connected on a shared love of music, his sets mean more than ever to him now.
“I loved music for my whole life,” Banks told the Blade when asked about how he got started in music. “My proximity to legendary New York DJs has always been there. I lost my best friend and brother over two years ago, and it just caused a lot of changes [for me]. We both loved music so much … I was talking to one of my DJ friends [about this connection to music], and they were talking to me, and all of a sudden I’m at their studio, playing around with the controller and all that, and it just happened. Here we are, two years later, and now I’m headlining at MAL with some legendary DJs that I have been a fan of since I was young.”
Banks went on to explain that this connection and newfound passion for DJing is what has made his career shift from studio porn to a solo career easier. He also said the continued support from his house music fans has made him want to work even harder on creating memorable sets.
And create memorable sets he has. Banks has headlined events all across the country over the past two years — from Provincetown to Rehoboth Beach and even headlining Folsom, which is the biggest leather event of the year. He explained that he has one overwhelming emotion —gratitude.
“I’m really grateful that Zach [Renovatés] and everybody at Kinetic and Bunker have really taken a liking to my storytelling through music, because that’s what it is for me,” Banks said. “I like taking people on a journey. It’s usually my journey. But I read the crowd, I read energy, and I’m always smiling, and that’s the only place that I do smile. I feel like people often categorize me as intimidating, and a lot of times that’s what I got in the porn industry. But with DJing, the people are always like, ‘You’re so happy up there. You’re smiling all the time.’ And, yeah, I’m the happiest I’ve ever been, and it’s exciting. I love doing it, and I’m grateful and very humbled that people are seeing that this isn’t just a gimmick.”
He went on to explain that this happiness wasn’t always at the base of his work —especially when he was involved with the studio porn system with CockyBoys and Raging Stallion. Various factors, including race, he shared with the Blade, were why it was less than enjoyable at times. But it provided a platform in which he was able to grow and gave him an opportunity to help newcomers in the industry.
“When I got into porn, other brown men were not nice to me; other people of color [were not nice to me]. I thought that it would have been different. So when I was established, I made sure not to do that. I have a few little Banks boys that I nurtured into the industry, and, not to claim them, but it’s just so that they had someone to talk to because I didn’t have that.”
Despite some structural problems within the industry, Banks felt he was able to get what he needed from the career, including a paycheck and a platform.
“Porn did work out for me,” he said. “I was very fucking successful, and I was not white. I did the work, but I just couldn’t keep doing it any more. It wasn’t good for my mental health, and so I knew how to bow out. Who knows? It [studio porn days] might happen again. I don’t know, but I know for today, I love music. It’s my heart. I’m grateful for the platform that sex work gave me because it’s given me a heads up with the music.”
That music has kept him going. More specifically, New York house-style music has kept him going. Banks’s ability to take in the music he loves has made him a stronger DJ, he said.
“’I’m a New York house DJ,” he said. “That’s the style that I bring. The craziest it gets is like tech house and maybe some early 2000s mid-2000s circuit music. It’s what I grew up with and what I love and what I like to put out there. I’m really grateful that I was not only showing up to these gigs, but I was absorbing the art that is music in a way that it seeped into my pores and my soul, that now I can share how I feel about music, and that’s exciting.”
He touched on how although many people can be fans of DJ music, it takes more to become a successful DJ.
“The thing about music is you can’t fake music tastes. You can learn all the knobs and the technical parts of DJing, but if you’re not playing good music, and if the room isn’t vibing, it doesn’t matter.”
When asked about the current political climate—seeing as the host hotel for MAL weekend is a mere half mile from the Capitol building—Banks reflected on the importance of weekends like this for the LGBTQ community, which is increasingly facing the backlash of conservative politicians.
“We are in uncertain times,” he said. “These are the weekends where we’re able to be who we are. And it’s unfortunate that we have to still have these events to express ourselves. Because a lot of these guys, they wait their whole year for this weekend to be able to express themselves. With what’s going on with the world, they’re basically being told that these are the only places they can. I know that in New York we live in a bubble. I know in D.C., we live in a bubble. But I want to show people that are coming from the middle of nowhere that they can have a good time, and even if it is for this weekend, they can rely on us. I want our community to know that I am here for them.”
You can find Boomer Banks headlining Friday’s main dance event UNCUT XL from 10 p.m. to 4 a.m. at REPUBLIQ Hall (2122 24th Pl NE) and go-go dancing during Saturday’s PERVERT XXL party at A.I. Warehouse (530 Penn St., N.E.) from 10 p.m. to 4 a.m. as well as on X @Boomer_Banks and on Instagram @baconlvr.
For more information about MAL events visit leatherweekend.com or kineticpresents.com.
a&e features
Memorial for groundbreaking bisexual activist set for May 2
Loraine Hutchins remembered as a ‘force of nature’
The Montgomery County Pride Center will host a celebration honoring the life and legacy of Loraine Hutchins, Ph.D., on May 2. People are invited to attend the onsite memorial or a livestream event. The on-site event will begin at 10 a.m. with a meet-and-greet mixer before moving into a memorial service around the theme “Loraine a Force of Nature!” at 11 a.m., a panel talk at 12 p.m., break out sessions for artists, academics, and activists to build on her legacy at 1 p.m. and a closing reception at 2 p.m.
Attendees are encouraged to register for the on-site memorial gathering or the livestreamed memorial. The goal of this event is also to collect stories and memories of Loraine. Attendees and others can share their stories at padlet.com.
An obituary for Hutchins was published in the Bladelast Nov. 24, where people can learn more about her activism in the bisexual community. A private service for friends and family was held in December but this memorial service is open to all.
Alongside her groundbreaking work organizing for U.S. bisexual rights and liberation including co-editing “Bi Any Other Name: BIsexual People Speak Out” (1991), she also integrated faith into her sexual education and advocacy work. Her 2001 doctoral dissertation, “Erotic Rites: A Cultural Analysis of Contemporary U.S. Sacred Sexuality Traditions and Trends,” offered a pointed queer and feminist analysis to sex-neutral and sex-positive spiritual traditions in the United States. Her thesis was also groundbreaking in exploring the intersections between sex workers and those in caregiving professionals, including spiritual ones.
In an oral history interview conducted by Michelle Mueller back in August 2023, Hutchins described herself as a “priestess without a congregation.” While she has occasionally had a sense of community and feels part of a group of loving people, she admitted that “I don’t feel like we have the shape or the purpose that we need.”
“I’ve often experienced being the Cassandra in the room, the Cassandra in the community. Somebody who’s kind of way out there ahead, thinking through the strategic action points that my community hasn’t gotten to yet, and getting a lot of resistance and hostile responses from people who are frightened by dissent and conflict and not ready for the changes we have to make to survive,” she said.
“For somebody who’s bisexual in an out political way and who’s been a spokesperson for the polyamory movement in an out political way, it’s very exposing. And it’s very important to me to be able to try to explain and help other people understand the connection between spirituality and sexuality,” she explained citing how even as a graduate student she was “exploring how to feel erotic and spiritual, and not feel them in conflict with each other in my own spiritual contemplative life and my own sensual body awareness of being alive in the world.”
“Every religion has a sense of sacred sexuality. It’s just they put a lot of boundaries and regulations on it, and if we have a spiritual practice that is totally affirming of women’s priesthood and of gay people, queer people’s ability to minister to everyone and to be ministered to be everyone, what does that do to the gender of God, or our understanding of how we practice our spirituality and our sexuality in community and privately?”
“There’s no easy answer,” she concludes, and she continued to grapple with these questions throughout her life, co-editing another seminal text, “Sexuality, Religion and the Sacred: Bisexual, Pansexual, and Polysexual Perspectives,” published in 2012. Her work blending spiritual and queer liberation remains groundbreaking to this day.
Rev. Eric Eldritch, a local community organizer and ordained Pagan minister with Circle Sanctuary who has worked for decades with the DC Center’s Center Faith to organize the Pride Interfaith Service, is eager to highlight this element of her legacy at the memorial service next month.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
Comings & Goings
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Calendar: May 8-14
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