Celebrity News
Sasha Colby’s ‘Stripped II Tour’ is more than a show — it’s a movement
The ‘drag queen’s drag queen’ is just getting started
Sasha Colby didn’t set out to become “your favorite drag queen’s favorite drag queen.” It just kind of happened.
“You know, I was so stoned,” she admitted with a laugh, recalling the filming of her “Meet the Queens” promo. “We were about to sit down for the interview, and they were like, ‘Oh, just think of something, like a catchphrase you want to say.’” What came out was a now-iconic phrase that captured the truth: Colby is the queen’s queen, beloved by legends, adored by fans, and deeply respected in her craft. “It came out of the deep crevices in here,” she said, pointing to her head.
She thinks RuPaul might have planted the seed: “Ru had said on the main stage once, ‘You’re a drag queen’s drag queen — you’re what drag queens watch.’ And maybe that stuck in my head and just kind of … word association.”
And she’s only getting started.
After making history as the first out trans winner of “RuPaul’s Drag Race” to headline a Live Nation tour, Colby is hitting the road again this fall. Her “Stripped II” tour kicks off Sept. 16 in Seattle and wraps up in Hawaii, where she’ll bring her artistry full circle back home. This time, it’s bigger, bolder, and deeply personal, just like Sasha herself.
“I’m really excited to be going back on the road,” she told the Los Angeles Blade. “We’re doing a lot more cities. I think we did 23 last year, and this year we’re doing 30.” But the expansion isn’t just about scale, it’s about purpose. “The last tour was more about my journey to ‘Drag Race.’ This one’s about having fun, having some escapism, and magic. That’s so desperately needed in the world right now.”
The show is shaped by themes of resilience, joy, and gender freedom. It’s not just entertainment, it’s a protest in lipstick and lace.
“For me, doing drag is a protest,” Sasha said. “The most accessible way I can create change is through art and storytelling.” That means celebrating her Native Hawaiian heritage, honoring trans and queer ancestors, and centering the experiences mainstream media still too often ignores. “I love talking about how Native Hawaiians used to live and how they revered and had a space for trans people, for nonbinary people,” she said. “Those two things — the cultural and the queer — they overlap a lot. That’s my safe space to create from.”
The show will include Easter eggs for fans, references to cultural pride, sex and body positivity, and, of course, a healthy dose of gender fuckery. “Just really bending the mind,” she said, “and hopefully allowing us to get more comfortable with what we see as sexy or queer — or even straight, you know?”
It’s no surprise that Sasha’s rise to icon status has made her a beacon of trans joy and resilience. But she’s honest about the weight of that visibility.
“I actually try not to think about being someone everyone looks up to,” she confessed. “I’m definitely far from a perfect example of always having my shit together.” What grounds her, though, is openness. “I think that’s the real point of strength in vulnerability — being OK to show yourself, flaws and all.”
It’s a reminder that behind every perfectly executed performance is a full human being with trauma, imposter syndrome, and insecurities, just like the rest of us. And yet, she shows up anyway. “It comes and goes. It comes in waves. Work in progress.”
Digital spaces, she says, have been crucial for building community when in-person organizing isn’t always possible. “Sometimes when we can’t be there in person, all we have is community online.” But that connection comes with responsibility. “What we post matters. A lot of people look to us as their news source. So I try to be mindful of that.”
Her activism, like her art, feels instinctive. “I think maybe just my upbringing — being Native Hawaiian, living with injustice on an occupied island nation — I’ve always just been interested in speaking truth,” she said. “I’m trying to do this mantra where I don’t have to be right, I just have to be happy. Unfortunately, being right makes me happy.”
Same, Sasha. Same.
Her connection to her roots runs deep: not just culturally, but queerly. “Being queer, being trans got me connected with my Hawaiian side,” she explained. “There’s a long history of trans hula dancers and singers. They were the ones who taught me about Miss Continental, the Glades, the Carousel — all these places I was drawn to as a performer.”
One concept she carries with her is the Hawaiian idea that “kana” (your purpose in life) is tied to “kulana” (your responsibility to community). “Once you know your purpose, then that’s easy to understand your part in your community — whether it be your trans community, local community, or global community.”
As for the future? “Sky’s the limit,” she said, beaming. “I see myself telling stories in different ways — drag, film, music, stage. I just love telling stories.” And she hopes that trans and queer people everywhere keep doing the same. “Keep on existing, because it’s making everybody so upset. It’s wild — but we’re not going to stop.”
Before we wrapped, I asked Sasha what she would say to her younger self—before the wigs, before the titles, before she became everyone’s favorite drag queen’s favorite drag queen. “Oh, baby girl,” she said tenderly, “even though it feels like you’re trapped in your body, in your house, in your family—just stick with it. You’re one stubborn little gal. And don’t forget, you’ve always taken care of yourself. You got you.”
And what is she most proud of? It’s not the crown, or the titles, or the sold-out shows. “I’m proud that after working as a gig worker, living off tips for 30 years, I can finally pay my bills on autopay,” she said. “It’s an amazing thing for trans women of color to be able to do that. So, thank you, drag.”
Yes. Thank you, drag. And thank you, Sasha Colby, for reminding us that joy is revolutionary, art is healing, and we shouldn’t just “protect the dolls,” we should also pay the dolls.
Check out the full interview:
(Video courtesy of the Los Angeles Blade)
“Stripped II” runs from Sept. 16 to Nov.15, 2025, with 30 confirmed North American dates, including Los Angeles on Sept. 26 and a grand finale in Honolulu, bringing “Stripped II”’s powerful celebration of trans joy and storytelling to a wider audience than ever.
Celebrity News
D.C. goes gaga for Gaga
Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week
Lady Gaga this week took D.C. by storm.
The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.
“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.
“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”
Celebrity News
Housewives take Capitol Hill by storm
Bravolebrities promote expanded PrEP access, HIV/AIDS funding
Real Housewives from across the country took over Capitol Hill on Wednesdayto advocate for expanded PrEP access and to push for continued — if not increased — funding for HIV/AIDS research.
The event brought together Housewives from multiple franchises, including NeNe Leakes and Phaedra Parks from Atlanta; Candiace Dillard Bassett from Potomac; Erika Jayne from Beverly Hills; Luann de Lesseps from New York; Melissa Gorga from New Jersey; and Marysol Patton from Miami, alongside Tristan Schukraft, founder and CEO of MISTR, an online platform that connects people to HIV prevention tools and care.
MISTR, the nation’s largest telehealth platform for sexual health, brought stars from across Bravo’s Real Housewives franchise to Washington for Housewives on the Hill, a day of advocacy focused on expanding access to HIV prevention and treatment. During the event, the Housewives shared personal stories on how HIV has impacted their lives and the ongoing impact of HIV across communities in the U.S.
PrEP, the medication MISTR helps get out to the public, is a medication that can, if taken properly, reduce the risk of contracting HIV through sex by up to 99 percent, according to public health officials. Advocates say wider access to the medication — including through insurance coverage and telehealth services — is critical to reducing new HIV infections across the United States.
The day began with a panel in the ornate Kennedy Caucus Room of the Russell Senate Office Building, where the Housewives shared personal stories about the importance of HIV prevention.
Many of the Housewives offered personal accounts of why HIV prevention matters to them.
Bassett drew on her experience under the Obama-Biden administration in public affairs and spoke about how policy decisions can directly impact marginalized communities.
“Before my career in entertainment, I actually worked in the White House Offices of Public Engagement and Intergovernmental Affairs, and part of my job was to liaise between the White House and communities,” Bassett shared to the crowded room. “And so I got to see firsthand the effect that federal policy could have on those communities and the outcomes that could come out of that work, particularly marginalized communities.”
She then looked toward her fellow Housewives, pointing out that the issue does not affect all communities equally, with minority groups disproportionately impacted by HIV.
“And just what Phaedra said about this disease and HIV and AIDS, and how it disproportionately affects so many, particularly Black people — we make up, as you said, 12 percent of the population, and we are 40 percent of those affected by HIV. Just let that sink in. Let the walls hear that … It’s so important that we have these conversations, not just in forums like this, but around your kitchen tables, in your group chats, on the street — wherever we are. We need to be talking about what we can be doing as communities and as individuals to combat HIV and AIDS.”
After the panel, the group moved to the Lincoln Room, part of the Majority Whip’s office suite, where they continued conversations with lawmakers and staff about access to care, education, and prevention.
Bassett, fresh out of “The Traitors” castle, emphasized the need to humanize heavy topics like HIV.
“While you may not have anyone in your direct family affected by HIV, six degrees of separation — everyone knows someone who has been affected,” Bassett told the Washington Blade. “If you can tie the nature of dealing with illness back to families, they have to hopefully see themselves in it. People want community. Social media has done a good job connecting us in that way.”
Bassett encouraged attendees to be brave, to educate themselves about preventive measures, and to take advantage of telemedicine through platforms like MISTR.
“Step out and have faith that the people who are supposed to bind you are supposed to help you,” she added.
Schukraft said the turnout reflected the public’s strong interest in HIV prevention and awareness.
“Over 400 people attended the panel, and we had to turn people away,” Schukraft told the Blade. “These are real communities across the country, sharing stories and emphasizing the importance of HIV prevention and long-term care. Telemedicine is key — it helps rural and urban communities, reduces stigma, and allows people to consult doctors from home. The more honest you are with the doctor, the better care you get.”
For Leakes, using her iconic voice to educate others was a natural extension of her platform.
“Talking about sex, HIV, those topics can be embarrassing,” she admitted. “Atlanta has a high HIV rate, particularly in the Black and gay communities. Confidence to speak and educate my community feels good. The number of people that came out to support us this morning — some were turned away — was amazing. It’s important to make the conversation fun and approachable for the younger generation.”
“Atlanta has a high HIV rate, particularly in the Black and gay communities,” Leakes added to the Blade. “The South, Miami, Houston — these areas remain high, and ignorance contributes. Confidence to speak and educate my community feels good.”
Parks echoed the sentiment, highlighting both the challenges and the resilience of the LGBTQ community.
“Many people need this incentive and don’t have a voice. Medical care is expensive and inaccessible for some, so MISTR provides resources and telemedicine access to PrEP,” Parks said. “The LGBTQ+ community fights battles daily; sometimes they lose, but they keep going. Housewives show that women can stay the course.”
The lawyer, who also teased some new and upcoming projects, highlighted Atlanta’s return to Bravo on April 5 with “two new peaches in the house,” which she assured would be must-see TV. She also mentioned her upcoming role in “Dancing with the Stars.”
Patton said that the atmosphere on the Hill was very welcoming (more so than Andy Cohen’s couch at reunion time, one might assume.) She also noted that by working with Schukraft and MISTR, she was able to see firsthand how technology and telehealth can remove barriers to care.
“Everyone’s been so friendly, enthusiastic, and encouraging,” said Patton. “I was impressed with MISTR — how they get medication to people who can’t see a doctor or don’t have funds. Telehealth and medication delivery reduce stigma and help prevent the spread of HIV. Access needs to be available for prevention to work.”
Jayne gave the Blade a more personal reflection, particularly touching on how much treatment has changed since the disease began in the 1980s.
“Growing up in the late ‘80s and early ‘90s, an HIV diagnosis meant death,” she said. “The stigma was terrible, and I lost many people in the arts community. Now, people live longer, but the disease remains. I think it’s important to use whatever influence I have to educate.”
U.S. Sen. Tammy Baldwin (D-Wis.), the first openly lesbian senator who has long advocated for HIV research and prevention, said the Housewives’ visit underscored the importance of public awareness and celebrity influence in the fight against HIV.
“When I first got involved, AIDS was a death sentence — no treatment, no cure. Now we know so much more due to public education and health research. Advocacy spreads awareness that PrEP exists, prevents transmission, and funds research toward a cure. Bipartisan pressure is needed to keep funding going.”
Baldwin continued, explaining that this is not a one-and-done effort. To end the epidemic, all of Congress must come together to fight a virus that does not recognize political party, class, sexuality, or gender.
“We have the end of this epidemic within our reach, but we have to keep focused on it. We have to keep investing. That’s why what we’re doing today, and why … the Real Housewives coming to Capitol Hill with their celebrity and pressing this topic is so important because we have seen this administration, the Trump administration, propose cuts globally, drastic cuts globally, to the fight against AIDS, but also locally. I’m in a position as a member of the Senate Appropriations Committee to fight back, to actually fund programs that they’re trying to cut, but that’s not a given, and we need to really keep the pressure up on a bipartisan basis to keep that funding going.”
Celebrity News
Liza Minnelli makes surprise appearance at GLAAD Media Awards
Laverne Cox’s fiery speech earned standing ovation
Last night’s GLAAD Media Awards had a few pleasant surprises in store.
Throughout the evening, which was hosted by “Mean Girls” star Jonathan Bennett on Thursday at the Beverly Hilton in Los Angeles, the audience was clued into the fact that a mystery guest would make an appearance. By the end of the night, it was revealed to be none other than “Cabaret” star and queer icon Liza Minnelli, who was in attendance to accept the newly-created Liza Minnelli Storyteller Award.
An emotional Minnelli told the crowd of queer attendees and creatives, “You make me so proud because you’re so strong, and you stand up for what you believe in. You really do, and it’s so nice to be here. I feel like a five-year-old!” Everyone then joined in a happy birthday celebration for Minnelli’s upcoming birthday on March 12, and the release of her upcoming memoir, “Kids, Wait Till You Hear This!”
Another moment that got the audience standing and cheering was when “Orange Is the New Black” star Laverne Cox took to the stage to call out how “what is going on right now in the United States of America is not right.”
She said, “Identify, I said this earlier, and I’m going to say it again, what dehumanizing language and images are. Call it out and don’t buy into it! So much of my struggle over the past several years [has been] trying to figure out how to combat this assault on my community, rhetorically. I do not want to have the conversation about my life and my humanity on the oppressor’s terms.”
That message was echoed by Bowen Yang and Matt Rogers when accepting the Stephen F. Kolzak Award for their “Las Culturistas” podcast and pledging to donate $10,000 to Equality Kansas after the state revoked transgender people’s driver’s licenses. “We cannot accept this award without condemning the rampant active transphobia from this administration,” Rogers said. “We are also here to let them know in advance that they are fighting a losing battle. When we gather in rooms like this, we are always going to have each other’s backs.”
Among the big winners last night were “Heated Rivalry” for outstanding new TV series, “The Traitors” for outstanding reality competition program, “Stranger Things” for outstanding drama series, “Palm Royale” (which was just cancelled after two seasons) for outstanding comedy series, “Come See Me in the Good Light” for outstanding documentary, “Kiss of the Spider Woman” for outstanding wide theatrical release film and a tie between “A Nice Indian Boy” and “Plainclothes” for outstanding limited theatrical release film.
Quinta Brunson received the Vanguard Award for her hit TV series “Abbott Elementary,” which features Jacob, an openly queer character played by Chris Perfetti. Brunson said, “Queer people have been a part of my life since birth. I have to shout out my uncle … who was the first example of representation in my life of queer people, who allowed me to be free. There are so many people in the room who changed my life.”
On the music side, Young Miko won for outstanding music artist, and KATSEYE won for outstanding breakthrough music artist. Demi Lovato even opened the show with a steamy performance of her single “Kiss.”
The GLAAD Media Awards will officially air Saturday, March 21 on Hulu.
DeSantis signs emergency bill that restores Fla. ADAP funding
Menaka Guruswamy celebrated as India’s first openly LGBTQ MP
Trans-led HIV clinic in Portsmouth struggles amid funding cuts
D.C. goes gaga for Gaga
Gay priest credited with boosting church support for LGBTQ Catholics
‘How We Survived’ panel set for March 25
Calendar: March 21-26
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