Celebrity News
Sasha Colby’s ‘Stripped II Tour’ is more than a show — it’s a movement
The ‘drag queen’s drag queen’ is just getting started
Sasha Colby didn’t set out to become “your favorite drag queen’s favorite drag queen.” It just kind of happened.
“You know, I was so stoned,” she admitted with a laugh, recalling the filming of her “Meet the Queens” promo. “We were about to sit down for the interview, and they were like, ‘Oh, just think of something, like a catchphrase you want to say.’” What came out was a now-iconic phrase that captured the truth: Colby is the queen’s queen, beloved by legends, adored by fans, and deeply respected in her craft. “It came out of the deep crevices in here,” she said, pointing to her head.
She thinks RuPaul might have planted the seed: “Ru had said on the main stage once, ‘You’re a drag queen’s drag queen — you’re what drag queens watch.’ And maybe that stuck in my head and just kind of … word association.”
And she’s only getting started.
After making history as the first out trans winner of “RuPaul’s Drag Race” to headline a Live Nation tour, Colby is hitting the road again this fall. Her “Stripped II” tour kicks off Sept. 16 in Seattle and wraps up in Hawaii, where she’ll bring her artistry full circle back home. This time, it’s bigger, bolder, and deeply personal, just like Sasha herself.
“I’m really excited to be going back on the road,” she told the Los Angeles Blade. “We’re doing a lot more cities. I think we did 23 last year, and this year we’re doing 30.” But the expansion isn’t just about scale, it’s about purpose. “The last tour was more about my journey to ‘Drag Race.’ This one’s about having fun, having some escapism, and magic. That’s so desperately needed in the world right now.”
The show is shaped by themes of resilience, joy, and gender freedom. It’s not just entertainment, it’s a protest in lipstick and lace.
“For me, doing drag is a protest,” Sasha said. “The most accessible way I can create change is through art and storytelling.” That means celebrating her Native Hawaiian heritage, honoring trans and queer ancestors, and centering the experiences mainstream media still too often ignores. “I love talking about how Native Hawaiians used to live and how they revered and had a space for trans people, for nonbinary people,” she said. “Those two things — the cultural and the queer — they overlap a lot. That’s my safe space to create from.”
The show will include Easter eggs for fans, references to cultural pride, sex and body positivity, and, of course, a healthy dose of gender fuckery. “Just really bending the mind,” she said, “and hopefully allowing us to get more comfortable with what we see as sexy or queer — or even straight, you know?”
It’s no surprise that Sasha’s rise to icon status has made her a beacon of trans joy and resilience. But she’s honest about the weight of that visibility.
“I actually try not to think about being someone everyone looks up to,” she confessed. “I’m definitely far from a perfect example of always having my shit together.” What grounds her, though, is openness. “I think that’s the real point of strength in vulnerability — being OK to show yourself, flaws and all.”
It’s a reminder that behind every perfectly executed performance is a full human being with trauma, imposter syndrome, and insecurities, just like the rest of us. And yet, she shows up anyway. “It comes and goes. It comes in waves. Work in progress.”
Digital spaces, she says, have been crucial for building community when in-person organizing isn’t always possible. “Sometimes when we can’t be there in person, all we have is community online.” But that connection comes with responsibility. “What we post matters. A lot of people look to us as their news source. So I try to be mindful of that.”
Her activism, like her art, feels instinctive. “I think maybe just my upbringing — being Native Hawaiian, living with injustice on an occupied island nation — I’ve always just been interested in speaking truth,” she said. “I’m trying to do this mantra where I don’t have to be right, I just have to be happy. Unfortunately, being right makes me happy.”
Same, Sasha. Same.
Her connection to her roots runs deep: not just culturally, but queerly. “Being queer, being trans got me connected with my Hawaiian side,” she explained. “There’s a long history of trans hula dancers and singers. They were the ones who taught me about Miss Continental, the Glades, the Carousel — all these places I was drawn to as a performer.”
One concept she carries with her is the Hawaiian idea that “kana” (your purpose in life) is tied to “kulana” (your responsibility to community). “Once you know your purpose, then that’s easy to understand your part in your community — whether it be your trans community, local community, or global community.”
As for the future? “Sky’s the limit,” she said, beaming. “I see myself telling stories in different ways — drag, film, music, stage. I just love telling stories.” And she hopes that trans and queer people everywhere keep doing the same. “Keep on existing, because it’s making everybody so upset. It’s wild — but we’re not going to stop.”
Before we wrapped, I asked Sasha what she would say to her younger self—before the wigs, before the titles, before she became everyone’s favorite drag queen’s favorite drag queen. “Oh, baby girl,” she said tenderly, “even though it feels like you’re trapped in your body, in your house, in your family—just stick with it. You’re one stubborn little gal. And don’t forget, you’ve always taken care of yourself. You got you.”
And what is she most proud of? It’s not the crown, or the titles, or the sold-out shows. “I’m proud that after working as a gig worker, living off tips for 30 years, I can finally pay my bills on autopay,” she said. “It’s an amazing thing for trans women of color to be able to do that. So, thank you, drag.”
Yes. Thank you, drag. And thank you, Sasha Colby, for reminding us that joy is revolutionary, art is healing, and we shouldn’t just “protect the dolls,” we should also pay the dolls.
Check out the full interview:
(Video courtesy of the Los Angeles Blade)
“Stripped II” runs from Sept. 16 to Nov.15, 2025, with 30 confirmed North American dates, including Los Angeles on Sept. 26 and a grand finale in Honolulu, bringing “Stripped II”’s powerful celebration of trans joy and storytelling to a wider audience than ever.
Dolly Parton died on Tuesday at a Nashville hospital. She was 80.
Her publicist, Marcel Pariseau, said Parton passed away at the Vanderbilt-Ingram Cancer Center “after bravely facing a brief battle with cancer.” Parton’s nephew, Bryan Seaver, announced his aunt’s death in a video posted to her Instagram page.
Born in Sevier County, Tenn., on Jan. 19, 1946, Parton was one of 12 children who grew up in poverty.
She moved to Nashville in 1964 and later became known as the “Queen of Country Music” with hits that include “Jolene” and “I Will Always Love You.” Parton also starred in “9 to 5” and “Steel Magnolias.”
Parton in 1995 created the Imagination Library, which sends free books to children. Parton, among other things, donated $1 million to Vanderbilt University Medical Center that helped fund research that paved the way for Moderna’s COVID-19 vaccine, and gave another $1 million for Hurricane Helene relief efforts in Tennessee and North Carolina.
Parton was also a long-time LGBTQ ally.
She spoke in support of marriage equality and wrote “Travelin’ Thru,” a song that was part of the soundtrack for “Transamerica,” a 2005 film that documented a transgender woman’s trip across the country with her son. Parton in 2011 also appeared at the GLAAD Media Awards.
“Parton’s warm spirit, kindheartedness, and joie de vivre deeply resonated with the LGBTQ community, cementing her as a global queer icon whose art always held space for outsiders, no matter the risk,” said GLAAD on Tuesday. “Parton’s entire career was built on love and respect for all, and her unwavering allyship is a legacy that will last forever.”
Human Rights Campaign President Kelley Robinson in a statement said HRC is “heartbroken by Dolly’s passing.”
“She showed the world what it looks like to lead with love and stood with our community long before others in entertainment, using her voice and platform to create a world where LGBTQ+ people feel seen and celebrated,” she said. “Her music and her spirit touched millions; and her generosity, especially toward children, will be felt for generations. We will miss her dearly, and we will carry forward the light she shared with all of us.”
Lambda Legal CEO Kevin Jennings also mourned Parton.
“Long before it was easy or popular, Dolly Parton told our community that we belonged, and she meant it. She championed children’s literacy through her Imagination Library, lent her voice and resources to the fight against HIV and AIDS, and stood up, time and again, for the community she embraced as her own, all with the humor, warmth, and grace that made the whole world fall for her,” said Jennings.
The Congressional Equality Caucus and U.S. Rep. Sarah McBride (D-Del.), who is the first openly trans person elected to Congress, are among those who also celebrated Parton’s life.
Celebrity News
Madonna nominated for 11 MTV VMAs
Musical icon has been nominated in every decade of her career
While Michael Jackson is the uncontested King of Pop, Madonna can easily be considered its queen. She has managed to maintain relevancy throughout the decades and borrowed from different genres and even cultures. There was Puerto Rican freestyle-inspired early Madonna, the “Evita” moment, Madonna as a guru with “Ray of Light,” and more.
Regardless of how you feel about her acting, she has consistently performed hits for films, garnering her multiple awards.
Her follow-up to the wildly popular “Confessions on a Dance Floor,” “Confessions II” has managed to snag her 11 VMA nominations, more than any artist this year. This brings her total up to 80 nominations, and whatever she takes home will add to her 20 wins.
Madonna’s relationship with the VMAs has consistently included history-defining moments. In 1984, she performed at the first VMA ceremony dressed like a bride, emerging from a cake singing “Like a Virgin.” It was provocative and, of course, got conservatives into a tizzy.
One of her most memorable performances was her 1990 performance of “Vogue” in full Marie Antoinette regalia, which is forever etched in history. She also sang “Hollywood” in 2003 and famously kissed both Britney Spears and Christina Aguilera. She even eulogized Michael Jackson at the 2009 ceremony.
Fans have long awaited a follow-up to this monumental album. Despite her long career, “Confessions” marked her second Grammy for music achievement. Her follow-up album has delighted the gays and gone viral on social media with LGBTQ folks reigniting their love of Madonna with “I Feel So Free.” She is giving us what we need, much like Lady Gaga dropping “Chromatica” post-pandemic.
Since the album has been released, Madonna united with pop royalty, Kylie Minogue, on a remix of her song “Love Sensation.” The two appeared together on the stage for her set at World Pride in Amsterdam.
(Washington Blade video by Michael K. Lavers)
Rather than releasing a plain old music video, she released a film which strings together multiple celebrity appearances including collaborator Sabrina Carpenter, Benedict Cumberbatch, her longtime friend Debi Mazar, Honey Dijon, Kate Moss, Game of Thrones star Gwendoline Christie, and even her daughter Lourdes Leon. While the state of her biopic is in limbo, Julia Garner appeared in Madonna drag for the video. This video is the lion’s share of her nominations and could lead to an epic performance at the ceremony.
Time will tell how she will top these history-defining moments, but one thing is for sure … it will be a show. This year’s nominations include:
- Artist of the Year
- Video of the Year (CONFESSIONS II – THE FILM)
- Song of the Year (Bring Your Love with Sabrina Carpenter)
- Best Collaboration (Madonna & Sabrina Carpenter)
- Best Dance (CONFESSIONS II – THE FILM)
- Best Choreography (CONFESSIONS II – THE FILM)
- Best Editing (CONFESSIONS II – THE FILM)
- Best Visual Effects (CONFESSIONS II – THE FILM)
- Best Direction (CONFESSIONS II – THE FILM)
- Best Art Direction (CONFESSIONS II – THE FILM)
- Best Cinematography (CONFESSIONS II – THE FILM)
You can vote for Madonna on MTV’s website and find out how many awards she takes home and see her soon-to-be-legendary performance at the 2026 VMAs on Sunday, Sept. 27, on CBS, MTV, and Paramount+.
Celebrity News
Perez Hilton’s live breakdown reveals social media mental health crisis
Blogger hospitalized after harming himself online
Fans were shocked to witness former celebrity blogger Mario Lavandeira, aka Perez Hilton’s, epic crashout on social media. While on TikTok Live, he was harming himself with what appears to be a metal chef-grade spreader. There was blood, gore, and a cry for help that broke the internet.
Police from Miami-Dade County were called to the scene; he has been hospitalized. The fact that this traumatic incident was broadcast on TikTok brought up the topic of moderation. Hilton’s account has since been banned from TikTok, but by now the cat is out of the bag, and the clip is circulating online.
It’s hard not to reflect on how Hilton both represents a major turning point in Internet culture, and this incident may be a warning of its potential end. A statement on his blog from his representatives confirms that his family was on the scene minutes before the incident but quickly fled to protect his children and niece from any future trauma.
Hilton’s agent, Dante Rusciolelli, told Us Weekly in a statement. “Our focus remains on Perez’s health, recovery, and the privacy of both him and his family during this incredibly difficult time … We respectfully ask that everyone continue to honor his privacy while he receives the care he needs.”
A recurring theme on social media is that Hilton, at the height of his fame and media reach, would not respect the privacy of any celebrity. After all, he was one of the regular outlets covering Britney Spears’s famous shaved-head meltdown and part of the “Leave Britney Alone” mythos.
A bit of background
Before Hilton, there were celebrities famous for being famous like Angelyne and Paris Hilton. However, some may say he was the first to monetize it. From his laptop at a coffee shop, he galvanized the Internet by skewering celebrities.
Nothing was off limits. He outed celebrities like Neil Patrick Harris, Clay Aiken, and Lance Bass. He spoiled the finale of season 3 of “RuPaul’s Drag Race,” and he posted celebrity nudes, including up-skirt photos of teen starlets like Paris Hilton, Britney Spears, and Lindsay Lohan, the same young women he also cyber-bullied.
Times have changed, and despite his many attempts to rehab his image, including having children, publicly apologizing, and even finding God, nothing brought him back to the public eye. He was recently hospitalized for sepsis and claims to have reflected on his behavior in the past.
This incident really shines a light on the intersection of mental health and fame in this country. In a post-Kardashian world, being a celebrity is not about talent or professional accolades. It has become about how you can increase your follower count. Whether it is stretching out Marilyn Monroe’s dress, becoming a Black Nazi like Kanye West, or even becoming President, it’s about how you can shock, awe, and find your base.
Los Angeles is a city that lives and dies by television and movies, but social media has shifted how this business works. People are cast from large social media followings. People who do manage to build a following face some of the darker aspects of fame. Whether it’s Chappell Roan’s beef with paparazzi and fans, or Hudson Williams and Connor Storrie having to ask for privacy and respect for their humanity, even if you reach the level of fame, it’s not all roses.
Add to this the fact that this is all tied to social media. Your fame is quantified by the number of followers, likes, and page views, while people are found in a negative feedback loop of dopamine addiction, clout chasing, and pushing themselves further to find more followers.
On Aug. 1, Floridian influencer Whitney Lynn was thrown off a flight claiming spiritual warfare when she was disrupting the flight by proselytizing. Was she doing this for social media follows? The Internet is now rampant with people causing scenes in planes, staging pranks and scenarios, and violating people’s privacy all in the pursuit of attention.
Hopefully Hilton finds the help he needs. This entire incident has called into question the entirety of internet culture. Who is responsible for the trauma that people inflict on other people? At what point do we intercede in Internet use before people have no other recourse but to harm themselves on live? And at what point does the toxic energy we put onto the net bounce back to us?
Similar to Hilton, Wendy Williams faced her own crisis, and maybe she put it best: “I would ask you to respect our privacy, but please, I don’t respect people’s privacy; that’s why I do the Hot Topics. So turnabout is fair game.”
If you know anyone struggling with self-harm, text CONNECT to 741741 for free confidential support or dial 988 for the suicide and crisis helpline.
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Two awesome, affordable rides
