Connect with us

Arts & Entertainment

GLAAD Media Awards will go on – virtually, of course

Two Blade reporters up for honors this year

Published

on

GLAAD Media Awards, gay news, Washington Blade
The Washington Blade’s Chris Johnson is nominated for Outstanding Newspaper Article and the Los Angeles Blade’s Karen Ocamb will receive special recognition at the GLAAD Media Awards next week. (Photo courtesy Ocamb)

With the initial spread of COVID-19 in the U.S. back in the early months of 2020, perhaps the first definitive proof that it had hit crisis-level proportions was the widespread cancellation of live events nationwide.

Every corner of the media and entertainment industry was impacted. Concerts, theatrical performances, award shows, conventions, lecture tours – every large in-person event across the country was either cancelled or postponed for the foreseeable future.

Among those were the two annual presentations of GLAAD’s Media Awards. The LGBTQ advocacy group was forced to pull the plug on both its planned ceremonies, set for New York and Los Angeles, and leave them in limbo for what we all then hoped would be only a month or two, at most, surely.

Now, as the country faces a new and even more alarming surge in the pandemic, GLAAD is stepping up to the plate to remind us that, despite whatever other challenges the world may be facing as we move into an increasingly uncertain future, the fight for equality must go on – and befitting its role as one of the foremost leaders in that fight, the organization has decided that it’s time for the 31st Annual GLAAD Media Awards to go on.

Slated for Thursday, July 30, the awards (which honor media for fair, accurate, and inclusive representations of LGBTQ people and issues) will be presented in a streaming event over GLAAD’s Facebook and YouTube platforms at 8 p.m., before airing on Logo on Aug. 3 (also at 8 p.m.). Taking the place of both original ceremonies planned for earlier this year, the virtual ceremony may not be the gala event that has become an annual tradition since its inception in 1990, but it will nevertheless continue the Media Awards’ legacy of sending powerful messages of acceptance to audiences globally as the most visible annual LGBTQ awards show in the world.

In January, GLAAD announced more than 175 nominees in 30 categories. These include nods for “Bombshell,” “Booksmart,” “Downton Abbey,” “Rocketman,” “Adam,” “Brittany Runs a Marathon,” and several other films in both the Wide and Limited Release categories; “Batwoman,” “Billions,” “Euphoria,” “Pose,” “The L-Word: Generation Q,” “Brooklyn Nine-Nine,” “Dear White People,” “Schitt’s Creek,” “Sex Education,” “Vida,” and many more TV shows in the Drama and Comedy categories, as well as a long list of other programs and films made for television; Adam Lambert, Brittany Howard, Lil Nas X, Melissa Etheridge, Mika, Tegan and Sara, and several other big LGBTQ names are in the competition for Outstanding Music Artist; there are categories for Outstanding Comic Book and Outstanding Video Game, as well as the returning category for Outstanding Broadway Production; in addition, the Outstanding Kids & Family Programming category expanded to 10 nominees as a result of an increase in LGBTQ images across kids and family television programming and an increase in GLAAD’s work to advocate for inclusion in this genre. If all that weren’t enough, there’s another whole list of Spanish-language nominations.

Of course, entertainment is only one side of the media – there’s also its all-important role in providing news and information, something GLAAD recognizes with awards for Outstanding achievement in LGBTQ journalism. Among those being acknowledged in these categories are two of the Blade’s own reporters.

Nominated for Outstanding Newspaper Article is Chris Johnson, for “Military Reports No Discharges Under Trans Ban — But Advocates Have Doubts,” which appeared in the Washington Blade in August 2019. A deep-dive into the ongoing legal battles in the wake of President Trump’s controversial, tweeted 2017 proclamation that transgender individuals would no longer be allowed to serve in the U.S. military, the article is a strong contender against other nominated work from such journalistic heavy-hitters as both the New York Times and the Los Angeles Times.

One of the ceremony’s certain winners, as announced all the way back in January, will be the Los Angeles Blade’s Karen Ocamb, a longtime giant of LGBTQ journalism in L.A. Along with Philadelphia Gay News founder and publisher Mark Segal and the Netflix series, “Special,” Ocamb is one of three recipients of Special Recognition Awards from GLAAD.

Los Angeles Blade Publisher Troy Masters says, “I am so proud to work with Karen Ocamb on a near daily basis.  She is a powerful brain trust on LGBT and AIDS matters. Her integrity and devotion to truth have immensely benefited the LGBTQ community of Los Angeles and nationally, and it has made the Los Angeles Blade a force in journalism. Karen has added mightily to our partnership with the Washington Blade.”

As for Ocamb, she says, “I was surprised to receive the Special Recognition from GLAAD. I’ve been hesitant to submit any of my work for award consideration because it felt like a possible conflict of interest. But being recognized as an heir to LGBTQ reporters such as Jim Kepner and Del Martin and Phyllis Lyon is an incredible honor. And I greatly appreciate GLAAD serving as a watchdog over if and how our stories are being told since we are still a long way from full equality.”

Ocamb’s comments resonate with those of GLAAD President and CEO Sarah Kate Ellis, who said in a statement, “Among this year’s nominees are a wide range of stories and narratives about LGBTQ people of different races, ethnicities, genders, religions, and other identities that demonstrate the power of inclusion and diversity in fostering positive cultural change. As this year’s Media Awards go virtual, we hope to send a powerful message to LGBTQ people that in the midst of this culturally and politically divisive time, our visibility and voices have never been more important.”

It’s safe to say that a good number of the famous names and faces from that list of nominees will be making an appearance on July 30, but you’ll have to watch the ceremony to find out who the winners are.

Comedians Fortune Feimster and Gina Yashere will host, and there will be a special performance from Grammy-nominated duo Chloe x Halle. Special guests will include Cara Delevingne (“Suicide Squad,” “Valerian and the City of a Thousand Planets”), Kaitlyn Dever (“Booksmart”), WWE superstar Sonya Deville, Beanie Feldstein (“Booksmart”), Jonica T. Gibbs (“Twenties”), Dan Levy (“Schitt’s Creek”), Lil Nas X, Rachel Maddow (“The Rachel Maddow Show”), Ryan O’Connell (“Special”), Dolly Parton, Peppermint (“RuPaul’s Drag Race,” “Head Over Heels”), the cast and producers of “Pose,” trans model and advocate Geena Rocero, Angelica Ross (“Pose,” “American Horror Story”), comedian Benito Skinner, Brian Michael Smith (“9-1-1: Lone Star,” “The L Word: Generation Q”), Dwyane Wade & Gabrielle Union, Lena Waithe (“Master of None,” “Queen & Slim,” “Twenties”), Olivia Wilde (“Booksmart,” “House”), and Raquel Willis (Writer, Activist, Director of Communications for Ms. Foundation).

For more information, visit glaad.org/mediaawards and follow @glaad and #glaadawards.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Movies

‘Hedda’ brings queer visibility to Golden Globes

Tessa Thompson up for Best Actress for new take on Ibsen classic

Published

on

Tessa Thompson is nominated for Best Performance by a Female Actor in a motion picture for ‘Hedda’ at Sunday’s Golden Globes. (Image courtesy IMDB)

The 83rd annual Golden Globes awards are set for Sunday (CBS, 8 p.m. EST). One of the many bright spots this awards season is “Hedda,” a unique LGBTQ version of the classic Henrik Ibsen story, “Hedda Gabler,” starring powerhouses Nina Hoss, Tessa Thompson and Imogen Poots. A modern reinterpretation of a timeless story, the film and its cast have already received several nominations this awards season, including a Globes nod for Best Actress for Thompson.

Writer/director Nia DaCosta was fascinated by Ibsen’s play and the enigmatic character of the deeply complex Hedda, who in the original, is stuck in a marriage she doesn’t want, and still is drawn to her former lover, Eilert. 

But in DaCosta’s adaptation, there’s a fundamental difference: Eilert is being played by Hoss, and is now named Eileen.

“That name change adds this element of queerness to the story as well,” said DaCosta at a recent Golden Globes press event. “And although some people read the original play as Hedda being queer, which I find interesting, which I didn’t necessarily…it was a side effect in my movie that everyone was queer once I changed Eilert to a woman.”

She added: “But it still, for me, stayed true to the original because I was staying true to all the themes and the feelings and the sort of muckiness that I love so much about the original work.”

Thompson, who is bisexual, enjoyed playing this new version of Hedda, noting that the queer love storyline gave the film “a whole lot of knockoff effects.”

“But I think more than that, I think fundamentally something that it does is give Hedda a real foil. Another woman who’s in the world who’s making very different choices. And I think this is a film that wants to explore that piece more than Ibsen’s.”

DaCosta making it a queer story “made that kind of jump off the page and get under my skin in a way that felt really immediate,” Thompson acknowledged.

“It wants to explore sort of pathways to personhood and gaining sort of agency over one’s life. In the original piece, you have Hedda saying, ‘for once, I want to be in control of a man’s destiny,’” said Thompson.

“And I think in our piece, you see a woman struggling with trying to be in control of her own. And I thought that sort of mind, what is in the original material, but made it just, for me, make sense as a modern woman now.” 

It is because of Hedda’s jealousy and envy of Eileen and her new girlfriend (Poots) that we see the character make impulsive moves.

“I think to a modern sensibility, the idea of a woman being quite jealous of another woman and acting out on that is really something that there’s not a lot of patience or grace for that in the world that we live in now,” said Thompson.

“Which I appreciate. But I do think there is something really generative. What I discovered with playing Hedda is, if it’s not left unchecked, there’s something very generative about feelings like envy and jealousy, because they point us in the direction of self. They help us understand the kind of lives that we want to live.”

Hoss actually played Hedda on stage in Berlin for several years previously.

“When I read the script, I was so surprised and mesmerized by what this decision did that there’s an Eileen instead of an Ejlert Lovborg,” said Hoss. “I was so drawn to this woman immediately.”

The deep love that is still there between Hedda and Eileen was immediately evident, as soon as the characters meet onscreen.

“If she is able to have this emotion with Eileen’s eyes, I think she isn’t yet because she doesn’t want to be vulnerable,” said Hoss. “So she doesn’t allow herself to feel that because then she could get hurt. And that’s something Eileen never got through to. So that’s the deep sadness within Eileen that she couldn’t make her feel the love, but at least these two when they meet, you feel like, ‘Oh my God, it’s not yet done with those two.’’’

Onscreen and offscreen, Thompson and Hoss loved working with each other.

“She did such great, strong choices…I looked at her transforming, which was somewhat mesmerizing, and she was really dangerous,” Hoss enthused. “It’s like when she was Hedda, I was a little bit like, but on the other hand, of course, fascinated. And that’s the thing that these humans have that are slightly dangerous. They’re also very fascinating.”

Hoss said that’s what drew Eileen to Hedda.  

“I think both women want to change each other, but actually how they are is what attracts them to each other. And they’re very complimentary in that sense. So they would make up a great couple, I would believe. But the way they are right now, they’re just not good for each other. So in a way, that’s what we were talking about. I think we thought, ‘well, the background story must have been something like a chaotic, wonderful, just exploring for the first time, being in love, being out of society, doing something slightly dangerous, hidden, and then not so hidden because they would enter the Bohemian world where it was kind of okay to be queer and to celebrate yourself and to explore it.’”

But up to a certain point, because Eileen started working and was really after, ‘This is what I want to do. I want to publish, I want to become someone in the academic world,’” noted Hoss.

Poots has had her hands full playing Eileen’s love interest as she also starred in the complicated drama, “The Chronology of Water” (based on the memoir by Lydia Yuknavitch and directed by queer actress Kristen Stewart).

“Because the character in ‘Hedda’ is the only person in that triptych of women who’s acting on her impulses, despite the fact she’s incredibly, seemingly fragile, she’s the only one who has the ability to move through cowardice,” Poots acknowledged. “And that’s an interesting thing.”

Continue Reading

Arts & Entertainment

2026 Most Eligible LGBTQ Singles nominations

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Published

on

We are looking for the most eligible LGBTQ singles in the Washington, D.C. region.

Are you or a friend looking to find a little love in 2026? We are looking for the most eligible LGBTQ singles in the Washington, D.C. region. Nominate you or your friends until January 23rd using the form below or by clicking HERE.

Our most eligible singles will be announced online in February. View our 2025 singles HERE.

Continue Reading

Photos

PHOTOS: Freddie’s Follies

Queens perform at weekly Arlington show

Published

on

The Freddie's Follies drag show was held at Freddie's Beach Bar in Arlington, Va. on Saturday. (Washington Blade photo by Michael Key)

The Freddie’s Follies drag show was held at Freddie’s Beach Bar in Arlington, Va. on Saturday, Jan. 3. Performers included Monet Dupree, Michelle Livigne, Shirley Naytch, Gigi Paris Couture and Shenandoah.

(Washington Blade photos by Michael Key)

Continue Reading

Popular