Arts & Entertainment
Queer celluloid
Festivals, docs, features, retrospectives, contests and more among local spring film season

Val Lauren and Christian Patrick in the controversial ‘Interior. Leather Bar.’ (Photo courtesy Strand Releasing)
The spring film season in Washington starts with a bang with “Elaine Stritch: Shoot Me,” a comic and poignant documentary by Chiemi Karasawa that captures the legendary performer’s days in New York City. The film interweaves footage from Stritch’s professional life (teasing Alec Baldwin on the set of “30 Rock” and struggling to remember the tricky lyrics of Stephen Sondheim for her final show at the Café Carlyle) and personal life (medial crises and packing for her move from Manhattan to Michigan). “Shoot Me” opens at West End Cinema on March 14.
The works of groundbreaking gay writer Tennessee Williams will be among those featured at the AFI Silver Theatre in Silver Spring this spring. A celebration of Vivien Leigh’s centenary will include “The Roman Spring of Mrs. Stone” and Leigh’s iconic performance as Blanche DuBois in “A Streetcar Named Desire.” A retrospective on the career of Burt Lancaster will include his sizzling performance opposite Oscar winner Anna Magnani in “The Rose Tattoo,” as well as his powerful appearance in the classic “Come Back, Little Sheba” by gay playwright William Inge. Details at afi.com/silver.

Samantha Master in ‘The New Black.’ (Photo by Jen Lemen)
Two documentaries about anti-gay campaigns will be released on DVD this spring. Michael Lucas’ “Campaign of Hate: Russia and Gay Propaganda” will be available on April 1 and finds the gay porn legend continuing his branching out into non-porn terrain. Yoruba Richen’s documentary “The New Black” examines how the black community is grappling with the issues of marriage equality and civil rights, and how the Christian right is exploiting anti-gay sentiment in black churches. It comes to home formats in June after it is broadcast on PBS as part of its Gay Pride Month celebration.
April 1 is also the DVD release date for the documentary “I Am Divine,” which explores the transformation of mild-mannered Baltimore native Harris Glenn Milstead into Divine, a “cinematic terrorist” and legendary international drag icon. Filmmaker Jeffrey Schwarz combines interviews with Milstead’s mother and Divine’s cinematic collaborators to create a complex portrait of a fascinating artist.
On a lighter note, the trend of female buddy movies continues with “The Other Woman,” a comedy featuring Cameron Diaz, Leslie Mann and Kate Upton as three women turn the tables on the man who cheats on all three of them. The movie, which opens in wide release on April 25, also features a performance by pop singer Nicki Minaj.
B’more QFest (formerly/formally known as the Baltimore Queer Film and Media Festival) strives to “bring unity to the community” by bringing quality LGBT film to Charm City. Upcoming events include a double bill of “Sordid Lives” and “Southern Baptist Sissies” with screenwriter Del Shores on April 6 and Leslie Jordan (“Sordid Lives” and “Will & Grace”) performing his one-man show “Fruit Fly” on June 10-11. Details at bmorequeer.org.

Pierre Deladonchamps in ‘Stranger by the Lake.’ (Photo courtesy Strand Releasing)
“Stranger by the Lake,” the gay erotic thriller that won the Queer Palm (an independent award given to entries made to the Cannes Film Festival) and was named one of the top films of 2013 by the influential Cahiers du Cinema is still looking for a venue in D.C. If all else fails, this steamy tale of murder and sexual awakening set by a scenic lake in rural France will be available on DVD May 13.
“Interior. Leather Bar.,” inspired by the mythology surrounding the 1980 film “Cruising,” will be released on DVD on April 15. Filmmakers James Franco and Travis Mathews (“I Want Your Love”) reimagine the “lost footage” from the controversial film as they document their own challenges with shooting sexually explicit material.
LGBT filmmakers will have a chance to strut their stuff in the annual 48 Hour Film Fest. From 7:30 p.m. on May 2 to 7:30 p.m. on May 4, teams of local artists will create original short films. The films will be screened the following weekend at AFI Silver Theatre and the winner will advance to the national competition. Teams can register at 48hourfilm.com.
Although the D.C. Shorts Film Festival won’t be held until September, the staff and volunteers, under the direction of founder Jon Gann, an openly gay director, will host a variety of events this spring. In March, the Mentors program will offer a series of workshops for filmmakers of all skill levels. On June 13-14, the D.C. Shorts Laughs will offer evenings that combine funny short films and stand-up comedians. And most importantly, the Festival is now accepting entries from both directors and screenwriters. For more information, visit dcshorts.com.
The Washington Blade held the seventh annual Pride on the Pier at The Wharf DC on Saturday, June 13.
(Washington Blade photos by Landon Shackelford)



















The 2026 Lost River Pride Festival was held on the scenic grounds of the Lost River Farmers Market in Lost City, W.Va. on Saturday, June 13. Headliner Tom Goss performed at the festival and gave a second performance at the nearby Guesthouse Lost River.
(Washington Blade photos by Michael Key)




















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Books
David Archuleta on Mormon faith, ‘Idol,’ more in new book
Unique memoir details religious upbringing, coming out
‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages
So just make up your mind already.
The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.

Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.
Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.
But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.
Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.
That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.
But there was one thing missing.
Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.
Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.
You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.
It’s harmonious in more ways than one, and fans will be happy.
So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.
The Blade may receive commissions from qualifying purchases made via this post.
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