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‘Henry,’ ‘Hamlet’ and ‘Hair’

Full-scale productions, staged readings and big-name one nighters among season’s fare

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Olympia Dukakis, theater, gay news, Washington Blade
Olympia Dukakis, theater, gay news, Washington Blade

Actress Olympia Dukakis performs a reading of her one-woman show ‘Rose’ at the Strathmore March 13. (Photo courtesy Strathmore)

With so many new and familiar musicals, plays and performances busting out all over, spring is an especially busy time for D.C.-area theater. And many of the season’s hottest tickets are of special interest to LGBT audiences.

Signature Theatre is premiering a musical adaptation of “Beaches” (through March 30), based on the novel previously adapted for the big screen as the 1988 tearjerker starring Bette Miller and Barbara Hershey. Signature’s out artistic director Eric Schaeffer is staging the production. Broadway veterans Alysha Umphress and Mara Davi respectively play odd couple longtime friends Cee Cee and Bertie.

Also at Signature, out director Matthew Gardiner is staging a revival of the Berthold Brecht/Kurt Weill scathing musical critique of capitalism “Three Penny Opera” (April 22-June 1). The cast features Rick Hammerly (also gay) as scheming Lucy Brown, a part played memorably by Bea Arthur in the 1950s off-Broadway version.

WSC Avant Bard is currently presenting “Orlando” (thru March 23), playwright Sarah Ruhl’s adaptation of Virgnia Woolf’s 1928 novel about a man who becomes a woman. Talented local actor Sara Barker plays the title role. Amber Jackson directs.

The Gay Men’s Chorus of Washington presents “Von Trapped” (March 12-14). It’s a sure-to-be gay parody of “The sound of Music” featuring those familiar characters and beloved songs but with a twist. James Ellzy is the director/choreography.

Mark Twain Prize, gay news, Washington Blade

Lily Tomlin (Washington Blade file photo by Michael Key)

Comic icon Lily Tomlin comes to the Strathmore in Bethesda, Md., on March 28. In her live act, Tomlin, who recently married longtime partner Jane Wagner, uses her familiar roster of characters like Ernestine the telephone operator and precocious brat Edith Ann to hilariously comment on the human condition. Olympia Dukakis will perform a reading of her one-woman show “Rose,” which tells of a Jewish woman who has survived major events of the 20th century, at the Strathmore on March 13.

As part of its World Stages: International Theatre Festival, the Kennedy Center presents a staged reading of gay playwright Samuel D. Hunter’s “A Great Wilderness” on March 22, a story of an older man who has devoted his life to counseling teen boys not to be gay. About to retire, he takes one last client who forces him to confront his own demons.

The Keegan Theatre (located on Church Street, N.W., a half block walk from JR.’s Bar) presents “Hair” (March 15-April 12), the acclaimed ‘60s rock musical that celebrates youth, protest, free love, and, of course, hair. The show’s co-creators James Rado and Gerome Ragni shared an intimate relationship that inspired the show’s groundbreaking relaxed attitude toward sexuality.

The Shakespeare Theatre Company’s out artistic director Michael Kahn is staging both “Henry IV Part 1” (March 25-June 7) with Stacey Keach playing Falstaff, and the “Henry IV Part 2” (April 1-June 8) with local big talent Edward Gero in the title role.

Synetic Theatre is reviving its Helen Hayes Award-winning production of “Hamlet,” the first in its enormously successful Silent Shakespeare series, which relies on movement rather than words to tell the story. Out actor Alex Mills plays the gloomy Danish prince. It runs March 13-April 6.

Every April 12, parties are held throughout the world celebrating Russian Cosmonaut Yuri Gagarin’s historic 1961 first manned space flight. D.C.’s “Countdown to Yuri’s Night” (C2YN) offers an artistic spin on this high-science holiday by combining an art exhibition, a space-themed burlesque show, band performances and a dance party. Entertainers include New York-based burlesque star Mr. Gorgeous and out performer Patrick Doneghy. This year’s venue is the spanking new Anacostia Arts Center.

In May, gay director John Waters brings his one-man show “This Filthy World” (May 16) to the Birchmere in Alexandria. For just one performance, the Baltimore-based film legend will share insights on his journey from trash genre cult favorite to bankable Hollywood director.

Gay playwright Peter Sinn Nachtrieb’s “The Totalitarians” (June 2-29) makes its area premier in a production staged by out director Robert O’ Hara at Woolly Mammoth. Set against the backdrop of Nebraska-based political campaign, this high-energy farce pokes fun at the inanity of political language.

With “Jarman (all this maddening beauty),” force/collision pays tribute to Derek Jarman, the British avant-garde artist and filmmaker who died of an AIDS-related illness 20 years ago. A mash-up of video and live performance, “Jarman” is written by playwright Caridad Svich and will be directed and performed by the ensemble company’s out founding director John Moletress. First workshop performances are scheduled for April 17-27 at the Atlas Performing Arts Center.

Holly Twyford, celebrated local actor and now director who is gay, is staging Factory 449’sThe Amish Project” (April 17-May 11), playwright Jessica Dickey’s account of the tragic  Amish one-room schoolhouse shootings that took place in Nickel Mines, Pa., in 2006, and its effects on the community. The production will be mounted at the Anacostia Arts Center.

On April 21, it’s the annual Helen Hayes Awards, honoring outstanding work in professional local theater from 2013. The event will be held for the first time at the National Building Museum.

Over the last weekend in May, the D.C. Queer Theatre Festival marks its third annual celebration the underrepresented voices and diversity of queer artists. The festival features new plays with themes relevant to the D.C. area and local artists with roots in the community. It also aims to meld quality theater with activism and charity.

This spring, the Rainbow Theatre Project, D.C.’s new company committed to presenting LGBT-themed plays and musicals, continues its inaugural season with one night staged readings of  gay playwright Noel Coward’s “Long Island Sound (March 17), a comedy of bad manners featuring out actor Rick Hammerly; and “Yank!”(May 5), a musical about a gay romance during World War II to be staged by Hammerly, who must be among the hardest working local theater folks this spring.

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Theater

Miss Kitty tackles classical mythology in ‘Metamorphoses’

Folger production seen through the lens of the African diaspora

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Miss Kitty (Photo by Sarah Laughland Photography)

‘Metamorphoses’
May 7-June 16
Folger Theatre
201 East Capitol St., S.E.
$20-$84
Folger.edu

Miss Kitty’s words are thoughtful and measured, occasionally punctuated by flamboyant flourishes and uplifting proclamations. Her tried and tested tagline is “live in fierce not fear.” 

She describes herself as “AMAB (assigned male at birth), nonbinary, genderqueer, transfemme” as well as “chanteuse, noble blacktress, and dancer.” 

Currently, Miss Kitty is testing her talents in Mary Zimmerman’s “Metamorphoses” at Folger Theatre on Capitol Hill. 

At 90 minutes, “Metamorphoses,” is made up of interwoven vignettes from classical mythology including the tales of Midas and his daughter, Alcyone and Ceyx, and Eros and Psyche. 

“It’s all stories that relate to the human condition: the follies, the happiness, the love, the loss,” Miss Kitty explains. “And a thorough knowledge of mythology isn’t a requirement for enjoyment.” 

The language is contemporary and with its 11-person ensemble cast – comprised exclusively of Black or indigenous people of color – they’re adding their own spin to its present-day feel, she adds. 

In Zimmerman’s famously staged premiere production, the actors performed in and around a pool of water. At Folger, director Psalmayene 24 has ditched actual aquatics; instead, he suggests the element by introducing Water Nymph, a new character constructed around Miss Kitty. 

Water Nymph doesn’t speak, but she’s very visible from the opening number and throughout the play on stage and popping up in unexpected places around the venue. 

“It’s a lot of dancing; I haven’t danced the way Tony Thomas is choreographing me in a very long time. At 40, can she still make theater with just my body as her instrument?

The name “Miss Kitty” was born over a decade ago. 

Miss Kitty recalls, “She was still presenting as male and going by her dead name. Someone commented that with the wig she was wearing for a part, she looked like Eartha Kitt whom she deeply admires.”

Her penchant for illeism (referring to oneself in third person) isn’t without good reason. She explains, “It’s to reiterate that however she might look, she’s always there; and if you misgender, she will let you know.”

Initially, the moniker was a drag persona at Capital Pride or the occasional fabulous cabaret performance at a nightclub.

But as time passed, she realized that Miss Kitty was something she couldn’t take off. She had always been a part of her. 

“She’s helped me to grow and flourish; she’s given me the strength that I never would have had before. I’m so proud of myself for realizing that before it was too late.” 

Bringing Miss Kitty into her theatrical career presented some concerns. Would theater folks be open to the new her, especially those she’d worked with before? 

Not always, but she’s found new companies who’ve welcomed Miss Kitty with open arms including Avant Bard, Spooky Action Theater, and now Folger. 

Last fall, Miss Kitty appeared in Spooky Action’s Agreste (Drylands), a stunning queer story penned by gay Brazilian playwright Newton Moreno. 

After being invited to audition and reading the script, Miss Kitty was determined to be a part of the production. 

A work dealing with love and being trans, and transphobia, and how people can turn on a dime once they learn the truth about someone, resonated deeply with the actor. 

“The play speaks to the idea that if people just let people be who they are and love who they want to love we’d all be a lot happier,” she says. 

For her sublime efforts, Miss Kitty nabbed a Helen Hayes Award nomination in the Outstanding Lead Performer category (winner to be determined on Monday, May 20 during a ceremony at The Anthem). 

It’s her first time nominated and first time attending. She’s thrilled. 

Miss Kitty grew up in Oxen Hill, Md., and now lives near Washington Harbor. Her entry into performance was through music followed by high school plays. She graduated from Catholic University with a degree in music/concentration in musical theater, and from there dove directly into showbiz. 

Looking back, Miss Kitty says, “being a person of color AND queer can be a double whammy of difficulty. You have to live in light and do the things you’re afraid to do. That’s the game changer.” 

Presenting “Metamorphoses” through the lens of the African diaspora (the cast also includes Jon Hudson Odom and Billie Krishawn, among others) helps us to realize that every story can be universal, especially for marginalized people — South Asian, Native American, or fully queer perspectives, she says.  

“Having an all-Black ensemble opens all new worlds for everyone.”

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Travel

Pride journey: Las Vegas

Start planning now for the October celebrations

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Las Vegas (Photo courtesy of Joey Amato)

Las Vegas, known for its vibrant and inclusive atmosphere, embraces LGBTQ culture with open arms, making it a thriving hub for the community. Iconic events like the annual Las Vegas Pride Parade and Festival bring together people from all walks of life to celebrate diversity and unity. The 2024 Las Vegas Pride festival is scheduled for Oct. 12, so start planning now.

The city’s commitment to inclusivity is reflected in the diverse range of LGBTQ-friendly accommodations, ensuring that visitors feel welcome and respected. Beyond the nightlife, Las Vegas hosts a variety of LGBTQ-focused community organizations, support groups, and cultural events that contribute to the rich tapestry of the city’s inclusive ethos. Whether exploring the famous entertainment offerings or participating in community-driven initiatives, LGBTQ individuals and allies alike find a warm and accepting home in the vibrant tapestry of LGBTQ culture in Las Vegas.

Ever since I was young, I have always wanted to stay at Bellagio. Its iconic foundations have fascinated me for decades. The hotel stands as an epitome of luxury and sophistication, offering an unparalleled experience that seamlessly blends opulence, entertainment, and fine dining. From the moment you step into the grand lobby, it’s evident that Bellagio is committed to providing a world-class stay, especially when you glance at the ceiling adorned with Chihuly glass sculptures.

I stayed in a recently renovated room in the Spa Tower with an unobstructed view of the Vegas Strip and the fountains. The attention to detail is evident in the tasteful decor, plush furnishings, and modern amenities. Beginning at 3 p.m. on weekdays and noon on weekends, the choreographed water show set against the backdrop of the Las Vegas Strip is a mesmerizing display of artistry, combining music, light, and water in perfect harmony. It sets the tone for the exquisite experiences that await within Bellagio.

Bellagio is also home to the famous Conservatory and Botanical Gardens, a lush oasis that undergoes seasonal transformations, displaying stunning floral displays and thematic installations. This botanical escape provides a serene contrast to the lively atmosphere of the casino and the bustling Strip. During our stay, the staff were completing the new springtime exhibition, which gave us Alice in Wonderland vibes. 

For those seeking entertainment, Bellagio offers the spectacular “O” by Cirque du Soleil, a water-themed extravaganza that complements the hotel’s overall theme. Bellagio Gallery of Fine Art is another cultural gem within the hotel, featuring rotating exhibitions that display masterpieces from around the world.

Although it is possible to never leave the hotel, we wanted to experience other MGM Resorts properties, so we headed to LPM at the Cosmopolitan of Las Vegas for dinner. LPM offers an exquisite dining experience that effortlessly marries Mediterranean charm with the vibrant energy of the Strip. From the moment you step through the entrance, you are greeted by an ambiance that strikes a perfect balance between sophistication and conviviality.

LPM’s interior is a visual feast, adorned with chic decor, warm lighting, and an intimate atmosphere. The combination of contemporary design elements and classic French accents creates a welcoming space that feels both elegant and comfortable. Whether you’re celebrating a special occasion or seeking a romantic dinner, LPM’s ambiance sets the stage for an unforgettable dining experience.

LPM’s menu is a culinary triumph, highlighting the rich and diverse flavors of the French Riviera. The emphasis on fresh, high-quality ingredients is evident in every dish. We began our meal with a variety of appetizers, including the Yellowtail Carpaccio, Escargots, and their signature Burrata prepared with heritage tomatoes and basil and topped with white truffles. For our main courses, we decided to focus on seafood entrees, so we tried the Lobster Risotto and grilled Chilean Bass. Both were prepared to perfection and paired very well together if you are looking to share entrees.

Of course, one of the biggest attractions of Las Vegas is the Strip itself. Spend a few hours meandering through each hotel and taking in the Vegas vibe. There is no other place in the world quite like it.

If you are in the mood for a little adventure, head to Area15, located about 10 minutes from the strip. Area15 is an immersive entertainment complex that blends art, technology, and entertainment in a unique and captivating way. Boasting an otherworldly exterior and a dynamic interior, Area15 is home to a variety of innovative experiences, including interactive art installations and virtual reality adventures. Its anchor tenant, the Meow Wolf’s Omega Mart, is a surreal supermarket-like environment filled with mind-bending art and hidden mysteries. The venue also hosts concerts and live events including Beyond Brunch, a variety show hosted by drag queen extraordinaire Andrew Ryan. The two-hour spectacle includes a wonderful buffet and performances by talented acts ranging from hoop dancers to Cirque-style entertainers. The show is well worth the price of admission; it is not your typical drag brunch.

Spend the afternoon touring Area15 or head to The Sphere, Las Vegas’s newest concert venue. Rock icons U2 opened the venue with a 40-night run, but guests can purchase tickets to Darren Aronofsky’s multi-sensory film “Postcard from Earth.”

For a trip down memory lane, especially if you are in you were born in the ‘70s or ‘80s, check out Retro by Voltaggio at Mandalay Bay. The restaurant owned by Top Chef stars, Bryan and Michael Voltaggio, takes diners on a nostalgic journey through time, blending modern culinary techniques with comforting flavors reminiscent of classic American dishes set in a retro-chic environment. The space is adorned with quirky memorabilia, neon accents, and a colorful palette that captures a sense of nostalgia without feeling overly kitschy, creating a welcoming environment for diners to unwind and enjoy the culinary adventure.

Retro by Voltaggio’s menu is a playful exploration of classic American favorites. We started our dinner with the deviled eggs with smoked trout roe along with the beet steak tartare, which was incredible. Next came the bluefin tuna ceviche served over coconut crushed ice. For our entrees we tried the trout meuniere, which was served in a lemon and caper sauce, as well as the lobster thermidor with lobster waffles — yes, you read that correctly. It was as delicious as it sounds.

Save room for the dessert cart, which contains innovative creations that satisfy the sweet tooth. Whether you’re a fan of nostalgic flavors or simply seeking a unique and enjoyable meal, Retro by Voltaggio is worth the visit.

After dinner, catch a performance of Michael Jackson “ONE” by Cirque du Soleil also at Mandalay Bay. The show is a captivating tribute to the King of Pop that seamlessly blends the magic of Cirque du Soleil with the timeless music and iconic choreography of Michael Jackson. From the moment the lights dim to the final bow, the show is a high-energy, emotionally charged celebration of the legendary entertainer’s life and legacy. This isn’t your typical Cirque du Soleil show and is more like a concert featuring all of Michael’s greatest hits, memorable dance moves, and state-of-the-art production. I felt like “ONE” is the type of concert Michael would have wanted to perform if he were still with us.

The thing I like most about Vegas is it is always evolving. Every time you visit, there is something new to see or do. Viva Las Vegas!

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Out & About

Blade Summer Kickoff Party returns to Rehoboth

Politicians slated to speak at annual Blue Moon party

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Sarah McBride is scheduled to deliver keynote remarks at the Blade’s 17th annual Summer Kickoff Party on May 17 in Rehoboth Beach. (Washington Blade file photo by Daniel Truitt)

The Washington Blade’s 17th annual Summer Kickoff Party returns Friday, May 17, 5-7 p.m. at the Blue Moon (35 Baltimore Ave.) in Rehoboth Beach, Del. 

It’s an exciting election year in Delaware, which is poised to elect its first Black woman senator (Lisa Blunt Rochester) and the nation’s first transgender member of Congress (Sarah McBride).

McBride is scheduled to speak at the party along with several politicos from the area. With the retirement of longtime state Rep. Peter C. Schwartzkopf, a staunch LGBTQ ally, three strong contenders are running to replace him. All three — Marty Rendon, Kathy McGuiness, and Claire Snyder-Hall — are slated to speak at the party. A representative from Blunt Rochester’s campaign is scheduled to speak, along with Kim Leisey, the new executive director of CAMP Rehoboth. 

Tax-deductible tickets are $20 and available on Eventbrite or via the Blade’s Facebook page. The party is sponsored by Justin Noble of Sotheby’s, The Avenue Inn & Spa, and Blue Moon.

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