‘Volta’ taught him how to perform using his whole body
After 33 years, Shakespeare Theatre’s iconic leader moving on
Writer took care to make ‘Ann’ ‘go someplace,’ come to life
‘I Favor My Daddy,’ ‘I Know it Was the Blood’ among 2019 queer standouts
New assignment near Boston will offer chance to direct more varied repertoire
Current Kennedy Center production explores resentment, dysfunction in Deep South
New work by Lucas Hnath picks up 15 years later with complicated character study
Performer channeled Gershwin obsession into long-running show biz career
‘Leaves of Grass’ poet was uncharacteristically out for his era
A tale of two queens excels with clever staging, solid cast
