Music & Concerts
Clay Aiken, parents join lawmakers to push anti-bullying bills
‘American Idol’ singer tells Capitol Hill briefing he suffered taunting

“American Idol” singer Clay Aiken and two mothers whose sons committed suicide because of anti-gay bullying at their schools appeared at a Capitol Hill briefing Thursday to urge Congress to pass two bills that would require schools to address bullying and harassment targeting LGBT students.
The Gay, Lesbian and Straight Education Network (GLSEN) organized the briefing as a means of drawing public attention to the two pending bills, the Safe Schools Improvement Act and the Student Non-Discrimination Act.
“Like many kids now in middle schools and high schools, I was bullied,” said Aiken, who came out as gay in 2008 after winning the runner up title of best singer on the widely viewed television show “American Idol.”
“I was picked on, I was called gay, I was called fag, I was called sissy, you name it,” he said. “Fortunately, I was able to overcome it and live through it because of a number of friends who were supportive of me.”
Aiken and Louis Van Amstel, host of the television show “Dancing with the Stars,” joined parents Sirdeaner Walker of Massachusetts and Tammy Aaberg of Minnesota in making an impassioned plea for lawmakers to pass the two bills. Sirdeaner and Aaberg’s sons took their own lives earlier this year due to anti-gay bullying.
“Over the past few months I have heard so many stories about other youth who were suffering,” said Walker, who lost her 11-year-old son Carl Joseph Walker, who hanged himself in his bedroom with an electrical cord.
“Too many of our children are being tormented in schools – and not enough of our adults are doing the right thing and teaching respect for all. Enough is enough,” she said.
Sen. Bob Casey (D-Pa.) and Rep. Linda Sanchez (D-Calif.), who introduced the Safe Schools Improvement Act, and Sen. Al Franken (D-Minn.) and Rep. Jared Polis (D-Colo.), who introduced the Student Non-Discrimination Act, also spoke at the briefing, calling on their colleagues to support the legislation.
“No student should have to dread going to school because they fear being bullied,” Franken told those gathered for the event, held in a committee hearing room at the Rayburn House Office Building. “We must address bullying and harassment in schools in the next Congress.”
Polis, who is gay, said school bullying affects students living in both Republican and Democratic leaning states, saying he would work with his colleagues on both sides of the political isle to push for passage of the legislation.
“Every student has the right to an education free from bullying, harassment and violence, and we are here today to show that Congress is ready to take a stand against bullying in our schools,” he said.
Franken and Casey cited recent cases of suicides due to anti-gay bullying in their home states. They pointed to what they called a courageous decision by Walker and Aaberg to speak at Thursday’s briefing to tell the stories of the loss of their own teenage sons as a means of drawing support for the legislation.
“Recent stories of the tragic effects of bullying in Pennsylvania and throughout the country are evidence of the urgent need to address this issue in our schools,” Casey said. “We owe it to our children to do whatever we can to ensure their pleas for help do not go unheard.”
Casey introduced to the briefing Joey Kemmerling, a high school student in Bucks County, Pa., near Philadelphia, who helped form an anti-bullying group as well a Gay-Straight Alliance organization at his school.
“I came out in eighth grade and ever since then I have been bullied every day,” Kemmerling told the briefing. “There’s not been a day that has gone by where I have not heard the word faggot, queer or fairy or told that I was not human.”
He described an incident when another male student threatened him with a knife on the school grounds after school officials declined Kemmerling’s plea that they search the student for a weapon.
“He came up to me and he looked me in the eyes and he had the look of hatred,” Kammerling recounted. “I didn’t know who he was but I knew that he hated me. And he said, ‘Your life is in my hands.’ And he walked away.”
The incident caused him to become deeply depressed and to contemplate suicide, Kammerling said.
“I thought I didn’t deserve to live. I was gay so did my life really matter? I didn’t think so,” he said.
“I almost committed suicide, and somehow I overcame that and started working to change the schools,” he said. “I was so thankful to meet GLSEN and work with them to fight all injustices all around the United States.
“I really just hope you’ll join me in that fight because the real change is going to come from society and the change is going to come from the people stepping up and saying, ‘I don’t want to see another kid ever go through what I went through and what the students went through that committed suicide.'”
His remarks drew a loud and prolonged applause from the audience, which included staff members of senators and members of the House.
GLSEN Executive Director Eliza Byard said she was hopeful that Congress would act on the two bills next year despite reports by Capitol Hill observers that the new Republican controlled House of Representatives would block all LGBT-supportive legislation.
“They currently have bipartisan support in this Congress,” Byard said. “And I think just as children’s safety, it’s not a gay or straight issue, it is not a Republican or Democratic issue.”
The Safe Schools Improvement Act requires schools receiving federal funds to develop policies to prohibit bullying based on race, sex, national origin, religion, sexual orientation and gender identity and expression. It has 130 co-sponsors in the House and 15 cosponsors in the Senate.
The Student Non-Discrimination Act calls for providing protections to students who are targeted for bullying, harassment and discrimination based on their “actual or perceived” sexual orientation or gender identity. It currently has 127 cosponsors in the House and 30 cosponsors in the Senate.
Franken said he has proposed that the Student Non-Discrimination Act be incorporated as an amendment to legislation reauthorizing the longstanding and highly popular Elementary and Secondary Education Act, which Congress is scheduled to vote on next year.
Music & Concerts
Underdog glorious: a personal remembrance of Jill Sobule
Talented singer, songwriter died in house fire on May 1

I’ve always prided myself on being the kind of music consumer who purchased music on impulse. When I stumbled across “Things Here Are Different,” Jill Sobule’s 1990 MCA Records debut album on vinyl in a favorite Chicago record store, I bought it without knowing anything about her. This was at a time when we didn’t have our phones in our pockets to search for information about the artist on the internet. The LP stayed in my collection until, as vinyl was falling out of fashion, I replaced it with a CD a few years later.
Early in my career as an entertainment journalist, I received a promo copy of Jill’s eponymous 1995 Atlantic Records album. That year, Atlantic Records was one of the labels at the forefront of signing and heavily promoting queer artists, including Melissa Ferrick and Extra Fancy, and its roster included the self-titled album by Jill. It was a smart move, as the single “I Kissed A Girl” became a hit on radio and its accompanying video (featuring Fabio!) was in heavy rotation on MTV (when they still played videos).
Unfortunately for Jill, she was a victim of record label missteps. When 1997’s wonderful “Happy Town” failed to repeat the success, Atlantic dumped her. That was Atlantic’s loss, because her next album, the superb “Pink Pearl” contained “Heroes” and “Mexican Wrestler,” two of her most beloved songs. Sadly, Beyond Music, the label that released that album ceased to exist after just a few years. To her credit, the savvy Jill had also started independently releasing music (2004’s “The Folk Years”). That was a smart move because her next major-label release, the brilliant “Underdog Victorious” on Artemis Records, met a similar fate when that label folded.
With her 2009 album “California Years,” Jill launched her own indie label, Pinko Records, on which she would release two more outstanding full-length discs, 2014’s “Dottie’s Charms” (on which she collaborated with some of her favorite writers, including David Hadju, Rick Moody, Mary Jo Salter, and Jonathan Lethem), and 2018’s stunning “Nostalgia Kills.” Jill’s cover of the late Warren Zevon’s “Don’t Let Us Get Sick” on “Nostalgia Kills” was particularly poignant as she had toured with him as an opening act.
Jill was a road warrior, constantly on tour, and her live shows were something to behold. My first interview with Jill took place at the Double Door in Chicago in early August of 1995, when she was the opening act for legendary punk band X. She had thrown her back out the previous day and was diagnosed with a herniated disc. To be comfortable, she was lying down on a fabulous-‘50s sofa. “I feel like I’m at my shrink’s,” she said to me, “Do you want me to talk about my mother?”
That sense of humor, which permeated and enriched her music, was one of many reasons to love Jill. I was privileged to interview her for seven of her albums. Everything you would want to know about her was right there in her honest lyrics, in which she balanced her distinctive brand of humor with serious subject matter. Drawing on her life experiences in songs such as “Bitter,” “Underachiever,” “One of These Days,” “Freshman,” “Jetpack,” “Nothing To Prove,” “Forbidden Thoughts of Youth,” “Island of Lost Things,” “Where Do I Begin,” “Almost Great,” and “Big Shoes,” made her songs as personal as they were universal, elicited genuine affection and concern from her devoted fans.
While she was a consummate songwriter, Jill also felt equally comfortable covering songs made famous by others, including “Just A Little Lovin’” (on the 2000 Dusty Springfield tribute album “Forever Dusty”) and “Stoned Soul Picnic” (from the 1997 Laura Nyro tribute album “Time and Love”). Jill also didn’t shy away from political subject matter in her music with “Resistance Song,” “Soldiers of Christ,” “Attic,” “Heroes,” “Under the Disco Ball,” and the incredible “America Back” as prime examples.
Here’s something else worth mentioning about Jill. She was known for collaboration skills. As a songwriter, she maintained a multi-year creative partnership with Robin Eaton (“I Kissed A Girl” and many others), as well as Richard Barone, the gay frontman of the renowned band The Bongos. Jill’s history with Barone includes performing together at a queer Octoberfest event in Chicago in 1996. Writer and comedian Julie Sweeney, of “SNL” and “Work in Progress” fame was another Chicago collaborator with Sobule (Sweeney lives in a Chicago suburb), where they frequently performed their delightful “The Jill and Julia Show.” John Doe, of the aforementioned band X, also collaborated with Jill in the studio (“Tomorrow Is Breaking” from “Nostalgia Kills”), as well as in live performances.
On a very personal note, in 2019, when I was in the process of arranging a reading at the fabulous NYC gay bookstore Bureau of General Services – Queer Division, I reached out to Jill and asked her if she would like to be on the bill with me. We alternated performing; I would read a couple of poems, and Jill would sing a couple of songs. She even set one of my poems to music, on the spot.
Jill had an abundance of talent, and when she turned her attention to musical theater, it paid off in a big way. Her stage musical “F*ck 7th Grade,” a theatrical piece that seemed like the next logical step in her career, had its premiere at Pittsburgh’s City Theatre in the fall of 2020, during the height of the pandemic. The unique staging (an outdoor drive-in stage at which audience members watched from their cars) was truly inspired. “F*ck 7th Grade” went on to become a New York Times Critic’s pick, as well as earning a Drama Desk nomination.
In honor of the 30th anniversary of Jill’s eponymous 1995 album, reissue label Rhino Records is re-releasing it on red vinyl. Jill and I had been emailing each other to arrange a time for an interview. We even had a date on the books for the third week of May.
When she died in a house fire in Minnesota on May 1 at age 66, Jill received mentions on network and cable news shows. She was showered with attention from major news outlets, including obits in the New York Times and Rolling Stone (but not Pitchfork, who couldn’t be bothered to review her music when she was alive). Is it wrong to think that if she’d gotten this much attention when she was alive she could have been as big as Taylor Swift? I don’t think so.
Music & Concerts
Tom Goss returns with ‘Bear Friends Furever Tour’
Out singer/songwriter to perform at Red Bear Brewing Co.

Singer Tom Goss will bring his “Bear Friends Furever Tour” to D.C. on Sunday, June 8 at 8 p.m. at Red Bear Brewing Co.
Among the songs he will perform will be “Bear Soup,” the fourth installment in his beloved bear song anthology series. Following fan favorites like “Bears,” “Round in All the Right Places,” and “Nerdy Bear,” this high-energy, bass-thumping banger celebrates body positivity, joyful indulgence, and the vibrant spirit of the bear subculture.
For more details, visit Tom Goss’s website.

Aussie pop icon Kylie Minogue brings her acclaimed “Tension” world tour to D.C. next Tuesday at 7:30 p.m. at the Capital One Arena. Tickets are still available at Ticketmaster.
The show features songs spanning her long career, from 1987 debut single, “The Loco-Motion,” to “Padam, Padam” from her album, “Tension.”