Living
Laughs in the libretto
New Wolf Trap-commissioned opera ‘The Inspector’ debuts next week
‘The Inspector’
A world-premiere opera based on Gogol’s play ‘The Inspector General.’ Music by John Musto, book and libretto by Mark Campbell. April 29 at 8 p.m. and May 1at 3 p.m.
Free one-hour talk at the Center for Education, next door to The Barns, an hour prior to each two-hour show.
The Barns at Wolf Trap
1645 Trap Rd., Vienna, VA
Tickets: $32-$72
877-965-3872/wolftrap.org
Mark Campbell (Blade photo by Michael Key)
Comedy is a different animal when it comes to opera.
That’s the experience of Mark Campbell, author of a new comic opera, “The Inspector,” that features his laugh-out-loud, incisive libretto matched perfectly to the expressive melodies in composer John Musto’s sophisticated-yet-fun style. It comes to the stage in its world premiere at The Barns at Wolf Trap on three nights beginning Wednesday.
Based on all advance indications, it will be another triumph for the veteran collaborators, Campbell and Musto, whose comic operas “Volpone” won major plaudits at Wolf Trap in 2004 and returned there for a successful reprise in 2007.
“We were their matchmakers,” Kim Witman, Wolf Trap Opera’s director, rightly boasts, about bringing the two together for “Volpone,” and she admits that “anytime you do that, you just don’t know at the beginning what’s going to work or not.”
This combo worked so well, says Witman, “that we’ll take the credit” for making it happen. About “The Inspector,” she says, “They both have an approach to this work that is modern in feeling, not as in avant-garde” — which in opera can be cold and remote — “but that hits the sweet spot.”
“The Inspector,” an update of the 1836 classic tongue-in-cheek satirical play by Russian writer Nikolai Gogol, “intersects as music and words,” she says, “with its own spin on our contemporary world, because this is not about high art, but they each set out to entertain.”
What’s great about the two, she adds, is that “they use actual English words and the same syntax you would use if you spoke to someone on the street, so it doesn’t feel theatrical, it just sounds familiar,” in Campbell’s way with words and Musto’s melodic punctuation.
Witman, an old hand at making opera come alive for new audiences, admits that “We’re hampered by the fact that we are called opera,” but she stresses, “in many ways ‘The Inspector’ is really musical theater. It’s simply that it’s sung by people with operatically trained and expressive voices, without microphones.” She points out that on Broadway, singers’ voices are amplified, but not in opera. “That’s what makes it opera,” but with “The Inspector,” she says, “in everything else it could just as easily be musical theater.”
Opera is alienating to some, she says.
“Many people won’t come out to anything called opera, because they think they’ll feel stupid or that it’s stupid because they can’t understand it. It’s because of the trappings of opera, the exaggerated posturing, that people stay away, and because it’s in another language, so people think ‘I won’t understand it,’ and because they think it’s going to be five hours long.”
But “The Inspector” is sung in English, with constant wisecracks, and she says, “is very fast,” clocking in at just two hours long.
Campbell — who is gay, and openly declares, “I’m single and available for marriage, unfortunately not yet in New York (he lives in New York City), but in D.C.” — says that he and Musto “were told to write a comedy because they (Wolf Trap) loved ‘Volpone,'” which was based on the English play of that name (in Italian it means “sly fox”) written by Ben Jonson and first produced in 1606.
Musto is Italian — half Sicilian and half Neapolitan — so Campbell says that when they put their heads together they soon decided to revamp and relocate the classic Gogol comedy, set in Tsarist Russia, to Mussolini-era Italy, and instead of Russian-flavored music, Campbell says it is very Italian in flavor, with tarantellas, those Italian folk dances with fast upbeat tempos, not cossack-style dances.
“The composer must help make the opera funny,” and all of Musto’s music, says Campbell, is created to make sure that the comedy of the libretto — the words — lands with flair and funny impact.
This is their fourth opera together. Three are comedies, and the fourth, says Campbell, has comic elements — “Later The Same Evening,” based on the paintings of American artist Edward Hopper.
“When it comes to comedy, we know how to do this,” he says.
That doesn’t mean it’s easy.
“It’s harder to do than drama, because it must do the same thing that drama does, create clear characters who want something, the same thing as when you tell any story, but it must also be funny.”
Campbell says that “you’d have to ask my friends if I’m funny” but that he thinks that he’s “actually a pretty miserable person, as are most people who have a comic bent, because at the core of their heart is something that’s pretty dark.”
Soprano Anne-Carolyn Bird, who sings the role of the mayor’s daughter, Beatrice, in “The Inspector,” agrees. She has worked with Campbell before, in the 2007 revival of “Volpone,” when she also sang on the cast recording of it which was nominated for a Grammy.
“He’s very friendly,” she says, “but at the same time he’s very private, and a lot of artists are like that.”
“We know how to bond with people, but we save ourselves for a few people and put the rest into our art,” so she says that “you get to know more about Mark by reading his work than by spending time with him in a casual setting.”
And “The Inspector” is funny, albeit set in a dark time, in late 1920s Sicily, when the new Italian dictator, Benito Mussolini, the fascist leader, or “Il Duce,” decided to try to clean up the inbred corruption on the island with its Mafia-style gangs that ruled in politics and society with a heavy hand of thuggery and thievery.
“His ego had been hurt,” says Campbell, who spent a long time researching the history of the period, “so he sent in his own inspectors — called “prefetti,” or prefects — to clean up the corruption in local power centers on the island. So the scene is set for the village (imaginary but based on his research) of Santa Schifezza, whose local mayor’s rule is both criminal and unchallenged, until someone the mayor (Fazzobaldi) believes to be Mussolini’s inspector arrives.
Tancredi, this mysterious stranger, traveling with his manservant Cosimo — exceedingly smart, acerbic even, and definitely more pragmatic than his “master” — arrive just as the citizens of Santa Schifezza have gathered to rehearse the town’s new anthem — which is so bad it’s utterly funny — for the next day, Municipal Mayor Day, a day Mayor Fazzobaldi has instituted in honor of himself.
But the mayor has been informed that an inspector from Rome will soon arrive, incognito, and put at risk the entire way of life, based on corruption, he has worked so hard to keep going. When the goofy twins, Bobachina and Bobachino, who run the post office, stumble in with the news that they have spotted a new arrival at the inn, and that he is tall, eloquent, elegant — and blond — the mayor immediately jumps to the conclusion that he must be the anticipated inspector.
“Comedy as a form of theater is different from humor,” says Campbell, born in D.C. and a Maryland resident until age 12. “In opera it’s usually found,” he says, “when characters are so obsessed with something — with greed or in the case also with abuse of power — that audiences don’t find it sad but funny.”
But he says his own favorite moments in comic operas are the sad or tragic moments, such as in the character of Figaro from the Beaumarchais play which formed the basis for Mozart’s opera “The Marriage of Figaro” and Rossini’s opera “The Barber of Seville.”
“I have done my job,” Campbell says, “if I have first seduced people with the jokes and then pull a 180-degree turn and stop them dead in their tracks, surprising them with an incredibly sad moment. Opera allows you to do that, and in many other art forms you just can’t do this so efficiently, because it has music which allows you to cut to the chase faster than with mere language.”
Campbell, who wrote the funny lyrics to the musical “And The Curtain Rises,” which just closed its world-premiere run at the Signature Theatre in Arlington, has also just come from Norfolk, Va., where the Virginia Opera premiered this month his musical theater piece based on a Civil War theme, “Rappahanock County,” in collaboration with the composer Ricky Ian Gordon, who is also gay and whose own musical “Sycamores” premiered last year at Signature Theatre.
Campbell is philosophical about being single, having been, he says, “in several long-term relationships, which were fairly happy ones, but I am not someone who believes in love forever, because people change and can evolve into a relationship and then evolve out of it.”
Three of his former partners “are now among my best friends,” he says. “If you love someone, you want them to be happy, and if you’re truly invested with someone it’s just a matter of reformatting the relationship.” But he’s also realistic — because first “you must get past the awkwardness of the first couple of years and the first new boyfriends.”
Could a comic opera on the subject be far behind?
Autos
Wagons ho! High-class, head-turning haulers
Automakers still offer a few good traditional station wagons
As a teenager, one of the first cars I drove — and fell in love with — was our family’s hulking full-size wagon. It stretched over 19 feet in length and weighed a whopping 5,300 pounds. That’s three feet longer and 1,000 heavier than, say, a Ford Explorer today.
But this Leviathan felt safe and practical, especially when tootling around town with my crew or traveling solo cross-country. Of course, this hauler was also an eco-disaster.
Luckily, that’s not the case today. And even though the number of traditional station wagons keeps shrinking, automakers are still offering a few gems.
VOLVO V60 CROSS COUNTRY
$54,000
MPG: 23 city/31 highway
0 to 60 mph: 6.6 seconds
Cargo space: 51 cu. ft. (rear seats folded)
PROS: Elegant design. Composed handling. Top safety features.
CONS: So-so power. Modest rear legroom. Only two trim levels.
The 2026 Volvo V60 Cross Country doesn’t cry for attention — and that’s the point. This is the automotive equivalent of Kristen Stewart, a celebrity who’s confident in her own skin and sees no need to post about it.
Under the hood, there’s a four-cylinder turbo engine paired with a mild-hybrid system, producing 247 horsepower. You won’t outrun other drivers, but there is a sense of calm authority when accelerating. The standard all-wheel drive and 8.1 inches of ground clearance mean this wagon is ready for dirt roads, bad weather or a spontaneous weekend jaunt.
And inside? Scandinavian minimalism at its finest. Clean lines. Gorgeous materials. Google-based infotainment that mostly works — though occasionally the system could be a bit faster, at least for my taste. The ride is smooth, composed and quiet, even if acceleration feels more “measured sip” than “espresso shot.”
But here’s the twist: After more than a decade, this is the final Volvo wagon in the U.S. Its farewell tour ends in 2026. That alone gives it collector-car status.
MERCEDES-AMG E53 WAGON
$95,000
MPG: 21 city/25 highway
0 to 60 mph: 3.4 seconds
Cargo space: 64.6 cu. ft. (rear seats folded)
PROS: Supercar vibe. Hybrid versatility. Stunning interior.
CONS: Some fussy controls. Can feel heavy when cornering.
If the Volvo V60 Cross Country is subtle, the 2026 Mercedes-AMG E53 Wagon is a screamer. It’s like being at a Lil Nas X concert: flashy, high energy, and full of shock and awe.
This performance wagon — a plug-in hybrid, no less — pushes well over 500 horsepower (and in some configurations over 600 horsepower), launching from 0 to 60 mph as fast as a $300,000 Aston Martin supercar.
Yes, deep down, this is still a wagon. But you also can do a Costco run in something that could embarrass sports cars at a stoplight. That duality is delicious.
Inside, Mercedes leans all the way in. The high-tech Superscreen setup stretches across the dash. Ambient lighting glows like a curated art installation. The 4D surround-sound audio literally pulses through the seats. It’s immersive. Borderline excessive. And entirely the point.
Rear-axle steering helps mask the size of this car, but there’s no hiding the weight — it’s a big, powerful machine. Still, this hauler handles far better than physics suggests it should.
PORSCHE TAYCAN CROSS TURISMO
$121,000
Range: 265 miles
0 to 60 mph: 2.8 seconds
Cargo space: 41 cu. ft. (rear seats folded)
PROS: Lightning fast. Space-age design. EV smoothness.
CONS: Very pricey. Options add up quickly. Limited rear visibility.
The Porsche Taycan Cross Turismo completely rewrites the wagon formula. Fully electric. Shockingly fast. Designed like it belongs in the Louvre.
Performance is instant. Depending on trim level, you’re looking at 0-to-60 mph in less than 3 seconds. No exuberant engine noise — just that smooth, purring EV surge.
Handling? Pure Porsche. Low center of gravity thanks to the battery-pack placement. Precision that makes winding roads feel like choreography. And then — hello — there’s also a Gravel Mode for light off-road use.
Inside, the style is restrained but high-tech. Digital displays dominate, including a 10.3-inch passenger side touchscreen. Yet the layout feels intentional rather than overwhelming. Build quality is exceptional. Options, including leather-free materials and an active-leveling system for hard cornering, are endless — and expensive.
Range varies by model. But as with any EV, your lifestyle (and charging access) matters.
Overall, this is a wagon that looks and behaves like one helluva class act.
Advice
My family voted for Trump and I cut off contact
Now my father is ill and I don’t know what to do
Dear Michael,
I stopped talking to my family last year because they all voted for Trump. It’s not like they didn’t know whom they were voting for — they’d already had four years of seeing him in action.
I decided that I couldn’t remain in contact with people whom I felt wanted to take away my rights as a gay man. That is what they essentially did by voting for Trump.
They had come to my wedding in 2012, they had welcomed my husband and me into their homes for the holidays for our entire relationship, so I couldn’t believe how little they actually cared about me and my community. I was profoundly hurt.
They’ve reached out but I have been too angry at their hypocrisy to engage in more than a perfunctory way. I miss them, sure, but as I’ve watched our community be attacked, I just get so angry that I don’t want to talk. I certainly don’t want to hear them justify bigotry and hatred.
Now one of my siblings has reached out to let me know that my father’s health is rapidly declining. I’m wondering if I should rethink my decision and reach out to him, maybe even visit, before he dies.
But then I think of ICE’s attack on our country and the removal of the Pride flag from Stonewall and I don’t want to talk to people who support what is happening to vulnerable, marginalized people and the LGBTQ community.
My father was a good father to me. Even when I first came out to him, he was loving and supportive. I can’t square his behavior personally toward me with his support of this regime. The hypocrisy makes me so angry. How could he purport to love me and then vote against my freedoms?
I would love some suggestions about how to square my two opposing viewpoints.
Michael replies:
Many years ago, a great mentor taught me that the one thing you can count on in a relationship is learning to tolerate disappointment: Both being a disappointment, and being disappointed in the other person. This is true for love relationships and it’s also true for other significant relationships. All of us are different in some major ways and so we are bound at times to disappoint our loved ones in major ways, and to be disappointed by them in major ways.
That is why I’m not a fan of purity tests. To expect that someone must think like you (much less vote like you) in order for you to have a relationship with them is unrealistic, impractical, and sometimes damaging.
Of course, a person may hold some beliefs that give you reason not to want to have any connection to them. But is that the case here?
From your description, your family has always been loving and supportive of you as a gay man. That is no small thing. They seem to care about you enough to have continued to reach out, even though you have stopped talking to them.
Perhaps they had some other reasons for voting as they did, other than to roll back LGBTQ rights and to attack immigrants.
Instead of wondering how they could be so hypocritical, how about talking with them and striving to understand their choices? I don’t know what they will say, and you may hear different answers from your various family members. But at least you will get some clarity, rather than presuming that they made their voting choices from a place of malice. Then you will be in a better position to decide if you want a relationship going forward.
Another point to consider: Very few things are set in stone. Even if your family made their voting choices based on holding positions that you neither like nor respect, they may be open to shifting their views over time. One way to perhaps influence their thinking is by engaging with them, sharing your thoughts, and asking them to consider the possible consequences of their actions. If you choose to re-engage with them, two points to consider:
First, don’t expect that you will change their minds. You can advocate for what you want, but you have to let go of the results.
Second, they are more likely to consider your points if you do not approach them from a judgmental, self-righteous stance.
Many years ago, when I was newly a vegetarian, I was eager to challenge and “educate” friends who weren’t following my dietary ideas. Guess what? It didn’t work. Then I got some great advice: A great way to influence others to consider eating fewer animals was to serve them delicious vegetarian food.
The same point is true here. We can’t beat people over the head to agree with us. But if we approach them with some kindness, rather than with the certainty that we hold the moral high ground, we may help them see a bigger picture.
And sometimes, we too may see a bigger picture.
Michael Radkowsky, Psy.D. is a licensed psychologist who works with couples and individuals in D.C., Maryland, Virginia, and New York. He can be found online at michaelradkowsky.com. All identifying information has been changed for reasons of confidentiality. Have a question? Send it to [email protected].
Are you prepared to meet the changing expectations of tenants? Tenant priorities are continuously shifting. As professional property managers, my team has witnessed firsthand the evolving demands of tenants over the last few years.
Frankly, today’s D.C. residents have high standards. Many have shifted to remote work, and they are placing a growing emphasis on sustainability. And these expectations are poised to evolve even further, with factors like affordability, technology integration, and community-driven amenities taking center stage.
Understanding these changes and adapting your rental to meet the growing demands of tenants and their evolving preferences will not only help you attract high-quality residents but also settle into long-term success in a competitive market. Let’s look at key tenant trends for 2026 in Washington, D.C. by providing practical strategies that help owners and investors navigate this shifting landscape, ensuring your property remains desirable and profitable in an increasingly growing rental market.
According to Buildium’s 2025 Industry Report, tenant retention is rising, and that’s due to a number of factors. It’s expensive to move, so if residents are enjoying a peaceful and pleasant rental experience and they appreciate where they live, it’s unlikely they will spend more money to live somewhere else.
The “2026 State of the Property Management Industry Report” also noted the rise of “Resident Benefit Packages,” which has contributed to retaining good residents. When landlords and property managers offer benefits such as protection against late payment fees, online conveniences, credit monitoring, air filter drop shipments, preventative maintenance services, and even concierge amenities, they increase tenant satisfaction and retention.
By investing in resident benefits, you can increase the likelihood of keeping your tenants satisfied. They’re more likely to renew their lease agreements and contribute to the care and upkeep of their home.
Provide smart home tech
According to data gathered by Nasdaq, Washington, D.C., is one of the top 10 U.S. cities where remote work is most popular, with more than one-third of the population working from home at least part of the time. Even with the federal government calling many people back into the office over the last year, remote work continues to be normalized. Tenants are working and studying from home, and they need their home to support that lifestyle shift.
They’re looking for technology, and that factor provides you the opportunity for you to attract remote workers as residents. While smart home technology was once a fairly niche amenity, it’s now becoming the standard. It’s an expectation of most tenants in Washington, D.C., that at the very least they’ll be able to:
- Connect to fast Wi-Fi at their home
- Enjoy online rental payment platforms that are secure and convenient.
- Make routine maintenance requests through resident portals
It was also recommended considering installing keyless entry systems, offering upgraded security such as video doorbells, investing in smart thermostats, and making it as easy as possible for tenants to integrate their own digital platforms and apps into their home life, whether that’s Alexa or Siri or their own personal AI-driven digital assistant.
Community-Driven Amenities in Washington, D.C., Rentals
Are you renting out units in a multi-family building or an apartment? Washington, D.C., tenants are focused on community and social connection, and so the demand for community-driven amenities is on the rise.
In 2026, renters are looking beyond traditional features like gyms or pools, seeking spaces that allow for interaction, well-being, and a sense of belonging. Co-working spaces, communal kitchens, and rooftop gardens are now more popular in buildings that are working to attract tenants who prioritize shared experiences. A recent report from Ronco Construction reports that these are the emerging trends in multi-family housing amenities:
- Rooftop decks
- Outdoor lounges
- Community gardens
- Fitness studios
- Dog parks and pet spas
- Co-working space
Know your tenant pool
If you rent out single-family homes, you’re dealing with tenants who prefer privacy and space. In those multi-family buildings and condo communities, however, tenants are likely looking for opportunities to connect with their neighbors and make friends. We have seen tenants drawn to properties that offer event programming, such as fitness classes, happy hours, or cultural gatherings, helping create a sense of community in a neighborhood atmosphere.
As an owner, investing in these types of amenities can increase tenant satisfaction, encourage long-term leases, and set your property apart in a competitive market where residents crave more than just a place to live, but also a place to connect.
‘Green Renting’ in D.C.
Tenants want to save money on energy and utilities. Most of them would also rather do whatever they can to be more conscious of their effect on the planet. The city of Washington, D.C., actively encourages this. According to Building Innovation Hub, Washington, D.C., wants to cut greenhouse gas emissions in half by 2032. More efficient building standards and energy incentives are making that possible.
Rental property owners can meet tenant expectations around sustainable living and environmental-friendly features by providing LED lighting, energy-efficient appliances, low-flow plumbing fixtures, and modern programs for managing waste and recycling.
Every tenant in Washington, D.C., is different of course, but there are common expectations that come with residents when they’re looking for a new home. Those highlighted here are even more important to tenants in 2026.
Find out how to make your Washington, D.C., rental property more competitive on the market. Engage a professional property manager for the advice you need.
Scott Bloom is owner and senior property manager of Columbia Property Management.
PHOTOS: Night of Champions
‘Big Mistakes’ an uneven – but worthy – comedic showcase
Rorschach stages ‘Dragon Play’ in unlikely, raw space
Wagons ho! High-class, head-turning haulers
Judge rescinds stay-away order in Capital Pride anti-stalking case
Gay D.C. police lieutenant arrested on child porn charges
Demonstrators disrupt OMB director hearing over PEPFAR
Madonna announces release date for new album
Senegalese court issues first conviction under new anti-LGBTQ law
Science said stop; the Supreme Court said no
-
District of Columbia5 days agoGay D.C. police lieutenant arrested on child porn charges
-
National5 days ago
Demonstrators disrupt OMB director hearing over PEPFAR
-
Celebrity News5 days ago
Madonna announces release date for new album
-
Senegal5 days ago
Senegalese court issues first conviction under new anti-LGBTQ law
